Category: news
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The fumble and the fill: Two moments of genius from Anika Nilles’ emotional first show with Rush
Rush have returned to the stage, and we’re feeling it -
Larry Howe On Resigning From Vicious Rumors Over His Right-Wing Political Beliefs: “I Would Shut Up About It, But Then I’d Be At A Lady Gaga Party Eating Babies”
“I’m just little old Larry, and I’ve always been a patriot. What can I say?”
The post Larry Howe On Resigning From Vicious Rumors Over His Right-Wing Political Beliefs: “I Would Shut Up About It, But Then I’d Be At A Lady Gaga Party Eating Babies” appeared first on Theprp.com.
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Dan Dalrymple Closing Time Review
Dan Dalrymple Closing Time Review
The album opens with “Boardwalk,” a track that establishes an atmosphere of polished rock. Its nostalgic melody evokes artists like John Mellencamp. The arrangements feature a beautiful interplay between piano and guitar, reminiscent of bands such as Counting Crows. This combination makes for an engaging introduction to the album.
Following this is “Closing Time,” a delicate ballad that perfectly captures the fleeting sensations experienced when a night draws to a close. The artist’s voice is warm and intense, drawing the listener into deep contemplation and reflection. This track excels in conveying emotions, making it a standout in terms of lyrical expression and vocal delivery.
Next comes “The Night,” a personal favorite of mine. It bursts with energy, creating an almost ethnic vibe, especially through its intricate rhythm. The blend of rock and folk in this song enhances its appeal. Dan ‘s voice, which bears a striking resemblance to Bruce Springsteen’s, adds depth to the performance. Notable shifts in rhythm and delightful flourishes in the arrangements keep the listener engaged and surprised.
Closing Time – Sound and Atmosphere
“Knots” follows, introducing a mysterious and nostalgic feel right from the beginning. The emergence of the drums establishes a steady tempo, crafting a song that encourages listeners to hop in the car and wander the roads, their minds filled with thoughts. This track’s progression is both inviting and reflective, potentially resonating with anyone who has driven under a starlit sky, lost in their musings.
“Exactly as it Seems” stands out with its intricate bass line kicking off the song. As the rhythm builds, a groove emerges that energizes the listener. This piece also draws from elements of big band and gospel music, incorporating touches that reminded me of the Blues Brothers. The blend of genres enriches the listening experience.
“You and Me” showcases the artist’s refined compositional skills once again. The song features exquisite orchestral arrangements that blossom beautifully in the chorus. This quality adds an extra layer of sophistication to the overall feel of the album, demonstrating the careful thought put into each track.
Closing Time – Performance and Production
The album closes with “Road Song,” a track that transports you away in thought. This airy composition has a somewhat desert-like quality, inspiring a desire to jump in a car and get lost on American highways. The imagery evoked by this song aligns perfectly with the sense of adventure and introspection that runs throughout the album.
Each song brings its unique flavor, and the diverse influences from various genres enrich the listening experience. Dan Dalrymple’s “Closing Time” successfully captures a range of feelings and sounds, leading the audience on a memorable musical journey.
Reflecting on the overall vibe of the album, it is evident that each track carries a sense of depth and authenticity, from the engaging rhythms to the heartfelt lyrics. Dan Dalrymple has created a collection that deserves attention, making it one to enjoy both in quiet contemplation and in lively company.
Refined
If you love this music: Discover More
For fans of:
John Mellencamp • Counting Crows • Bruce Springsteen
The post Dan Dalrymple Closing Time Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Roan Grevel Anna Review
Roan Grevel Anna Review
The opening of “Anna” features a guitar riff that establishes an intense and mysterious atmosphere. The powerful drumbeat soon follows, enveloping listeners in a strong rock ballad from the very start. Roan Grevel’s voice enters with an attitude reminiscent of 90s rock, evoking memories of bands like Staind. The nostalgic melodies resonate deeply within, reaching the darker corners of the soul.
