Category: news

  • FLORIST ~ ADRIFT …. review

     

    Some may remember back in 2023 Desert Psychlist getting a little excited about “Contact” the debut release of Floridian groovsters Florist, an enthralling blend of stonerized metal and space rock that we described as being “music to skateboard through wormholes to“. Well we are about to get excited all over again because Florist, Frankie Consoli (vocals/guitar,/sitar); Kevin Roy (bass); Mike Amador (drums) and Jer Dillow (theremin, synthesizers, percussion),  have just dropped their second album “Adrift” (Threat Collection Records), a release that takes those ideas explored on previous album “Contact” to the next level.

    Florist kick off their second album with “432Hz” a thoroughly engaging instrumental that splices together eastern motifs and Hawkwind-esque whooshes and swirls over a groove that for large parts of its existence boasts an otherworldly reggae-ish feel but does in its last quarter wade through heavier waters. Next up is “Another Moon” and here we find Florist jamming a mix of stoner-ish and heavy psych grooves beneath clean easy on the ear vocal melodies, the space like whoops and whirls this band are so fond of utilizing still all very much in place but this time applied with a modicum of subtlety. “Out Of Space” follows and is classic space rock straight out of the Hawkwind for dummies manual, in other words hard driven rhythms supporting fairly simple chord progressions over which clipped clean and slightly punkish vocal melodies do battle with electronic synthesised weirdness, it is quite frankly SUPERB!  “Grow” kicks off slightly quirky and off-centred accompanied by an equally quirky vocal melody but then starts pulling into its spacious grooviness elements of the blues and classic rock, the band even sounding a little Deep Purple-ish in the songs closing stages, albeit a Deep Purple with Hawkwind’s Michael ‘DikMik’ Davies on the keys. Last but one comes “Adrift (Part A)” a tome that finds the band sounding like a cross between Nashville’s Howling Giant and 60’s psychedelic cult legends Spirit, it is followed by “Adrift (Part B)” a song which sees the band donning black robes matched with lurid legwear to bring us an instrumental opus that is parts proto-doom and parts acidic rock and is totally on-point in both departments. 


    Those out there holding a flaming torch aloft for the early space rock of Hawkwind and first album era UFO while also harbouring a deep love of 90’s desert rock and mid 70’s proto-metal will love what Florist bring to the table with “Adrift“.
     Looks like its time to fire up the old “orgone accumulator” and jump aboard the “silver machine” because there are some new “psychedelic warlords” in town.
    Check ’em out …..

    © 2025 Frazer Jones
  • Album Review: New Lungs by Burnt Tapes


    It’s been three years since I attempted to do an album review but if there is one band that will get me to sit down behind my laptop and do one it’s my friends Burnt Tapes. On August the 8th they will release their long awaited second album, the follow up to 2019’s incredible Never Better (one of my all time favourite albums). The new album is titled New Lungs and being released once again by Lockjaw Records (UK) and Wiretap Records (USA), as well as a tape from Nasty Cut Records (Denmark). Tapes on tape – it’s about time, right?

    I feel like I need to address the fact that this review might come across as incredibly biased. These guys have been friends of mine for a long time now, they started out as Burnt Tapes around the same time as I started doing CPRW and we’ve reviewed every EP and album they’ve released, along with countless live shows. I’ve never made it a secret how highly I think of Phil, Pan, Jordan and Tone not just as musicians but as people, so yeah this will probably come across as a really biased review. I’m saying nice things about my friends’ new album, but rest assured that every word I type in this review I really mean and I’m not just buttering up my mates. I’ve had New Lungs on repeat in a dark room where I usually sleep for a couple of months now and I’m excited to share my views on it with you. Let’s take a deep breath and jump right in.


    New Lungs begins with the song Crisis Actor. The song starts with a familiar Burnt Tapes tone that has me thinking of Lost In Transit, the final track from Never Better. It almost feels like a continuation or at least a call back, something the band are known for doing. I love this. Crisis Actor eases you into the album with Pan’s vocals over that welcoming riff. Before long the whole band comes in. This song sets the tone for the whole album with its big, emotional build. We then launch into a stretch of the four singles the band released in the run up to the album. Up first is MOTHERSGUILT. The very first line features a common Burnt Tapes trope – grinding teeth. I immediately got a kick out of this. The song explores the theme of feeling like you’re not meeting other people’s expectations of you and using the guilt that gives you as fuel to keep on going. I feel like that’s something that most of us has gone through at times, making the song hugely relatable. The chorus will no doubt earn some big sing-alongs and feel cathartic for many. 

