Category: news

  • 3 Points Of Madness Interview


    3 Points Of Madness Interview 

    One of the best up and coming metal bands to come out of Rhode Island in a long time. These guys are a force to be reckoned with. They have a sound that is uniquely their own and they are a killer band live. One of the few local metal acts that still hold true to the flag of heavy metal.  Looking forward to great things from this band.Check out the band when they open for “Fatal Portrait(king diamond tribute) this Friday 12/21/18@ the bar in New Bedford Ma.



    First and fore most who came up with the name:  

    Ron: That would be our singer George.

    How would you describe your music? 

    Ron:  Our music is a mix of classic Metal from the 80’s such as Iron Maiden & early Metallica combined with some progressive rock such as Rush, Tool & Dream Theater all fused with some modern flare forming an original sound that is truly our own.

    Take us through the writing process. Does everyone contribute? 

    Ron: Ideas either come in the form of riffs or full songs from either myself or George. We then work on them as a full band and lay out the arrangements.  Lyrics are either worked on separately after the music/melodies have been composed or while the initial song was written.

    Something in your personal music collections that fans might not expect?  

    Ron:       80’s Top 40 music & some Country and Western
    George: Van der Graaf Generator
    Sean:    Evanescence (don’t judge me J )

    What has been the most challenging aspect of being a musician? 

    Ron: The biggest challenge as a musician/artist in general is being able to go with the ebbs and flows, the good and the bad, and being able to take the punches and still be able to get up, fight and continue to persevere. Not many musicians can do that.  It takes hard work, a never say die attitude and never settling for less than the best and never taking no for an answer.


    George: For me it is working full time construction and having the energy to give and do what the music deserves. I try to practice daily but sometimes my energy is spent and it kills creativity. On the other hand, when I do work on music, I bring that same work ethic as do Sean and Ron. It’s a lot of work recording-practicing-playing shows and promoting. It is worth it 1000 x over if I can make a living doing what I love one day. No matter what though there is nothing like sharing a part of you in front of people and creating that experience I fell in love with when I see my favorite band play. It’s on a level of a Religious experience for me.


    Is the New England original music scene positive for your music? 

    George:  Absolutely! We are so lucky to have so many places to play. New England has a lot of clubs just a few hours away from one and other. Also, there are so many great musicians to network with and that’s what it’s all about, to get gigs together and help one another out.

    We have been able to work with some venues that primarily book cover/tribute acts. Some of them have been willing to book original acts as openers for cover and or tribute bands. We praise these venues that have been willing to help us, along with the acts that have been willing to take us under their wing to allow us the opportunity to get in front of more people to show them what we can do. It’s a hybrid music scene!


    By mixing in our songs with some crowd please rs/covers that people are familiar with has allowed us the advantage to bring our music in front of more people and to pick up new fans. This has open dozens of new doors for us.
     

    What makes a perfect song for you? What are the elements for your ears? 

    Ron: A great memorable melody, infectious grooves and high energy riffs, being able to write a piece of music that keeps us interested and challenged as musicians but doesn’t go too far to end up going over the heads of the average listener as well as having subject matter they can identify and relate to.

    Favorite local club to perform in? 

    Any venue that is willing to have and allow us the opportunity to get in front of a live audience.

    Name one band that you would love to tour with? 

    George: If we were offered a national tour it could be a band that made music by farting underwater and we would Love em…LOL, but seriously, I would love to open for Metallica. I know its cliché but they were my first concert and are my heroes. It was the And Justice tour. I don’t care what they did after that or how much of a dick Lars is. LOL

    On a local level, FirstBourne out of Boston would be awesome!

    Sean: The Winery Dogs.  I’ve always been a huge fan of Mike Portnoy, and since The Winery Dogs are also a 3 piece act I think that’s a bill that would make sense.

    Ron: For me on a national level, Iron Maiden, as Steve Harris is my main inspiration for becoming a bass player, locally, Death Rattle.

    Strangest thing that ever happened at a gig 

    Ron/George: We had played a show at a club after they just had a Fetish Night, (whips, chains, and most likely sex), and the venue reeked of semen.  It was so bad that Sean had to take his drum cases outside the next day to air them out as the stench had fully permeated them.

