Category: news

  • Your ticket to the Punk Rock Summer Camp has just been punched: Here’s How to watch the Vans Warped Tour livestream

    Vans Warped Tour – At A Glance

    When: Saturday, July 25 & Sunday, July 26 from 11am PST, 8am EST, 3am BST
    Where: Amazon Prime Video, the Amazon Music app, Twitch, and via the Amazon Live Channel on Fire TV and Samsung TV Plus from 11am PST
    Watch anywhere: With Nord VPN’s 30-day trial

    The Vans Warped Tour heads to the Shoreline Waterfront at Long Beach, California, this weekend where artists including Papa Roach, All Time Low, Bowling For Soup, Jimmy Eat World, Alexisonefire, Glassjaw, Nova Twins and Thrice will perform.

    The good news is that even if you can’t make it to the festival that runs across July 25 & 26, you’ll be able to feast upon the action thanks to the festival’s partnership with Amazon for the official Warped Livestream.

    Kick back, crank up the volume and you can watch and listen to the weekend unfold via Prime Video, the Amazon Music app, and Twitch, while the Amazon Live Channel on Fire TV and Samsung TV Plus will also be showing the event.

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    How to watch the Vans Warped Tour

    If you want to catch the weekend action from Long Beach this weekend, you’ll need to get yourself an Amazon Prime Video subscription. This is included with an Amazon Prime account, but you can also sub to the video portion only. You can also get a 30-day free Prime trial. Here’s pricing details:

    Prime video only: $8.99/£7.99 per month
    Amazon Prime (with Prime Video): $14.99/£8.99 per month or $139/£95 annually
    Prime Student: $7.49/£4.49 per month or $69/£47.49 per year

    Once your subscription is set up, you’ll be able to watch the whole weekend of music from the Vans Warped Tour.

    How to watch from anywhere

    If you’re going to be out of the country on holiday across the weekend of July 25 & 26 and want to watch the Vans Warped Tour from long Beach, you’ll need a VPN to help you.

    Virtual Private Networks are used to change the location of your IP address, enabling you to watch the Vans Warped Tour from Long Beach no matter where you are. Nord VPN is Louder’s service of choice and it’s currently available with 70% off the usual price – and there’s a 30-day money back guarantee.

    How to use a VPN

    1. Install a VPN. As we’ve mentioned above, Nord VPN is Louder’s favourite.

    2. Choose the location you wish to connect to in the VPN. If you’re currently outside of the country and don’t want to miss the music from Shoreline Waterfront, just select your country from the list, then log on to your Amazon Prime Video account.

    3. Kick back and relax: That’s it – you’re all set for a weekend of great music.

    Vans Warped Tour - Long Beach 2026 Line-up Poster

    (Image credit: Vans Warped Tour)

    Who else is playing?

    There are dozens of artists set to play over the weekend, but some other names you might be interested in seeing are: Dance Gavin Dance, Hoobastank, Jinjer, Letlive, Norma Jean, Reel Big Fish, Save Ferris, Sleeping With Sirens, Taking Back Sunday, The Ataris, The Devil Wears Prada and Winona Fighter.

    For a full list of. confirmed artists, check out the official Vans Warped Tour website.

    What else is on Prime Video?

    Amazon Prime Video is one many TV and film streaming services currently available – and it’s home to loads of brilliant music content and more.

    You can watch all four seasons of The Osbournes, Queen biopic Bohemian Rhapsody, the documentary We Are Twisted Sister, Pink Floyd: The Wall, Led Zeppelin: In The Light, and live shows including Amazon Music Live: Foo Fighters and Guns N’ Roses Live Rarities.

    It’s also worth mentioning that this weekend’s Fuji Rock Festival from the Naeba Ski Resort in Japan, will also be live-streamed through Amazon Prime Video and the Amazon Music Twitch channel. Some of the artists appearing will be Mogwai, Turnstile, Kneecap, The Lemon Twigs and Angine De Poitrine.

    Away from music, and Amazon Prime Video is home to video game spin-off Fallout, The Rings Of Power, six seasons of sci-fi epic The Expanse, based on the brilliant James S.A. Corey books, and a huge library of classic TV series.

    Amazon Prime Video also serves as a hub for other streaming services such as Paramount+, Apple TV, Discovery+, Shudder and Crunchyroll, while TV favourites and films are also available to rent or purchase through the service.

  • Lil Wayne Can’t Look At Milk

    You ever think about milk? Like, thousands of years ago, some prehistoric person looked at a cow’s udder and thought I should drink what’s in there, and now it’s a staple of the human diet across so many cultures? Pretty fucking weird, man. Many people, for both health and moral reasons, won’t consume dairy. And then there are others who do consume dairy but who just don’t like to think about it. Lil Wayne, for instance, cannot look at milk.