    Little Sister was originally released way back in 2023 and gave us a glimpse as to what was coming from the band. Phil takes over lead vocals for this deep and emotional song about a particularly hard and dark time with his mental health that he went through. He tells a story about the journey of reaching a low point and reaching out for help before things get even lower. This is a mid-tempo track with a catchy chorus. The stand out moment on the track however is the guest vocal appearance from Hannah Hermione Greenwood from Creeper on the bridge. This really adds to the emotion of the song. As of yet, Hannah hasn’t joined the band to do this live – maybe at the album launch at the Black Heart in Camden on the 19th of September? That would be cool. Next is the brilliantly titled You Only YOLO Once. This is one of the higher tempo tracks on New Lungs and really showcases the band’s trademark sad boy pop punk moniker. Sonically it’s an upbeat, almost summery-sounding song but when you dig down into Pan’s lyrics you discover a song about his own mental health struggles. The line “every now and then, it hits me like a bullet train” is one I imagine a lot of people listening will find extremely relatable. I know I certainly do. Of course there is another broken teeth reference in the song, because of course there is. I’ve heard that they’re trying to get a dentist sponsorship.

    The album’s title track, New Lungs is the fourth and final single from the album. Continuing the more poppy version of their sound, New Lungs once again talks about mental health. The song actually starts out feeling quite hopeful as Pan sings “new lungs set to breathe new seasons, held breath and an unsure sweaty brow, I’m better now, I’m better.” This mood soon changes though as Pan sings about having a toxic relationship with either another person or their own brain and that person/brain and being brought down once again, not knowing who you are anymore. This song features another great chorus and some big hooks that will really pull a live crowd in. Shelf Life Of The Party is another fantastic song title. Phil is back on lead vocal duties and the energy remains. On my first listen to New Lungs this is one of the songs that really stood out to me. It’s about getting older and feeling burnt out, lost, like you’re finished and you’re not the person you used to be. Phil’s vocals bring an intensity to the song that I love and I really hope it becomes a regular in their live set going forward. 

    Track seven is titled Office On Repeat. On my first listen of New Lungs, my first thought was that this was the album closer as it has a huge, epic ending. There’s still three more bangers to come though and trust me, the closer is an incredible ending for the album. Office On Repeat starts out as a mid-tempo pop punk song talking about the end of a relationship. As we reach the final third of the song, the tempo and melody changes and we get a big emo ending that will get a big reaction from a live crowd. There’s a few moments on this album that do make me think that this has been specifically written with a live crowd reaction in mind and I’m a big fan of when bands do that. The pace is brought right back up on Future Strangers. Have you ever come to a point in your life where it feels like something has hit a road block, you don’t know what comes next and you begin to question everything? That’s what this song is about. I enjoyed the sliver of hope that track gives you as Pan sings “it’ll all make sense in time.” It’s a simple and powerful lyric that works so well in the song.

    The penultimate song is named OnlyFriends. The song starts slowly, similar in style to the classic Things Get Weird. Pan sings softly as the song gradually builds up to its big finale. This slow start really adds to the emotion of the song and really pulls you in. There’s no slow start and then bang, you’re in, OnlyFriends builds and builds and takes you with it. When that big moment does finally come in and it hits you, you feel ready to be hit. Fantastic songwriting. There is also a moment in the song when the band becomes the big stadium rock band they deserve to be when they implement a crowd participation clapping section. The tenth and final song is So Long, Sundays. This might be the most ambitious piece of songwriting that Burnt Tapes have ever attempted and of course they pulled it off. A perfect choice to bring the album to an end. This song is about going through all the hard times that happen in your life and eventually finding your way out of the other side. New Lungs is an album that has plenty of down moments, so having this moment of hope at the end is really refreshing. It serves as a great reminder that no matter how hard things can get, sometimes it will get better and it’s always great to be reminded of that. There’s a moment at the end of the song that I won’t spoil for you but it’s something that I never, ever expected to hear on a Burnt Tapes album. I guess they’ve been hanging out at the New Cross Inn for too long now. 

