Category: news

  • Listening Now : Hidden Fields – Real Сool Man

    With Real Cool Man, Hidden Fields introduce themselves through a hypnotic blend of indie rock, neo-soul, and understated psychedelia. The track unfolds at an unhurried pace, allowing warm vocals, fluid grooves, and hazy guitar textures to create an atmosphere that’s both inviting and quietly melancholic. Beneath its effortless cool lies a poignant portrait of loneliness hidden behind charisma, giving the song emotional depth without sacrificing its laid-back charm. Every element feels carefully balanced, from the subtle rhythmic pulse to the immersive production, resulting in a debut that’s as captivating as it is refined. Real Cool Man is a confident first statement, revealing a band with a distinctive sonic identity and a remarkable sense of mood.

    Connect:

    Instagram

  • “Alan told us that he didn’t know how he’d face his family again. If he’d said, ‘I won’t accept my royalties for that,’ I’d have admired the courage of his convictions”: The controversial 1983 hit that split one of Britain‘s most beloved rock bands

    Perhaps more so than with any other band, Status Quo’s repertoire includes a handful of songs that became enormous chart hits yet were reviled by many of the band’s staunchest fans. In Quo’s case examples of this include Living On An Island, In The Army Now, The Anniversary Waltz and Burning Bridges.

    But Marguerita Time, a jaunty yet seemingly inoffensive 1983 single that Quo singer and guitarist Francis Rossi and collaborative partner Bernie Frost wrote about an alcoholic cocktail, was despised so much by one member of the group that it caused him to quit. It may even have been a catalyst in Quo’s decision to call it a day in 1984 (temporarily, as it turned out).

    The previous summer, the UK had been swept by a craze for getting smashed on margueritas – a sweet-tasting but deceptively strong tequila-based cocktail. Decorated with fruit and mini-umbrellas, for all its potency it was about as far from the good old-fashioned British pint as you could get. Rossi didn’t care at all, and found himself supping more margueritas than was advisable.

    Status Quo posing for a photograph in 1983

    Status Quo in 1983: (l-r) Francis Rossi, Rick Parfitt, Andy Bown, Alan Lancaster, Pete Kircher (Image credit: Dave Hogan/Hulton Archive/Getty Images)

    “I’d never been a drinker until then, but they were delicious and really got you pissed,” he recalls. “I used to order them six at a time. For a while I got out of control on tequila.”

    I used to order margueritas six at a time. For a while I got out of control on tequila.

    Francis Rossi

    The basic structure of Marguerita Time came together while Rossi was “poncing around” on his grand piano at home, and the rest was worked up with Bernie Frost over the phone. The singer even volunteers the similarities to Labelled With Love, which was a hit for fellow British band Squeeze two years earlier.

    The album it appeared on was 1983’s Back To Back. It wasn’t an easy record to make, and Quo almost scrapped it and started again when they returned home. Nevertheless, Rossi had very little trouble persuading bassist Alan Lancaster – the band member who ended up opposing Marguerita Time so vehemently – to record his part for it.

    “He didn’t argue too much because he didn’t think it would see the light of day,” Rossi recalls. “But the record label knew right away it should come out as a single at Christmas time.”

    Status Quo performing live on TV in 1984

    (Image credit: kpa/United Archives via Getty Images)

    Speaking to Classic Rock, the late Lancaster once said of Marguerita Time: “All it did was advertise the fact that we were becoming a bunch of nerds.” The fact that it became the band’s first song to be playlisted by both Radio 1 and Radio 2 quickly brought matters to a head with the frustrated bassist.

    “Funnily enough, it also made the Kerrang! heavy metal chart too,” Rossi chuckles. Because Quo had already recorded lightweight songs like Living On An Island, Rossi couldn’t understand Lancaster’s anger. “Alan had this macho attitude which really pissed me off,” he comments. “We’d be playing a song like Dirty Water [from the Rocking All Over The World album] on stage and he’d get really upset, claiming to be embarrassed to play material like that.”

