Category: news

  • Corroded–Bitter–Album Review




    CORRODED–
         Every once in awhile a band comes through the pipeline that blows the doors off your car. CORRODED is just such a band. This album, BITTER, is chock full of juggernaut riffs, incendiary vocals and quite frankly, one of the best sounding cd in a long time. Not a bad song on the album. This is a band to watch because believe me we have not taken this cd out of rotation here at our mountain hideaway. Hands down a front runner for band of the year from us. CORRODED—BITTER       10/10 Wolf Howls


  • American Doom Metal heroes SAINT VITUS to celebrate their 40 years anniversary with brand new album & an extensive European Tour #saintvitus #seasonofmist #doommetalfront




    The godfathers of American doom metal SAINT VITUS are going to release their 9th full-length album, “Saint Vitus”, on May 17, 2019.




    SAINT VITUS
    “Saint Vitus”
    Season Of Mist

    Formats:
    Digipak CD, Gatefold vinyl in various colors

    Track-list:
    1. Remains (6:23)
    2. A Prelude to… (3:20)
    3. Bloodshed (3:04)
    4. 12 Years In The Tomb (5:24)
    5. Wormhole (5:22)
    6. Hour Glass (5:23)
    7. City Park (4:01)
    8. Last Breath (6:38)
    9. Useless (1:32)
    Total: 41:07

    Line-up:
    Dave Chandler – guitar
    Henry Vasquez – drums
    Scott Reagers – vocals
    Pat Bruders – bass


    Listen to brand new track “12 Years in the Tomb” here:




    SAINT VITUS kick off their Anniversary European Tour on April 3rd in Gothenburg (Sweden). A full list of confirmed shows for the “40 F’N Years” trek can be found below. The band will be supported by DOPELORD.


    SAINT VITUS tour
    +Dopelord

    03 Apr 19 Gothenburg (SE) Sticky Fingers
    04 Apr 19 Stockholm (SE) Debaser Strand
    06 Apr 19 Jyväskylä (FI) Lutakko
    07 Apr 19 Helsinki (FI) On The Rocks
    09 Apr 19 Oslo (NO) Bla
    10 Apr 19 Copenhagen (DK) Pumpehuset
    11 Apr 19 Berlin (DE) So36
    12 Apr 19 Hamburg (DE) Headcrash
    13 Apr 19 Bomal-Sur-Ourthe (BE) Durbuy Rock Festival
    14 Apr 19 Dortmund (DE) Junkyard
    15 Apr 19 Cologne (DE) Luxor
    17 Apr 19 Birmingham (UK) Mama Roux
    18 Apr 19 Leeds (UK) Brudenell
    19 Apr 19 Glasgow (UK) Audio
    20 Apr 19 London (UK) The Underworld
    21 Apr 19 Paris (FR) Petit Bain
    23 Apr 19 Nantes (FR) Le Ferrailleur
    24 Apr 19 Toulouse (FR) Le Rex
    25 Apr 19 Barcelona (ES) Boveda
    26 Apr 19 Madrid (ES) Copernico
    27 Apr 19 Barroselas (PT) Swr Metalfest
    28 Apr 19 Bilbao (ES) Kafé Antzokia
    30 Apr 19 Fribourg (CH) Fri-Son*
    01 May 19 Milan (IT) Circolo Magnolia
    02 May 19 Zürich (CH) Dynamo*
    03 May 19 Karlsruhe (DE) Dudefest
    04 May 19 Leipzig (DE) Utc Connewitz
    * No Dopelord



    The already legendary story of SAINT VITUS began in the year 1978, when guitarist Dave Chandler, together with Armando Acosta on drums and bass player Mark Adams, started rehearsing. After trying out two other singers, the band finally settled for vocalist Scott Reagers under the designation TYRANT. In August 1979 the quartet played their first show and in 1980 their name was finally changed to SAINT VITUS. Reportedly this move was inspired by the BLACK SABBATH song “St. Vitus’ Dance”, taken from the “Volume 4” album (1972).

    The eponymous debut album “Saint Vitus” had been released in the same year and was quickly followed by the second full-length “Hallow’s Victim” (1985) and an EP entitled “The Walking Dead” (1985). With Thrash Metal on a furious rise, the ultra-heavy sound of SAINT VITUS was mainly enjoyed by connoisseurs of Doom and a dedicated underground following. This might have been one of the reasons for Scott Reagers to part from the band in 1986. His unexpected move turned out to be hardly a problem for the band as they recruited Scott “Wino” Weinrich from THE OBSESSED, who is considered as the ultimate voice of SAINT VITUS by a clear majority of their adherents.

    When Scott Reagers left, Dave Chandler had already written most of “Born Too Late” (1986). This album gained the Americans growing attention in the Metal underground especially overseas. The anthemic title track is considered be one of the great Doom hymns by many fans.

    The EP “Thirsty and Miserable” (1987) followed, which featured a BLACK FLAG cover version of the same name, but “Mournful Cries” (1988) was still going to be the last album for SST Records. All this hard work during the previous years started to pay off. With their aptly named fifth full-length “V” (1989) now released on the famous German Doom label Hellhound Records and the live recording “Live” coming out a year later, interest started to grow considerably, although at first in continental Europe, but soon after in England as well. Just as the horizon was brightening for the Godfathers of Doom, Wino decided to leave SAINT VITUS and reform THE OBSESSED in 1990, which turned out to be a serious blow.

    Wino was first replaced by Christian Lindersson from Swedish musical and spiritual brothers COUNT RAVEN. With him at the microphone SAINT VITUS recorded “C.O.D.” (1992), which was produced by Don Dokken and gained high critical acclaim. Despite the warm welcome received, the band remained largely inactive after this release.

    Two years later, SAINT VITUS reunited with their original singer Scott Reagers. This led to the again much applauded album “Die Healing” (1995). It might have been the right time for the group to reap the harvest of all the amazing songs that they had sown, but due to severe health problems of Scott Reagers their European tour had to be prematurely ended and that seemed to be the end of the SAINT VITUS story for a long time, much to the dismay of their loyal and by then many followers.

    At the time nobody could have foreseen that April 29th, 2009 in Stuttgart, Germany would mark Armando Acosta’s final performance with SAINT VITUS. After this last show in Europe the band returned to the States as planned. There Amando’s multiple serious health issues were continuing to take their toll on him, and with great sadness on November 25th, 2010 SAINT VITUS received the painful news that their longtime friend and band mate had passed away.

    When SAINT VITUS played their massive show at Hellfest in France, the crowd witnessed a new member on the drum stool. Henry Vasquez, who had already joined Dave Chandler on his project DEBRIS INC. made his debut there and remained with the band from that day on.

