Martha Reeves is eager to clear the air about her viral performance of “The Star-Spangled Banner.” In case you somehow didn’t see, she offered a rather unlistenable version of the national anthem at the inaugural Women’s Professional Baseball League last weekend, and now she’s blaming the backup singers on Fox 2 Detroit.
The post Martha Reeves Blames Backup Singers For Botched National Anthem, Attempts Solo Version On Detroit TV News appeared first on Stereogum.
Former Iron Maiden frontman Blaze Bayley says only one of the iconic metal band’s line of vocalists has achieved truly legendary status.
The band’s first singer was Paul Mario Day, who was part of the founding lineup from 1975 to 1976. He was replaced by Dennis Wilcock, who held the role until 1978.
Paul Di’Anno landed the job in 1978 and sang on the band’s first two albums – the self-titled Iron Maiden and Killers. Many fans still cite those two records as the group’s best ever work, and Bayley agrees.
He believes Di’Anno, who died in 2024, holds a status that nobody – not even current and longest serving frontman Bruce Dickinson – can match.
Bayley tells Metal OBS: “There are different eras of Maiden, of course, but in my mind, only Paul is the legend.
“After that, we carry the name, we carry the torch of Iron Maiden. I may become a legend, Bruce may become a legend. But the legend of Iron Maiden belongs to Paul on those first two albums.
“Because they broke the mould, not just of heavy metal, but of music. Those albums are so different and do so many things. They break the rules.
“He’s a legend. He was a legend. He now is a timeless legend. So that’s something that can never be changed, in my opinion. It’s only my opinion.
“Other people will say different things, but in my opinion, you listen to some of the songs on the first two albums, it’s so different to everything else that was going on.”
Di’Anno and Bayley became friendly after their stints with Maiden came to an end, and the pair even performed Maiden material together on the road.
Bayley adds: “We were colleagues. Paul was a very funny guy. I think people don’t know that about him. He had a great sense of humour.
“Russia from St. Petersburg, Moscow, right across to Vladivostok, and we did Sweden together. We did all Scandinavia, and we did Australia and New Zealand. And when we had a good band, and he’d rested well, you could close your eyes and it was like the first album, but better. It was like those first two albums, but better.”
Di’Anno’s health struggle towards the end of his life is the subject of a documentary released this year – Di’Anno: Iron Maiden’s Lost Singer.
Saviamantra is a fully self-produced project brought to life by Fabian Olemberg of Argentina. At the height of Artificial Intelligence, Fabian strives to create a vision that combines human creativity, emotions, lyricism, and philosophy with AI. All lyrics and music are original, and Fabian's core ideology is to explore a wide array of musical styles from across the world and across multiple languages. Saviamantra currently has 32 albums and more than 700 compositions available for streaming. Fabian is currently looking for a record label and partnerships with press, music publishers, or management.
Beyond music production, Fabian is a classical flautist, drummer, and composer/arranger in addition to creating playlists, soundtracks, musical experiences, and sonic identities for luxury brands, TV, radio, media companies, and more.
With Saviamantra's latest work "Metaphor Vs. Literalness," Fabian dances the lines between poetic and surreal with his original lyrics while exploring themes of vanity, hypocrisy, and in-authenticity in modern society. Inspired by classic 1970s rock, Saviamantra's 32nd album is a continuation of the project's exploration of music across a wide aspect of sound.
"Rather than replacing artists, SAVIAMANTRA demonstrates how artificial intelligence can expand human creativity and open new possibilities for the global music industry." – Fabian
Songs like "Metaphore Vs Literality 1", "Meteor 1" and "Human Vs A.I" take on a more pop-influenced, soft-rock sound that feels very commercial and hook-focused. Meanwhile, "The Fish", "H20", and "Dolly" feel like sublime-esque, beach rock songs.
Later on in the album, many of the songs have a spanish-flair to them, with some tracks even featuring a reggaeton beat. By the end of the album, "They Never Met" goes full pop, "Lost Generation" and "Satellites" are EDM song's with dance beats, while "The Three Musketeers" closes with a pop-rock sound.
Overall, throughout the album, it is clear that Saviamantra has no aversion to mixing sounds from a variety of genres and entirely changing sound from one track to another.