    The post Lil Wayne Can’t Look At Milk appeared first on Stereogum.

  • Everyday 1970s Fashion: 79 Photos of What People Actually Wore

    Grab your platform shoes and step into a visual time capsule featuring 79 photos of everyday 1970s fashion in all its wild, unfiltered, and unforgettable glory. Continue reading…
  • Bruce Dickinson Sings Cover With Billie Joe Armstrong

    The Iron Maiden and Green Day frontman united onstage at The Coverups show in San Diego. Continue reading…
  • Orville Peck Shares “Too Little, Too Late,” Surprisingly Not A Cover Of The JoJo Hit Released 20 Years Ago Today

    Following a successful broadway stint as the Emcee in Cabaret last year, country pop star Orville Peck is returning as the masked balladeer with a new album. Mule, which is out September 18 via Warner Records, will be his latest full-length since 2022’s Bronco. He announced news with the lead single “Too Little, Too Late.”

    The post Orville Peck Shares “Too Little, Too Late,” Surprisingly Not A Cover Of The JoJo Hit Released 20 Years Ago Today appeared first on Stereogum.

  • Blue Nation Launch New Era With Wisdom For Pennies At Gibson Garage London

    Blue Nation release Wisdom For Pennies at The Gibson Garage London

    It has been nearly two years since The Ordinary People was released. This was the album that launched Blue Nation to new heights, exponentially increasing their fan base and critical acclaim. The three lads from Birmingham have continued to win hearts and minds with a winning formula of massive riffs blended with gorgeous melodies, meaningful songs and an on-stage chemistry and penchant for humour and chaos reminiscent of Crowded House. Most of all, Blue Nation are authentic. What you see is most definitely what you get, off stage as well as on. 

    After several tours and festival dates over the last year or two, not to mention picking up industry awards and nominations along the way, the trio are ready to unleash new music. Wisdom For Pennies is a four-track EP that perfectly encapsulates their sound and shows real development too.

    Recorded at Circle (Recording) Studios under the watchful and exacting eye of producer Trevor Gibson, the EP is compact but brimming with rich layers that reward repeated listening. 

    Blue Nation release Wisdom For Pennies at The Gibson Garage London
    Blue Nation release Wisdom For Pennies at The Gibson Garage London

    To mark the release, a special showcase was held at The Gibson Garage London, where the event room was filled with fans and industry professionals eager to hear the first live run-through of these tracks.

    Neil Murdoch (guitar/vocals) and Luke Weston (bass/vocals) gave a sparkling performance, seasoned with the total glee of being among this Aladdin’s Cave of treasures, at one point joking that the presence of a security guard was to make sure that the band themselves did not run off with the goods. 

    The lads may not take themselves very seriously, but their music is a different matter. From the heavy and profound Wisdom For Pennies to the heartfelt plea of Tired Of Waiting, to the up-tempo groove of Watch Me Fly to the earworm of Comfort with its magical lyrics verging on psychedelia, this EP is stuffed with quality.

    On record it sounds huge and powerful, and when stripped down to only acoustic guitar and bass, the songs still shine brightly.

    Ending the showcase with fan favourite Echoes, prefaced as always by supportive words and a shout-out to Ian’s Chain, a charity working with those in mental health crisis, then a mass sing-along to Down By The River, this next era of Blue Nation was well and truly ushered in.

    Blue Nation release Wisdom For Pennies at The Gibson Garage London
    Blue Nation release Wisdom For Pennies at The Gibson Garage London

    Following the performance, all three members, including Nick Sharman whose thunderous drumming was deemed to have too much power for this acoustic show, convened for a Q&A session with doyenne of the airwaves, Absolute Radio’s Leona Graham.

    We learnt about the band’s pride at being part of the Birmingham music scene, the thrill and gratitude of playing on bigger stages, and their first albums bought (a nicely eclectic mix of Aerosmith, At The Drive-In and Keane) and how the preferred post-show beverage is tea rather than beer. 

    Chatting to the band afterwards, as the trio processed the ecstatic reception they had received, they were still marvelling that they got play among all of the mouth-watering Gibson gear. 

    “I’ve always had Gibsons and Epiphones,” Neil says, who earlier played a Gibson SJ200 and a Dove acoustic. “Every single thing has been a Gibson because when I said to my dad that I wanna be in a band, I wanna play guitar, he said there’s only one thing you can do. You need a Gibson Les Paul, and you need a Marshall.”