    In 2012, SAINT VITUS signed to Season of Mist, who proudly released “Lillie: F-65” in April. Seventeen years after their previous album and nine years after their reunion, SAINT VITUS were returning with a masterpiece that cemented their status as true icons of Doom. “Lillie: F-65” includes the trademark song writing style so beloved by SAINT VITUS fans: there is the cataclysmic and unmistakable guitar sound of co-founder Dave Chandler full of reverbs, feedbacks, flanger and apocalyptic distortion leading to amazing and magical solos. “Lillie: F-65” is furthermore graced with the deeply resonant vocals of Scott “Wino” Weinrich who had rejoined the fold to record an album with the band for the first time since the glorious “V” (1989) and whom many consider to be the classic SAINT VITUS vocalist.

    From the very first guitar chords, that unmistakable frying, sizzling, and wailing signature sound of Dave Chandler, any adherent of classic doom metal will immediately know: this is SAINT VITUS. The godfathers of American Doom Metal will soon embark on an extensive European tour in celebration of their 40th band anniversary. At first glance a bold statement such as “godfathers of American Doom Metal” might appear to be weighing as heavy as this band sounds. Nonetheless this is simply the truth in this case.

  • Interview with Sinner’s Row

     
     
    Members answering: James – Vocals & Lead Guitar, Steph – Rhythm Guitar, Gordon – Bass and backing vocals, Leo – Drums

    First and fore most who came up with the name:   
    That’s a funny story because we were stressing about it for weeks. Gordon and myself (James) had gone back and forth with 100 different names. We were at lunch with my girlfriend Ashley one day and we were like.. Saints and Sinnners.. no that’s taken.. Saints Row is a game.. then Ashley piped up “Sinner’s Row?” and Gordon and I looked at each other like.. hmm.. maybe? So we slept on it for a day and it still felt right so we went with it.

     How would you describe your music? 
    Gordon – Old school thrash/grove metal with a modern edge to it
    Leo – I think its heavy, melodic and full of groove. The drum sound is very important to me as it is the foundation of the band. If my drums aren’t tuned properly, the overall sound of the band is affected in a negative way. We want our audience to not just hear the music, but we want them to feel it as well.
    James – I always say it’s just old school metal.. Big-4-influenced thrash.

    Take us through the writing process. Does everyone contribute? 
    Gordon – Lyrically it’s James and myself, my writing style is more of a story and then James and I work the lyrics into the proper cadence so it fits the music. Musically it’s everyone in the band working together as a team.

    Leo – I don’t really contribute to the lyric writing process. I pretty much stick to writing the drum tracks for all of the songs. My current schedule doesn’t allow me to contribute at this time. Just really busy with other stuff.
    James – One of us will come up with an idea and bring it in. For lyrics thus far it’s been Gordon or myself, or our old buddy Anthony working with us. Gordon usually starts with a stream of consciousness idea and lets the words flow, then we massage it into the music we think matches the feel. Me, I start with a melody or vocal cadence in my head and work from that.
    Something in your personal music collections that fans might not expect?  
     Steph – Wham
    Gordon – NWA, Ice Cube, Alabama, Kenny Rogers, Enya and Lorrena Mckinnett and Irish Folk Music, just to name a few.
    Leo – A few Jazz, Blues, and Country albums. I grew up on Country music and later Rock. I really got into Jazz in high school due to the odd time signature’s and timing, and with Country music I learned how to play with finesse.   Then I heard YYZ for the first time, and it all came together.
    James – Panic! At the Disco.. I’m a big fan of Urie’s vocals and writing. Bob Schneider, another great songwriter from Austin.
    What has been the most challenging aspect of being a musician 
    Steph – Being unique
    Gordon – Since I have only been playing bass for 3 years, its been getting better at playing, understanding what I’m playing and why the chords work or don’t work.
    Working a full time job and playing gigs can be challenging at time as well.
    Leo – I think balancing the different genres and styles of music that I enjoy playing. I’m a fan of music, and I will try to play just about anything on drums and make it sound cool!
    James – Music/Work/Life balance for sure, and trying to constantly improve and evolve. Stagnation is death in my view. So I’m always working on what can I do to level up.
    What makes a perfect song for you? What are the elements for your ears? 
     Steph – Incorporating the melody of the song. Anyone can play fast, but the beauty of music is when you are able to make it melodic
    Gordon – It’s a song you can feel not just hear, when the lyrics and the melody match up and you have to song along.
    Leo – I’ve never really thought about what makes a perfect song for me. A good song for me is one that tells a really good story, and I can hear all of the instruments involved in their own unique way through the emotional 10 minute high!
    James – Storytelling and being memorable. You have to balance inspiring emotion through your story and that little special something that makes it stick in the mind. It’s not easy. I aspire to that one day. Chris Stapleton said in an interview once that if writing a hit song was easy, cuz it pays well, everyone would do it.
    Favorite local club to perform in? 
    Steph – BFE (Only one i’ve done lol)
    Gordon, Leo, and James – Acadia Bar & Grill in North Houston, Tommy is one of the best sound gurus in Houston!
    Name one band that you would love to tour with? 
    Steph and Leo – Metallica
    Gordon – There are so many, but one I know for sure is Amon Amarth since Slayer is retiring
    James – Testament. True legends and seemingly such down to earth dudes.
    Strangest thing that ever happened at a gig 
    Gordon – Nothing really strange has happened yet, but my strap came off my bass and I had to play the rest of the song holding it, not strange but embarrassing
    Leo – When I was with The Badd Boys From Houston Tejas back in 94, we opened up for a touring band at Headbangers. Well those dudes were stoned out of their minds and were playing like shit! So the promoter shut them down, and asked us to finish the show.
    James – We were playing a show in Beaumont and we blew a breaker mid-set. Had to move everything over to another circuit.. that was pretty funny.
    Is social media a positive or negative impact on your music? 
    Steph – Positive. Social media is a way to get our music heard and recognized by the metal fans out there
    Gordon – Both, getting your band out there to the masses is always a positive thing, but having to live within the constraints and rules they have can be a problem.  You live or die by what is seen or heard on your page, but that’s a very small part of your total works.  If they don’t like what they hear it likely they won’t listen to anything else the might fall in love with.
    Leo – I can’t really say, cuz I’m really not into social media. But I think it can only be positive if the music is really good. I think it’s negative when drama and rants get involved.
    James – Good for indy musicians overall. You can promote yourself and get your music out there, the hard part is standing out among the flood.
    Any subject matter you will not write about? 
     Steph and James – Politics
    Gordon – Me personally no, I have no issues writing about anything.
    Leo – My family! We are very private and we like it that way!
    Anything you would like to say to your fans? 
    Steph – Thanks for supporting Sinner’s Row and rock on

    Gordon – Thank you from the bottom of my heart, without the fans there would be no reason to play.  I am always humbled by the fact that someone is into what I have had a hand in creating and I will forever be grateful.

