Category: news

  • Berlin Shoegazers Pretty Average Let Old Desires Dissolve in Their Video for “All I Wanted, I Forgot”

    All the things I’ve seen,
    all the things I’ve been must upset you.

    Moving to a new city after a broken heart requires a certain faith in geography. Surely a different address, unfamiliar faces, and a few hundred miles can improve upon the person who packed the suitcase. Then comes the stranger discovery: the life you once wanted has become difficult to remember. Berlin’s Pretty Average explores that uneasy freedom on All I Wanted, I Forgot, a song about starting over and finding that some of your most cherished desires have quietly missed the connection.

    That uncertainty carries into the accompanying video, where performance footage blurs beneath layers of static and bleeding color, matching the disorientation of the band’s beautiful blur of shoegaze, post-punk, and alternative rock. One of the earliest songs Pretty Average wrote together, All I Wanted, I Forgot appears on the album The Highs and Lows of Being Pretty Average, released on cassette this past May.

    A cascading drumbeat sets the song in motion while sustained guitar notes spread across a dense bed of distortion. The bass carries a melodic ache familiar from The Cure, giving the guitars something solid to stretch against. There is a sweet sadness here that recalls the distance and desolation of Joy Division, though the broadening shoegaze textures allow a softer, almost yielding quality into the music. Candy’s voice sits low in the mix, as though she is singing from the next room and leaving the door closed.

    That separation gives the words their peculiar weight. The lyrics inventory experiences, former selves, prayers, and departures, addressing someone who might resent everything that happened beyond their reach. By the time that accounting reaches “All I wanted, I forgot,” even the original wish has become elusive. As the guitars swell, their accumulating layers suggest water moving across an inscription, gradually making the names and promises harder to read. Forgetting carries its own small mercy, along with the disquiet of losing something you once thought essential.

    The band describes the song as an exploration of “the disturbing yet exciting feeling of being in a new city and starting over with a wounded heart, leaving behind your past and your dreams.” Their conclusion is brief enough to sound almost surprised: “Somehow we became someone new.”

    The video gives that uncertainty a physical form. Blue and violet stage lighting washes over the musicians while overlapping images, colour separation, and television static repeatedly interfere with the view. Faces and instruments become difficult to hold in focus; a close-up gives way to another image before either quite settles. The effect suggests a concert being recalled through an unreliable recording, with the band’s presence surviving all the visual interference. It suits a song in which the feeling remains clear even as its original object slips away.

    Watch the video for All I Wanted, I Forgot below:

    Formed in Berlin in 2022, Pretty Average centre Candy’s perspective on identity, social rejection, and the uncertain prospects facing her generation. Their 2024 EP, All I Wanted, was produced by Francisco Parisi of Minimal Schlager, with a Musicboard Berlin scholarship following that year. Regular Berlin performances, a Spanish tour, and support slots with acts including Genn, DVTR, Francis of Delirium, and Adult DVD helped develop a project whose priorities remain rooted in playing together.

    Those priorities took some recovering. Lineup difficulties and disagreements with their former label delayed an album originally intended for 2025; the band credits a European tour this May with renewing their enthusiasm. Recorded in a self-made studio, The Highs and Lows of Being Pretty Average preserves the energy and imperfections of musicians sharing a room. Its extended songs also reflect their stated preference for small venues, direct support, and giving an album room for long songs and changes of pace.

    The album is available on cassette through Bandcamp and at the band’s concerts. Listen to All I Wanted, I Forgot below and purchase the single here.

    Pretty Average head out on their autumn album release tour later this month, with Garlands joining the September and early October dates.

    Autumn 2026 Tour Dates:

    • September 23 — Hamburg, Germany — Haus 73*
    • September 24 — Cologne, Germany — Stereo Wonderland*
    • September 25 — Bielefeld, Germany — Gegenüber*
    • September 26 — Kiel, Germany — FKK*
    • October 1 — Graz, Austria — Postgarage*
    • October 2 — Linz, Austria — Ann and Pat*
    • October 3 — Vienna, Austria — Secret Show*
    • October 4 — Prague, Czech Republic — Sektor 9*
    • November 7 — Siegen, Germany — Vortex
    • November 8 — Hannover, Germany — Bei Chez Heinz
    • November 13 — Hof, Germany — Galeriehaus
    • November 14 — Holzminden, Germany — Jugendzentrum
    • November 20 — Leipzig, Germany — Tschoch
    • November 27 — London, UK — Strongroom

    * With Garlands.

    Follow Pretty Average:

    Pretty Average autumn 2026 album release tour poster, with Garlands on selected dates

    The post Berlin Shoegazers Pretty Average Let Old Desires Dissolve in Their Video for “All I Wanted, I Forgot” appeared first on Post-Punk.com.