You can stream "Metaphor Vs. Literalness" available on all platforms now. The band is also in search of Record Labels and can be reached at their social media below.
Find Them Here: YouTube | Instagram | Facebook
Thanks for reading!
Tom G Warrior of Celtic Frost, Triptykon and Hellhammer fame might not be the first extreme metal musician you’d associate with progressive rock – but in 2017 he told Prog about his passion for a wide range of those artists, including Roxy Music.
“People might be surprised to read this, but I was very heavily inspired by progressive music when I was younger.
I listened to so many different artists that it’s very tough for me to talk about just one. It seems almost insulting when there are lots who had an effect on me when I was in my teens.
I have to make an honourable mention of Keith Emerson. The way he used classical music with ELP on albums like Tarkus had a massive impact on me.
But I’m going to celebrate Roxy Music here. I can’t exactly recall when I first heard them, but I would think it was on a southern German radio station which played a lot of prog.
What I loved about them was their fearlessness and delight in experimenting. If you listen to them now for the first time, then you might wonder what all the fuss is about, because what they did sounds like no big dea today.
But in the 70s, it was radical and exciting, and they were pushing the boundaries without any concern for commercial compromise.
Phil Manzanera’s guitar playing made an impression on me as a budding musician, but it was their all-round style that impressed me most. They became more mainstream, but in those early days there was nothing quite like Roxy Music.
I got into them through their second album, For Your Pleasure, and then retrospectively discovered their self-titled debut.
And there’s no doubt they had an influence on what Celtic Frost did on our albums Morbid Tales, To Mega Therion and, especially, Into The Pandemonium.
If I have to select the best Roxy Music album, it would be For Your Pleasure. What sets it apart from the rest of their catalogue is the songwriting; it’s of the highest calibre, and it’s very powerful.
If you combine that with the band’s devotion to being individual and cutting edge, then you have a very potent album that, to this day, still resonates with me.
There are so many progressive artists to whom I owe so much. But Roxy Music are one band that I would always choose as being a major part of who I am today.”
A silver skull catches the light beneath a black sleeve. Nearby, a raven pendant rests against dark fabric, its wings forever frozen in flight. At first glance, these objects may appear decorative. Yet their appeal reaches far beyond fashion. For centuries, people have used jewelry to carry reminders of mortality, memory, and mystery close to the body.
Few forms of personal style communicate identity as directly as jewelry. Rings, pendants, lockets, and brooches often reveal values that words leave unspoken. Within Gothic culture, symbols such as skulls, ravens, crosses, and mourning motifs serve as reminders of realities that modern society frequently avoids discussing.
Death, grief, memory, and the passage of time can be uncomfortable subjects. Gothic aesthetics confront them directly. Rather than hiding these themes, dark jewelry transforms them into wearable symbols that encourage reflection rather than denial.
This fascination is far older than the Gothic subculture itself. Long before modern alternative fashion emerged, historical societies created jewelry designed to acknowledge mortality. Skeleton rings, mourning brooches, memorial lockets, and black gemstones all reflected a desire to keep life’s fragility visible rather than hidden.
The history of dark jewelry stretches back centuries. Throughout Europe, personal adornment often served purposes beyond decoration. Jewelry communicated religious beliefs, social status, family connections, and philosophical ideas.
Among the most influential traditions was memento mori, a Latin phrase meaning “remember that you must die.” During the sixteenth and seventeenth centuries, skulls regularly appeared on rings, watches, lockets, and other personal objects.
To modern eyes, these pieces may seem unsettling. However, their original purpose was not to celebrate death. Instead, they encouraged reflection on the temporary nature of life. By remembering mortality, individuals were encouraged to appreciate the present more fully.
This perspective was common throughout Renaissance Europe. Death remained visible within daily life. It appeared in paintings, literature, religious teachings, and personal possessions. Rather than avoiding the subject, people treated mortality as an essential part of existence.
The Victorian era expanded these ideas in a deeply personal direction. Mourning became an important social ritual, particularly after the death of a close family member.
Many individuals wore rings, lockets, bracelets, and brooches designed specifically to preserve the memory of loved ones. Materials such as black jet, onyx, dark enamel, and other black stones became strongly associated with grief and remembrance.
Some pieces contained miniature portraits. Others incorporated woven locks of hair from the deceased. These objects allowed memory to remain physically present long after loss occurred.