    Is social media a positive or negative impact on your music? 

    Ron: It’s a double edged sword.  Overall, Social Media gives any musician free exposure to the world, versus the days when bands had to do tape trading and such to get their music out there, so the net and the web has certainly made it easier to spread one’s music and name.  On the down side, some listeners rather just stream a song or full album instead of downloading and buying it or watch live videos on you tube instead of coming out and seeing a band.

    Any subject matter you will not write about? 

    Ron: We’re not a band that has a particular stance or belief on certain matters.  We write from what we see, observe or experience.  Inspiration for lyrics can come from anywhere, an event, a story, a movie, or just personal experiences.  There are some fantasy related things that we write about, but we try to stay away from the cheesy and cliché.

    Anything you would like to say to your fans? 


    We would like to thank them all as if it wasn’t for them we wouldn’t be able to do what we do. They make it all worth the while.  They can continue to expect to get the best from us and for us to keep them moving. 
    www.threepointsofmadnessmusic.com/ 

     
     
  • Interview with CAMU

    p { margin-bottom: 0.1in; line-height: 120%; }
    Cry of the Wolf Magazine interview With CAMU
     Official Press Release:
    Nothing great ever comes easy & the most rewarding way is usually the hard way, which is the essence of “The One You Leave Behind”. Four years ago when my son was 8 months old, my wife & I mustered up the balls to leave everyone & everything we knew behind and move 7000 miles away to start a new chapter in our life. The task was so momentous that I had to cruise through it at times. What I left behind was the person I had always been, everyone I knew, and who everyone knew me as. Everything I experienced in the last few years, becoming a dad twice over, starting a business & relocating again has been new and foreign to me but in the end I came out the ringer a much better & more fulfilled person. Iv’e always gone with the flow in life, never could have imagined it would take me from Helsinki to Hawaii.
    “The One You Leave Behind” has been a very difficult yet rewarding song to write & record. I completely changed my approach with this one and dug deep. If you harness the spirit that your inner voice represents you can achieve anything. Your gut feeling is fire. Don’t make plans just do.
    The song took on a life of it’s own and consumed me and I gave it my all. The song contains some of the actual demo recording as I wanted to keep the songs authentic feel alive. It was recorded on three different continents and is raw, honest and a testament of who I have become, showcasing a different side of me. I actually recorded my vocals on my balcony at night, and I have to say I liked singing this song as I wasn’t belting all the way through. I’m happy and relieved it’s finally released.
    What started off as a nice little riff inspired by attending what was to be Tom Petty’s last show ever at the Hollywood Bowl, made me question my sanity at times, adding to it the fact that I recorded this song between 1 and 3 AM exclusively, like a hermit isolated deep in the jungle of Hawaii Island.
    I had every technical set back under the sun with this one, broken hard drives, crashed drones & lost tracks. I almost died falling into the river above a 40 feet tall waterfall, only saved by grabbing onto a rock at the last second.
    The video is something I am very proud of, the coolest thing I have ever created up till this point. It really showcases how magical the place I now call home is. While filming and recording “The One You Leave Behind” we were hit by hurricanes, floods and a volcanic eruption, yet beauty & life prevails.
    Part 2 of the Trilogy is about giving into the universe and grabbing life by it’s balls and riding that wave from infinity till beyond, if you dare. Trust me, you’ll be better than fine. Life is magical so enjoy it.


    1. Take us through your mindset when composing a song like “the one you leave behind”
    The original inspiration struck after I left Tom Petty’s last show ever. Got home, picked up the guitar in the video and started playing the intro riff. I thought it was cool and then left it alone for a month or two. Then when I was deciding on the second song for the Trilogy I picked up the track again and started recording it section by section. That’s how I write & record. I’ll complete the song section by section, I never write the whole song. I like to see where it takes me. For the lyrics I ended up writing a song to myself from myself. In a sense the now older me singing to the younger me if you will. I thought that would be cool to identify with, not that I gave it that much thought initially. It just came from somewhere, worked out well and I dig the concept. I usually write the music first and the lyrics based on the vibe of the song. This song took a while to complete as I only worked on it between 1 and 3AM. 