    Leo – We are dedicated to writing and recording the best material for everyone!  Unfortunately that takes time, but time is what we have.

    James – Just all the love and thanks I can muster. Our fans make it fun to jump on stage and I’m in awe and humbled every time I hear someone say how a riff or a chorus stuck in their head for a day. Audience is everything for a musician.. so thank you, thank you.

    https://www.facebook.com › Pages › Public Figure › Musician/Band › Sinner’s Row
  • Interview With BARBE-Q-BARBIES




    –First and fore most who came up with the name?
    Niina: I came up with the name from Soundgarden’s ”Black Hole Sun” music video. There’s a little girl grilling a Barbie doll.

    –How would you describe your music?
    Heidi: It’s pretty much classic rock with various ”spices” on it. New album is filled with fresh ideas that we hadn’t have chance to carry out on previous albums. Tight rock attitude with a good old punch in the face. This time we are also providing some sentimental wild west guitars and lil’ groovy funk elements as well.
    Niina: It definitely got some new elements comparing the previous ones, but at the same time it still sounds like B-Q-B.

    –Take us through the writing process. Does everyone contribute?
    Heidi: Usually Niki brings a singing melody idea and we start to work on that. With new album we cooperated with the whole band in most of the songs.
    Niki:I usually sit at home working on writing melodies and then I ́ll bring my ideas to the band practise and then we start working on building up the songs all together, but sometimes we might just jam at rehearsal and then a song gets born that way.
    Niina: In addition to this, we also had few outsiders to help us through this album process. As writers and arrangement side too.

    -Something in your personal music collections that fans might not expect?
    Heidi: Heidi: Adele, Regina Spector, powerful female singers.
    Niki: Ed Sheeran.
    Niina: I’m a fan of Motown singing groups such as The Ronettes, The Supremes, and The Temptations just to mention few. My oldest and the ”cheeriest” favorite is also The Beach Boys. Been listening to them since I was 3-4 years old to date. I could call it real love.

    -What has been the most challenging aspect of being a musician?
    Heidi: The trick is to combine timetables in music career and normal life. Being confident and believing on your own skills is the hardest part of it.
    Niki: The feeling of just standing in one place and not going anywhere, its been a struggle for many years to keep the band still standing. It’s requires lots of hard work and patience.
    Niina: The fact that you put so much time and effort to your music career and still not able to survive financially without having a Day job.

    –What makes a perfect song for you? What are the elements for your ears?
    Heidi: good song is a good song, genre doesn’t matter. The lyrics of the song and a story behind it has a big impact on me. A great song strikes deeply and gives you shivers. The singer’s interpretation is very important.
    Niki: For me it’s when a song gets under your skin and touches your heart either you get goosebumps or you wanna shed a tear.
    Good example is Queen’s ”Who wants to live forever”.
    Niina: It’s a perfect combination with great melody and good interpretation. A really great song stays in your heart forever and gives you strength to carry on through hard times.

    –Favorite local club to perform in?
    Niki: In Helsinki it must be On The Rocks, its a small intimate place with limited capacity of audience, but the spirit there is great when you perform.
    Niina: For me definitely Tavastia. The most legendary rock club in Helsinki. I’ve seen so many Idols of mine on that stage. Still hope to play my 4th show there with full crowd. That would be great. That’s something to aim for.

    –Name one band that you would love to tour with?
    Niki: The list is huge; Rolling Stones, Queens of the stone age, AC/DC, L7, The Hellacopters just to name
    few ..can you hook us up? ;D
    Niina: Rival Sons would be awesome!

    –Strangest thing that ever happened at a gig?
    Niki: Getting a men’s underwear thrown in my face while preforming ;D
    Niina: Getting top of my the head burned by a  strong spotlight on top of me. It was a pure torture.

    –Is social media a positive or negative impact on your music?
    Niki: Definitely positive

    -Any subject matter you will not write about?
    Niki: Something that would offend someone. For example, we wouldn’t make hate songs of known people etc…
    If I’m angry in my lyrics, it’s always something to do with my personal experiences.
    I also try to avoid political subjects.
    Niina: I like to think that we stand for equality and charity in every way. Hate is hate, but in our case hate comes in a form of love. We’ve all had our rocks on the road, but we wouldn’t throw them too hard on passers-by.

    –Anything you would like to say to your fans?
    Niki: Thank you for your support and welcome new listeners! We really hope we get to see you at our shows in the future.
    ❤


  • Cry Of The Wolf Interview with DORO PESCH


      
    There are legends and icons in heavy metal and then there is DORO PESCH, who embodies both. Her passion and true love for the art form of heavy metal music as well as her equally unbridled love for her fans is the first thing you realize about DORO. We have had a chance to chat as she geared up for her 2019 tour.

    How do you get yourself in shape for the tour?
    I’m doing martial arts. working out. jogging. building up the stamina. then we prepare a nice intro. rehearse some new songs. I want to do a live record. Constantly thinking of new things to do during the show. Special effects. Some clubs don’t allow pyro technics so we have to come up with other things.

    And this tour features a double headliner, Doro and Metal Church.
    I’ve loved metal church since the early days. They are really nice. Its a good vibe. That is most important. each band supports the other band. We share our crews. Its a good start. The crowd will appreciate it. Old school metal.



    Do you find it hard to pick songs for a set list
    yes. so many songs. so many records it is hard. somehow every song means something to me. Sometimes we sneak in songs that were never released in the states. all the highlights and some unexpected ones.

    When you covered metallica do you hear from them.
    Not yet. but when we covered breaking the law by Judas priest. Rob Halford said he loved it. We saw them live and the tour manager said you can come up and sing it. I thought Oh my God I’m hopping on stage with rob I was thinking I wouldn’t remember the lyrics. He said you’ll be fine come on.

    When you get together to rehearse do you improvise new songs?
    Usually We make a list and then we get prepared. We’ve played together for years now. Sometimes we enjoy a little medley. We are a good team. Great Musicians. Everyone has ideas. Sometimes things work out awesomely. Sometimes we set up lists for the States and then different for Europe. A few of my favorite records were never released in the states during the grunge era.
    All killers no fillers!

    Are you ever surprised by how passionate the fans are?
    Sometimes the fans show me their tattoos.They go full out. Its so awesome. I want to tell them I am just as dedicated. But I am blown away sometimes. I love tattoos. When I was younger I used to tattoo all my friends. So I appreciate what they mean to people. My whole life is dedicated to the fans and the music. My true love. They get more insane every day. Inspires me to give my all.

