Category: news

  • Necrofier Drops “Fires of the Apocalypse, Light My Path I”

    necrofier_band

    Days after the release of their album Transcend Into Oblivion, American black metal outfit Necrofier released another single in the form of their track “Fires of the Apocalypse, Light My Path I”. In addition to the single, the band released an accompanying music video.

    Speaking of the track, vocalist/guitarist Bakka said the following:

    “The beginning when your eyes see for the first time. Something in you has changed but you don’t know what it is yet. You’re drawn to it, it consumes you. You are not the person you were before, but you don’t know why and how yet. New beginnings burn deep in the soul.”

    Transcend Into Oblivion is out right now via Metal Blade Records, get it wherever you get your music.

    NECROFIER Live:
    3/28/2026 White Oak Music Hall Lawn – Houston, TX (w/ Acid Bath, Obituary, High On Fire)
    5/16/2026 San Luis Metal Festival – San Luis Potosí, MX
    5/22/2026 Maryland Deathfest – Baltimore, MD

    The post Necrofier Drops “Fires of the Apocalypse, Light My Path I” appeared first on MetalSucks.

  • Ringo Starr’s New Album ‘Long Long Road’ Set for April Release

    Second collaboration with T Bone Burnett, following 2025's 'Look Up,' arrives in April. Continue reading…
  • Held. share new single and video, CONSTANT TENSION

    Held. have unveiled a new single, CONSTANT TENSION.

    Following January’s killer Frank Iero collab, the trio – Douglas Robinson (vocals/guitar), Sal Mignano (bass) and Josh Eppard (drums) – are giving listeners another taste of what to expect from their forthcoming debut album GREY, which drops on May 15 via MNRK Heavy.

    “CONSTANT TENSION stems from an everlasting battle within myself to embrace who I am via internal reflection,” says Douglas. ​“It’s all of my strengths fighting against all of my weaknesses. There is a ​‘constant tension’, a violent push and pull within my mind every single day. I let myself down so much, to the point where I often feel like I have to somewhat abandon myself and step outside to try and see the bigger picture, but the hurt inside of me pulls me back into my own thoughts. I go completely blank to try and focus, which oddly enough resorts to more tension and more clouded thoughts. It feels like an endless cycle. The lyrics to CONSTANT TENSION mirror all of this.”

    Watch the video for CONSTANT TENSION below:

    Posted on March 3rd 2026, 2:37p.m.

  • Swaza6 Unleashes Dark Alternative Anthem “Wake Up In A Cemetery”

    For those who gravitate toward the edgy and the underground, Swaza6 has delivered a new single, “Wake Up in a Cemetery.” This dark, cinematic, and high-impact track is built for the fringes of alternative music, offering a marvelous blend of indie rock, riot grrrl energy, and heavy metal weight. The song’s aggressive production and haunting […]
  • Swaza6 Unleashes Dark Alternative Anthem “Wake Up In A Cemetery”

    For those who gravitate toward the edgy and the underground, Swaza6 has delivered a new single, “Wake Up in a Cemetery.” This dark, cinematic, and high-impact track is built for the fringes of alternative music, offering a marvelous blend of indie rock, riot grrrl energy, and heavy metal weight. The song’s aggressive production and haunting […]
  • Bloodstock M2TM South Wales Interviews: Judasnail West Heat #4 The Bunkhouse, 08.03.26

    Interview With Judasnail West Heat #4 The Bunkhouse, 08.03.26


    1. Please introduce yourself for anyone who may not know you. Tell us a little bit more about you as a band.

    We’re Judasnail, a Swansea-based four-piece metal band. If you like Machine Head, While She Sleeps, Arch Enemy, and Children of Bodom, then you’re our target audience.

    We’ve released two singles at the tail end of last year (available to stream or buy in all the usual places!), headlined a local festival, and been fortunate to have some radio airplay, along with fantastic support from local media.

