And the Sky finds James Wyatt Crosby navigating the space between dream pop and experimental bedroom rock with a deeply immersive approach. The track unfolds gradually, moving from a hushed, almost weightless opening into more textured and dynamic territory, before settling back into a fragile, atmospheric calm. Crosby’s use of layered guitars, soft synths, and subtle found sounds creates a rich, evolving soundscape where emotion feels embedded in every detail. It’s less about structure and more about progression and feeling, capturing the delicate tension of distance and connection with quiet, cinematic depth.
With Elephant, Flight To London lean fully into their 80s-inspired synth-pop identity, crafting a lush and immersive track built around warm analog textures and refined musicianship. The duo layers rich Moog-driven sounds with steady rhythms and polished vocals, creating a nostalgic yet contemporary feel. There’s a sense of precision in the arrangement, but it never feels sterile—emotion seeps through the melodic choices and subtle shifts in tone. Flight To London balance vintage influences with modern clarity, resulting in a track that feels both familiar and fresh, anchored by atmosphere and strong songwriting.
With Theme Song for a Show That Never Existed, Axel Drive crafts a playful and nostalgia-drenched instrumental that instantly transports listeners to the golden era of 80s and 90s television intros. The saxophone takes center stage, delivering a bright, memorable melody that feels both tongue-in-cheek and genuinely infectious. Axel Drive fully embraces that slightly cheesy charm, but does so with intention and finesse. Midway through, the track introduces a subtle modern twist, refreshing the sound without losing its retro identity.
It’s a clever, feel-good piece that balances humor, warmth, and musicality with ease.
Push is forward-thinking and boundary-blurring, with District Five crafting a restless, genre-fluid backdrop for Saul Williams’ unmistakable spoken-word presence. The track moves with intent rather than structure, merging experimental electronics, jazz-inflected rhythms, and poetic urgency into something that feels alive and evolving. Saul Williams elevates it with sharp, thought-provoking delivery, turning the piece into more than just a song—it’s a statement. Push thrives on its unpredictability, channeling raw creativity and intellectual energy into a compelling, avant-garde listening experience.
Photo by Valorie Joy smallways. return with KNOW WHERE?, the first single from Part 2 of their debut album BROKE BRAIN. Five tracks will follow, expanding on the themes introduced in Part 1; Their 4 track debut EP MIND YOUR HEAD, released May 2025. Driven by chaotic punk energy, jagged momentum, and relentless urgency, KNOW […]
One Star One Body finds Madeline Goldstein delivering a slow-burning new wave piece that gradually expands from intimate tension into a powerful, cinematic climax. Her commanding vocals guide the track through themes of helplessness and inner strength, while the production carefully builds momentum without rushing. The real payoff comes midway through, as the song opens up into a striking, emotionally charged finale, making it a rewarding listen that transforms restraint into catharsis.
Bequem‘s Coffee Jazz is a smooth, jazzy instrumental hip-hop cut that thrives on laid-back grooves and effortless cool. Warm keys, soft drum patterns, and subtle melodic flourishes create a cozy, late-night atmosphere—perfectly living up to its title. The track leans into classic jazz-rap sensibilities, blending swing and hip-hop rhythm with a relaxed, almost lo-fi feel.
There’s no rush here—just a steady, head-nodding flow that invites you to unwind. Coffee Jazz is all about mood, offering a mellow, feel-good soundscape ideal for quiet moments and easy listening.
OVER 25 DATES SCHEDULED IN CELEBRATION OF THE BAND’S ICONIC SINGLE
Rock Legends The Angels are hitting the road in June to mark the 50th anniversary of their debut track, Am I Ever Gonna See Your Face Again, a song that is an indelible part of the Australian culture.
Kicking off in Queensland, dates have been booked for capital cities and key regional centres across New South Wales, Victoria, Tasmania and Western Australia. The tour will appropriately conclude in the band’s beloved, original hometown of Adelaide in early November.
