Category: news

  • Live report FEAR FACTORY, CRYSTAL LAKE, HATE & THE NOCTURNAL AFFAIR, Markthalle, Hamburg – September 16th, 2026

    One evening after Devin Townsend brought a stripped-down solo performance to Hamburg’s Markthalle, I’m back at the same venue. This time, though, the setup couldn’t be more different. The chairs from the previous night have disappeared, the room is ready for a standing crowd, and an interesting package is about to hit the stage. Metal… Continue Reading →
  • “I asked Arnold Schwarzenegger if he would do it, and he said ‘Only if you get the best band in the world’”: How Guns N’ Roses teamed up with a Hollywood megastar to make one of the most iconic videos of the 1990s

    Back in the early 90’s, the movie soundtrack was in its chart dominating pomp. The formula was simple; take a huge band or artist, have them write an exclusive tune for a Hollywood blockbuster, sit back and watch the song and the movie rake in the dough.

    In 1991, the biggest, buzziest movie on the slate was James Cameron’s spectacular Terminator 2: Judgment Day, starring bodybuilder-turned-Hollywood A-lister Arnold Schwarzenegger as the titular T-800 robot. The same year, the biggest, buzziest band on the planet were Guns N’ Roses, still riding the wave of the astounding success of their 1987 debut album Appetite For Destruction. Pairing them up together made perfect sense – two massive names for the price of one.

    In 1991, hunger for new GN’R music was huge. They’d released a cover of Bob Dylan’s Knockin’ On Heaven’s Door on the soundtrack to 1990 Tom Cruise movie Days Of Thunder, and a brand new song, the mini-epic Civil War on charity album Nobody’s Child: Romanian Angel Appeal the same year. But it would be their Terminator tie-in You Could Be Mine that would properly announce their return – with a huge helping hand from Arnie himself.

    Axl Rose and Slash of Guns N’ Roses performing onstage in 1991

    Axl and Slash with GN’R in 1991 (Image credit: Ke.Mazur/WireImage)

    For GnR, the song that would eventually come to be associated with Terminator 2 was one that they had being toying with since before Appetite For Destruction’s release: the swerving, juddering You Could Be Mine. Initially titled Cocaine Talking, the song rode along on a massive sleazy riff, frontman Axl Rose’s, threat-laced screams and pointed lyrics: “With your bitch-slapping rapping and cocaine tongue, you get nothing done…” – rich coming from a band famed for their chemical proclivities.

    “If you listen to the lyrics, it’s about how all these nice young girls in L.A. can’t do anything before they do their coke,” bassist Duff McKagan said in 1988, three years before You Could Be Mine was released. “The song’s definitely not a pro-cocaine song. It’s about how the shit really fucks up your head.”

    GN’R planned to include the song on their forthcoming Use Your Illusion double album set, but while the band were in the studio, filming was wrapping up on T2. As part of the films marketing campaign, executives believed a single, with a big budget music video, was needed to promote it. Enter The Terminator himself.

    “Back then, if you could get a good video, it would get played on MTV 15 times a day,” producer Larry Kassanoff told SFX in 2017. “So, I asked him [Schwarzenegger] if he would do it, and he said ‘Only if you get the best band in the world to do it.’ And I said, ‘Okay, who’s the best?’ Arnold thought about it, came back to me and said, ‘If you get Guns N’ Roses I’m in.’ But to get them there was a lot of schmoozing with the band. Arnold and Maria [Shriver] invited the band over to their house for dinner one night, and sure enough they agreed.”

    Arnold Schwarzenegger as T800 in Terminator 2: Judgement Day

    Arnold Schwarzenegger as T800 in Terminator 2: Judgement Day (Image credit: CBS via Getty Images))

    Thanks to the mutual respect between the two unlikely parties, an agreement was quickly reached.

    “They’re big fans of Terminator,” Schwarzenegger told MTV in 1991. “They’ve expressed that many times. I’ve always been a fan of their music, so we checked into what it would be like to do a video together, or to get some of their music.”

    “Duff and I actually went and hung out at his house,” Guns guitarist Slash continued to MTV. “He seemed to be into the whole thing. We had a lot of shots with Arnold!”

    As well as tequila slammers round Arnie’s house, the band were also invited to see an exclusive screening of the movie alongside Cameron and Schwarzenegger.