    It’s been six years since the Burnt Tapes released Never Better and you can really hear the progression the band have made as a band on New Lungs. You can hear a change in their sound but everything you ever loved about the band remains. Daly George from The Ranch once again did a phenomenal job with the production on the album, he did a fantastic job bring all of these songs to life. New Lungs has been my most anticipated album of the year since the band released Never Better and it did not disappoint. I’m not even that sad that the reworked version of Go Drunk didn’t make the cut, as each song brings something different but it all flows nicely together. It’s an album that can be listened to as an album or as singles. I do feel like each one of these songs could’ve been used as a single. As I said at the start of this, Burnt Tapes are my friends and this could come across as biased, but I truly believe that this is a fantastic album. I would say that if you loved Never Better then this might be a bit of a grower but you’ll soon come to love it just as much, if not more. Well done friends, loving your work.


    Burnt Tapes play an album release show with Modern Shakes and Making Friends at the Black Heart in Camden on Friday the 19th of September. You should come to the party. Get your ticket here.
  • Omni Part 2 (Karfagen, 2025)

     Antony Kalugin, the ukrainian multi-instrumentalist behind Karfagen, is a man of many talents and his 2025 album “Omni” is another good example of his stunningly prolific vein (you’ll find more elsewhere in this blog).”Omni” Part 2 is a well built suite, a 22 minute one divided into 4 movements, also enjoyable as stand-alone songs, many of them in a rather slow tempo, but with some welcome accelerations and many, unpredictable changes. 

    As usual, an inspiring cover art

    As always, there are very good melodies and beautiful solos, and this time the vocals, provided by the kinds of Marco Glühmann, Richard Sinclair, Jean Pageau, Bartosz Kossowicz plus, of course, Olha Rostovska and Antony Kalugin himself,  play an essential role in the great picture, something we don’t easily find in Karfagen’s discography. All those different and sensitive voices fit perfectly in such a rich musical texture. Among other guest musicians, Michel St-Père’s (of Mystery fame) guitars and John Hackett’s flute need no introductions and are two more bonuses added to this musical pearl. This is Neo-Progressive rock & Symphonic Rock at their best and I’m glad to loose my mind in this flowing, lush musical river.

  • WITCH HOUND ~ STARTING A COVEN … review


    Witch Hound, JC (lead vocals); Wicked Willy (rhythm guitar/vocals); Jo-Jo (lead guitar); Sir Jay (bass) and Naeltag (Nate Driggs) (drums), cordially invite you to join their coven. We at Desert Psychlist are not quite sure what exactly this coven requires of its members but if activities are just restricted to listening to the type of dank dark stoner doomic noises that can be found on the bands appropriately titled debut EP ” Starting A Coven” then show us where we sign.


    Maybe we should be a little concerned about throwing our lot in with Witch Hound’s new coven given that they kick off their EP with “At The Stake” a song that describes in some detail what will happen if you are exposed as a witch (warlock in our case), oh well we’ve signed up now and we have to admit that those deeply echoed vocals resounding over vibrant thrumming doomic riffage and powerful strident rhythms does seem to have stared something stirring in our blood. Having explained that being burnt is one of the perils of joining their club Witch Hound now ask us to “Face The Wheel” now what “facing a wheel” actually entails is not best explained but let’s be honest it doesn’t sound that pleasant. The actual song though does have its merits, its pounding percussion and low level growling bass lines support some seriously crunching riffage and dank swirling lead work and those gothic laced vocals telling us to expect not just “searing heat” but “searing heat with misery” are pretty damn impressive. Final number “Black Talisman” tells us that death might be the least of our worries and that having joined Witch Hound’s cabal we can now expect to travel on “a path too dark to see”, not exactly selling it are they, but having said that those thick monstrous refrains, those thundering rhythms and those reverberating monastic vocals are so damn good you’ll be selling your soul before you can say “get behind me Satan“
         

    As a recruitment tool Witch Hound’s “Starting A Coven” could do with a little work, the prospect of being burnt at a stake, facing a nasty sounding wheel or losing your soul could possibly hinder membership numbers somewhat, however as a debut EP from a fairly new doom orientated band this three tracker takes some serious beating.
     