    For Luke, who wielded a borrowed Gibson EB-3 bass, this afternoon will remain a treasured memory. “I love Jack Bruce, so watching him play an EB-3, I’ve always wanted one. I bought a Gibson a few years back, a Les Paul double cutaway thing which is lovely. To be able to come here and look at all of the guitars, an 11-year-old Luke would be very, very proud right now.”

    Even drummers can have guitar envy, as Nick confirms. “I have never owned one, but Sam, our guitar tech, owns a Gibson Firebird, which I’m very, very envious of. It’s a great guitar, it’s beautiful.”

    As far as ambitions for the new EP go, Neil answers in typical authentic Blue Nation form. “I hope that people like it. I hope it makes people’s day better.”

    Catch Blue Nation on Tour this autumn. Tickets are available from linktr.ee/BlueNationTourDates.

    Blue Nation - Wisdom For Pennies is a four-track EP that perfectly encapsulates their sound and shows real development too.
    Blue Nation – Wisdom For Pennies is a four-track EP that perfectly encapsulates their sound and shows real development too.

    September

    10sep7:30 pmBlue Nation, GlasgowThe Attic Event Organized ByBlue Nation

    11sep7:30 pmBlue Nation, NewcastleThe Cluny Event Organized ByBlue Nation

    12sep7:30 pmBlue Nation, SheffieldThe Greystones Event Organized ByBlue Nation

    19sep7:30 pmBlue Nation, LlandudnoMotorsport Lounge Event Organized ByBlue Nation

    20sep7:30 pmBlue Nation, BlackpoolThe Waterloo Event Organized ByBlue Nation

    25sep7:30 pmBlue Nation, BristolThe Louisiana Event Organized ByBlue Nation

    October

    03oct7:30 pmBlue Nation, WorthingThe Factory Event Organized ByBlue Nation

    09oct7:30 pmBlue Nation, London229 Event Organized ByBlue Nation

    10oct7:30 pmBlue Nation, StowmarketJohn Peel Centre Event Organized ByBlue Nation

    November

    28nov7:30 pmBlue Nation, BirminghamThe Crossing Event Organized ByBlue Nation

    Blue Nation 2026 Headline Tour Poster
    Blue Nation 2026 Headline Tour Poster

    The post Blue Nation Launch New Era With Wisdom For Pennies At Gibson Garage London first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • David Lee Roth Cancels All But One Date Of His Entire Tour, And Sammy Hagar Breaks Forty Years Of Feuding To Offer Him A Stage

    sammy-hagar-david-lee-roth-2026

    David Lee Roth has canceled nearly every remaining date of his 2026 US tour. Shows in Dillon, Colorado; Clear Lake, Iowa; Louisville, Kentucky; and East Moline, Illinois were all pulled from his official website on Thursday, July 23, leaving just one date standing — his previously announced August 7 appearance in Sturgis, South Dakota. No reason has been given. And within hours, the response came from the one person in rock nobody would have predicted: Sammy Hagar, the man who replaced him in Van Halen, posted a video message offering Roth an open invitation to his Las Vegas residency.

    🎧 STREAM THE METAL BREAKDOWN DAILY NOW:

    Two Van Halen frontmen, forty years of sniping, and a phone call that changed the tone overnight — Scott Penfold breaks down the David Lee Roth cancellations and Sammy Hagar’s remarkable response on Monday’s Metal Breakdown Daily. Download the free Loaded Radio App on Apple iOS and Google Play and stream the broadcast now.

    What Was Canceled

    Roth launched the 2026 run on April 16 at Spokane Live! at Spokane Tribe Casino in Airway Heights, Washington — a tour we previewed back in April when he turned up unannounced at Coachella days before the opening night. Billed under the very Diamond Dave banner “Don’t Love Me, Rent Me,” the setlist paired his solo catalogue with a heavy dose of the Van Halen material that made him famous, and the schedule had at one point been extended into early September.

    As of Thursday, that schedule is essentially gone. The Colorado, Iowa, Kentucky and Illinois dates have all been scrapped, and Sturgis on August 7 is the lone survivor.

    His touring band for the run consisted of Al Estrada on guitar, Sean McNabb on bass, Francis Valentino on drums, and Danny Wagner on keyboards, along with several backing vocalists. McNabb had joined this year, replacing Ryan Wheeler.

    No Explanation Has Been Given

    This is the part to be careful with, because the internet is already filling in the blanks.

    Roth has not stated a reason. Neither has anyone in his camp. What has been reported is that several of his June and July shows had visible empty seats, which has led to speculation that soft ticket sales played a role — but that remains speculation, not a stated cause.

