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The Budapest-based Noize Blade’s roots reach all the way back to 1998, but the band officially formed on January 1, 2019; in 2020 came the Stainless Metal demo, and two years later their first full-length, Noizium. The Age of Dread is already the work of a band that knows exactly what it wants: the foundations […]

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Why Is Kelly Osbourne Responding to Backlash After the BRIT Awards?

Because she says people are “kicking me while I’m down” during the hardest time of her life.

TL;DR

Kelly Osbourne condemned “cruel” online comments about her appearance after she and Sharon Osbourne accepted Ozzy Osbourne’s posthumous Lifetime Achievement Award at the 2026 BRIT Awards. Kelly says she is going through the hardest period of her life and refuses to be “dehumanized” amid ongoing criticism. The ceremony itself featured emotional speeches from Sharon and Kelly and closed with a star-studded performance of “No More Tears.”

A Night That Should Have Been About Ozzy

Last night (Feb. 28), the 2026 BRIT Awards honored Ozzy Osbourne with a posthumous Lifetime Achievement Award — and it should have been nothing but celebration.

After a heartfelt introduction from Dolly Parton, Sharon and Kelly Osbourne took the stage to accept the award on behalf of the late Black Sabbath icon.

It was emotional. Raw. Human.

And somehow, the internet still found a way to make it ugly.

Instead of focusing on Ozzy’s legacy, some online comments targeted Kelly Osbourne’s appearance — criticizing her weight and how she “looked” while standing on stage honoring her father.

One particularly harsh post circulating online read:

“What’s the deal with how rough Kelly Osbourne looks, it’s fucking brutal!”

That was enough.

Kelly Osbourne: “I Will Not Allow Myself to Be Dehumanized”

Kelly has already been navigating public grief since Ozzy passed away last July. She’s received an outpouring of support — but she’s also been subjected to relentless commentary about her body and personal struggles.

This time, she answered directly.

In an Instagram Stories post, Kelly wrote:

“There is a special kind of cruelty in harming someone who is clearly going through something. kicking me while I’m down, doubting my pain, spreading my struggles as gossip, and turning your back when I need support and love most. None of it proves strength; it only reveals a profound absence of compassion and character. I’m currently going through the hardest time in my life. I should not even have to defend myself. But I won’t sit here and allow myself to be dehumanized in such a way!”

That isn’t a celebrity clapback.

That’s a daughter grieving.

And here’s the uncomfortable truth: grief isn’t aesthetic. It’s messy. It changes people. It shows on faces. It shows in posture. It shows in energy.

The fact that she had to defend herself at all says more about social media culture than it does about Kelly Osbourne.

If you’ve been following the BRIT Awards fallout, you know this moment overshadowed what was otherwise one of the most powerful tributes of the night. (And if you want more real-time rock coverage like this, make sure you’re following Loaded Radio’s daily updates — we don’t sugarcoat it.)

Loaded Radio Recommends – The Ultimate Ranking: The Top 13 Jake E. Lee Era Ozzy Osbourne Songs

Sharon Osbourne’s Emotional Tribute to Ozzy

The ceremony itself was anything but negative.

Sharon Osbourne delivered a speech that was funny, raw, and unmistakably Ozzy.

“I’m honored to accept this award for my gorgeous husband. This Lifetime Achievement award. God knows I wish he was here to accept it himself, so you’ve got the booby prize. You’ve got me doing it. I know that Ozzy is looking down on us all and I know what he’s thinking. He hated to make speeches. He hated listening to speeches, and he’d be saying, ‘Hey, missus, shut the fuck up. Just say thank you and get off that stage.’”

That’s pure Ozzy energy.

She continued:

“The thing is that Ozzy was authentic. He was gifted [and] totally unpredictable. A wild man. He was a true artist.”

Then came the deeper reflection.

“He never felt that words were enough to thank everybody for the life that he was given and for the life that he led. To be honest with you, he was the most humble egomaniac you could ever meet. And yes, at the end of the day, he will always be a rock star. We spent most of our lives touring the world, but Ozzy’s heart never left England. Wherever we were in the world, he was always proud to be that working-class Brummie, and he never let anyone forget it.”

And then this:

“He may not be here, but he left us one amazing body of work that will never be forgotten by the country that made him.”

If you’ve followed Ozzy’s career from Black Sabbath through No More Tears, that line hits.

Kelly’s Closing Words — And That Birmingham Shout

Kelly stepped to the mic and kept it simple:

“Thank you for loving my father as much as we do, and I hope I don’t disrespect Manchester by saying this, but ‘Up the Villa’ and Birmingham forever.”

That’s family pride. That’s roots.

Sharon then closed the ceremony with:

“Now, as Ozzy would say that the end of every show, I love you all and God bless you. There will never be another Ozzy fucking Osbourne and I love you. Thank you.”