    2. During the video shooting you mentioned almost falling into a river. Tell us about that
    Not almost, I did. I was waiting for the drone to film me on top of this 40′ waterfall and I saw it coming so I took one more step trying to make the shot even more epic. I misstepped and fell into the water above the waterfall. I was 2-3 seconds from the fall. I saw a rock that I grabbed onto. Then I realized I had nowhere to swim and the current was pushing me over the rock so I emptied my lungs and dove straight into the undertow kicking the rock as hard as I could, I managed to dive upstream and climb out. While this episode unfolded the drone crashed into the cliff wall…. Needless to say we chose a different waterfall to film at once the new drone arrived in the mail. Was very lucky that day.


    3. are you active with social media and do you see it as a positive or negative force in music today

    I should be more active, seems to be the thing to do but I don’t have the need to post all the time, I post when it has to do with my music. I’d rather make music and hang with my kids than to be glued to my phone fishing for likes, I’m ok with myself, I don’t need likes to feel good about myself. I do post if I have some cool content but you won’t find me posting what my mood is haha. It helps reach people who would never find out about you because of all the stuff online today. So it’s all good.

    4. What inspired you initially to become a musician
    The gatefold of KISS Alive 2 when I was four years old.

    5. what has been the most rewarding aspect of making music for you
    The whole process of hearing a melody in my head, actually writing a functioning tune, arranging it (which is my favorite part) recording it, releasing it and then getting feedback that someone was either inspired by a song or has a special memory attached to it. That is magical in many ways.

    6. What has been the hardest part of being a modern musician
    Being blinded by not being awesome enough in the past and the frustration that brings with it.

    7. Something in your music collection we would not expect
    My favorite album of the last two years has been “The Golden Hits” by “Duke Kamoku & His Islanders” I have worked up mad streams on that album. It’s the soundtrack to my daughters first year and a half. Check it out for awesome vibes.

    8. Strangest thing you have ever experienced at a gig
    We were playing in Russia with NAKED about a decade ago and when I went up to the mic to start singing the first song I got electrocuted in my face by the mic. The full juicy jolt hit my front teeth as the PA was not grounded, didn’t understand anything for a good 30 seconds and the pain was like dynamite toothache times 1000.
    Few other highlights are playing a sold-out show in Tokyo and our first US tour as a whole. Oh and once a coked-up promoter in Italy locked the whole band in a room filled with snakes for 6 hours and didn’t pay us.

    9. Where do you see the future of music and performance heading?
    It’ll keep keeping on. Hopefully, it heads towards more live instrumentation at some point.

    10. Are holograms ok with you?
    Since no one has ever asked me that before my answer is yes they are.

    11. Anything you wish to convey to your fans
    I’m a guy from Finland who rode the flow of life all the way to Hawaii somehow and I love making music. Give my music a listen as you’ll get to experience me giving you my all, to create memories and let my music be the soundtrack.
    https://camumusic.com


  • SOMETHING OLD, NEW, BORROWED AND BLUE

    This Old, New, Borrowed and Blue set features Big Country, Big Thief, Lake Street Dive, the Jayhawks and a few others thrown in for kicks.
  • Interview with Nicklas Jansson guitarist for the swedish blues band STEW





     Not too often you hear a band’s first song and say these guys are the next big thing. The guitar playing is incredible. The band is tight and the music is good and loud. Check them out!!

    1. Who came up with the name?
    Nicklas Jansson: Think it was me haha, I love to boil up a good Stew on a Friday evening.

    2. The guitar tone is amazing. What are you using?
    NJ: Thanks a bunch! I play a Fender Strat from 1992 into a Peavey Delta blues amp 1×15” speaker and a Fender 4×12” speaker. Just use two pedals a CryBaby Wah and Fulltone Octafuzz.
    3.Sweden is not readily known for producing blues artists. How does the scene there treat you? NJ: We believe that we got a lot more attention from other countries than Sweden so far. We haven’t played a lot here yet but the overall feedback is good!
    4. Plans for touring?
    NJ: Not at this moment but of course that would be awesome! Definitely in the near future.