Modern Gothic jewelry inherits much of this tradition. Beneath the skulls and ravens lies the same desire to acknowledge memory rather than erase it.
To someone unfamiliar with Gothic culture, a skull ring may appear intended to shock. In reality, the psychological meaning is often far more complex.
Carl Jung argued that individuals achieve greater self-understanding when they acknowledge the hidden aspects of their personality. He described these neglected elements as the shadow. Gothic symbolism frequently explores this same territory.
Rather than glorifying death, skull imagery encourages acceptance of reality. Mortality becomes something that can be confronted rather than feared from a distance. By transforming an abstract anxiety into a physical object, people often reduce its emotional power.
The symbol becomes a reminder that life gains meaning precisely because it does not last forever.
“Alas, poor Yorick! I knew him, Horatio.”
William Shakespeare, Hamlet
When Hamlet holds Yorick’s skull, he confronts more than death alone. He confronts memory, identity, and the passage of time. The object becomes a mirror reflecting the shared fate of every human being.
This idea explains why skulls remain central to Gothic jewelry. They are not symbols of despair. They are symbols of awareness.
If the skull represents mortality, the raven represents mystery. Few animals have occupied such an important place in mythology, folklore, and literature. Across cultures, ravens appear as messengers, observers, and guides between different worlds.
Part of their appeal comes from their unusual intelligence. Ravens can solve problems, recognize faces, and even use tools. These abilities helped create an aura of mystery around the bird long before modern science began studying its behavior.
Their dark appearance added another layer of symbolism. Black feathers, haunting calls, and a frequent presence near battlefields and graveyards encouraged generations of storytellers to associate ravens with death, prophecy, and hidden knowledge.
As a result, the bird became one of the most enduring symbols in Gothic culture.
Long before Gothic literature emerged, ravens appeared in myths across Europe and beyond. In Norse mythology, Odin relied upon two ravens named Huginn and Muninn, whose names translate as Thought and Memory. Every day they traveled the world, gathering information and returning with knowledge.
Similarly, Celtic traditions often connected ravens with prophecy, transformation, and the supernatural. Their presence frequently marked moments of change, conflict, or spiritual transition.
These stories helped establish a symbolic role that continues today. Ravens rarely represent simple violence or destruction. Instead, they symbolize awareness, memory, and the hidden forces operating beneath ordinary life.
For many people drawn to Gothic aesthetics, wearing a raven pendant reflects an attraction to mystery rather than darkness alone.
Although ravens possessed rich symbolic histories long before the nineteenth century, Edgar Allan Poe permanently changed how many people perceive the bird. His poem The Raven, published in 1845, transformed an ancient symbol into one of literature’s most powerful representations of grief and memory.
The poem follows a grieving narrator who longs for relief from the loss of Lenore. Instead of comfort, he encounters a mysterious raven whose repeated response to every question is a single word:
“Nevermore.”
The power of the poem comes from its psychological tension. Readers never know whether the bird possesses supernatural knowledge or simply becomes a focus for the narrator’s growing despair. That uncertainty creates much of the story’s emotional force.
Rather than offering hope, the raven becomes a reminder that some losses cannot be undone.
Poe’s influence extends far beyond literature. Today, raven imagery appears throughout Gothic fashion, music, visual art, and jewelry design. The bird remains popular because it speaks to experiences that almost everyone understands.
Memory shapes identity. Loss leaves permanent marks. Certain moments remain with us regardless of how much time passes. Poe captured these truths through a symbol that feels both ancient and deeply personal.
For this reason, a raven pendant often represents more than admiration for Gothic aesthetics. It can symbolize remembrance, resilience, and a willingness to carry emotional history rather than deny it.
The bird does not simply represent sorrow. It represents what survives after sorrow becomes part of us.
One reason Gothic jewelry remains so popular is that it allows individuals to communicate ideas without speaking. A skull, raven, cross, or mourning locket can express beliefs about mortality, memory, individuality, and self-awareness in a way that feels immediate and personal.
Unlike temporary fashion trends, these symbols carry centuries of cultural meaning. Their significance has evolved over time, yet their emotional power remains remarkably consistent.