    There has been no announcement of any health issue. Hagar raised the possibility in his message only to say he hoped it wasn’t the case, which is a friend expressing concern rather than information about Roth’s condition. Until Roth says otherwise, the honest answer is that nobody outside his organization knows why these shows came off the calendar.

    Also Recommended – “For the First Time, I Feel Rich”: David Lee Roth Cashes Out Van Halen Legacy in Massive Multi-Million Dollar Catalog Sale

    david-lee-roth-2026-tour

    Sammy Hagar’s Response Is The Real Story Here

    On Thursday, Hagar posted a video message saying he’d just gotten a call from Michael Anthony — the former Van Halen bassist who now plays in Hagar’s solo band — telling him Roth’s tour had been canceled.

    What followed wasn’t a jab. Hagar said he was sorry from the bottom of his heart, told Roth he hoped he was well, and said that he and Anthony genuinely loved seeing him out on the road keeping Van Halen’s music alive. He told Roth to carry on whenever he was ready, and made a point of saying the two of them, along with Anthony, Alex Van Halen and Eddie Van Halen, are irreplaceable: “You and I, Mikey, Al, Ed cannot be replaced”.

    Then he made the offer. Hagar invited Roth to come out at his September Las Vegas residency with himself and Anthony — sing a couple of songs, emcee the show, or simply do what he does, which Hagar noted is pretty damn entertaining.

    Why That Olive Branch Lands So Hard

    To understand why this is genuinely surprising, you have to remember what the relationship between these two men has looked like for four decades.

    As recently as January 2024, Roth posted a video in which he went after Hagar over the alien abduction story from Hagar’s 2011 memoir, in terms far too crude to reprint here. That wasn’t an outlier. The Roth-versus-Hagar rivalry has been one of rock’s longest-running public feuds, complete with a disastrous 2002 co-headlining tour and decades of interviews where neither man missed a chance to take a shot.

    For Hagar to lead with sympathy, credit Roth for carrying the catalogue, and publicly hand him a stage — with no conditions attached — is a meaningful shift. Whether Roth takes him up on it is another matter entirely. But the offer is on the table, in public, and that’s not something anyone had on their 2026 card.

    Check This Out – Alex Van Halen Reveals Why Van Halen’s Best Work Was With David Lee Roth

    Roth’s Long, Complicated Goodbye

    The 71-year-old singer has been circling retirement for years. In early 2021 he announced he was done, framing a 2022 Las Vegas residency at the House Of Blues at Mandalay Bay as his final five shows and declining to explain the decision. That residency was then canceled over circumstances related to COVID.

    He returned anyway. Roth played his first full solo concert in more than five years on May 3, 2025 at the M3 Rock Festival in Columbia, Maryland, then reversed the retirement outright with a summer 2025 US tour that wrapped September 14 in Napa, California. The 2026 run was the follow-up.

    Elsewhere, it’s been an eventful year for him off the stage as well, including selling his stake in the Van Halen publishing catalogue earlier in 2026.

    Roth fronted Van Halen from 1974 to 1985, briefly again in 1996, and then from 2007 until the band ended in 2020, though they hadn’t toured since 2015. He was inducted into the Rock And Roll Hall Of Fame as a member of the band in 2007.

    For now, Sturgis on August 7 remains the only date on his calendar.

    TL;DR

    • David Lee Roth has canceled all but one remaining date of his 2026 US tour
    • Shows in Dillon CO, Clear Lake IA, Louisville KY and East Moline IL were removed from his site on July 23
    • Only his August 7 appearance in Sturgis, South Dakota remains scheduled
    • No reason has been given; reports of empty seats at June and July shows have fueled speculation about ticket sales, but nothing has been confirmed
    • Sammy Hagar posted a video message expressing sympathy and support after hearing the news from Michael Anthony
    • Hagar invited Roth to join him and Anthony at their Las Vegas residency in September

    FAQ

    Why did David Lee Roth cancel his 2026 tour dates?

    No reason has been given by Roth or his representatives. Reports of empty seats at several June and July shows have led to speculation that ticket sales were a factor, but that has not been confirmed by anyone in his camp.

    Which David Lee Roth shows were canceled?

    Dates in Dillon, Colorado; Clear Lake, Iowa; Louisville, Kentucky; and East Moline, Illinois were removed from his official website on July 23, 2026.

    Does David Lee Roth have any tour dates left?

    Yes, one. His previously announced August 7, 2026 appearance in Sturgis, South Dakota remains on the schedule.

    What did Sammy Hagar say about David Lee Roth’s canceled tour?

    Hagar posted a video message saying he was sorry to hear the news, that he hoped Roth was well, and that he and Michael Anthony appreciated Roth keeping Van Halen’s music alive. He then invited Roth to appear at his Las Vegas residency in September.