    5. Do you view social media as a positive or negative force on modern music?
    NJ: It’s positive I think, you can reach out to so much more people.

    6. One artist you would love to tour with? NJ: Rival Sons for sure! That band is so good.. remember the first time I heard ’Pressure and Time’ it blew me off my chair.

    7. Influences?
    NJ: So many but a few are, Deep Purple, Grand Funk Railroad, Rory Gallagher, Hendrix, Free, Parish Hall, Point Blank, Aretha Franklin, Cream haha and so on. We drew all our influences from the late 60’s and 70’s era.

    8. Something in your music collection that fans might not expect.
    NJ: Don’t know about that but maybe this new artist called Mitch Rivers from the Netherlands! He is awesome, check him out!


    9. Anything you would like to say to your fans?
    In February 2019 we’ll hit the studio to record our debut album and in mid January we’ll release a live video plus more big stuff that I can’t tell you about at this moment.. stay tuned and follow us on our social medias for updates! Thanks!
    10. Our favorite here is “Dig For Gold” . Do you find yourself leaning towards one song more than another?
    NJ: Oh thanks, nice to hear! For me personally I like ’Might Be Keeping you’ we wrote that song in a couple of hours, Markus came up with the main riff and like we always do we started jamming and in like two hours it was finished.

    Thanks for reaching out to us! My name is Nicklas Jansson and play Guitar in Stew.
     This band gets 10/10 Wolf Howls
    Cry Of the Wolf Magazine


    Line up:
    Markus Åsland – Bass/Vocals
    Nicklas Jansson – Guitar
    Nicklas Dahlgren – Drums

    Links:



  • SAINT VITUS announce European tour dates and new album for 2019 #news #saintvitus #seasonofmist #doommetalfront




    The godfathers of American doom metal SAINT VITUS have recently finished their studio sessions for the recording of their brand new album, which will be released in 2019 via Season of Mist. On further news, SAINT VITUS have announced new European live dates for April and May 2019. The band will be supported by DOPELORD.




    SAINT VITUS tour dates
    + DOPELORD

    03 Apr 19 Gothenburg (SE) Sticky Fingers

    04 Apr 19 Stockholm (SE) Debaser Strand

    06 Apr 19 Jyväskylä (FI) Lutakko

    07 Apr 19 Helsinki (FI) On The Rocks

    09 Apr 19 Oslo (NO) Bla

    10 Apr 19 Copenhagen (DK) Pumpehuset

    11 Apr 19 Berlin (DE) So36

    12 Apr 19 Hamburg (DE) Headcrash

    13 Apr 19 Bomal-Sur-Ourthe (BE) Durbuy Rock Festival

    14 Apr 19 Dortmund (DE) Junkyard

    15 Apr 19 Cologne (DE) Luxor

    17 Apr 19 Birmingham (UK) Mama Roux

    18 Apr 19 Leeds (UK) Brudenell

    19 Apr 19 Glasgow (UK) Audio

    20 Apr 19 London (UK) The Underworld

    21 Apr 19 Paris (FR) Petit Bain

    23 Apr 19 Nantes (FR) Le Ferrailleur

    24 Apr 19 Toulouse (FR) Le Rex

    25 Apr 19 Barcelona (ES) Boveda

    26 Apr 19 Madrid (ES) Copernico

    27 Apr 19 Barroselas (PT) Swr Metalfest

    28 Apr 19 Bilbao (ES) Kafé Antzokia

    30 Apr 19 Fribourg (CH) Fri-Son*

    01 May 19 Milan (IT) Circolo Magnolia

    02 May 19 Zürich (CH) Dynamo*

    03 May 19 Karlsruhe (DE) Dudefest

    04 May 19 Leipzig (DE) Utc Connewitz

    *No DOPELORD

  • VEONITY LEGEND OF THE STARBORN CD REVIEW

    Veonity
    Legend of the Starborn
    Sliptrick records


         Veonity have unleashed a ferocious power metal masterpiece. Legend of the Starborn on Sliptrick records is now available. we suggest you buy a copy or two or three. Voted by this magazine, as the 2016 power metal band of the year, we have been patiently awaiting their new music.