People often choose these pieces because they reflect personal experiences. Some connect with themes of grief and remembrance. Others appreciate the emphasis on introspection and honesty. Many simply value symbols that acknowledge the complexity of life rather than pretending everything is simple.
Whatever the motivation, Gothic jewelry transforms philosophy into something tangible. Ideas become objects that can be worn, carried, and revisited every day.
The symbolism behind skulls, ravens, and mourning motifs did not disappear with the Victorian era. Instead, these images found new life within modern fashion, music, and art.
During the late twentieth century, Gothic and post-punk subcultures embraced symbols that reflected individuality, introspection, and emotional honesty. Jewelry became an important part of this visual language. Rings, pendants, bracelets, and earrings allowed people to express personal beliefs through carefully chosen symbols.
Unlike many fashion trends, Gothic jewelry offered more than appearance alone. Each piece carried a story. A skull could represent mortality. A raven could symbolize memory. A mourning locket could honor a loved one or acknowledge the passage of time.
Because of this deeper meaning, these symbols remained relevant long after many other trends faded.
Over time, designers began drawing inspiration from the same imagery that had long existed within Gothic culture. Skulls, black gemstones, crosses, and Victorian influences appeared in collections that blended historical symbolism with contemporary style.
Alexander McQueen played a significant role in bringing memento mori imagery into luxury fashion. His work frequently explored themes of beauty, mortality, and transformation. Rather than treating dark symbols as shocking decorations, he presented them as meaningful artistic statements.
Other designers followed similar paths, incorporating Gothic influences into modern collections. As a result, symbols once associated primarily with alternative subcultures entered mainstream fashion while retaining much of their original emotional power.
The appeal remained unchanged. People continued responding to symbols that addressed universal human experiences.
Fashion changes constantly. Colors, silhouettes, and trends rise and fall with every generation. Yet symbols such as skulls and ravens continue returning because they address questions that never lose relevance.
Human beings remain fascinated by mortality. We continue searching for meaning, reflecting on memory, and wondering how our lives will be remembered. Gothic jewelry provides a visual language for exploring these ideas.
Unlike disposable trends, these symbols connect people to centuries of history, literature, philosophy, and art. They survive because they speak to experiences shared across cultures and generations.
A skull ring worn today communicates many of the same ideas it expressed hundreds of years ago.
The strongest symbols endure because they carry multiple meanings at once. A raven can represent memory, mystery, intelligence, or transformation. A skull can symbolize mortality, equality, self-awareness, or acceptance.
This flexibility allows individuals to form personal connections with these images. Two people may wear the same pendant while interpreting its meaning in completely different ways.
For some, Gothic jewelry serves as a reminder of loss. For others, it reflects independence, resilience, or curiosity about the unknown.
The symbol remains the same, but the story attached to it becomes uniquely personal.
The history of Gothic jewelry reveals a tradition that extends far beyond fashion. From Renaissance memento mori rings and Victorian mourning brooches to modern skull pendants and raven necklaces, these objects have always served a deeper purpose.
They remind us of mortality without demanding fear. They preserve memory without denying grief. They acknowledge mystery without requiring answers.
Over the centuries, artists, writers, and designers have repeatedly returned to these symbols because they address questions that remain central to human experience.
Who are we? What remains after loss? How should we live knowing that time is limited?
Gothic jewelry does not attempt to solve these questions.
Instead, it keeps them close.
If Gothic symbolism, Edgar Allan Poe, dark aesthetics, and meaningful design inspire you, explore the Edgar Allan Poets store. Discover apparel and artwork created for lovers of mystery, literature, and the beauty hidden within shadow.
Continue your journey through Gothic symbolism, dark beauty, and literary mystery with the official Edgar Allan Poets playlist.
Skulls originate from the memento mori tradition and remind people of mortality, self-awareness, and the importance of living authentically.
Ravens often symbolize memory, mystery, intelligence, transformation, and the enduring influence of Edgar Allan Poe’s literary legacy.
Memento mori jewelry uses symbols such as skulls, skeletons, and clocks to remind wearers that life is temporary and should be appreciated fully.
Victorian mourning jewelry popularized black materials, memorial lockets, and symbolic designs that continue influencing Gothic fashion today.
These symbols address universal themes such as mortality, memory, grief, mystery, and identity, making them meaningful across generations.
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