    Are David Lee Roth and Sammy Hagar friends?

    The two have feuded publicly for decades, including a difficult co-headlining tour in 2002 and repeated exchanges in the press as recently as 2024. Hagar’s supportive message and open invitation mark a notable change in tone.

    Forty years of shots fired, and Sammy’s the one who picked up the phone — say what you want about either guy, that took class. Would you want to see Dave walk out at one of those Vegas shows? Let us know in the comments, and follow Loaded Radio for daily rock and metal news.

    The post David Lee Roth Cancels All But One Date Of His Entire Tour, And Sammy Hagar Breaks Forty Years Of Feuding To Offer Him A Stage appeared first on Loaded Radio.

  • SNAYX Share Red Hot Summer Banger ‘Nice Day 4 It’

    SNAYX are back with another belter, readymade for the sunshine but hiding a much more sentimentally vital core.

    Titled ‘Nice Day 4 It’, it is a blend of rock and roll mayhem and drum and bass bravado, equalling the sort of anthem designed for festival main stages and beyond.

    Though dig a little deeper and not everything is peachy. As between the good times, there is existentialism, anxiety and doubt, that as many as us will know, has the capacity to spread like wildfire. What results is a rather claustraphobic listen, despite its sunny day playability; a perfect juxtaposition of everything that SNAYX is.

    The band had this to say about it:

    It’s a summer song, but lost in its own melancholy, in its own weird way. It’s about that headspace where self-destruction stops feeling like a problem and starts feeling more like just another day. Feelings get filed away for a future version of yourself to deal with. Your mate texts. You go again. When the spiral begins to spin so rapidly out of control, you eventually end up in motion and before you know it, you’re actually rolling. There’s something almost freeing in the dissonance. Like once you stop trying to hold it together, the pressure’s off. It’s not quite nihilism, but there’s definitely a sense of: everyone’s a bit fucked, the world’s a bit fucked, so why not make a nice day of it?


    The track swiftly follows on the frantic ‘Brain Cellz’, which sounds a lot like this:

    The band are set to hit the road as support for YONAKA later this year. Here are the dates:

    SEPTEMBER

    29 – BELFAST The Limelight 2
    30 – DUBLIN Academy Green Room

    OCTOBER

    02 – MANCHESTER New Century Hall
    03 – LONDON O2 Forum Kentish Town
    05 – CARDIFF Tramshed
    08 – NOTTINGHAM Rock City
    09 – LEEDS Leeds Beckett Students Union
    10 – GLASGOW The Garage

    The post SNAYX Share Red Hot Summer Banger ‘Nice Day 4 It’ appeared first on Rock Sound.

  • Reviews: Fuming Mouth, Ripper, Sigyn, Tesla (Mark Young, Cherie Curtis, Matt Bladen & Cherie Curtis)

    Fuming Mouth – The Ringing Bell (Triple B Records) [Mark Young]

    Ok, so I had the pleasure of reviewing their Last Day Of Sun, their second full length back in 2023 and found it to be a positive experience. 

    The main man, Mark Whelan had fought back against life threatening conditions and the album reflected that struggle, and I remember it being an excellent release, and hoped that they would continue on. The band themselves has changed a little, adding ex Slipknot man Jay Weinberg on drums and Pat Merson moving from bass to guitar has hinted at a level of flux within them. I’m not here for that drama, I’m just here to see if this takes the next step.

    This is death metal where each of the component parts are wired in and on plan. The Ringing Bell decides that they have spent enough time looking back and are now pushing forward, with Cheat Death kicking things off for us with an unapologetically short gut stomp of a songs. There isn’t any drawn out interludes or rising orchestral movements, press play and you are off, a HM-2 grind dominating proceedings along with La Whelan’s uncompromising vocal delivery. 

    It’s not speedy and I thank them for that as its methodical pace means you don’t miss a trick. Add in a lead break that is part incendiary and you have a strong opening statement, one that is then backed up by Self-Exhumed, with a guitar tone that scrapes the enamel off your teeth. In some respects they are sides of the same coin and provide us with a fine start and in effect set up the base for the rest of the album to flow from.

    Its on Finally Fearless, that the brakes are taken off and whilst its not achieving high BPM there is a greater sense of movement within it. It feels like it’s the first opportunity for Jay Weinberg to add a stamp to proceeding and as a result we are treated to a monstrous break down around 2 minutes in. There is a real strength in this, and it’s the kind of thing that causes mass flailing of limbs if its played live. 