    “We had a specific screening; it was just for the cast, James and myself, and Guns N’ Roses,” Schwarzenegger told The Ringer in 2021. “I think that Axl Rose was extremely impressed. I remember him going to Jim [Cameron] and saying, ‘I’m in.’”

    Given that whichever song they released would be the launchpad for the next chapter in Guns N’ Roses’ career, it needed to have an impact. “It worked out really cool,” Axl told MTV in 1991. “We let them listen to a lot of material and they picked was You Could Be Mine.”

    But this was more than just a cross-cultural soundtrack tie-in. Schwarzenegger decided he wanted to appear in the accompanying promo video.

    “We filmed the show in [New York venue] the Ritz,” Axl said. “And Arnold was flying back from Congress and going ‘I want to be in the video’. So, Arnold got all his people and put together a video.”

    The clip saw the band performing live as they are stalked from the crowd by Arnold’s Terminator, interspersed by action from the movie, before he confronts GnR backstage and decides they are a “Waste of ammo”. Just seeing the combination onscreen immediately made it one of the most memorable and exciting videos of the 90s.

    “We hung out and he was really, really cool,” GN’R guitarist Slash said. “He gave the whole band jackets from the movie and these French bikers jackets with bullet holes everywhere.”

    The single was released on June 25, 1991, a week before Terminator 2: Judgment Day. The idea of bringing these two cultural behemoths together was a masterstroke: Terminator 2 became the biggest movie at the box office the weekend it was released, and the highest grossing film of the year. And while GN’R didn’t quite reap the same benefit, with You Could Be Mine peaking at No.29 on the US singles charts, it paved the way for the blockbusting one-two of the simultaneously released Use Your Illusion I and II later than year.

    It’s all aged very well for everyone; T2’s 4K restoration is back in cinemas, Skynet robots still quite haven’t enslaved the human race, and You Could Be Mine is still being played by Guns N’ Roses to stadium sized crowds around the globe.

  • Album Review: Barren – Verderf

    Album Review: Barren – Verderf

    Reviewed by Dan Barnes

    Belgian trio, Barren, return with a new full-length album, Verderf, this month, four-years on from the debut, I. Not that that Flanders-based three-piece have been idle in that time, having been busy with a series of split EPs with the likes of Vomit Spell, Sickrecy, Lesser Animal and Distaste, as well as gracing the stages at some of Europe’s most prominent extreme music events, including Germany’s Deathfest and Grind Nazi Scum festivals, Obscene Extreme in the Czech Republic, and our very own – and much missed, Doc – Grind After Death in Bolton.

    For ’twas at the Alma Inn, 2025, that I first experienced Barren’s chainsaw grind in what was one of the sets of the day. When a band is able to boast members of Agathocles, Aborted, Emeth and Suppository, you’re always going to be onto winner.

    Fourteen songs are on offer over Verderf’s nineteen-minute run-time, and Barren waste not a single moment with anything other than relentless aggression and savage devastation. Sub-one-minute blasters pepper the track listing: Earthcrusher feels like an unstoppable machine is chewing everything in its path; Swallow combines screams and grunts, Protestation oozes with thick, dirty riffs, while both Adversarial and Filth offer simple and effective old-school grind-beasts in the vein of Nasum and Rotten Sound.

    Their chainsaw grind takes the buzzing tones of Swedish death metal and builds dense, crushing monuments of extremity: Leech leans heavily on newest band member, Stef Wouters’ bass to unleash a fast and furious romp; Algol rages through ripping lines and a searing solo, courtesy of Matias Dupont’s vast experience, loading in a breakdown and big drums from Llano Bergman.

    Both Blades and Tyrants have a classically brutal death metal charge and Dying Fetus-grunts to sit alongside the grim and grizzly guitar lines and ferocious beatdown. The blurb says this album is not made for comfort and it’s easy to see that is the truth. It’s filled with short, sharp and shockingly precise blasts of destruction and decay, uncompromising riffs and a devastatingly crushing aggression.

    The two aspects of Barren’s sound come together when the band go death grinding, through Scourge’s skipping lines, Abase’s grooving and textured riffs, and Apes’ breakdowns, all done with maximum bleakness and boisterousness.