Hard to argue with that.

A Final Performance Worthy of the Prince of Darkness

The tribute ended the only way it could — loud.

Robbie Williams, Zakk Wylde, Robert Trujillo, Adam Wakeman, and Tommy Clufetos took the stage for a blistering performance of “No More Tears.”

It wasn’t just a cover.

It felt like a passing of the torch moment.

But instead of the internet focusing on that — the musicianship, the legacy, the respect — part of the conversation drifted to dissecting Kelly’s appearance.

And that’s where this whole thing turns sour.

Grief Is Not a Public Performance

There’s a difference between concern and cruelty.

Kelly’s response makes it clear she feels the latter.

She’s navigating public loss, family responsibility, and a global spotlight — and she’s doing it in real time.

Whether you agree with her tone or not, one thing is undeniable:

Nobody deserves to be dehumanized while burying their father.

Check This Out – Seven Months After the Silence: Ranking the 13 Ozzy Osbourne Solo Songs That Built a Throne

FAQ

What did Kelly Osbourne say after the BRIT Awards backlash?

Kelly condemned online comments about her appearance, stating she is going through “the hardest time” of her life and refusing to allow herself to be “dehumanized.”

Who accepted Ozzy Osbourne’s Lifetime Achievement Award?

Sharon and Kelly Osbourne accepted the award at the 2026 BRIT Awards.

What song was performed during the Ozzy tribute?

Artists including Robbie Williams, Zakk Wylde, Robert Trujillo, Adam Wakeman, and Tommy Clufetos performed “No More Tears.”

When did Ozzy Osbourne pass away?

Ozzy Osbourne passed away in July 2025.

Why are people criticizing Kelly Osbourne?

Some social media users commented negatively on her appearance following the BRIT Awards tribute.

Ozzy Osbourne Bio

Ozzy Osbourne was one of the most influential figures in heavy metal history. Rising to global fame as the frontman of Black Sabbath, he helped pioneer the genre in the early 1970s before launching a massively successful solo career in the 1980s with albums like Blizzard of Ozz and No More Tears. Known as the Prince of Darkness, Ozzy blended theatrical shock rock with deeply emotional songwriting, selling over 100 million records worldwide. His impact on rock culture, television, and live performance remains unmatched.

The post Kelly Osbourne Fires Back After Brutal Comments Follow Ozzy’s BRIT Awards Tribute appeared first on Loaded Radio.

A new Battefield-related lineup tease seems to suggest either Limp Bizkit or Silly Goose will be playing.

The post New ‘Vans Warped Tour’ Lineup Tease Sparks Limp Bizkit Hopes While Attila, Gideon, Varials & More Are Officially Added appeared first on Theprp.com.

Last year the Coen Brothers’ Southern dramedy O Brother, Where Art Thou? turned 25 years old, as did its equally-beloved, star-studded soundtrack. A lot of the stars featured on the soundtrack album, plus a few more, took over Nashville’s Grand Ole Opry Saturday night for a concert commemorating a quarter-century of O Brother, Where Art Thou?

The post Watch Billy Strings, Emmylou Harris, Alison Krauss, & More Play <em>O Brother, Where Art Thou?</em> Soundtrack 25th Anniversary Concert appeared first on Stereogum.

FOR IMMEDIATE RELEASE
THE GRAND MYTH UNLEASHES FULL-LENGTH CONCEPT ALBUM “OF VULTURES AND DRAGONS”
Release Date: February 24, 2026
Genre: Progressive Death Metal
For Fans Of: The Black Dahlia Murder, Between the Buried and Me, Rivers of Nihil
Stream & Purchase: https://thegrandmyth.bandcamp.com/


Brandon Bordman’s one-man progressive death metal project, The Grand Myth , announces the release of its highly anticipated full-length concept album Of Vultures and Dragons , now available worldwide. The album follows the single Through the River Styx , which dropped December 5, 2025, and sets the stage for an immersive, brutal, and narrative-driven journey through the Primitive War universe.
Known for blending jaw-dropping technical prowess with immersive storytelling, Bordman pushes the boundaries of metal with this ambitious release.
“Of Vultures and Dragons is the fully realized vision of what I wanted to do with The Devils of Vulture Valley. It is an all-encompassing and uncompromising concept album about the beasts of the Primitive War universe and the men who are forced to live and fight with them. I wanted to capture all the emotions I felt while reading through the novels and I think this collection of songs will work as a fantastic soundtrack to anyone who dares to step foot into the violent and unrelenting world of Primitive War,” Bordman explains.
The album features a stellar lineup of guest musicians and voice actors, including Nizar Ibrahim, PhD (Of Vultures and Dragons) , Johnnie Wallace (Father Tyrant) , David Ralyea (Through the River Styx) , and more, adding depth and intensity to the record. Bordman handled all instrumentals himself, with mixing by Georg Cotta and Bordman, and mastering by Neil Schneider .
Fans can experience genre-defying progressive death metal coupled with a fully immersive narrative, making Of Vultures and Dragons not just an album, but an epic journey.