     Veonity delivers 13 tracks of power, precision, and passionate heavy metal. “Rise again”, “Winds Of Asgard”, “United We Stand”, are standouts but there is ultimately not a bad track on the disc. The Gods of metal are smiling once again. All hail the Starborn and all hail Veonity!!

    10/10 Wolf Howls
    Cry of the Wolf Magazine

    https://www.veonity.com/ 

    https://sliptrickrecords.com/ 

     
  • SUNN O))) announce their "Let There Be Drone (Multiple Gains Stages)" European Tour March 2019 #news #sunn #southernlordrecordings #doommetalfront


    © 2018 Sunn O))) & Ronald Dick

    SUNN O)))) present their first European tour since 2016, and the premier tour of their 2019-2020 season. Including their first ever French tour (not including Paris), returning to old haunt Kampnagel in Hamburg, mythical Paradiso in Amsterdam, as well as headlining Elevate festival in Graz, and Divadlo Archa Prague.


    Formed in March 1998 SUNN O))) have been challenging the ways we think about music in the twenty years since. A synthesis of diverse: drone, metal, minimalism/maximalism verging on the edge of pure sonic ecstasy, meditation and trance through the power, beauty and colour of sound pressure emanating from their legendary SUNN O))) backline and their earth shaking tectonic compositions of existence, dedicated to the mysteries of life and the cosmos.


    SUNN O))) has two core members: Stephen O’Malley and Greg Anderson, supported by a tribe of collaborators. From 1999’s “The Grimmrobe Demos” to 2018’s “Downtown LA Rehearsal/Rifftape”; from their now classic albums “Black One” (2006), “Monoliths & Dimensions” (2009), “Soused” (2014) & “Kannon” (2015) to their forthcoming to-be-revealed-but-recently-completed two 2019 album epics, founders Stephen O’Malley and Greg Anderson have forged paths and connections between the worlds of Metal, contemporary art, drone, new music, jazz and minimalism with startling results while remaining true to the eternal principles of volume, density, elasticity of time, blossoming of saturation viable only to the disciples and fetishists of electric guitar, synthesis, multiple gain stages and some of history’s greatest pure valve amplification.


    The current concert line-up extends around power trio of Stephen O’Malley (Guitar), Greg Anderson (Guitar), and their valve guru and long time collaborator Tos Nieuwenhuizen (Moog), aside selected special guests. Together they relentlessly pursue their exploration and elaboration of SUNN O)))’s legendary experiments with the physicality of sound in instrumental based live performances with remarkable events at some of their favourite venues, as well as concerts in singular events and spaces such as Italy’s impressive cultural complex Labrinto Della Masone, Germany’s Ruhrtriennale Festival of Arts, Royal Festival Hall & The Barbican in London, Bergen’s Dømkirke and Manchester International Festival being a few emblematic examples.

    Rejoin them in their glorious pursuit of the monumental heaviness.

    Etienne Ni Mhaille, 2018

    SUNN O)))
    LET THERE BE DRONE
    (MULTIPLE GAINS STAGES)
    March 2019 Europe

    Thu 28/02/2019 DE Frankfurt Mousonturm
    Fri 01/03/2019 AT Graz Elevate festival/Orpheum ° ~
    Sat 02/03/2019 CZ Prague Divadlo Archa °
    Sun 03/03/2019 DE Hamburg Kampnagel – K6 °
    Mon 04/03/2019 NL Amsterdam Paradiso °
    Wed 06/03/2019 FR Lyon L’Epicerie Moderne ÷
    Thu 07/03/2019 FR Nancy L’Autre Canal ÷
    Fri 08/03/2019 FR Dijon La Vapeur ÷
    Sat 09/03/2019 FR Rouen QuasaRites Day/Le 106 •
    Mon 11/03/2019 FR Tours Le Temps Machine §
    Tue 12/03/2019 FR Nantes Stereolux §
    Wed 13/03/2019 FR La Rochelle La Sirene §
    Thu 14/03/2019 FR Bordeaux Le Rocher de Palmer §