    What is the strangest thing at a gig you have seen?
     One time a lady said she would name her next baby after me. She said if this was ok. I said yes. But had a boy. But he does have Doro Rock In the middle of his name. We see them at shows now.

    Check out DORO and METAL CHURCH on tour now!!

    https://www.doromusic.de/




  • Cry Of The Wolf Magazine interview with BOBBY BLITZ of OVERKILL



    The Wings Of War is New Jersey’s Thrash kings OVERKILL’S 19th Studio album. I had a chance to talk with Lead vocalist Bobby Blitz about the new album, being from New Jersey and life on the metal road.


    The new album kicks ass as expected. How did you feel going into the recording of this album your 19th?
         The chemistry had changed. Jason Bittner had come into the fold. He is a schooled musician. Probably the most Musically trained we have had in the band. So he brought something different to the party. So we knew the chemistry would change. The question is, would we embrace this new change and I think you can see by the release that we did.

    With a Song like “Welcome to the Garden State”, Who came up with the idea to include the Springsteen ending? 
        That was D.D.’s Idea. He was cutting pieces together and then we played a scratch track to it and said if we go then lets go all the way. we always wanted to cover the song. The rumor is that Springsteen loves when people cover his stuff, especially Jersey guys.

    Over 30 years, 19 studio albums, countless tours..Any regrets?
       I don’t think so. The fact that we are having this conversation is a testimony to a life pretty well lived. It’s not a career anymore. I think…I’m in. I do like the fact that I have been able to live my life the way I would like to. We like doing this. We do it with frequency, passion, and high principal.

    Are there times when you cant stand the road?
    It’s a middle age boys club. We are all degenerate gamblers. Sometimes we drink to much. We put the work in prior to the tour so the tour itself is not work. Going out an doing shows is living like a juvenile delinquent again. Its fun for us.

    What keeps inspiring you for lyrics? For instance the song “Batshit Crazy”.
    Its about paying attention. I don’t talk politics or social events. I think its up to the individual to decide. I’m no smarter than from the first record. Don’t take advice from me. But if you keep your eyes open you get filled with things. And I get the opportunity every couple of years to put them in lyrics. Even though they tend to be abstract they cleanse me. They clean my head out. On a song like “Batshit Crazy”, its a topic about where is the common sense. We are living in a world without common sense.

    social media?
    we have someone do it. we are self managed so it comes across my desk. I don’t have any of that. I come from a hand shake era. But I realized this was needed early on. to stay relevant we had to be involved. its both negative and positive. Its both. I’m an old school guy. Our social media was taking our flyers and stapling them to anything you could. But I realize that this is how it is now. I think the down side is probably is more so for the newer bands. So many bands get over looked. We use it to our advantage. the idea is to adapt to the hammer of the day and the hammer currently is social media. Whats current is what is important.I’m proud of our career. I’m proud because we are relevant and the reason we are is that we have no problem reinventing ourselves. So it still gives us the opportunity to do the things we love because we have embraced it.

     Strangest thing you have ever seen at a show?
    I have seen it all. People fornicating. A guy handed me a leg onstage. somewhere in the Midwest so I’m standing there holding this dudes prosthetic leg. He’s handing me a pen yelling “sign it”. I’m like I’m not giving this back.

    Any hobbies outside of music?
        I’ve been raising dogs my whole life. I live in a really rural area. So its outdoor living. I’m a Harley guy. I like old cars. I’m busy outside of overkill. When your on the road I love playing. I love playing live but I like fast cars. I like tinkering around with them. When I’m on the road I miss being home but when I get home I miss the road.


    www.wreckingcrew.com/
  • Interview with STEVE S.R. of RAIN OR SHINE



    Rain Or shine is hard rock at its melodic finest. Steve S.R. and Andy R. McCormack are incredibly talented musicians whose combined talent explodes on this release. Fans of good, hard rock with attention to melody should pick this release up. Below is the interview with Steve S.R. himself.
    First and fore most who came up with the name:
    I had come up with a list of names that sounded cool by the time we had finished recording our debut album, but ‘Rain Or Shine’ seemed to fit this particular project the most, so eventually we chose that.
    How would you describe your music? 
    Although, I am not particularly fond of putting labels on music, I consider Rain Or Shine a melodic hard rock project. Our first album “Seize The Night” had a more old-school feel in both composition and sound, but the new album is modern and kinda versatile.
    Take us through the writing process. Does everyone contribute? 
    I started this project in order to write and share my songs with the people that have the same passion about melodic rock music as me. However, to this day, lots of great musicians and sound engineers worked with me to make that happen. Concerning the composition part, I am usually on my own. Every idea starts from a nice riff, a catchy melody or an interesting concept working its way to a whole song. Next comes the arrangement. In that part, I try every idea that comes on the table from every person that is somehow involved in the song. The last part is the recording. In the new album, I worked with even more people than the first one in the recording process and I would like to thank all of them for doing an amazing job, especially Aurora for the duet in “New Love” and Tasos for the duet in “We All Back Down”. In our future work, I am planning on working with much more musicians and engineers, since that worked absolutely fine in this one. If you guys read this, you all rock!
    Something in your personal music collections that fans might not expect?  
    Hmm I don’t know. Britney Spears and Backstreet Boys? Hahahaha! I am a 90s kid and I always liked pop music, especially in the past, when less crap was released. Even today there are some awesome pop acts that I love, like Lady Gaga, Bruno Mars or Ed Sheeran. Surprised, yet? Regarding pop music, as long as it’s melodic, fun, catchy, requires some kind of talent and is not as shallow as singing about your “private parts”, it is fine by me.
    What has been the most challenging aspect of being a musician 
    Infinite patience. Personally speaking, having to compose, arrange, record and mix a song requires listening to it thousands of times, to the point that you get sick of the repetition. That definitely requires patience on my part. But, in the end, if I still like what I hear, it means I’ve actually written a great song.