The song paints a vivid picture of a woman searching for solace and freedom. She embodies disillusionment, betrayed by life and emotionally spent. Despite her exhaustion, there is an inner strength that longs to rise, though the weight of her struggles feels overwhelming. The directness of the instrumental sound captures attention, while the darker tones add an intriguing depth to the composition, appealing to fans of bands such as Placebo.
Roan’s vocal timbre stands out with a slightly rough edge that enhances its uniqueness. The dynamics in “Anna” are thoughtfully arranged, ensuring engagement from the first note to the last. Each section of the song contributes to a cohesive whole, drawing listeners into its emotional narrative. The juxtaposition of strength and vulnerability in the lyrics and the delivery creates a relatable experience.
Anna – Sound and Atmosphere
The guitar work is great, providing a solid foundation while also allowing for expressive flourishes. The rhythmic elements complement the overall mood, blending to enhance the storytelling aspect. The balance between instrumentation and vocals mirrors the woman’s internal conflict, beautifully illustrating her journey.
The lyrics resonate with anyone who has felt lost or betrayed. They invite listeners to reflect on their own experiences, adding layers of personal interpretation. The combination of relatable themes and evocative music creates a profound connection.
Anna – Performance and Production
The production quality amplifies the overall effect. The mix allows each instrument to shine while creating an immersive experience. This attention to detail results in a polished track.
Listeners are left with an impression that lingers far beyond the last chord. Roan Grevel’s “Anna” offers a moment of introspection. The combination of solid instrumentation, emotionally charged lyrics, and a distinctive vocal performance makes this single a noteworthy contribution to the rock genre.
Intense
If you love this music: Discover More
For fans of:
Staind • Placebo
The post Roan Grevel Anna Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Eilen Jewell Steps Off the Road, But Not Out of the Song
Photo credit: Damu Malik After two decades of nearly continuous touring, folk-Americana singer-songwriter Eilen Jewell is stepping away from the road—not as an ending, she insists, but as a recalibration. Her “indefinite hiatus” from touring marks a deliberate pause in a life shaped by motion, performance, and the steady accumulation of miles across continents. Yet […] -
Thousand Below Tap Acres, VCTMS & Lost In Separation For Fall U.S. Headlining Tour
Buried in the fall.
The post Thousand Below Tap Acres, VCTMS & Lost In Separation For Fall U.S. Headlining Tour appeared first on Theprp.com.
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Magnolia Park Announce Their First-Ever ‘Halloween Fest’
With EKOH, Oxymorrons and more.
The post Magnolia Park Announce Their First-Ever ‘Halloween Fest’ appeared first on Theprp.com.
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The Whole Oeuvre Of Bill Wyman’s RHYTHM KINGS Will See Definitive Repackaging
Talking of THE ROLLING STONES, most people see the Glimmer Twins as the ultimate rockers, while in fact it was Bill Wyman who seemed the most solid performer in that regard, what with him being older than the rest of … Continue reading
The post The Whole Oeuvre Of Bill Wyman’s RHYTHM KINGS Will See Definitive Repackaging appeared first on DMME.net.
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Brand Of Sacrifice Look To Be Teasing Their Third Album
Eyes up.
The post Brand Of Sacrifice Look To Be Teasing Their Third Album appeared first on Theprp.com.
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Philip Sayce ignites Islington Assembly Hall with a masterclass in blue rock power
There are guitarists who play the blues, and then there are guitarists who seem to channel it from somewhere deep within themselves. Philip Sayce belongs firmly in the latter category. Returning to London for a highly anticipated appearance at Islington Assembly Hall on 3 June, the Welsh-born, Canadian-raised guitarist delivered a performance that was equal parts masterclass, catharsis, and celebration of the enduring power of blues-rock.
The elegant surroundings of Islington Assembly Hall provided the perfect backdrop for an evening rooted in tradition yet infused with modern energy. The venue was packed with devoted fans, guitar enthusiasts and curious newcomers, all eager to witness one of the most electrifying performers on the contemporary blues scene. With its balance of grandeur and intimacy, the historic hall offered an ideal setting for a musician whose reputation has been built on emotional intensity rather than theatrical spectacle.