    © 2025 Frazer Jones
  • STONEGAZER ~ THRESHOLD ….. review

    Finland’s Stonegazer, current line up Jussi Virtala (vocals); Juho Puusniekka (guitars); Lauri Lehto (guitars); Tomas Kurki (bass) and Jani-Matti Salmela (drums), have been knocking around the underground scene for a fair amount of time but first came onto Desert Psychlist’s radar via their 2016 release “MDRM” a raw edged collection of songs that blended swampy southern sludginess with elements of heavy blues and grunge, a sound that came over at times like a weightier Mississippi Bones. Prior to “MDRM” Stonegazer had released “Volume II” and “Demo 2012“, both releases containing some really good songs but both hampered by less than ideal production values. Things really started to come together for Stonegazer with the 2020 release “The End Of Our World“, an album that saw the band really stepping up a level in the song writing and arrangement stakes as well as seeing them dipping their toes a little deeper into those grungier/bluesier pools they had began to explore on “MDRM“. This year (2025), after a five year break from recording, Stonegazer return with a new release, “Threshold“(Kozmik Artifactz), a far better produced album that fully delivers on all the promise those earlier albums hinted at but just fell short of delivering.

    “Threshold” opens with “The Feed” a brain-frying blend of sludgy metal and heavy rock that begins with guitar feedback screaming around a growling bass motif backed by solid steady drumming then segues into a thrumming blues flecked stoner groove, the song continuing in this mode for a full one minute twenty seconds before being joined by vocals. If you are a fan of big beefy vocals that are a little bit wearied and posses a gritty soulful quality then Stonegazer’s man behind the microphone Virtala is your kind of singer, if you didn’t know he was Finnish you would swear blind he was brought up on a diet of fried chicken and grits in one of America’s southern states. “Next song “Unity” follows along similar lines to it predecessor with bassist Kurki and drummer Salmela laying down a barrage of ebbing and flowing groove for guitarists Puusniekka and Lehto to decorate with a mixture of crunching power chords and piercing lead work, Virtala delivering over this onslaught of bluesy southern metal throaty sermonizing that at times hovers close to the upper reaches of his range. Third track “The Machine” sees Stonegazer introducing into their heaviness subtle touches of psychedelic texturing, not enough to distract ears away from their core metallic bluesiness but enough to be noticeable. It’s back to full on shock and awe for the excellent “Simulacrum” then along comes “Kairos” a song that for Desert Psychlist ticks more boxes than it leaves blank, its groove is throbbing and slightly proto-metallic, its guitar work is a blend of crunchy and swirling and its vocals are bold brash and forceful on the verses and grittily melodious on the chorus. Any bands experimenting with music of a southern rock flavour are almost duty bound to throw their hats into the “torch song” arena and Stonegazer are no exception but where most bands will gradually build their torch songs to a crescendo layer by gradual layer Stonegazer on “Dissolve” go from reflective tranquillity to face-melting intensity in one giant leap. Next song “Age Of Unreason” begins down home and bluesy then explodes into a blustering metallic stoner groove that features growling low end and busy percussion supporting fuzz soaked refrains and feel drenched bluesy soloing over which vocals are delivered in snarly bear-like tones. Final number “The Weight Of The World” comes out the traps furious and feisty then eases back a little on the volume to allow space for Virtala to deliver his wearied and throaty vocals, all well and good up to this point but the real highlight comes when the songs shifts from stoner rock(ish) to stoner doomic, a shift that sees the guitarists layering thrumming textures and piercing solos around a dynamically darker vocal.


    Stongazer’s “Threshold” boasts a sound that takes the heavy southern metal of bands like Pantera and Corrosion Of Conformity blends it with the mid-western swagger of bands like Mississippi Bones and Valley Of The Sun then sprinkles over the results elements of Seattle grunginess and 70’s heavy blues rock. It’s a huge sound that is made to sound even bigger thanks to it’s vastly improved production values. Who would of thought a band from the frozen reaches of Northern Europe could sound so authentically American. 
    Check ’em out ….