     What makes a perfect song for you? What are the elements for your ears? 
    The perfect song is the one that makes your heart beat faster or gives you the chills. I am not sure, if there are specific elements for writing a perfect song. If that was the case, we would have known by now, the recipe would have leaked and everybody would be able to write the perfect song. I think it all comes down to the correct combination of elements, instead of the combination of the correct elements, if that makes any sense.
    Favorite local club to perform in? 
    Performing live is not the priority of this project. The core of Rain Or Shine is me and Andy, since we play in all of the songs. People that collaborated with us also belong to the Rain Or Shine family. But, Rain Or Shine is not a live band. We haven’t crossed out the scenario of a live performance in the future with guest performers, though. Personally, I have performed in Eightball Club and Live Stage in Thessaloniki, which was an awesome experience. I would also love to perform in Gagarin205 in Athens.
    Name one band that you would love to tour with? 
    H.E.A.T. Amazing musicians, young and energetic, flawless live performances. I would be honored.
    Strangest thing that ever happened at a gig 
    In the past, when I was in a glam band, a member of the band tried to style his hair using an air freshener instead of a hairspray, just before getting on stage. It was an honest mistake, considering, he wasn’t aware of the brand. Still, the result was weird, sad and funny altogether.
    Is social media a positive or negative impact on your music? 
    Definitely positive. It is a great way to communicate with the fans, to announce stuff and attract more people. Since we do not perform live, most people got to know about Rain Or Shine through social networking. Also, it is the only way to promote our new work on our own.
    Any subject matter you will not write about? 
    Anything that won’t inspire me to write music about. Also, there are lots of things I do like, but are not much of an inspiration for new music, but this could change, I guess.
    Anything you would like to say to your fans? 
    First of all, I would like to thank you all for the support. It’s really amazing to see people care about what you create. Keep spreading the word about Rain Or Shine and if you haven’t already, go and get the CD of our new album ‘The Darkest Part Of Me’. It keeps us going and gives us the ability make more stuff for you. Keep rockin’!


    WebLinks:
    ORDER ALBUM


    Or digital:


    Social Media:


    E-mail:
    steve_s_r@outlook.com
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  • Doom Metal Front exclusively premieres long awaited debut full-length by Leipzig’s sludge/doom band QUALLUS. Out via minoR obscuR (vinyl) and Bharal Tapes on March 1st! #quallus #minorobscur #bharaltapes #doommetalfront



    QUALLUS
    s/t
    minoR obscuR / Bharal Tapes


    Leipzig/Germany-based sludge/doom quintet QUALLUS unveil their long awaited debut album on minoR obscuR records and Bharal Tapes. Floating and powerful fuzzed out riffs meet crushing slow motion parts, infiltrated by pulping sludge heaviness, crowned by severe and fierce squealing vocals.

    QUALLUS delivers two massive songs with 40 minutes playtime in total; crafting a beautiful mixture of down-tuned, gnarly riffs, fucked-up vocals and heavily pumping drums, with a terrific sense of monolithic, brain-melting melodies. On the selftitled LP the band is sounding out the pure power of Sabbath-inspired guitar riffs and ultra deep bass frequencies under full use of their volume knobs. Slow, brutal, unavoidable and fascinating!




    Artwork and layout by sndnbck



    Recorded by QUALLUS


    Mixed and mastered by Sam Thredder at The Cro´s Nest Studio


    Track Listing:

    A. Old Fear

    B. Black Despair


    Listen & order at https://quallus.bandcamp.com



    Fotocredit: David Nestler / Quallus


    Out on vinyl on minoR obscuR 



    Also available as tape edition on Bharal Tapes 



  • Interviewe with JUSTINE from BLUE MIDNIGHT

     LA based, blue midnight is a power house of searing melody and metal riffs, tempered by an overall spacial sensuality that puts your restless soul into a deep dream like state. In fact they have dubbed their brand of metal, dream metal, and there is no doubt this band is a force to be reckoned with.




    1. Take us through the writing process
    Justine: The writing process is very emotional for me. I usually always start with lyrics because I always want to make sure that I’m telling a story and my own personal truth. I like to really think about the words and the journey of the song. I love to think about highs and lows.It always starts with a pen and paper. I don’t even type. I really think handwritten lyrics are more powerful and more raw.
    2. What has been the most satisfying moment as a band?
    Justine: I remember when we were getting ready to play our first gig ever and we had trouble getting things down in rehearsal. We kept messing up a chorus or two. It took us hours to hammer out the transitions and really figure things out. However, once we did and once we got the momentum going, it really felt rewarding. We also have these moments at rehearsals where we feel like we n
    eed to run things over again, but we’re so hungry. We always make a compromises like run this one more time and then we can eat.
    3. You have described your music as “Dream Metal” What does This mean?
    Justine: Dream Metal is a genre that I created because I wanted a new way to classify my music. The idea behind Dream Metal is that it is very light and ethereal with synthesizers, strings, pure vocals and electronic drums, but then it is fused with elements of heavy metal like 7 string guitar, hard hitting drums, and bass. The idea is for people to rock out while feeling like they are in a dream like state at the same time.
    4. “Addicted and Love Fades” are two of our favorites, tell us more about their creation
    Justine: Thank you so much! I am really glad you like those songs! Addicted was such a huge song for us to write because we did not write in 4. We actually wrote that song in 6. The song was meant to sound bigger and epic than a lot of the other songs. I also really like how I placed that song behind Acid Rain on the album because I think it just adds more energy. Love Fades is a very different type of song for me. I wrote Love Fades when I was in a darker place. I really think its one of the heaviest songs on the albums. When I was doing lyrics for Love Fades, it just poured out of me naturally. The interesting thing about Love Fades is that we wrote it in a key that I normally do not write in. We wrote in F#m.
    5. Strangest thing that ever happened to you at a gig
    Justine: I almost fell off the stage twice at the Whisky A Go Go in the same night. The first time, I tripped over the drums. The second time, I was getting off stage and I almost fell down the stairs. Luckily there were people around me who saw it coming and helped me out!
    6. Something in your music collection listeners would never suspect
    Justine: I really love the 500 Days of Summer Soundtrack. I love Zooey Deschanel and her music. Its awesome. I know I’m like a metal musician and everything, but that soundtrack was so well curated.
    7. How is the current L.A. music scene and how do they treat your band
    Justine: The LA music scene is kind of interesting. LA is very spread out city. I find that bands have generally been picking neighborhoods that they usually perform in. For example, my band plays a lot in the Hollywood area. However, I know bands that specialize and play in Venice or they play in West Los Angeles. I think everyone’s just looking for that place where they have their draw. The good news is that people still do like rock and there is a rock scene. It can a little harder to access, but it is still very much alive.
    8 one band you would love to tour with
    Justine: Maynard, please call me. Blue Midnight would love to go on tour with Tool or A Perfect Circle. I’m a huge fan.
    9 future plans for the band
    Justine: Oh yeah! We’re already starting to write new material. You can expect more live shows from us in the Los Angeles and Orange County area. Eventually we want to start going on tour more! We are in development for a potential music video! Just keep following us everyone! We have lots of plans!
    10. advice to aspiring bands or musicians
    Justine: Don’t be afraid to book shows or send emails or make phone calls. Don’t be afraid to work hard and push for your music. At the end of the day, you are your biggest advocate. Nothings going to happen overnight.
    11. anything you wish to convey to the fans
    Justine: I just want to convey my gratitude for everyone who’s been listening, coming to see us live, for all the radio stations that have been playing our music, and everyone who’s joined the Blue Midnight family. It’s really humbling and this music means everything to me. It’s literally my whole life. Thank you so much! 