Of Vultures and Dragons is independently released under The Grand Myth , solidifying Brandon Bordman’s reputation as one of metal’s most ambitious and boundary-pushing artists.
Press & Interview Contact: zach@metaldevastationradio.com

  Connect with the band:
http://thegrandmyth.com
https://distrokid.com/hyperfollow/thegrandmyth/through-the-river-styx-feat-david-ralyea
https://www.facebook.com/thegrandmyth/
https://open.spotify.com/artist/4pv5XQhSSp5H1rpjAOep24
https://thegrandmyth.bandcamp.com/
https://www.instagram.com/thegrandmyth
https://www.tiktok.com/@thegrandmyth
https://music.apple.com/us/artist/the-grand-myth/1451429155
Contact: thegrandmythband@gmail.com

Guitarist Mark Morton reflects on Swedish influences, the Ashes Of The Wake tour, and Art Cruz’s evolution ahead of Lamb Of God’s 10th album.

The post MARK MORTON Names The Swedish Metal Albums That Influenced LAMB OF GOD's Upcoming Record appeared first on Metal Injection.

“I don’t hold any hatred toward any former members, but to be clear, I will not be working with them again, I’m sure the feeling is mutual.”

The post Fear Factory’s Dino Cazares Won’t Be Bringing Back Any Classic-Era Members: “That Chapter Is Permanently Closed” appeared first on Theprp.com.

Sometimes, you gotta beat a dead horse I guess. At least, that’s what fans are making Dino Cazares, the founding guitarist of Fear Factory, do. He’s spoken on the relationship—or, honestly, the lack thereof—with his former bandmates but apparently, people still won’t just give up on the idea of them coming back together. For what probably feels like the hundredth time for him, our darling Dino took to his Facebook to yesterday, February 28, to address the issue yet again.

Dino basically said fuck all that noise…:

“I don’t hold any hatred toward any former members, but to be clear, I will not be working with them again, I’m sure the feeling is mutual. What’s done is done, and that chapter is permanently closed. I’ve moved forward and remain focused on the present and the future. I sincerely hope they have done the same. Respectfully.

“The only reason I continue addressing this is because fans keep asking. I’ve already moved on and have said that many times. Unfortunately, some people get upset if I don’t answer the question and others get upset when I give an honest answer they don’t want to hear.”

There’s a bit of history here and it’s all about money, the great relationship ruiner. Back in. 2024, Dino went on the Life is Peachy podcast to explain what led up to the band’s OG singer Burton C. Bell leaving the band back in 2020. As Dino tells it, the other Fear Factory members felt like they were owed much more than what they received.

“[After] I [came] back with Fear Factory, we released four records. Me and Burton got sued by [former Fear Factory members] Christian [Olde Wolbers, bass] and Raymond [Herrera, drums] for monies owed. We owed them money. I ended up beating my lawsuit against those guys, but Burton ended up losing his lawsuit against those guys and has to pay them a million dollars. So Burton decides to quit the band. And he said a lot of things in the press, like he only did Fear Factory out of necessity, he only did Fear Factory ’cause he needed money, he didn’t believe a lot of the lyrics he was writing, and blah, blah, blah, blah. He said he felt restrained doing Fear Factory, he felt like he was pigeonholed doing Fear Factory. And that’s fine. I ended up winning my lawsuit against the guys, against Raymond and Christian.

“One of the biggest misconceptions is that people thought that I sued Burton, but that’s not true. It was Raymond and Christian who sued us individually. We had separate lawsuits. They sued us separately so they can get separate money. So if they would have won my lawsuit, I would have had to give them a million dollars. I won my lawsuit against them. I didn’t owe them anything. But, actually, Burton filed for bankruptcy, and when he filed for bankruptcy, he tried to get out of paying those guys. And, unfortunately, he lied in his bankruptcy. That’s a federal offense. Raymond and Christian took him back to court, made him open up the bankruptcy. The bankruptcy was null and void. So Burton had to pay back those guys, and they took all of Burt’s assets. Assets, meaning whatever you own, whether it’s a house, a car, a trademark, copyright, business, so on and so on. They took all that away from him for lying in court.

