Category: news
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Exhorder – To Tour US Next Month
Next month, veteran thrashers Exhorder will embark on a headlining tour over the eastern part of United States. Skinlab will serve as direct support on this trek, which commences on April 2nd.
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Live Review: Lost Society â Manchester
Live Review: Lost Society – Star & Garter, Manchester
10th March 2026
Support: Awake AgainWords: Matthew Williams
Header Photo: Tim FinchHaving reviewed Lost Societyâs latest album âHell is a State of Mindâ and pronounced it as being utterly bonkers and utterly brilliant, I was intrigued about the prospect of seeing them live. A quick trip up the M6 to Manchesterâs own House of Doom, I walked up the wooden steps of The Star and Garter for some Tuesday night mayhem.
As part of the album launch tour, Lost Society brought along fellow Finnish metallers, Awake Again, for their first ever full European run outside of their homeland. The four piece looked a bit crammed on the tiny stage, mainly due to the size of the drums belonging to Lost Societyâs Tapani Fagerstrom, which are probably the largest Iâve seen on that stage.
With drummer Petteri Horn tucked away in the corner, they open with âRiverâ and straight away, you can see that vocalist Matti Osterman is vying with Dave Grohl for the Most Likeable Person in Rock title, as his demeanour and pleasant chat is infectious. He gets the crowd fired up with plenty of clap along moments as guitarist Maron Lahdenpera drops a range of mighty riffs and solos, with lots of different tempos. âManchester, are you awake?â asks a constantly smiling Matti, before they play âViolinsâ, with Maron, and man mountain bassist Ville Loukola, adding their vocal weight for a more impressive sound.
After asking what day it is today, they proceed with âSaturday Night (I Am Alive)â and it has a real party edge, with great drum and bass sections, a bit of techno and more importantly, some cowbell!! I was confused when Osterman asked everyone what their favourite animal was, but all was apparent as they kicked into âEven the Dead Fish can swim Upstreamâ which had a distinctly Eurovision sound to it, with some cool synths and a tidy bit of bass from Loukola.
The solemn and sombre âSoilâ was dedicated to the recent loss of Ostermanâs grandad before it livens up with a great solo. The marching sounds accompanied by a cleaner vocal lead into the more sinister âEnemyâ and we are properly warmed up with plenty of crowd participation on the excellent âShitwreckâ. In his best Mancunian accent, the frontman proclaims âthat was fuckinâ mentalâ as they leave us with the fast and frenzied âParasiteâ to end a thoroughly enjoyable set, and the frontman ends it as he begins, with a beaming smile.
With The Prodigyâs âFirestarter blasting through the PA, it switches to Lost Society‘s intro and the quartet, 3 of whom are dressed in white pvc outfits, with vocalist/guitarist Samy Elbanna in black, enter the stage go straight into âAfterlifeâ. The snare sound is quite something, and as the frontman shouts, âManchester, itâs time to wake the fuck upâ they launch into âBlood Diamondâ the second track off their new album and start to tear it up with cool riffs and solos.
âLetâs have some fun tonight Manchesterâ as heads start to bang along to the excellent âBlood on Your Handsâ, which has a great tempo about it, and has a brilliant breakdown, which proceeds â112â. They have a lot of groove going on in their music, and it combines so well with the thrashier elements. The wonderfully catchy âUnderneathâ is pure theatre and itâs clear that Elbanna has a certain presence about him, and you know that he would be equally at home in an arena as he is here. They have several clap along sections, and he asks the crowd to âget rowdy as Bristol are kicking your ass right nowâ.
They play along to a click track on several songs, and it was this which intrigued me about their latest album, particularly the superb âDead People Scare Me (But the Living Make me Sick)â which sounded fabulous live, as itâs immensely catchy and full of groovy tempos. An elongated solo welcomes âI Am the Antidoteâ adding some menace to the evening, with a range of brooding solos which gets the crowd moving. âWeâre gonna continue the 2016 stuff going, as this is called Riotâ and itâs a ripper of a track. It sounds dated in parts compared to their newer stuff, but it shows how far the band have evolved over the past 10 years.