    Running through the crushing riffs are some cracking melody lines too, providing a little spice to proceedings. I’d hoped that they wouldn’t take a backward step, and its evident that they haven’t, A Blaze Of Nihilism refocusing our attention with yet another massive breakdown before handing that baton over to After Oblivion

    Now, before I get carried away, I need to point out that there is a lot of similar approaches going on here. Of these two songs, it feels that that they are saying the same thing. Now, how much this changes things for you will depend on your own personal preference. For me, you could have dropped either one or it wouldn’t have affected how the album flows. 

    A change comes with Hidden In The Moor, the need to crush replaced by a more expansive approach that provides that necessary injection to keep things alive. That gnarly guitar tone is in place, there is no change there but that addition of a dominating melody line at key intersections makes the song stick with you after it finishes. Coming at the point it does, it gives the album a slap in the face,

    Vivid Revelations strides in, taking its time to assert itself with a monstrous build that belies a relatively short run time whilst Flourishing Flesh provides this album’s stab to the neck, a very speedy minute and a bit that acts in some ways as pressure release. I can’t deny that I would have loved to have heard more like this on here, but I admire how they stayed consistent throughout. It’s the introduction of cleans on the title track that seems to allow them to expand further, in spite of the harsh style returning to close that song out. 

    Personally I get the impression that the early songs provided that bedrock for them to do what they needed to do later, providing them the room to manoeuvre. Like Hidden In The Moor, The Ringing Bell is another stand-out moment for them, joined by Barbarian Scourge which hits like a hammer from the middle ages. There is a storming melody line employed on here which calls back to Phantasm in the way it spins around, maybe some of you might remember Entombeds version of it, if not check it out online. In any respect, this is another massive statement from them and sets them up for their closing piece, Respect Mortality.

    The hard work is already done and it isn’t in a rush to unfold itself. It just grinds its way to the finish line; the pace never changing and closes things out in a solid manner.

    Now we get to the hard part. This is an album where the positives outweigh the negatives by a massive number but I’m still compelled to mention it. Basically, there is a sense that some songs sound the same and I’ve captured it above. 

    This could be partially due to the overall tone present, but in any event its there for you to hear. But, in its favour are some stunning tracks, especially the run from Vivid Revelations through to Barbarian Scourge where its cracker after cracker which take that strong early work and then really go to town with them. 

    There’s no doubt they have made some massive steps with this, and this Is a very good album to get your hooks into. 8/10 

    Ripper – Towards Rebirth (Dark Descent Records) [Cherie Curtis]


    Hailing from Chile, death metal band Ripper brings us their newest album Towards Rebirth. This album has 10 tracks and is their first full length album since 2016 and it’s not one to skip past. What makes this album a great one is a strong sense of narrative, it feels very theatrical in style and the texture is so thick it’s visible, but it’s done in an effortless way.

    The composition is luxurious and all-encompassing which makes for a very cinematic feel as well as being very versatile even though they don’t stray away from their usual style, as well as staying very genre typical, they show creativity and uniqueness in the technicalities, their riffs and their instrumentals feel very experimental. 

    Towards Rebirth shows us that Ripper are fully aware of who they are and what they want to create and they execute it well. Their overall style consists of cold opens where there is already a huge amount of tension then swift breakdowns, it feels very much like a push and pull back and forth like a frenzy. They’re incredibly energetic and they will have you on the edge of your seat. What makes this a great album is that there’s a strong sense of story and narrative it feels very theatrical and grand but in an effortless way. 

    The composition is luxurious and encompassing which makes for a very cinematic and atmospheric feel as well as being very versatile considering that they don’t stray away from their usual style this album is similar to their previous one and doesn’t really stray away from the death metal thrash genre but they do tend to get very creative in the technicalities of their riffs and their instrumentals.

    They also experiment with the form and genre which is absolutely fine because genre isn’t something that a band would usually mess about with, they’re not a gimmick they know who they are and what they make and they know what they’re good at so they deliver it they give us what we want.

    Their overall style consists of cold opens and tension build-ups and heavy breakdowns they’d like to drop you straight into the action they knock you off your feet until a long drawn out hurricane of instrumentals whisks you off your feet and into the action again it feels very much like a push and pull back and forth can overall frenzy it’s incredibly energetic with some metal screams and vocal sustains sprinkled in for a battle cry effect they will have you on the edge of your seat.

    One of my favourite tracks from the album is World Of Darkness it’s the second track after a gentle and ethereal interlude so it came as a huge surprise. It’s loud racing and very frantic with piercing and spiralling refs and a deep gravelly shouted metal vocals which is stereotypical within the genre but very nice to hear.