    We’ll been variously described as “heavy bruisers” (in a good way!), “brutal”, and having “groove-driven thrash with razor‑sharp riffs”, so we’ll be bringing all of that, and melody, all wrapped in down-tuned ferocious heaviness. Come and party with us and bang those heads.

    2. What made you want to participate in the Metal To The Masses South Wales 2026 campaign? Have you had previous experience? Or is this your first time?
     
    This is our first time as Judasnail, but Matt (vocals/guitar) has played in the Oxford M2TM in 2024 and 2025 with a different band. We wanted to play South Wales’ M2TM as it’s a massive opportunity for visibility and networking to get more gigs, everyone’s really supportive and wants you to do your best, and because it’ll get us in front of an audience that loves metal… the scene here’s alive and kicking and healthier than the detractors would have you believe. Oh, and The Bunkhouse is a lot easier to get to than Oxford! 

    3. M2TM is all about supporting your local scene. How important is the local scene to you as a band?

    We’re right at the start of our journey, but the local scene and support is super-important to us. As well as getting our songs in front of an audience (because that’s where they belong) we’re really looking forward to seeing all the other bands who are competing, and supporting them too. Metal’s all about community and looking out for each other, and we’re honoured to be playing alongside such other incredible original bands.

    4. We have a slightly different set up this year with Heats/Quarters/Semis taking place at Bunkhouse/Green Rooms. Have you played the venue before or is this your first time? Are you excited to get on those stages?

    Shameless plug, we know, but we’re playing the Bunkhouse in Heat 4 on March 8th along with our friends in White Leather, Hateful Dread, and Virology. We’ve not played there before, but the Bunkhouse is such an amazing grassroots venue and you can just feel the history when you walk in there. You just need to look at some of the other bands that have stopped off there on tour! We can’t wait. It’ll be incredible to stand on that stage and play our stuff for people who really get it.

    5. What are your expectations from being a part of M2TM?

    For us, it goes back to that previous question – it’s about community. Obviously everyone’s in this to progress, but we’re really looking forward to meeting the other bands, meeting the audience, and making that human connection with like-minded people. Oh, and please feel free to come and talk to us on the night – we love making those connections.

    It’s a great networking opportunity as well – if we get to play outside of M2TM with some of the other bands, that’d be awesome as there’s some fantastic talent involved this year, and we’re all in favour of mutually supporting each other.

    6. What would getting to our Day Of Wreckoning final and the possibility of playing Bloodstock Festival 2026 mean to you?

    It’s huge. Bloodstock is the only real, proper, major metal festival left in the UK now, and to play there would just be incredible. Getting as far as the Day of Wreckoning would be amazing – it would really validate all the work and effort that we’ve put in to get to this point.

    7. We encourage all the bands in M2TM to try and check out the other bands, who are you most looking forward to? Who should your fans also try to catch?
     
    We’re absolutely stoked at the other bands we’re playing alongside in our heat, we think we’ll really complement each other and are going to offer a fair amount of stylistic variety on the night… so go check them out! 

    Again, that’s White Leather, Virology, and Hateful Dread. We’ll be trying to get to as many of the West heats as we can as audience members as well to support everyone else – there’s too many incredible bands over the other three weeks to name-check them all, but this year’s looking awesome.

    8. Tell us in five words why people should come and see your band?

    Sore necks / heavy riffs guaranteed. 😉

    Links to our socials and music: https://linktr.ee/judasnail
  • Cody Diekhoff of Chicago Farmer on Upcycling Used Guitar Strings and Touring in “Barbara Streisvan”

    Chicago Farmer singer-songwriter Cody Diekhoff talks about earning – and spending – reward points while on tour, the inspiration for the first song that he wrote, and why it’s important to support local artists and venues.
  • The River I & II (This Winter Machine, 2023)

    English vocalist and song-writer Al Winter started this West Yorkshire-based quintet in 2016 and even if you could label it as a neo progressive act, I’m happy to say that those musicians had their own signature sound since their debut album. A mildly distorted electric guitar marks their rock moments, full of energy and beautiful changes, but I admit that their atmospheric songs and passages are my favourites by far. 