Elbanna dedicates âIs This What You Wantedâ to anyone that been away from home for long periods and missing people and the piano track feels emotional alongside more hard-hitting drums from Fagerstrom. We have a blast from the past with the thrashy âNon-Believerâ before we go back to something âreally fastâ with âKILL (Those who oppose Me). Itâs a cracking song, full of ferocity and pace which continues into the brutishly killer âN.W.L.â.
The ballad esque âInto Eternityâ emerges before another new one âKill The Lightâ, which is musically and vocally right up there with one of the best of the evening. I enjoy the dual solos that Elbanna and Arttu Lesonen play alongside each other, and before âNo Absolutionâ Elbanna tells us that âweâve played more shows outside of Finland in the UK than anywhere elseâ and gets a huge cheer.
âWeâve got two more then we are done, this is the title track off the new album called Hell is a State of Mindâ and with the synth backing adding more punch, itâs a dramatic, powerful song, with more huge drums and pounding bass. They end with âAwakeâ and the crowd are moving, hair thrashing wildly, to end an extremely fun Tuesday night in Manchester.
The post Live Review: Lost Society – Manchester appeared first on The Razor's Edge.
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Listening Now : Broken 3 Ways â Hangman


With Hangman, UK outfit Broken 3 Ways deliver a punchy blend of gritty alt-rock attitude and sharp ska-punk energy. The track thrives on its rebellious spirit, pairing driving guitars with a taunting, chant-like hook that replaces the traditional chorus with something more hypnotic and confrontational. Lyrically, the song channels collective frustration and the idea of public accountability, wrapping its message in satire and dark humor.
Raw, energetic, and built for loud crowds, Hangman captures the chaotic charm of ska-punk while injecting a modern edge.
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“One guy brought a homemade metal blade to a fight. It lasted about 25 seconds. Phil completely laid the fella out. Phil was tough. You didn’t mess.” From teenage fan to first-name pals – The Phil Lynott I knew
Classic Rock writer Mick Wall remembers the Phil Lynott that most never knew -
Listening Now : Legends of the Seven Golden Vampires â Come Home


With Come Home, Legends of the Seven Golden Vampires craft a sweeping slice of what they describe as âcathedral pop,â blending atmospheric grandeur with the melodic sensibilities of the mid-â80s alternative scene. Lush textures and expansive instrumentation give the track a sense of scale, while the emotive vocals anchor the song with a feeling of longing and reflection. The result is both nostalgic and cinematic, balancing shimmering melodies with a moody, echo-drenched aesthetic. Come Home unfolds like a widescreen anthem, hinting at the rich sonic palette awaiting on the forthcoming LP The Pumphouse of Broken Dreams.
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VALOR â ÎÏÎčÏÏÏÎÏÎżÏ Îœ ÏÏÎčÏ ÎșÏ ÎșλοÏÎżÏÎŻÎ”Ï ÎŒÎ” ÏÎż single âWings of Steelâ
https://www.metalourgio.com/wp-content/uploads/2026/03/648647845_1806350020635123_7078281483065734347_n-768×492.jpg -
THE MEDICINE DOLLS Return With Daring New Single âTip The Waitressâ
Cape Townâs glam-soaked punk provocateurs The Medicine Dolls return with a ferocious new single and music video, Tip The Waitress, a snarling slice of punk-splattered rock ân roll that captures the band at their most unapologetic and unhinged. Accompanying the release is a striking new music video directed by internationally acclaimed South African filmmaker Ryan […] -
LORD OF THE LOST Share Latest Track âMy Funeralâ
In just under a month, on 10 April 2026, OPVS NOIR Vol. 3, the final part of LORD OF THE LOSTâs OPVS NOIR album trilogy, will be released. Today, the Hamburg-based band presents another preview in the form of their new single, My Funeral, which, as usual, cannot be pigeonholed into any genre and embodies […] -
ANGUS McSIX Team Up With VAN CANTO For New Song âDig Downâ
ANGUS McSIX teams up with Van Canto for the new single, Dig Down, an out-of-the-box harbinger from their sophomore album, Angus McSix and the All-Seeing Astral Eye, out March 13, 2026 via Napalm Records. Mixing their epicness with the German acappella troupeâs signature style, the power metal supergroup crafts an undeniably entertaining and inciting hymn. […] -
THE WHO Announce Live At Eden Project

Few bands have shaped the landscape of rock music with the force and longevity of The Who. For nearly six decades, their sound, spirit, and unmistakable energy have echoed across generations, influencing artists and audiences around the world. In 2026, the band adds a remarkable new chapter to their legacy with Live at Eden Project – a landmark live recording that captures the raw power, emotional depth, and artistic ambition of their unforgettable July 2023 performance at Cornwallâs iconic Eden Project.