From the moment Sayce walked on stage, there was an unmistakable sense of anticipation in the room. Opening with a burst of shred energy before asking the crowd a simple question – “Ready?” – he immediately launched into “Out of My Mind.” It was a statement of intent. His guitar tone was instantly recognisable: rich, saturated, and gloriously dynamic. Whether unleashing fiery lead lines or delicately teasing out soulful melodies, he demonstrated complete command of his instrument.
Yet what separates Sayce from many modern guitar heroes is his refusal to treat the guitar as a vehicle for technical exhibitionism. Plenty of musicians can play fast or loud. Sayce’s gift lies in his ability to make every note feel emotionally charged and purposeful. Throughout the evening, his playing moved effortlessly between blistering blues-rock, psychedelic textures, and moments of deep introspection. The influence of Jimi Hendrix, Stevie Ray Vaughan, and Robin Trower could certainly be heard, but Sayce has long since developed a voice that is unmistakably his own.
Material from across his catalogue showcased both his musicianship and increasingly assured songwriting. Tracks such as “Standing around crying” and “Morning Star” balanced muscular riffs with memorable melodies, while heavier numbers provided opportunities for extended improvisation. These moments allowed Sayce to stretch out creatively, exploring the sonic possibilities of his instrument while never losing sight of the song itself.
His vocals deserve equal recognition. Often overshadowed by his formidable guitar playing, Sayce possesses a raw, expressive voice perfectly suited to his material. There is a grit and authenticity to his singing that complements the emotional intensity of his guitar work. Every lyric felt delivered with conviction, lending weight to songs dealing with struggle, redemption, and resilience.
A major strength of the evening was the chemistry between Sayce and his band. The rhythm section provided a powerful yet sensitive foundation, allowing him the freedom to roam without sacrificing groove or cohesion. Several extended jams showcased the group’s ability to listen and respond to one another in real time, creating moments that felt spontaneous and unique to that particular night.
One of the evening’s highlights came during an extended instrumental passage during ‘Steamroller/Love is a powerful thing’. Beginning with a sparse guitar introduction, the piece gradually built in intensity until Sayce appeared completely immersed in the music. Notes bent and sustained beyond their expected limits, while controlled feedback became a creative tool rather than a by-product of volume. These sections demonstrated why he continues to attract such admiration from fellow musicians. His solos were never simply displays of virtuosity; they told stories, building tension and release with remarkable instinct.
The crowd’s response reflected the quality of the performance. Cheers erupted after nearly every solo, and the atmosphere became increasingly enthusiastic as the evening progressed. Yet despite the admiration directed towards him, Sayce remained approachable and humble throughout. His interactions with the audience were warm and genuine, reinforcing the feeling that this was a shared experience rather than a one-sided performance.
As the set drew towards its conclusion, there was a palpable reluctance among the crowd to let the evening end. The eventual encore, featuring a guest appearance from Tom Moriarty, provided one final opportunity for Sayce to demonstrate why he remains one of the most compelling live performers working today. The closing performance was delivered with the same intensity and commitment that had characterised the entire evening, leaving the audience exhilarated and wanting more.
In a musical landscape increasingly dominated by technology and spectacle, Philip Sayce remains refreshingly rooted in the fundamentals of great live performance: exceptional musicianship, emotional honesty, and genuine connection with an audience. His appearance at Islington Assembly Hall was far more than a guitar showcase. It was a reminder of what live music can achieve when passion, skill and authenticity align. For those fortunate enough to be present, it was an evening that reaffirmed the enduring power of the blues and the extraordinary talent of one of its finest modern exponents.
View the full photo gallery below.
[See image gallery at bluesrockreview.com]The post Philip Sayce ignites Islington Assembly Hall with a masterclass in blue rock power appeared first on Blues Rock Review.