    Nevertheless, Marguerita Time reached No.3 in Britain. And when Lancaster – who had emigrated to Australia years earlier – refused to fly back to London to appear on Top Of The Pops, his continued membership of Quo became almost untenable.

    “Alan didn’t wanna know,” sighs Rossi. “Just like he didn’t wanna know when Rick [Parfitt, late guitar/vocals] suggested we record Rocking All Over The World [written by John Fogerty]. He told us that he didn’t know how he’d face his family again. If he’d had the courage to say: ‘I won’t accept my royalties for that,’ I’d have admired the courage of his convictions.”

    The record label knew right away it should come out as a single at Christmas time.

    Francis Rossi

    In the same Classic Rock interview, Lancaster also insisted that Rossi was the only member of Quo who had wanted to record Marguerita Time. Rossi pleads ignorance regarding Rick Parfitt’s opinion of the song, and his willingness to have played on it, but he does acknowledge how divisive it was. “A lot of our fans absolutely hated Marguerita Time.,” he says.

    The band had planned to retire from the road after the Back To Back album and the End Of The Road tour. But of course their appearance as openers at Live Aid in the summer of 1985 prompted Rossi and Parfitt to put together a new line-up.

    “It was a breath of fresh air,” Rossi enthuses. “I’d gone to school with Alan Lancaster, we’d been good friends and he was a great guy. I just didn’t want to work with him any more.”

    The ‘new’ Status Quo played the controversial Marguerita Time live for a while, but as part of a medley.

    “Lots of people loved it when we did that,” Rossi says, “but our hard-core fans were up in arms. That’s the main problem this band has: the floating punters are the ones that just like the main tunes – one of which is Marguerita Time – and all the rest want to hear the album tracks. Personally, I still love Marguerita Time, but finding a balance is hard. Whatever we do, we seem to ostracise one side or the other.”

    Originally published in Classic Rock issue 101 (December 2006)

  • Madonna proves she is still the dance floor queen on ‘Confessions II’

    Madonna’s taking listeners to the club this Summer with the release of her fifteenth studio album, Confessions II, a sequel to 2005’s Confessions on a Dance Floor and easily her best work in the last 2 decades. Although a continuation of her exploration of dance and electronic music, it is certainly not a retread of its predecessor with producers Madonna and Stuart Price exploring new avenues. Where COADF focused on 70’s disco and 80’s house, Confessions II is all over the board giving…
  • Metallica, Rush Doing Their Part to Help With Venezuela Earthquake Relief

    Metallica and Rush are supporting earthquake relief efforts in Venezuela. Here’s what each band is doing.

    The post Metallica, Rush Doing Their Part to Help With Venezuela Earthquake Relief appeared first on Audio Ink Radio.

  • Review MOTÖRHEAD “Kiss of Death (20th Anniversary Edition)”

    Twenty years ago, Motörhead released Kiss of Death, their 18th studio album—another landmark in the band’s legendary career. Packed with everything that made Motörhead one of the greatest rock ‘n’ roll bands of all time, the album kicks off with the blistering opener “Sucker” and features timeless classics such as “God Was Never on Your Side”… Continue Reading →
  • R.I.P. Aaron Jackson

    Members of the Melbourne prog band Branch Arterial have paid tribute to their former singer, Aaron “Nigel” Jackson, who recently died from cancer.

    Jackson, who was known by the name Nigel, succumbed on June 12 after a year-long battle with his disease. He was originally diagnosed with a form of blood cancer in 2014 and Branch Arterial raised funds for medical research into treatment. The singer later made a full recovery from that diagnosis.

    Branch Arterial broke up after their performance at the Leprous-headlined Progfest in Melbourne in January 2018. Their album Beyond the Border was released the previous year.

    , , ,
  • Scenes From Taylor Swift’s NYC Wedding: Fans, Stars and More

    The scene outside Taylor Swift’s wedding in Manhattan had the drama and emotion of one of her albums.