    Supports:
    ~ Robin Fox presents Single Origin 
    • Lingua Ignota

    SUNN O)))’s website/webstore sunn.southernlord.com
    SUNN O)))’s album oeuvres online sunn.bandcamp.com
    SUNN O)))’s live recordings online sunn-live.bandcamp.com
    Tour produced by Ideologic Organ Music
    SUNN O)))’s booking in EU by Odyssey / Vincent Royers
    SUNN O)))’s recordings are released by Southern Lord Recordings www.southernlord.com

  • MONOLORD sign to Relapse Records – new album coming late 2019 #news #doommetalfront



    Relapse is proud to announce the signing of Swedish trio MONOLORD. Formed in Gothenburg in 2013, MONOLORD quickly burst onto the scene releasing three critically-acclaimed full-lengths in a four-year span (Empress Rising, Vænir and Rust) on RidingEasy Records all while touring relentlessly around the globe. MONOLORD is a rare breed: A band both encompassing and transcending genre; a vortex of heavy rock density that consumes all others. The band’s enveloping, syrupy sludge is a state of mind, with guitarist/vocalist Thomas Jäger, drummer Esben Willemsand bassist Mika Häkki create a massive, dynamic sound with ultra-low frequencies serving as its fourth member. MONOLORD’s yet-to-be-titled fourth studio album is expected to be released in late 2019. Stay tuned for more information.

    MONOLORD comment on the signing:

    “Stoked about this! Working with people who are driven by the passion for music above anything else has always been key for us. The fine music lovers at Relapse are just the kind of passionate people we want to spread the decibel gospel with and we feel confident that this is gonna be a very sweet ride together.”

    MONOLORD are currently on tour throughout Europe with Kadavar. A full list of remaining tour dates is available below.

    Stream MONOLORD’s discography on Bandcamp HERE, Spotify HERE and Apple Music HERE.

    MONOLORD Tour Dates:

    — All Dates w/ KADAVAR —

    Nov 15 Lausanne, CH @ Le Romandie
    Nov 16 Zurich, CH @ Mascotte Zurich
    Nov 17 Eindhoven, NL @ Helldorado
    Nov 18 Groningen, NL @ VERA Groningen
    Nov 20 Bielefeld, DE @ Forum Bielefeld
    Nov 21 Kortrijk, BE @ Concertzaal
    Nov 22 Karlsruhe, DE @ Substage
    Nov 23 Leipzig, DE @ Sonne Island
    Nov 24 Schweinfurt, DE @ Stattbahnhof Schweinfurt
    Nov 25 Neukirchen, DE @ Sagewerk
    Nov 27 Cham, DE @ L.A. Live Style Cafe
    Nov 28 Munich, DE @ Backstage Munchen
    Nov 29 Bochum, DE @ Zeche Bochum
    Nov 30 Saarbrucken, DE @ Garage
    Dec 01 Freiburg, DE @ Jazzhaus Freiburg

    MONOLORD Is:

    Esben Willems – Drums
    Thomas Jäger – Guitar Vocals
    Mika Häkki – Bass

    OFFICIAL LINKS:


  • Nita Strauss/Angel Vivaldi show review

    Angel Vivaldi/Nita Straus guitar collective gig@greasy luck pub, new bedford mass.



    Angel Vivaldi layed down a blistering set of  incendiary guitar pyrotechnics. This one man band pulled out all the guitar hero stops and presented an award winning performance.One of the best guitar players I have seen. 

    b


         Nita Strauss delivered a fiery fury of shredding guitar. This is a shredders master class in pure passion. Her enthusiasm and love for her chosen instrument was readily apparent to all who attended. Her set included an incredible rendition of QUEEN’S “The Show Must Go On”. 


    Additionally Nita was joined onstage by Mike from EAST COAST ALICE(Alice Cooper tribute band) for an equally incendiary version of “I’m Eighteen.”. Strauss has established herself as one of the world’s premier guitar shredders. With her band of equally talented individuals behind her this should only be the beginning of a long career.