  • DMF’s Disordered Pile of Apriximately 50 Highly Addictive, Urgently Collectable Albums Released Anno Doomini 2018 #nocharts #doommetalfront




    MOURNFUL CONGREGATION
    “The Incubus Of Karma”
    Osmose Productions / 20 Buck Spin /
    Weird Truth Productions

    “Founded in 1993, MOURNFUL CONGREGATION have become one of the most influential funeral doom metal bands on the planet. Being Australia’s slowest export, they have constantly been evolving their impressive style of crawling heaviness starting with the debut ‘Tears From A Grieving Heart’ (1999), followed by crushing ‘The Monad Of Creation’ (2005), glacial ‘The June Frost’ (2009) and majestic ‘The Book Of Kings’ (2011). Another seven years later, MOURNFUL CONGREGATION are back with ‘The Incubus Of Karma’ marking their bleakest and most haunting opus so far. Delivers grandiosely played, two-voiced guitar melodies that take you on a mesmerizing trip through mental darkness and infinite suffering.” (SM)




    WITCHSKULL
    “Coven’s Will”
    Rise Above Records

    “Boasting eight, groove-driven slabs of infernal fury, ‘Coven’s Will’ pulls off the neat trick of sounding simultaneously timeless and timely, as the fundamental principles of our beloved genre are fed through the Australians’ pitch-black prism and spat out in a shower of wild, hallucinatory devil blues.”




    APOSTLE OF SOLITUDE
    “From Gold To Ash”
    Cruz Del Sur Music

    “At the very latest since their stunning predecessor ‘Of Woe And Wounds’ (2014) and a jaw dropping show at the Hammer Of Doom festival, Indiana’s APOSTLE OF SOLITUDE belong to the top bands of the traditional doom metal genre. Their actual album is called ‘From Gold To Ash’ serving dramatically rolling hymns of gloom and sorrow adorned with Chuck Brown’s captivating vocals and razor sharp guitar leads. Favorite tracks: ‘Keeping The Lighthouse’ and ‘My Heart Is Leaving Here’!” (SM)




    UN
    “Sentiment”
    Translation Loss Records

    “Seattle-based UN revealed ‘Sentiment’, which is a mesmerizing piece of crawling funeral doom metal full of haunting melodies and leaden agony in the vein of genre grandmasters Ahab!” (SM)




    HOODED MENACE
    “Ossuarium Silhouettes Unhallowed”
    Season Of Mist

    “On their fifth album, ‘Ossuarium Silhouettes Unhallowed’, HOODED MENACE from Finland perfectly interweave slowly crushing, hymnal doom with 90s style technical death metal. Partially feels like My Dying Bride recruited Death-mastermind Chuck Schuldiner (R.I.P.) to make the guitars cry and shred!” (SM)




    COLTSBLOOD
    “Ascending Into Shimmering Darkness”
    Candlelight / Spinefarm Records

    “Second full-length album, ‘Ascending Into Shimmering Darkness’, by Liverpool’s COLTSBLOOD provides bleakest, painfully crawling funeral/death doom metal of the highest quality level, which is interspersed with sludge and grind driven rage. A sonically devastating piece of grief and despair!” (SM)




    THE SKULL
    “The Endless Road Turns Dark”
    Tee Pee Records

    “Recruiting two ex-Trouble members including Ron Holzner (bass) and Eric Wagner (vocals) as well as Witch Mountain guitarist Rob Wrong and ex-Cathedral drummer Brian Dixon, THE SKULL play most traditional doom metal. Started in 2012 to perform early Trouble material live, THE SKULL already released their second album called ‘The Endless Road Turns Dark’ providing brand new material that pays homage to the good old ‘Psalm 9’ and ‘The Skull’ times. Serves eight absolutely authentic, ultra-heavy tracks of thick and catchy doom metal. There has never been more Trouble with THE SKULL as on the new full-length!” (SM)




    BENEATH OBLIVION
    “The Wayward And The Lost”
    Weird Truth Productions

    “‘The Wayward and the Lost’ is the third album by Ohio’s BENEATH OBLIVION, who grandiosely combine utterly crawling, sorrowful funeral and death doom metal with sludge style nihilism in both the immanent melodiosity of the full album and the abysmally gurgling and desperately crying twin vocals. Breathtakingly beautiful and pulping!” (SM)




    DAWN OF WINTER
    “Pray For Doom”
    I Hate Records

    “Being one of Germany’s most senior doom metal bands DAWN OF WINTER released ‘Pray For Doom’, their third full-length album in almost 30 years of existence. Adds another chapter of traditionally paving heaviness filled to the brim with epic storytelling and desperately crawling, ever haunting melodies for sorely afflicted genre purists. Masterpiece!” (SM)




    WITCHSORROW
    “Hexenhammer”
    Candlelight / Spinefarm Records

    “If 2018 needs a soundtrack to its madness, WITCHSORROW have provided it. Heavier, darker, doomier, and more metal than ever before, one of doom’s leading lights have made the perfect album for our times.”




    WINDHAND
    “Eternal Return”
    Relapse Records

    “WINDHAND have crafted a record brilliant in scope, powerful in execution, and perfect for an era of increasingly blurry yet still heavy stylistical borders. Serves unbelievably catchy, grunge-infused psychedelia and rolling high end doom metal!”




    DOOMED
    “6 Anti-Odes To Life”
    Solitude Productions

    “On ‘6 Anti-Odes To Life’, DOOMED take you on a multi-faceted trip through the horrors of life combining old school doom and death metal with vast, progressively evolving soundscapes full of tons heavy guitar riffs and beautifully chanting leads. It’s both a melancholic symphony and a sonic statement to defend life against the real existing adversities.” (SM)




    SLEEP
    “The Sciences”
    Third Man Records

    “Fifteen years after their last official full-length album, SLEEP is back with six brand new tracks on ‘The Sciences’. Revives classical themes of monolithically rolling ‘Dopesmoker’ and crushing ‘Holy Mountain’ albums with Matt Pike (High On Fire) riffing at maximum distortion level and Al Cisneros monotonously bubbling Om style vocals. Less dirt but still SLEEP!” (SM)




    AMAROK
    “Devoured”
    Translation Loss Records

    “On ‘Devoured’, AMAROK combine melodiously haunting funeral doom metal with painfully distorted, gnawing drone sounds. Feels like disturbing Khanate interpret Pallbearer-style hymns of grief and despair!” (SM)