    © 2025 Frazer Jones
  • Some local releases for Bandcamp Friday

    This Friday, August 1st, will be the first Bandcamp Friday since May of 2025! For those that don’t know, on Bandcamp Fridays the Bandcamp music site drops their cut from any sales that happen in that 24 hour period, so bands get 100% of the share of each sale (minus credit/debit card fees if you pay with one) which makes it a great day to support bands and buy some new music! To that end, I thought I’d round up a few local metal releases that have come out since the last Bandcamp day.


    Obsidian Blade is a new local band with a trad metal/NWOBHM vibe but the members have all been involved in other bands in the DMV scene for some time. They’ve started playing out live a bit but so far this is their only recorded song available, and it dropped on June 10th.


    The Borracho guys are at it again with their repetitive heavy grooves as their new full length album that releases on August 8th, though you can pre-order now and enjoy the 3 preview tracks right now.


    Kontusion finally dropped their debut full length album on July 25th and man is this some back-to-basics filthy, brutal death metal! None of that spacey death metal that is in vogue to be found here.


    Cemetery Sex is a local goth band and their debut album is dropping August 1st. The album showcases Anastasia Noire’s beautiful vocals that soar over the rainy-day vibe guitar riffs.


    The most intense music in this post comes by way of Blood Monolith on their debut album that dropped on May 16th. This has been one of my favorite albums to drive around blasting this summer!


    As The Sea Parts is a black/death band that formed in the 90s, went on hiatus for about 20 years or so, and finally dropped their debut full length on July 11th. The album has former Dying Fetus drummer Erik Sayenga on drums and sick cover art by Mark Riddick!


    Fresh off their appearance at this year’s Maryland Deathfest, I.C.E. just released their third full length on July 11th and their frigid black metal riffs will def keep you cool in the dog days of summer.


    If you dig instrumental metal with a fiddle then be sure to check out the newly remixed version of Seasick Gladiator‘s self-titled debut from 2017 that just dropped on July 12th.

    That’s what I’ve got for now but if you know of any other metal releases by local bands since the last Bandcamp Day, or any that are pre-orderable just email me at DCHeavyMetal@Gmail.com and I’ll add them to this post!

  • Nicko McBrain’s Titanium Tart / Velvet Sky / Maximum Friction, Sanford, FL, July 25, 2025

    It’s been 37 years since the last time Nicko McBrain and I met. Read all about it here.
  • In Concert: Billy Idol

    by Emma Jenkins– Guest Columnist — OVO Arena Wembley -London, England – June 24, 2025 It’s a hot balmy evening, London is entering into a heatwave, and Wembley arena is no exception.  Tonight is not […]
  • HEBI KATANA ~ IMPERFECTION … review


    Hebi Katana’s
    self-titled full length debut, “Hebi Katana“, took essences of grunge, doom, glam and proto-metal and blended them all together in one big melting pot of groove, it was a sound that was different but at the same time bore elements of familiarity. The band followed up their debut with “Impermanence” and here they leant towards a much more 70’s proto-metal sound, the grooves were a tad more strident and gritty, the guitar solos a touch dirtier and the vocals sneerier. The band then went back into the studio and what came out was “III“, an excellent album that apart from the punkish desert rocker “Darkest Priest” seemed to take a large part of its influences from cult rockers Budgie’s first four albums. The bands star was on the rise and people were starting to realise that at last Church of Misery and Boris had some competition in the best known Japanese underground band stakes. One of those turning their heads in Hebi Katana’s direction was Todd Severin who signed the band up to his Ripple Music label for their next album, that album, “Imperfection”, has now dropped and it’s a BANGER!!!!