Instantly recognised by its famous ambulance siren guitar riff and released in 1976, Am I Ever Gonna See Your Face Again was originally produced by Harry Vanda and George Young (of The Easybeats) and was written by current, original band members, brothers John and Rick Brewster and the late Doc Neeson. Further re-recordings followed until a live version of the track was released in 1988 reaching #11 on the charts.
In recent times, the single notably came in at #12 on Triple J’s Hottest 100 of Australian Songs in July 2025 and was the oldest title in the Top 40. “We were blown away when the song ranked so highly.” John Brewster explains.
The classic has also been honoured with covers by Dune Rats and Ruby Fields for Triple J’s famous segment, Like A Versionwith John and Rick Brewster happily obliging to the band’s invitation to feature on the recording in 2023. New York garage rockers Baby Shakes also released a cover of the single with an accompanying video in 2020.
“The song just seems to get bigger every year.” John Brewster smiles.
International touring artists Metallica, Keith Urban and Jelly Roll payed homage with live versions of the song across their respective sold-out tours in 2025, thrilling local audiences who were more than happy to oblige for the famous single’s expletive-laden call and response!
Even our Prime Minister Anthony Albanese loves it declaring, “There’s no better sing-along than Am I Ever Gonna See Your Face Again by The Angels,” during the 2025 election campaign.
The infamous chant was first encountered at a gig in Mount Isa in 1983. “We had actually dropped the song from our set,” John reveals. “But at the Isa gig, the crowd was going off and kept demanding encores. Backstage, we looked at each other and said, ‘What are we going to play?’”
When they hit the chorus, the band was greeted by the chant. After the gig, Doc Neeson grabbed a guy in the crowd and asked what was going on. He explained that he and his mates had attended a police Blue Light Disco in Fairfield in Sydney, where the DJ would stop the song and the crowd would yell the response. “So, in a way,” Doc reflected, “we have the police to thank. It’s amazing that it spread from just one disco.”
Over the years, many people have claimed to be the instigators of the chant, so its exact origins remain a mystery. “What we do know is the band had nothing to do with the chant,” Rick Brewster adds. “And we love that – it’s something that the audience has given us.”
In the UK, ex-pats will play the song at a pub so they can find other Australians. “It’s like an Aussie mating call,” the late-great Doc Neeson observed.
Despite becoming an Aussie anthem, the song actually has a tragic backstory. It was written after the girlfriend of the band’s first manager John Woodruff was killed in a motorbike accident. Her death had the band pondering the hereafter. “Can’t stop the memory that goes climbing through my brain/ I get no answer, so the question still remains: Am I ever gonna see your face again?”
“Fifty years on, the song still has so much meaning for us,” John Brewster says. “When we play the song, we’re thinking about all the people we’ve lost, like Doc and Chris Bailey. And all the people that we’ve played with over the years. And all the roadies, the tour managers, the record company people, our friends and, of course, all the fans.
“I’m reminded of Don Lane’s famous signoff: ‘I love your faces.’
“Am I Ever Gonna See Your Face Again is a song about – and for – everyone.”
Scriptures captures emo rap at its most fluid and introspective, balancing vulnerability with a laid-back, immersive vibe. The production leans on soft, atmospheric textures and mellow beats, giving both artists space to deliver emotionally charged verses without feeling heavy-handed. CH4RGN and Skarlow trade lines with a natural chemistry, blending reflective lyricism with understated melodies that linger.
There’s a calm, almost hypnotic flow to the track, where emotion builds subtly rather than exploding. Scriptures stands out for its restraint—keeping things chill, honest, and effortlessly engaging from start to finish.
Photo by Valorie Joy smallways. return with KNOW WHERE?, the first single from Part 2 of their debut album BROKE BRAIN. Five tracks will follow, expanding on the themes introduced in Part 1; Their 4 track debut EP MIND YOUR HEAD, released May 2025. Driven by chaotic punk energy, jagged momentum, and relentless urgency, KNOW […]