    URSA
    “Abyss Between The Stars”
    Blood Music

    “Californian doom metal virtuosi URSA released debut full-length, ‘Abyss Between the Stars’, via Blood music. Recommended for fans of Monolord’s fuzz-driven groove and Pallbearer-style gracefulness!” (SM)




    FORMING THE VOID
    “Rift”
    Kozmik Artifactz

    “On ‘Rift’, Louisiana-based band FORMING THE VOID continue their unique trip of ethereal joy and musical exploration through heavy rock history. An amazingly atmospheric, always spaced-out, vocally catching, pointedly ethnic and crushingly heavy album that is delivering a crispy modern sound – perfectly blends blues, psychedelic, heavy rock, stoner and doom metal!” (SM)




    HUATA
    “Lux Initiatrix Terrae”
    Seeing Red Records / Sludgelord Records /
    MusicFearSatan

    “Filled with monolithically drifting sludge riffs, haunting melodies and almost pop-like vocals that are drenched in cosmic sound lava, ‘Lux Initiatrix Terrae’ by French HUATA is one of the stand out doom records of 2018. Combines Conan’s slowly droning heaviness with the catchiness of Mars Red Sky style fuzzy stoner, partially feels like Ghost getting high on crawling Sunn o)) distortion – jaw dropping!” (SM)




    PILLARS
    “Onward To Nothingness”
    Seeing Red Records

    “French PILLARS serve spellbinding, stoically rolling, fuzzily buzzing occult doom metal on their new album – ‘Onward to Nothingness'” (SM)




    DEADBIRD
    “III: The Forest Within The Tree”
    20 Buck Spin

    “A decade after “Twilight Ritual”, DEADBIRD from Fayetteville/Arkansas released their brand new album – ‘III: The Forest Within the Tree’ – on 20 Buck Spin Records rolling out crushing sludge/doom metal with Neurosis like magnitude!” (SM)




    YOB
    “Our Raw Heart”
    Relapse Records

    “‘Our Raw Heart’ is digging deep turning hidden emotions inside out – it’s the most possessive album YOB have ever been recording!” (SM)




    DOPETHRONE
    “Transcanadian Anger”
    Totem Cat Records

    “DOPETHRONE’s new album, ‘Transcanadian Anger’, pushes their pervasive, filthy brand of sludge metal to its most extreme and intoxicating levels.”




    EAGLE TWIN
    “The Thundering Heard”
    Southern Lord Recordings

    “Six years after ‘The Feather Tipped The Serpent’s Scale’, Salt Lake City’s extreme music duo EAGLE TWIN is back with the third full-length album. ‘The Thundering Heard’ continues their unique and relentless style combining groovy sludge and monolithic doom riffage with stomach kneading drones and ear bleeding distortion. Serves four outstanding tracks that leave you sonically crushed and trampled by thousands of hoofs!” (SM)




    EVANGELIST
    “Deus Vult”
    Nine Records

    “‘Deus Vult’ marks the third album of Cracow (Poland) based band EVANGELIST, who evolved their already grandiose epic doom metal sound to perfection serving razor sharp heavy guitars, ultra-catchy melodies and top high register vocals reminiscent of genre pioneers Solitude Aeturnus, Candlemass and the likes.” (SM)




    DOMKRAFT
    “Flood”
    Blues Funeral Recordings

    “Sweden‘s DOMKRAFT released ‘Flood’, their brand new 2nd album, on Blues Funeral Recordings serving another chapter of rhythmically haunting, tons heavy, blues-infested doom metal.” (SM)




    HAUNTED
    “Dayburner”
    Twin Earth Records

    “HAUNTED is the Sicilian answer to grand female fronted bands like Windhand or Alunah. Find top quality, stoically rolling doom metal on ‘Dayburner’, which is filled to the brim with catchy guitar riffs and Cristina Chimirri’s exceptionally soulful vocals!” (SM)




    DEATHBELL
    “With The Beyond”
    Seeing Red Records / Kozmik Artifactz

    “This female fronted four piece from Toulouse, France, celebrates fuzzed-out, cozily rolling ear worm doom with haunting vocals and hypnotic rhythms in the vein of Acid King and Alunah. Highly addictive Sabbath worship!” (SM)




    BODY VOID
    “I Live Inside A Burning House”
    Seeing Red Records

    “San Francisco’s BODY VOID submit almost an hour of painful sludge and wretched doom on ‘I Live Inside A Burning House’, expanding on their sound but still holding true to the aural assault of the predecessor. Spreads from harsh crusty sludge to torturous drone.”




    CHRCH
    “Light Will Consume Us All”
    Neurot Recordings

    “Standing at a crossroads of light and dark, CHRCH create epic, lengthy songs, with a massive low end, and a supernatural vocal presence, in a perfect blend of height and depth. (…) The band’s second full length, ‘Light Will Consume Us All’, carries with it the same quality of songwriting that caught the attention on their debut.”




    ANGUISH
    “Magna Est Vis Siugnah”
    High Roller Records

    “ANGUISH are back with the third full-length, ‘Magna Est Vis Suignah’, which is showing the Swedes reformed as a four-piece and having found back to their stylistic roots to create a masterpiece of death/doom metal. Comes with overwhelmingly heavy, mournful guitar riffs and weeping solos that tell about death and the life after.” (SM)




    SINISTRO
    “Sangue Cássia”
    Season Of Mist

    “Portugal’s SINISTRO released ‘Sangue Cássia’ continuing the sonic path paved with outstanding predecessor ‘Semente’ to evolve an even darker and heavier album that is bursting with dense atmosphere and compositional complexity. Combines enthralling doom with jazz-tinged, dreamy ambience. The extraordinary, haunting vocal style of Patrícia Andrade and vast passages reminiscent of a full string orchestra are making the album a gloomy, operatic sound experience.” (SM)




    CRUTHU
    “The Angel Of Eternity”
    The Church Within Records

    “Michigan-based CRUTHU play traditional doom metal on ‘The Angel of Eternity’, which is filled to the brim with Seventies prog and proto metal passages to give you the full dose of slowly paving lo-fi heaviness reminiscent of Sir Lord Baltimore, early Pagan Altar or Trouble and the like. Comes with stunningly catchy NWOBH style vocals by Ryan Evans!” (SM)




    HOLY GROVE
    “II”
    Ripple Music

    “On their second album HOLY GROVE push heavy rock into exciting new realms as the band continues to blur the lines between epic metal, haunting doom and cosmic stoner rock.”




