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Multi-platinum band Young the Giant have released their new single, Bitter Fruit.

Produced by Brendan O’Brien (AC/DC, Pearl Jam, Bruce Springsteen, Bob Dylan) and Young the Giant, and written by the band collectively, the anthemic song captures a yearning to reconnect with the wonder of youth — to feel alive, fall in love, and embrace life fully. An official music video for the track featuring never-before-seen studio footage is also out now.

Speaking on the new single, the band shared, “Bitter Fruit is a song about the struggle of being calloused by adulthood with a yearning to see the world fresh, through the eyes of a child: To feel alive and present with wonder and awe. When we wrote the line, ‘I wanna laugh and cry just like a child again,’ our engineer’s kids walked into the studio at that exact moment. It felt strangely fated.”

The release follows the band’s recent single Different Kind Of Love, which debuted as the #1 most-added track at Alternative Radio and #5 at Triple A in its first week — listen here. The track continues to climb at Alternative Radio, currently sitting in the Top 10. Both singles will appear on Young the Giant’s forthcoming sixth studio album Victory Garden, arriving May 1. The project marks the band’s first full-length release since 2022’s American Bollywood.

Last month, Young the Giant announced their forthcoming Victory Garden Tour, kicking off May 24 and running through August 9 across North America. The run of arena and amphitheater shows will feature support from Cold War Kids, almost monday, and KennyHoopla, with Cold War Kids also celebrating the 20th anniversary of their debut album Robbers & Cowards.

BITTER FRUIT – OUT NOW
https://link.youngthegiant.com/bitterfruit

VICTORY GARDEN – DUE OUT MAY 1
https://link.youngthegiant.com/victorygarden

The post YOUNG THE GIANT Releases New Single ‘Bitter Fruit’ & New Album ‘Victory Garden’ Out May 1 appeared first on The Rockpit.

Canadian rock ‘n’ roll band The Satisfactory’s How To Swim builds from a place of quiet reflection into a full, cathartic indie rock release. Rooted in classic songwriting, the track leans on warm guitars and steady pacing before gradually opening up into something more expansive and anthemic. Vocals carry a sense of vulnerability that grows into determination, mirroring its theme of resilience. The dynamics are key, allowing the emotional payoff to feel earned rather than forced. How To Swim captures that moment of hesitation before diving back in—and the strength it takes to do so.

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Theo Black’s Your Love is a high-energy indie rock cut that pairs driving guitars with a sense of emotional urgency. The track moves fast but never loses its melodic grip, balancing punchy rhythms with a reflective core rooted in lost love. Vocals carry a raw, slightly restless edge, giving the song a lived-in feel rather than polished detachment. The shift in the bridge adds a welcome twist, breaking the momentum before launching back in. Your Love captures that fleeting, unresolved feeling with both intensity and immediacy.

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Adetola’s NEW SWAG ORDER pushes into futuristic rap territory, pairing slick production with a confident, forward-thinking delivery. The beat feels sharp and modern, built on clean, synthetic textures that give the track a bold, next-wave energy. Vocally, Adetola moves with precision and attitude, reinforcing themes of individuality and reinvention without overcomplicating the message. There’s a strong sense of identity throughout, as the track refuses to lean on familiar formulas. NEW SWAG ORDER stands as a concise, self-assured statement that looks ahead rather than back.

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Cathedral Bells’ crashing out drifts through a lush dream pop haze, blending soft shoegaze textures with a melancholic undercurrent. The track leans into atmosphere, with washed-out guitars and gentle rhythms creating a floating, almost weightless feel. Vocals sit low and distant, enhancing its introspective tone while never breaking the mood. There’s a quiet emotional pull beneath the surface, balancing beauty with a sense of unease. crashing out unfolds as a dreamy, late-night piece, where texture and feeling take priority over structure, resulting in an immersive and subtly haunting listen.