Set within one of the UKâs most sustainable and visually striking venues – a breathtaking network of biomes nestled in the Cornish countryside – the concert stands as a testament not only to The Whoâs musical evolution but also to their enduring cultural relevance. Backed by the Heart of England Philharmonic Orchestra, founding members Pete Townshend and Roger Daltrey delivered a performance that fused classic rock intensity with orchestral grandeur. The Eden Projectâs natural acoustics and enclosed structures created a warm, detailed sonic environment that offered a clarity and intimacy unmatched by traditional stadium settings.
The recording reflects this unique atmosphere. Fans have long cherished The Whoâs âspecial locationâ shows, and Eden stands among the most memorable – a once-in-a-lifetime convergence of music, environment, and artistic vision. The smaller capacity fostered a deeper connection between the band and audience, allowing for heightened interaction, greater emotional resonance, and a sense of being inside the performance rather than observing it from afar. This intimacy, combined with the bandâs refined orchestral approach, captures The Who at a defining moment in their modern era.
Live at Eden Project also presents one of the strongest and most focused setlists of The Whoâs orchestral period. Alongside beloved anthems such as âBaba OâRileyâ and âPinball Wizard,â the album includes rarely performed gems like âCry If You Want,â âAnyway, Anyhow, Anywhere,â and âThe Rock,â creating a career-spanning journey that balances hits, deep cuts, and orchestral showpieces with remarkable fluidity.
The announcement coincides with the launch of the first single, âPinball Wizard,â which is available for streaming and download immediately.
The track offers a powerful first glimpse into the atmosphere and artistry of the Eden performance, capturing the heightened clarity, emotional nuance, and orchestral depth that define the full release.
Listen to Pinball Wizard here
https://edenproject.lnk.to/pinballwizardScheduled for release on May 29th, 2026, Live at Eden Project will be available as a 2CD Digipak, a limited 3LP Gatefold edition pressed on recycled vinyl with no plastic shrink wrap and packed in a separate paper wallet, a standard 3LP Gatefold, and across all major digital platforms. Every format showcases the full emotional and sonic range of a night that stands among the most compelling in The Whoâs recent history.
Vibrant, immersive, and uniquely alive, Live at Eden Project is the definitive document of The Whoâs orchestral era – a recording that captures not only a legendary band in peak form but also the spirit of a venue whose environmental ethos and natural beauty mirror the bandâs own commitment to evolution and innovation.

Pre-Order âLive at Eden Projectâ
https://edenproject.lnk.to/album
The Who – Live at Eden Project
TRACKLIST
Overture
1921
Amazing Journey
Sparks
The Acid Queen
Pinball Wizard
Weâre Not Gonna Take It
Who Are You
Eminence Front
The Kids Are Alright
You Better You Bet
Anyway, Anyhow, Anywhere
Substitute
I Canât Explain
My Generation
Cry If You Want
Wonât Get Fooled Again
Behind Blue Eyes
The Real Me
Iâm One
5:15
The Rock
Love, Reign Oâer Me
Baba OâRileyThe post THE WHO Announce Live At Eden Project appeared first on The Rockpit.