    Show receives 10/10 Wolf Howls
    Cry Of the Wolf magazine
     https://www.angelvivaldiofficial.com/


     
  • LUMBAR to re-release cult album with Argonauta Records – Feat. Aaron Edge, Yob’s Mike Scheidt and Tad Doyle! #news #doommetalfront




    “The First and Last Days of Unwelcome” to be re-released on January 11th 2019


    It’s been a tragedy for the world of metal, when the remarkable debut album ‘The First and Last Days of Unwelcome’ has been likely proved to be the first and last work of Lumbar. The trio of metal veterans Aaron Edge (Ramprasad / Bible Black Tyrant / Rote Hexe / Iamthethorn / Roareth / Phemüt), Yob’s Mike Scheidt and Tad Doyle (Brothers of the Sonic Cloth / TAD) released their highly acclaimed debut album back in 2013, when the life of band mastermind and multi-instrumentalist Edge has already changed forever.

    Lumbar is Edge’s unique collaboration with the two vocalists — Yob’s Mike Scheidt and Tad Doyle. Edge wrote and recorded the music and penned the lyrics, during one long weekend in Seattle, and they added their voices. At this point, Edge has been diagnosed with multiple sclerosis.

    “It’s been five years since I wrote and recorded the Lumbar endeavor (in GarageBand, no less) and that time really did pass quickly.” Edge explains. “It has also been six years since my Multiple Sclerosis diagnosis, but that time has gone by much too slowly. The pain has not ceased, nor the frustration, and certainly not the fear. But, there are some positive things to focus on: my meds are now dulling some of the nerve trouble, I’m able to play music regularly again, and two labels share my excitement in the re-release of “The First and Last Days of Unwelcome” as hand-numbered 12″ vinyl on Argonauta Records and hand-numbered cassettes on Anima Recordings.

    The five year agreement and music license that was held between myself and Greg Anderson, of Southern Lord, ended this month, releasing the control of the recording back into my hands. I’d like to thank Greg, for his belief in the vision and importance of Lumbar for me. He has always shown true friendship, guidance and support and I won’t forget that.

    There is a difference in the first release, back in 2013, and the re-release for January 2019; there was first an urgency and now there is a reminder.
    The urgency tore me and my marriage apart, it changed my life forever, the MS diagnosis was (at the time) a bleak future. And, to be honest, I’m not optimistic about how my life with the disease will change and morph as I grow older. But, I’m still here. I made it this far. The urgency of the first release of these seven tracks is now a reminder of change… it is inevitable and uncontrollable. Nature does what nature does, she can not be restrained.

    I can not thank enough, then and now, the donation of friendship and talent from both Mike Scheidt and Tad Doyle: there’s only a small handful of people on the planet that I know—that I would feel comfortable having them tell my story—and these guys were at the top of the list. I love you two men.

    Thank you to Gero of Argonauta and David of Anima for reminding all of us about creative energy, about storytelling. I do hope you all reading this and listening in appreciate the recording, as heavy and dark in subject matter as it truly is, all over again.”

    With seven tracks and a runtime of less than 25 minutes, ‘The First and Last Days of Unwelcome’ is a relentless trek through doom metal featuring Scheidt and Doyle, the screamer and singer, who perfectly round up this epos. On January 11th 2019, Argonauta Records will re-release the cult album on Vinyl by a project that has been truly missed in the heavy music scene.
    Coming with a re-designed album artwork, ‘The First and Last Days of Unwelcome’ will be available on CD (for the first time ever) and an exciting color LP edition of 300 hand numbered copies.


    Pre-Orders are now available at:


    Says Gero Lucisano, CEO of Argonauta Records: “It’s been a year ago when I’ve been lucky enough to team up with Aaron Edge for his new project Bible Black Tyrant, we released on Argonauta in early 2018. A massive sludge blast I’m totally proud of. With Aaron, a hard working musician, I got the chance to speak about many music endeavours and thanks to his positive and propositive attitude it is a pleasure and a honor to work the official reissue of the legendary LUMBAR album. This is not only an impressive work, emotional and intensive, this beast also features the line-up Mike Scheidt (YOB) and Tad Doyle (of legendary TAD), basically my hero of today’s scene and the hero of my youth. Argonauta Records is stoked to welcome the band and album within its range.”




    The track list reads as follows:
    Day One
    Day Two
    Day Three
    Day Four
    Day Five
    Day Six
    Day Seven



    For More Info Visit: