Category: news
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Suffer UK Premiere New Single & Music Video “Pendulum of Vengeance”
Wolverhampton, UK-based deathcore five-piece Suffer UK premiere a new single and music video titled "Pendulum of Vengeance", streaming via YouTube and Spotify for you now below. Read More/Discuss on Metal Underground.com -
Big Ass Truck I.E. Premiere New Single & Music Video “Pushed Beyond The Brink”
Big Ass Truck I.E. have rolled out a new single titled “Pushed Beyond The Brink.” The track draws inspiration from the infamous 2005 Killdozer incident in Granby. After prolonged disputes with local authorities and residents over zoning issues tied to his muffler shop, Marvin John Heemeyer reached a breaking point. He eventually constructed … Read More/Discuss on Metal Underground.com -
SHORELINE: Is This The Low Point Or The Moment After?
Out NOW Via: Pure Noise Records Words by: Messer Jack As a German myself, and probably the most recent addition to the crew of HEAVY MAG, it feels pretty special to start with one of my favourite emo/ hardcore bands. Shoreline, originally from Münster, released their new album Is This The Low Point Or The […] -
Moodring Premiere New Single & Music Video “Gunplay (Suicidal 3way)” From Upcoming New Album “death fetish”
A music video has premiered online for Moodring’s new single “Gunplay (Suicidal 3way).” The visuals were directed by Olli Appleyard of Static Dress. The track marks the fourth preview released ahead of Moodring’s upcoming album “death fetish,” which is scheduled to arrive on March 27th through SharpTone Records. Band mastermind Hunter Yo… Read More/Discuss on Metal Underground.com -
UADA Premiere Their Cover Of Rome’s “Der Brandtaucher”
UADA have unveiled their cover of “Der Brandtaucher,” originally by Rome, from their upcoming acoustic release, “Interwoven.” The album sees the black metal outfit reinterpreting selections from their own catalog in a stripped-down format, while also covering songs that helped shape their musical influences. “Interwoven” is scheduled for rel… Read More/Discuss on Metal Underground.com -
BABY METAL, BLOODYWOOD, MAGNOLIA PARK: AEC Theatre, Adelaide, 14/03/2026
Words by: Belinda Quick Photos by: Missy Smiley Special thank you to Destroy All Lines “There isn’t a guarantee I can still be myself. Why would you wish to? All things change in a dynamic environment. Your effort to remain what you are is what limits you” – The Puppet Master, Ghost In The Shell […] -
Sebastian Bach Performs Twisted Sister Classic With His Solo Band
He's already gearing up for his new gig filling in for Dee Snider. Continue reading… -
Listening Now : Ghosts on TV – CCTV


With CCTV, Ghosts on TV unveil the first glimpse of their upcoming album Iridescent, blending shoegaze haze with post-rock atmosphere. The Helsinki-based band builds a slow-burning wall of sound where shimmering guitars, subtle synth textures, and melancholic vocals merge into something both dreamy and uneasy. Beneath the luminous sonic surface lies a darker reflection on modern division, digital echo chambers, and social alienation. That contrast between comforting soundscapes and bleak lyrical themes gives the track its emotional weight. CCTV feels expansive yet intimate, balancing beauty and unease in a quietly powerful statement.
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Listening Now : International Druglords – White Lie


White Lie by International Druglords delivers a gritty, cinematic slice of alt-rock driven by tension and emotional urgency. Anchored by brooding guitars and a relentless rhythmic pulse, the track explores the fragile balance between ego and love, capturing the moment when a single unspoken truth can unravel everything. The production feels sharp and atmospheric, allowing the dark mood to slowly tighten around the song’s core narrative. With its brooding energy and propulsive momentum, White Lie channels the intensity of modern post-punk and industrial-tinged rock, turning personal conflict into a powerful sonic confrontation.
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Listening Now : Griffin Brown – DRAW


Griffin Brown’s DRAW blends woozy indie rock with experimental electronic textures, creating a sound that feels both restless and unpredictable. Driven by a pulsing groove and an unresolved chorus, the track captures the uneasy feeling of starting something without knowing how—or if—it will ever reach completion. Brown’s songwriting leans into that tension, balancing abstract lyricism with a hypnotic musical structure. The production shifts subtly between organic and electronic elements, reflecting his genre-blurring artistic approach. DRAW stands as a compelling introduction to Brown’s evolving sonic world—ambitious, curious, and deliberately open-ended.
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