  • LØLØ Teams With ELLA RED For Remix Of ‘Delusional Darling’

    Acclaimed pop-rock firebrand LØLØ has teamed up with alt-pop singer and previous tour mate Ella Red for a new remix of delusional darling, originally featured on LØLØ’s sophomore album, god forbid a girl spits out her feelings! (April 2026 via Fearless Records). The introspective track chronicles the realization that sometimes, you just can’t change someone. […]
  • DARK DOWN SOUTH OPEN AIR Set To Light Up WA

    Dark Down South Open Air heavy metal festival is the only open air metal fest left in WA, and one of the last remaining in the whole of Australia. “This is one of Australia’s last remaining heavy metal festivals and it’s rapidly gaining a lot of excitement through the metal community across Australia. With many […]
  • With ‘Barely Breathing’, Duncan Sheik Became an Accidental Pop Star

    Sheik’s song “Barely Breathing” spent 55 weeks on the Billboard Hot 100 chart in the late 1990s. But the success only propelled him closer to Broadway.
  • RED LIGHT ACID TEST Share Single “Little Death”

    Red Light Acid Test came together in London 2019 to create hard, alternative rock music that is distinctively warped from the mainstream. Choppy rhythms, staggered guitars and dark, melodic vocals make for an intense listening experience. The 4 piece are known for their energetic and pulling-no-punches live shows. They have played in bars and clubs […]
  • FVRIA Share New Song “Rot Slowly”

    Formed by the unholy trinity of DON VALENTINO (Beatmaker/DJ), 5T3MVTZ (Drummer), and MISS K (Singer), FVRIA is a sonic cult disguised as a band based in the country of money laundering. Mixing glitchy guitars, sub-atomic bass, powerful drums and versatile vocals, FVRIA is the perfect quintessence between the violence of metal and the mischievous groove […]
  • ALEXAYNDRA Shares New Track “Nothing Hits the Same”

    With a voice that carries both stormy intensity and haunting clarity, Alexayndra has carved her own lane in the alternative world. Her journey is one of raw, artistic evolution: from a childhood spent at the piano on the New England coast to early industry recognition, including nods from the Hollywood Music in Media Awards, and […]
  • OVERFLOWING STREAMS: ARCHITECT OF SETH, CLØUDY SKIES, DUMAL, DUNGEON SERPENT, IMMORTAL DISSOLVER, MESSE DE MINUIT, OUTER HEAVEN, TEMPLE OF VOID, VELNIAS, WITCH RIPPER

    (written by Islander) It has been quite a while since I’ve done this, 92 days to be precise — “this” being to use the OVERFLOWING STREAMS banner for one of these Saturday roundups instead of the usual SEEN AND HEARD. I don’t have a precise dividing line between them, it’s more of a gut feel, […]

    The post OVERFLOWING STREAMS: ARCHITECT OF SETH, CLØUDY SKIES, DUMAL, DUNGEON SERPENT, IMMORTAL DISSOLVER, MESSE DE MINUIT, OUTER HEAVEN, TEMPLE OF VOID, VELNIAS, WITCH RIPPER appeared first on NO CLEAN SINGING.

  • Nairolf Deux Moitiés Review

    Nairolf Deux Moitiés Review

    From the very first seconds, Nairolf’s single “Deux Moitiés” exudes sophistication and paves the way for an intense auditory experience. The atmospheric vibes instantly draw the listener in, forming a rich backdrop that promises emotional depth. As the French lyrics emerge, they envelop the audience in a blend reminiscent of Radiohead and Noir Désir, creating a unique artistic space.

    Nairolf Deux Moitiés

    The intricacy of the composition reveals multiple layers, where the delicate guitar arpeggios intertwine with keyboard chords that resonate profoundly within the sonic landscape. This rich interplay not only enhances the auditory experience but also expands the perceived space in the music. The melodic lines possess a dream-like quality, which ultimately captivates and immerses the listener into Nairolf’s musical world.

    The groove complements the melodic structure beautifully, providing a solid foundation while simultaneously allowing the instrumentation to soar. This blend of elements results in a dynamic flow that is both engaging and refreshing.

    Deux Moitiés – Sound and Atmosphere

    The narrative unfolds, telling the story of a friendship that has succumbed to a seemingly small disagreement that transpired over the course of one night. The lyrics reflect the struggles of accepting differing views within a friendship. The emotional weight of this story resonates with anyone who has experienced the fragility of relationships. The artistry lies in how Nairolf captures this moment, giving life to a theme that is relatable and poignant.

    Interpersonal connections often hinge on shared beliefs. When those beliefs are challenged, it creates a rift that can be difficult to bridge. The listener can sense the rawness and vulnerability behind the words, enhancing the overall impact of the song.

    “Deux Moitiés” is more than just a composition; it’s an experience that strikes deep within. The intense movement of the track invites introspection. As the melody swells and the rhythm intensifies, you can feel the force of unresolved emotions ready to burst forth. The sense of inevitability permeates the music, reflecting the tumultuous feelings that arise from lost connections.

    Deux Moitiés – Performance and Production

    The atmospheric qualities of the sound build upon each other, culminating in a powerful resolution that feels satisfying and bittersweet. The skillful construction throughout the single maintains a delicate balance and invites reflection on personal experiences and relationships.

    Nairolf has crafted a rich audio tapestry that showcases emotional depth and musical clarity. The combination of thoughtful composition with evocative storytelling results in an enriching experience that should not be missed.

    “Deux Moitiés” stands as a beautifully constructed song, filled with emotional nuance and elegant musicality. The fusion of atmospheric elements with careful instrumentation magnifies the song’s themes, making it accessible yet profound. This track serves as a beautiful recommendation for anyone drawn to music that tells a story and strives to evoke deep feelings and thoughtful reflection.



    Intense

    🔥 If you love this music: Discover More


    Find Nairolf here:
    Spotify | Instagram

    The post Nairolf Deux Moitiés Review appeared first on Edgar Allan Poets – Noir Rock Band.