    This is the band’s fourth studio album.

    This 11 minutes song is the opening mini-suite of their 2023 album, titled “The Clockwork Man”, a concept around a future society where human clones are enslaved to perform hard and dangerous jobs. “The River” includes both sides of their production: after an electronic crescendo, the first part is a tough mid-tempo  prog rock, while part II is an awful, poignant piano driven ballad, something really, really well written and well sung with a perfect guitar solo. This Winter Machine seem to like a  thorough but also essential prog rock and they skip any useless ornament. That’s not so common, after all, and certainly is a refreshing approach.

  • Out Today: Three Absolutely Epic Releases…


    SUPLECS: HYMS UNDER A BLOOD MOON SKY

    It’s been 15 years since the last Suplecs album, and I definitely didn’t expect to hear another one.  Far from being old and washed up, Suplecs have returned with a ferocity.  I preordered this back in December, based on this track they had released.  Suplecs have written some stoner-rock-hall-of-fame caliber songs over the years, and this is as good as any of them.
    I’m just giving the rest of the tracks a first listen, but this one is another early favorite:

    New Orleans’ Suplecs are:

    Danny Nick: Bass, Vocals
    Andrew Preen: Drums
    Durel Yates: Guitar, Vocals






    BELZEBONG: THE END IS HIGH

    Polish stoner metal/doom gods Belzebong are back with another face-melting, brain-dissolving, volume to eleven, must-have album.  Another album I pre-ordered (back in November) due to a pre-released track I thought to be as good as any of my previous favorites.
    Hear for yourself:
    Again, the rest of this was just released today, but here’s the closing track, making a crushing entrance:

    Belzebong are:
    Sheepy Dude: Bass
    Alky Dude: Guitar
    Cheesy Dude: Guitar
    Hexy Dude: Drums






    L’Ira Del Baccano: The Praise Of Folly

    Italy’s L’Ira Del Baccano are such masterful musicians and songwriters that I pre-ordered this one without any pre-released tracks available.  Based on my previous three purchases, I was confident not only that I’d like this album, but that it would be a strong contender for my top ten of the year.  One listen in, I know I was right.  If you’ve checked out my previous posts about this band, you already know, but if not, make sure you’ve got your good speakers and sit back for this:

    L’Ira Del Baccano are:
    Alessandro “Drughito” Santori – guitar
    Roberto Malerba – guitar/synth
    Sandro “fred” Salvi – drums
    Ivan Contini Bacchisio – bass


    There’s a whole lot of great stoner rock looming on the 2026 horizon, so keep checking back; it will be worth your while!

  • Chopped Up’s DEBUT delivers a good ole ass kicking!

    Chopped Up – Chopped The Fuck Up

    Chopped Up come out of the gate swinging. If you like horror movie intros/outros, old school death and blood-spattered grindcore, you’ll dig deep into these dudes. Chopped The Fuck Up, is a really fun and gorey ride. I love the pace of the four track EP. It’s never self-indulgent or overly technical. Tracks all come in under 3:00 minutes which makes this one a great relisten. I’m a big fan of the combo pig squeals(used just the right amount) and the gag reflex triggering, gutteral vocals. My favorite track off this EP is Meat The Cleaver, which begins with a spasdic Ratamahatta-Max Cavalera style scat. I really respect the band’s take on the genre. This is one you can throw on and rock out to. No pretense and it doesn’t leave you feeling queasy. 

    ****And before anyone says, “but you didn’t make mention of the band members who are well known Pro Wrestling veterans who’ve toured the world spilling their opponents (and their own) blood on mats around the world“. Yes Shlak(CZW, etc) and Dirty Daddy(ROH/NJPW) are prominent members of this band (and several others over the years). I give this a Dave “what’s his face” FIVE STARS. Happy? Now throw this on and frogsplash ya mother.