“When you go through a bankruptcy, the bankruptcy court sells your assets to try to make money back, to pay back the people you owe money to, so, when I found out that Burton’s assets were up for sale, my lawyer contacted the court of Pennsylvania and said, ‘Hey, look, we’re interested in buying this Fear Factory trademark,’ Burton’s half. At this point, I owned half and Burton owned half. Raymond and Christian did not own the name at all whatsoever. They were only owed money. That’s it. But they didn’t own the trademark. Even though they tried to take the trademark from us and try to find every possible way to do that. ‘Cause that’s what lawyers do, right? They were not successful. So, the bankruptcy court owned Burton’s half of the trademark. They put it up for sale. It’s like eBay. They auction it off. So I had to place a bid if I wanted that trademark. And that’s what I did. I put a bid up. Now, Burton couldn’t buy his own assets back because he already lied in court. It was a federal offense. So he couldn’t buy his assets back. So he didn’t even have the opportunity to do that legally. I figured, ‘Hey, I’m gonna try to buy this name.’ And I wanted to bring Burton and say, ‘Hey, look, I got the name. Let’s just continue.’ So I put a bid up for the trademark. They wanted a lot of money for it. And Raymond and Christian put a bid up for it as well. But eventually I ended up winning the bid, I ended up winning the auction, and I owned Burton’s half of the name, which meant I owned full 100 percent of the trademark of Fear Factory. So I reached out to Burton and I said, ‘Hey, just come back 50-50,’ which I found out technically, even though I bought Burton’s 50 percent of the trademark, I couldn’t give it to him. I couldn’t legally buy it and then give it to him because if I did, then that means I was colluding and buying a name and just giving it to him. It goes against what the court’s orders were. So I couldn’t even do that, but I could pay Burton 50 percent of whatever we earned as Fear Factory. Now there was a problem with that. The problem was Raymond and Christian froze his assets.

“If Burton would have come back to Fear Factory, whatever he earns from Fear Factory, a percentage of that would have to go to Raymond and Christian to pay back the million of dollars, so Burton didn’t wanna go out there on tour and [be] working his ass off and having to pay those guys a percentage of what he earns on tour. Basically, whatever money is earned from Burton Bell’s name in Fear Factory, that goes to Raymond and Christian. So in other words, if the song ‘Replica’ earns money on Spotify, that money goes to Raymond and Christian’s lawyers. It’s kind of like child support. If you’re a guy having to pay child support, but you happen to be that guy that doesn’t pay his child support, the court can go after your money that you’re earning from your job. They could take a percentage of that money and pay your kids. That’s basically what was happening to Burt. Now, Burt can go get a regular job. Let’s say he went got a job at [McDonald’s]. He wouldn’t have to give him a portion of that money, because that’s not being earned by Fear Factory. I could be wrong. There might be some technicalities where I’m a little wrong, but it’s basically what happened. So, in reality, me playing the Fear Factory songs live goes to pay back Burton’s debt to those guys. But Burton doesn’t see that.”

“There’s a whole other side to it that fans just don’t know. And I get it. They’re not in this industry. They’re just a fan listening to the songs and they don’t understand how all this works.”

After hearing this side of it all, it makes sense he doesn’t want any sort of reunion to happen. Once mess gets truly messy, there’s nothing fun about anymore. At the time Dino did this interview, he said this about the potential for it all to (not) happen and honestly, it seemed pretty to the point back then so I can understand why he might wonder why the hell people are still asking him about it now.

“Listen, sure, it’s easy for all four of us to get together, but it wouldn’t be easy to do business with them, it wouldn’t be easy to write songs with them and it wouldn’t be easy because somebody would have to be in control of that ship and that would be me. Not anybody else. That’s not gonna work. Look what happened to Jane’s Addiction. They got back together. [Laughs] Burton pretty much said, ‘Ah, fuck you, Dino. I’m not coming back. Fuck that. I’m over it.’ So I’m, like, ‘Okay, I’ll do what I normally do. Put a [new version of the] band together and fucking do it.’ It’s not like I haven’t been there before. I still have the fire, the drive, the passion to do this. And I think that’s owed to the Fear Factory fans. The Fear Factory fans wanna hear the Fear Factory songs like they are on the record. They wanna hear the songs. They grew up with those songs, they still listen to those songs, and then when we go out there and play, we’re gonna give it the best that we can do. And it’s pretty fucking good.”

At least Dino doesn’t harbor any bad feelings. Carrying around negative weight really drags your life down, but at least he just wishes all the best for everyone. But, I will say I do love that lil dig at Jane’s Addiction, just out here catching strays for no reason.

The post Fear Factory’s Dino Cazares Reaffirms That Reunion with Former Members Will Never Happen appeared first on MetalSucks.

“Where would I be right now if I didn’t have one of the biggest bands in the world spending their time trying to hold me back?”

The post Dave Mustaine On Metallica & More ‘Holding Him Back’ During Megadeth’s Early Years: “For A Long Time, It Very Much Was Me Against The World” appeared first on Theprp.com.