    It is pure mosh pit fuel it’s very thrash and it will get you throwing it back at a gig and the repetitive earworm instrumentals are very technical complex and dynamic each track sounds different. Though he’s not the best vocalist I’ve ever heard the instrumentals are outstanding and unrelenting there’s no downtime just a massive build and breakdown after build and breakdown.

    One of my favourite tracks from the album is World Of Darkness it’s the second track after a gentle and ethereal interlude so it came as a surprise. It’s loud and frantic with piercing riffs complimented by deep and gravelly death metal vocals, it’s very thrashy and it will get you throwing it back at a gig. The instrumentals are hypnotic and complex, though the vocals aren’t the best I’ve ever heard within this specific genre, the overall composition is impressive. 

    Towards Rebirth, the title track is much slower but more powerful. It’s classic sounding and very reminiscent of 80s style thrash with thunderous drums, it’s more beautiful than it is a floor filler. The vocals are interesting here, they are direct, punchy and very strong, it commands your attention which adds to the theatrical aspect to the atmosphere with some masterful vocal sustains sprinkled in for a fun battle cry effect. Ripper is not for the faint of heart, if it’s not your genre then it’ll be hard to stomach but lovers of death metal and thrash will love this one. 

    Overall, it’s a great album. I was on the fence with it at first as its not usually something I’d listen to as I find it’s very distracting, it does command 100% of your attention. It’s not something to have on in the background and is meant to be something you can move to, and it will get you moving. This album is professional, crisp and well-made, you can tell that it was made with a mighty sense of purpose and articulation. Give it a go if you have the chance, it is worth a listen. 8/10

    Sigyn – From Nation To Chaos (Noble Demon) [Matt Bladen]

    Symphonic melodeath now from Helsinki who will be on the playlist of every Children Of Bodom/Wintersun fan as there’s a thrilling mix of virtuoso guitar and keyboard playing on From Nation To Chaos, the twin axe assault rapid and ravenous as thrashy shredding, death metal grunt and power metal melodies all combined as any good melodeath band should.

    However like the bands I’ve mentioned Sigyn also have some epic keyboard/synth playing that will impress on I Am Nothing, Blind Prophet and the closing drama of World In Flames. For me the fusion between orchestrations and blast beats on A New Nation and Creating My Own Chaos puts Sigyn up with those Finnish foundations of this power/melodeath genre.

    They’re able to move away though as the chuggy Break These Chains takes the inspiration from the Swedish style while The Crawlers injects a bit of black/folk metal, the result of it all being that Sigyn’s second album, despite them being formed in 2008, is a slickly executed record of epic melodeath, that is heavily inspired from the Finnish originators. 7/10

    Tesla – Homage (Frontiers Music Srl) [Rich Piva]

    Generally Tesla is good at covers. They should be. One of their biggest hits was a cover, their live acoustic record that was a huge hit and helped to start the whole Unplugged thing (and that was great) was filled with covers, and they have multiple covers records, some of it good, some of it unnecessary. So it begs the question if we really needed Homage, their latest covers record, which has 14 songs and is over 50 minutes long, emphasis on long. The short answer is no, but that doesn’t mean there are not some fun covers on here that are done well.

    I will just mention the good. Give A Little Bit is right in their wheelhouse, if not an over done cover, but it sure is a great song. Picking a Queen song that is mostly overlooked with Spread Your Wings was a cool idea and well executed. The Ballad Of Curtis Loew is another one that I feel like they could do in their sleep, and it was also done well. Their one original on the record, Never Alone was solid too. That’s about it for me. This certainly could have been an EP.

    It pains me because I do think Tesla was one of the stronger bands of the “hair band” period, maybe because they really were never a hair band, but I digress. Their first three records are untouchable, and Five Man…was great too. Homage is pretty much a hard pass, but it doesn’t make me love Tesla less, only makes me want to turn on The Great Radio Controversy. 4/10

  • Reviews: Fuming Mouth, Ripper, Sigyn, Tesla (Mark Young, Cherie Curtis, Matt Bladen & Cherie Curtis)

    Fuming Mouth – The Ringing Bell (Triple B Records) [Mark Young]

    Ok, so I had the pleasure of reviewing their Last Day Of Sun, their second full length back in 2023 and found it to be a positive experience. 

    The main man, Mark Whelan had fought back against life threatening conditions and the album reflected that struggle, and I remember it being an excellent release, and hoped that they would continue on. The band themselves has changed a little, adding ex Slipknot man Jay Weinberg on drums and Pat Merson moving from bass to guitar has hinted at a level of flux within them. I’m not here for that drama, I’m just here to see if this takes the next step.