    Opening number “Bon Nou” begins quite restrained with a gently picked guitar arpeggio but then in comes a dirty bass motif and the song takes off on a galloping groove that leans to the more punkish side of stoner rock, a strident but not overly furious groove decorated in clean vocals that have a similar stoner punk dynamic. The pace is slowed down somewhat for the following “Dead Horse Requiem“, musically the song has a proto-doomic feel, all reverberating riffage and thunderous rhythms, but boasts a very cool  theatrical vocal melody not too disimilar to the melody utilized by rockabilly stalwarts Stray Cats on their UK chart bothering song “Stray Cut Strut“. “Praise The Shadows” is up next a frizzy fuzzy medium paced rocker with an ear-catching verse/chorus/verse structure that features rhythms, chord progressions and guitar solos that sit at the more classic end of hard rock. “Echoes From Old Tree” begins dark dank and menacing but then morphs into something more akin to playful with choppy reggae(ish) chord work  and swinging rhythms framing equally swinging vocal melodies, the song does take off on a few musical tangents along the way but overall the feel is more hard rock than heavy rock. There is a Deep Purple Mk III vibe to next song “Blood Spirit Rising” albeit without the keyboards, especially in its fiery closing passages where we find guitarist Nobu shredding a mix of bluesy and neo-classical flavoured guitar solos over bassist Laven and drummer Goblin’s incessant rhythmic backdrops. “Yu gen” is restrained, psychedelic and grungy, both musically and vocally, and is punctuated with occasional burst of  heaviness a trick that is repeated on final track “Yume we Kareno” only here the vocals , both lead and backing, are delivered a little more lilting and melodious. 


    It would seem that Hebi Katana, with “Imperfection“, have decided to dial down their worship of bands like Budgie and Black Sabbath and have instead opted to explore territories a little further afield, the band jamming grooves still very much rooted in proto-metal and doom but that are not limited to or by those genres. It may have taken a few albums to get there but it would appear Hebi Katana have at last found their sound. 
    Check ’em out ….. 

    © 2025 Frazer Jones
  • Valcata Unleash ‘Overload the Reactor’, an Explosive New Single

    First offering from forthcoming as-yet-untitled 3-song EP kicks off a new era for the symphonic prog-metal collective.

       

    Valcata, the symphonic progressive metal collective known for weaving cinematic orchestration with emotional depth, has officially released Overload the Reactor. This first single from their upcoming 3-song EP is now available digitally worldwide on Bandcamp and all streaming platforms.

    Rooted in themes of connection and determination, Overload the Reactor uses sci-fi-infused imagery to tell a fundamentally human story: two souls uniting to overcome darkness and embrace hope.

    “This song is about the power of support,” explains composer Oha Cade. “Our protagonists find connection through a shared purpose. When you find yourself struggling, often all it takes is one other soul to help you break through.”

     
     

    A Global Lineup

    • David Michael Moote (Operus) – clean and harsh vocals, honed in Toronto’s progressive metal scene.

    • Sharon Portilla (Blind Hex) – clean lead vocals; she co-founded the Mexican neo-symphonic band Blind Hex in 2021.

    • Landryx (ex-Unexpect) – versatile drummer from Quebec whose work on Unexpect’s acclaimed albums In a Flesh Aquarium and Fables of the Sleepless Empire fueled tours with elite acts including Dream Theater and Iron Maiden.

    • Amin & Armin Saffar (Hyper Planet) – the Iranian-born duo add guitar and bass depth, fusing Persian heritage with avant-garde prog-metal (now based in the Netherlands).

    • William Khan (Golden World Archive) – cinematic, neoclassical orchestration.

    • Emil Reitan (Frostbitt, Trylion, Tulpas) – mixing/mastering at Iceland’s renowned Icicle Studios.

    • Oha Cade – composer, lyricist, producer, and visionary force behind Valcata.

    This lineup will continue across all tracks of the forthcoming EP.

     

    New Overload the Reactor t-shirt added to the store

     

    a new chapter

    Since debuting in 2019 with their conceptual self-titled album, Valcata has earned praise for blending symphonic, progressive grandeur, and heartfelt storytelling. Overload the Reactor is the group’s latest emotional anthem to signal a powerful new era.

    Bandcamp: https://valcata.bandcamp.com/album/overload-the-reactor
    Facebook: http://facebook.com/valcataproject
    Instagram: https://www.instagram.com/valcata_official
    Merch: https://valcata-merchandise.creator-spring.com/
    Spotify: https://open.spotify.com/track/4v5p8lgoaI12d3E879sZ2d?si=26d244bc06ce40d3
    TikTok: https://www.tiktok.com/@valcatamusic
    Website: https://www.valcata.com/