    Verderf is twenty-minutes of a band at the top of their game and blasting for all they’re worth. It’s the kind of record you put on when the world has maybe made you a little miffed and, rather than resort to extreme violence, you grab a brew and a biscuit and allow Barren to commit atrocities instead.

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Album Review: Barren – Verderf appeared first on The Razor's Edge.

  • Slipknot Release Behind-the-Scenes Clip for ‘Arsenal’ Music Video

    The clip sees Slipknot's Shawn "Clown" Crahan discussing the intentions behind and challenges of making the music video for "Arsenal." Continue reading…
  • Warren Haynes reveals the guitarist who “floors” him every time

    Warren Haynes has shared the stage with some of the greatest guitarists in music, but there is one player who continues to amaze him every time they perform together.

    During a recent interview with Blues Rock Review on the Blues Rock Show, the Gov’t Mule frontman was asked whether there is a guitarist who leaves him in awe on stage.

    Haynes mentioned several musicians he admires, including Derek Trucks and Jimmy Herring, before singling out jazz guitar legend John Scofield.

    “When I play with Scofield, it floors me every time,” Haynes revealed. “And I’m thankful for the relationship that we have.”

    Haynes and Scofield have a musical relationship that stretches back decades. Their collaborations have brought together Haynes’ blues and Southern rock influences with Scofield’s distinctive jazz guitar approach.

    One of their most notable collaborations came with the release of Gov’t Mule’s Sco-Mule in 2015. The live album features recordings from two 1999 performances in Georgia with Scofield joining the band for an instrumental exploration of jazz, blues, rock, and improvisation.

    Their musical chemistry is something Haynes particularly appreciates.

    “We have a really good musical rapport and have done a lot of great stuff together,” Haynes said. “But I am and always will be a big fan.”

    For Haynes, who has spent much of his career performing alongside celebrated musicians in Gov’t Mule, The Allman Brothers Band, and various collaborative projects, Scofield remains a guitarist whose playing continues to surprise and inspire him.

    Watch Warren Haynes’ interview on the Blues Rock Show for more from the guitarist.

    The post Warren Haynes reveals the guitarist who “floors” him every time appeared first on Blues Rock Review.

  • Fire’s Double Edge Fuels OCEAN OF ILLUSIONS’ “Ash Hoarder”

    Fire can provide warmth or leave lasting destruction. OCEAN OF ILLUSIONS explore that tension on “Ash Hoarder,” the latest preview of their six-track EP Nexus, due October 30, 2026, through Bleeding Art Collective. The New Jersey death metal band have released a lyric video for the song ahead of the EP’s digital arrival. “This song […]

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  • “In the Shadow of Tomorrow” Leads ATAVISTIA into a 16-Date Canadian Tour

    ATAVISTIA are expanding Old Gods Awaken just as they prepare to take it across Canada. New single “In the Shadow of Tomorrow” previews the album’s forthcoming deluxe edition, arriving October 9, 2026, midway through a 16-date tour that opens in Vancouver with ENSIFERUM and FIREWIND. The song brings fast riffing and blast beats together with […]

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  • Beneath the Wasteland, SARAKSH Uncover “Forlorn” and Announce Abiram

    A wanderer descends into buried ruins and finds the remains of a civilisation consumed by war and technological obsession. That journey drives “Forlorn,” the first single from SARAKSH’s forthcoming album, Abiram, which the German sludge metal band will self-release on November 20, 2026. Accompanied by a lyric video, the song continues the band’s dystopian science-fiction […]

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  • Rebirth Takes a Dark Turn in ÜBERCHRIIST’s “Serpent’s Shroud” Video

    The serpent’s discarded skin becomes a symbol of transformation in ÜBERCHRIIST’s new single, “Serpent’s Shroud.” Accompanied by an official video, the track offers a second preview of Dæmonic Apotheosis, the U.S. black metal quartet’s forthcoming second album, due September 25, 2026, through Deanwell Global Music. Released on September 18, “Serpent’s Shroud” follows the outward journey […]

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  • Album review: DIAMOND RAIN – Chapter One

    DRainPride & Joy Music [Release date 23.10.26] Diamond Rain are a new band led by the silver masked High Priest, who is backed by Arch Lector and The Faithful Disciples. It sounds on paper like a Lidl version of Ghost, … Continue reading →

    The post Album review: DIAMOND RAIN – Chapter One appeared first on Get Ready to ROCK!.