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Category: news

  • Who On Earth Release New Single ‘Any Other Way’

    Who On Earth have released new single ‘Any Other Way‘ ahead of the release of the band’s new album ‘It Takes The Village‘ on May 8th. Who On Earth cut its teeth through relentless gigging across the New York tri-state area, with founding members Coosh and Pete previously tearing up stages as MadHaus. During 2020, the […]

    The post Who On Earth Release New Single ‘Any Other Way’ appeared first on ROCKPOSER DOT COM!.

  • Listening Now : Nathanial Young, Corey Gordon, Roger Hallaway, Jesse Katz – Why I Owe You

    Nathanial Young, Corey Gordon, Roger Hallaway, and Jesse Katz join forces on Why I Owe You, delivering a refined jazz instrumental that thrives on subtle interplay and emotional restraint. The baritone sax leads with warmth and depth, while the ensemble builds a rich yet understated backdrop of groove and texture. Each musician contributes with precision, allowing space and timing to shape the track’s introspective mood.

    The result is a cohesive, late-night piece that feels both intimate and sophisticated, showcasing a shared musical chemistry and a deep understanding of mood-driven composition.

  • Chris Aschman – Triangles

    Chris Aschman, a Californian jazz musician based in Oakland, has recently released “Triangles,” a fine piece of sonic

  • Listening Now : Thistle Sifter – Et In Arcadia Ego

    Thistle Sifter’s Et In Arcadia Ego unfolds as a cinematic instrumental that quietly confronts the illusion of pastoral harmony. Through evolving post-rock textures, ambient synth layers, and subtle melodic shifts, the track builds an atmosphere both serene and unsettling. Its slow-burning progression mirrors the hidden tensions beneath idyllic landscapes, offering an emotional narrative without words. There’s a reflective depth here, where beauty and decay coexist in fragile balance. Expansive yet intimate, this piece showcases Pete Barnes’ ability to translate complex themes into immersive sonic storytelling with precision and sensitivity.

    Prepare yourselves for goosebumps!

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  • “There’s no reason why you can’t get better as you get older.” Nine Thunder albums to listen to and one to avoid

    Much-loved Brit rockers Thunder have rarely come up short in more than three decades, but now face an uncertain future. These are their best albums

  • SANGUISUGABOGG Shows Selling Fast

    Shat out of hell? Indeed. The epically unpronounceable, utterly indecipherable and altogether uncompromising gore merchants, Sanguisugabogg, are returning to Australia in June 2026 with special guests PeelingFlesh. And fans simply cannot get enough. Even with a venue update. Perth has just sold out! Melbourne’s huge 170 Russell – sold out! Adelaide, literally down to the […]

  • “Marrying the idea of death to an upbeat, singalong chorus has always been interesting”: This band love sneaking prog into record collections

    American quintet are more inspired by Billy Joel than Jethro Tull – except their keyboardist – practice a non-virtuoso style of prog, and limit themselves to one 19-minute song per decade

  • LOU GRAMM – Released (Album Review)

    The great Louis Grammatico – arguably the greatest rock vocalist of a generation (or ever) – treats fans to a 10 track insight into the past, with a selection of songs recorded in the late 80s, remastered and in some cases, finished off in recent months.   Most of the material I would vouch comes from between the first and second solo albums (‘Ready Or Not’ & ‘Long Hard Look’), plus at least one from the underrated Shadowking project. That song in particular is the lead track featuring Vivian Campbell on guitar. ‘Young Love’ is an instant Lou Gramm classic. Hard to comprehend why it was left on the shelf at any stage.   So too for most of the tracks really. Yes, there probably reasons why they never made it – especially when competing with the near perfect line-up of songs on those 3 albums. At times it comes down to simply that some songs sound close to others, or the tempo doesn’t fit the flow of an album.   Most other tracks feature co-writes and instrumental accompaniment from long-time musical partner Bruce Turgon (who should always be praised whenever possible).   You’ve got tracks like the sharp edged ‘Walk The Walk’ – in the vein of ‘Hanging On My Hip’ (from LHL), a gorgeous mid-tempo rock ballad ‘Long Gone’; the answer to where the title track from ‘Long Hard Look’ went (and also the first use of the name Shadowking in the lyrics) and the ‘Ready Or Not’ era rocker ‘Word Gets Around’, a track I’ve loved since 1987 on a live concert broadcast Lou did at the time. A piano version of ‘True Blue Love’ is a nice change from the traditional ‘acoustic’ versions offered.   Not ever vocal is perfect – which leads me to believe there are a few new ones in amongst the tracks, but whatever production has been done to get this release ready is AOK with me.   Basically an essential release for any Lou Gramm fan. A perfect bookend for his career outside of Foreigner.   Speaking of which – ‘Walk The Walk’ features some very Foreigneresque saxophone and ‘Time Heals The Pain’ clearly morphed into the classy ballad ‘Until The End Of Time’ from the band’s classic ‘Mr. Moonlight’ album.
    Categories: 
    Reviews

  • LOU GRAMM – Released (Album Review)

    The great Louis Grammatico – arguably the greatest rock vocalist of a generation (or ever) – treats fans to a 10 track insight into the past, with a selection of songs recorded in the late 80s, remastered and in some cases, finished off in recent months.   Most of the material I would vouch comes from between the first and second solo albums (‘Ready Or Not’ & ‘Long Hard Look’), plus at least one from the underrated Shadowking project. That song in particular is the lead track featuring Vivian Campbell on guitar. ‘Young Love’ is an instant Lou Gramm classic. Hard to comprehend why it was left on the shelf at any stage.   So too for most of the tracks really. Yes, there probably reasons why they never made it – especially when competing with the near perfect line-up of songs on those 3 albums. At times it comes down to simply that some songs sound close to others, or the tempo doesn’t fit the flow of an album.   Most other tracks feature co-writes and instrumental accompaniment from long-time musical partner Bruce Turgon (who should always be praised whenever possible).   You’ve got tracks like the sharp edged ‘Walk The Walk’ – in the vein of ‘Hanging On My Hip’ (from LHL), a gorgeous mid-tempo rock ballad ‘Long Gone’; the answer to where the title track from ‘Long Hard Look’ went (and also the first use of the name Shadowking in the lyrics) and the ‘Ready Or Not’ era rocker ‘Word Gets Around’, a track I’ve loved since 1987 on a live concert broadcast Lou did at the time. A piano version of ‘True Blue Love’ is a nice change from the traditional ‘acoustic’ versions offered.   Not ever vocal is perfect – which leads me to believe there are a few new ones in amongst the tracks, but whatever production has been done to get this release ready is AOK with me.   Basically an essential release for any Lou Gramm fan. A perfect bookend for his career outside of Foreigner.   Speaking of which – ‘Walk The Walk’ features some very Foreigneresque saxophone and ‘Time Heals The Pain’ clearly morphed into the classy ballad ‘Until The End Of Time’ from the band’s classic ‘Mr. Moonlight’ album.
    Categories: 
    Reviews

  • ANTHRAX, ALIEN WEAPONRY: Fortitude Music Hall, Brisbane 23/03/26

    Photos by Fozz Rock Photography Review by Kris Peters It’s been seven long years since Anthrax last toured Australia, and if you don’t think that is a long time, then you obviously weren’t at Brisbane’s Fortitude Music Hall for the opening show of Anthrax‘s four date hit and run mission last night. But first, let’s […]