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Eagles were trying to record Hotel California –but Sabbath were in the next studio

figure eight’s hummingbird blends indie rock with a hazy, almost dreamlike edge, balancing melodic clarity with textured noise. The track unfolds patiently, letting its layered guitars and steady rhythm create a soft but immersive pull. Vocals drift within the mix, adding emotional weight without overpowering the atmosphere. There’s a subtle tension between fragility and distortion, giving the song depth while keeping it accessible. hummingbird stands as a thoughtful, slow-burning piece that leans into mood and texture, rewarding listeners with its understated yet resonant presence.

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Paradame’s Return to Base moves with a cool, understated confidence, blending alt-R&B textures with dark, electronic undertones. The production feels spacious yet immersive, allowing subtle details to breathe while maintaining a steady, hypnotic flow. Her vocal delivery is smooth and controlled, carrying an introspective tone that never feels forced. There’s a quiet intensity throughout, as the track leans into mood rather than big moments. Return to Base stands out for its restraint and atmosphere, offering a sleek, late-night listen that unfolds gradually and stays with you.

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The Buzz Junky’s Gene is a gritty, off-kilter indie garage cut with a sharp, nocturnal edge. Driven by jagged guitars and a pulsing undercurrent, the track balances raw energy with a sly, almost playful darkness. Vocals feel loose yet intentional, delivering a late-night, confessional tone that adds to its charm. There’s a sense of controlled chaos throughout, where rough textures meet clever songwriting.

Gene thrives in that space between messy and magnetic, offering a dangerously catchy listen that feels a little unpredictable—in the best way.

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Mellen Events & Face to Face Touring have announced The Pogues Australian / New Zealand tour will still take place with their original dates.   A new show has just been added in Brisbane for Thursday 2^nd April at Fortitude Music Hall – tickets go on-sale on Monday 23^rd March at 10.00am (QLD time) via Ticketmaster.

The Pogues will make their long-awaited return to Australian stages with a special 40^th anniversary celebrating the classic album Rum, Sodomy & the Lash. 

The tour brings together original members James Fearnley, Jem Finer and Spider Stacy, alongside a stellar line-up of musicians and guest vocalists including Daragh Lynch, Iona Zajac, John Francis Flynn and Lisa O’Neill.  Released in 1985, Rum Sodomy & the Lash is a cornerstone of punk and alternative rock, renowned for its raw energy, poetic lyrics, and infectious melodies. The band are set to play the legendary album in full, including B-sides, extended version tracks, plus a special selection of their most beloved material.

Widely regarded as one of the greatest folk-punk albums, Rum, Sodomy & the Lash features the anthemic Dirty Old Town, A Pair of Brown Eyes and A Rainy Night in Soho.  Ranked among Rolling Stones “500 Greatest Albums of All Time”, its influence continues to echo across generations.

Returning for their first Australian / New Zealand tour in 14 years, this marks a rare chance to celebrate The Pogues extraordinary legacy live on stage.

THE POGUES – RUM, SODOMY & THE LASH
40^TH ANNIVERSARY TOUR DATES 2026:

Wednesday 25^th March
Fremantle Prison, Fremantle WA

Friday 27^th March
Hindley St Music Hall, Adelaide SA

Sunday 29^th March
The Forum, Melbourne VIC

Tuesday 31^st March
The Form, Melbourne VIC

Thursday 2^nd April
Fortitude Music Hall, Brisbane QLD
***NEW SHOW JUST ANNOUNCED***
Tickets available from Ticketmaster
www.ticketmaster.com.au

Sunday 5^th April
Sydney Opera House, Sydney NSW

Monday 6^th April
Sydney Opera House, Sydney NSW

Wednesday 8^th April
St James Theatre, Wellington

Thursday 9^th April
Christchurch Town Hall, Christchurch

Saturday 11^th April
New Zealand International Convention Centre, Auckland

The Pogues
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The post THE POGUES Australian Tour Still Goes Ahead With New Show Added appeared first on The Rockpit.