    MESSA
    “Feast For Water”
    Aural Music

    “MESSA play evoking doom metal with a dark jazz twist. Deliciously haunting female vocals, rhodes piano and 70s fuzz guitars combine to conjure a sound that is all of their own. Blending influences like Windhand, Jex Thoth and Bohren Und Der Club Of Gore, the Italian band has evolved from the droning occult doom sound of their first album ‘Belfry’ to a refreshing, even darker and more atmospheric approach.”




    EYE OF SOLITUDE
    “Slaves To Solitude”
    self-release

    “Fifth full-length album, ‘Slaves To Solitude’, by London’s EYE OF SOLITUDE serves crawling funeral doom metal soaked with utter grief and despair, full of heartbreaking melodies, monolithically drifting riffage and jaw dropping growls. Feels like being trapped in your own mental abyss in search for the way out of illimitable darkness and sorrow.”(SM)




    MANSION
    “First Death Of The Lutheran”
    I Hate Records

    “Finnish (oc)cult doom band MANSION released ‘First Death Of The Lutheran’ on I Hate Records. The album is an obsessing sonic trip blending ear worm doom riffs with horrifying dark ambient sounds.” (SM)




    ALKYMIST
    s/t
    Indisciplinarian

    “ALKYMIST unveiled a stunning debut album via Indisciplinarian serving corrosive doom metal interwoven with progressive guitarscapes.” (SM)




    WHEN THE DEADBOLT BREAKS
    “Angels Are Weeping … God Has Abandoned”
    Sliptrick Records

    “On their 6th album WHEN THE DEADBOLT BREAKS from the backwoods of eastern Connecticut proclaim ‘Angels Are Weeping … God Has Abandoned’ and build a wall of doom-laden riffs that transport the listener to another space.”




    MIST
    “Free Me Of The Sun”
    Soulseller Records

    “Slovenian priestesses of doom released ten brand new songs on their first full-length album titled ‘Free Me Of The Sun’. Staying true to their traditional doom roots the band builds upon strong riffs with bright female vocals and epic guitar solos.”




    DRUG CULT
    s/t
    Ritual Productions

    “DRUG CULT’s self-titled debut serves female fronted, hypnotically rolling occult doom metal unmistakably nourishing itself from the billowing womb of the stoned master wizard!” (SM)




    SILVER GRIME
    “Healed By The Dark”
    Inverse Records

    “Swedish Epic Doom metal band Silver Grime released their debut album ‘Healed By The Dark’ on Inverse Records serving six hymns of traditionally played, slow paving heaviness and gloom – for fans of Candlemass, The Skull and the likes!” (SM)




    TONS
    “Filthy Flowers Of Doom”
    Heavy Psych Sounds

    “Forty minutes divided into five tracks of in your face sludge/doom metal – slabby and Luciferian riffs, tight drumming and a demonic voice. Low-league occultism and weed devotion are the basis of this muddy album that will drag you into a sulphurous and sabbathian void.”




    DAUTHA
    “Brethren Of The Black Soil”
    Ván Records

    “DAUTHA from Sweden recruits of actual Wardenclyffe members including Ola Blomkvist, who already was responsible for all lyrical agony and the guitars in deceased doom metal grandmasters Grifegård. After the respected ‘Den Förste’ demo (2016), DAUTHA have their debut full-length, Brethren of the Black Soil, out packing Europe’s Medieval history in six psalms full of haunting doom riffs, stirring melodies and epic choral singing.” (SM)




    BLACK LABEL SOCIETY
    “Grimmest Hits”
    Spinefarm Records

    “BLACK LABEL SOCIETY have their ‘Grimmest Hits’ out marking the tenth studio album of this southern metal act around Ozzy-guitarist Zakk Wylde. It is not as grim as the title suggests but fishing in the doomiest waters of the band’s album history. Serves typical Zakk-style guitars shooting one ultra-catchy riff and lead after another. It’s the immanent blues that makes me swing to the slow groove of ‘Grimmest Hits’. Recalls BLS’ grand debut full-length, ‘Sonic Brew’, released in 1999.” (SM)




    SABEL
    “Re-Generation”
    Oak Island Records

    “Imagine Sleep’s ‘Jerusalem’ stirred well with Electric Wizard’s ‘Dopethrone’ and Atomic Rooster style blues and hard rock – or Monolord dancing with Kadavar – to get an idea about SABEL’s amazing debut album called ‘Re-Generation’. Serves raw, Sabbathian doom and driving, hips shaking proto-stoner with maximum fuzz on the howling guitars as well as reverberating, weed tanned vocals. Swedish quality!” (SM)




    LEECHFEAST
    “Neon Crosses”
    Dry Cough Records / Rope Or Guillotine

    “Slovenia’s LEECHFEAST pull Grief-style sludge through hot, cancerous tarmac on ‘Neon Crosses’, which is their most misanthropic and sonically devastating release so far – painfully slow and ultra-heavy at the same time!” (SM)




    BURN RITUAL
    “Blood Of The Raven”
    Cursed Monk Records

    “San Antonio based BURN RITUAL celebrate heavy rolling old school doom metal on their debut full-length, ‘Blood of the Raven'” (SM)




    SOLDAT HANS
    “Es taut”
    Wolves And Vibrancy Records

    “SOLDAT HANS (German for: Soldier called Hans) from Switzerland combine utterly dark, amazingly catchy Bohren & Der Club Of Gore style jazz – including trombones, melotron and violins – with pointed postrock guitars, bluesy slides and towering sludge riffage that goes along the stoically crawling tempo just like the hauntingly beautiful and desperately screamed vocals. ‘Es taut’ (It melts) is a didactic play in the matter of Jazz Doom Metal!” (SM)




    CULLED
    “Thin The Herd, Fail To Learn”
    Hibernation Release

    “Canadian CULLED released their blistering debut titled ‘Thin The Herd, Fail To Learn’. Serves 5 ripping and politically charged anthems, 25 minutes of chaotic, progressive, and sludge encrusted grindcore mayhem. Like Napalm Death meets Crowbar – highly destructive!” (SM)




    MIRROR OF DECEPTION
    “The Estuary”
    Self-release

    “Eight years after predecessor ‘A Smouldering Fire’, MIRROR OF DECEPTION are having their brand new studio album out. ‘The Estuary’ continues the band’s own vision of doom metal leaving genre rules, traditions and recitations, sometimes going unorthodox ways as they have been doing for 28 years of existence.”




    GODSLEEP
    “Coming Of Age”
    Self-release

    “Athens based stoner band GODSLEEP released second album, ‘Coming Of Age’, which is a well crafted, blues infested fuzz monster for quality addicts and riff surfers. Reminiscent of Kyuss and Monster Magnet – well stirred and shot straight from the hip into the audiophile neocortex!” (SM)