    This is death metal where each of the component parts are wired in and on plan. The Ringing Bell decides that they have spent enough time looking back and are now pushing forward, with Cheat Death kicking things off for us with an unapologetically short gut stomp of a songs. There isn’t any drawn out interludes or rising orchestral movements, press play and you are off, a HM-2 grind dominating proceedings along with La Whelan’s uncompromising vocal delivery. 

    It’s not speedy and I thank them for that as its methodical pace means you don’t miss a trick. Add in a lead break that is part incendiary and you have a strong opening statement, one that is then backed up by Self-Exhumed, with a guitar tone that scrapes the enamel off your teeth. In some respects they are sides of the same coin and provide us with a fine start and in effect set up the base for the rest of the album to flow from.

    Its on Finally Fearless, that the brakes are taken off and whilst its not achieving high BPM there is a greater sense of movement within it. It feels like it’s the first opportunity for Jay Weinberg to add a stamp to proceeding and as a result we are treated to a monstrous break down around 2 minutes in. There is a real strength in this, and it’s the kind of thing that causes mass flailing of limbs if its played live. 

    Running through the crushing riffs are some cracking melody lines too, providing a little spice to proceedings. I’d hoped that they wouldn’t take a backward step, and its evident that they haven’t, A Blaze Of Nihilism refocusing our attention with yet another massive breakdown before handing that baton over to After Oblivion

    Now, before I get carried away, I need to point out that there is a lot of similar approaches going on here. Of these two songs, it feels that that they are saying the same thing. Now, how much this changes things for you will depend on your own personal preference. For me, you could have dropped either one or it wouldn’t have affected how the album flows. 

    A change comes with Hidden In The Moor, the need to crush replaced by a more expansive approach that provides that necessary injection to keep things alive. That gnarly guitar tone is in place, there is no change there but that addition of a dominating melody line at key intersections makes the song stick with you after it finishes. Coming at the point it does, it gives the album a slap in the face,

    Vivid Revelations strides in, taking its time to assert itself with a monstrous build that belies a relatively short run time whilst Flourishing Flesh provides this album’s stab to the neck, a very speedy minute and a bit that acts in some ways as pressure release. I can’t deny that I would have loved to have heard more like this on here, but I admire how they stayed consistent throughout. It’s the introduction of cleans on the title track that seems to allow them to expand further, in spite of the harsh style returning to close that song out. 

    Personally I get the impression that the early songs provided that bedrock for them to do what they needed to do later, providing them the room to manoeuvre. Like Hidden In The Moor, The Ringing Bell is another stand-out moment for them, joined by Barbarian Scourge which hits like a hammer from the middle ages. There is a storming melody line employed on here which calls back to Phantasm in the way it spins around, maybe some of you might remember Entombeds version of it, if not check it out online. In any respect, this is another massive statement from them and sets them up for their closing piece, Respect Mortality.

    The hard work is already done and it isn’t in a rush to unfold itself. It just grinds its way to the finish line; the pace never changing and closes things out in a solid manner.

    Now we get to the hard part. This is an album where the positives outweigh the negatives by a massive number but I’m still compelled to mention it. Basically, there is a sense that some songs sound the same and I’ve captured it above. 

    This could be partially due to the overall tone present, but in any event its there for you to hear. But, in its favour are some stunning tracks, especially the run from Vivid Revelations through to Barbarian Scourge where its cracker after cracker which take that strong early work and then really go to town with them. 

    There’s no doubt they have made some massive steps with this, and this Is a very good album to get your hooks into. 8/10 

    Ripper – Towards Rebirth (Dark Descent Records) [Cherie Curtis]


    Hailing from Chile, death metal band Ripper brings us their newest album Towards Rebirth. This album has 10 tracks and is their first full length album since 2016 and it’s not one to skip past. What makes this album a great one is a strong sense of narrative, it feels very theatrical in style and the texture is so thick it’s visible, but it’s done in an effortless way.

    The composition is luxurious and all-encompassing which makes for a very cinematic feel as well as being very versatile even though they don’t stray away from their usual style, as well as staying very genre typical, they show creativity and uniqueness in the technicalities, their riffs and their instrumentals feel very experimental. 

    Towards Rebirth shows us that Ripper are fully aware of who they are and what they want to create and they execute it well. Their overall style consists of cold opens where there is already a huge amount of tension then swift breakdowns, it feels very much like a push and pull back and forth like a frenzy. They’re incredibly energetic and they will have you on the edge of your seat. What makes this a great album is that there’s a strong sense of story and narrative it feels very theatrical and grand but in an effortless way. 

    The composition is luxurious and encompassing which makes for a very cinematic and atmospheric feel as well as being very versatile considering that they don’t stray away from their usual style this album is similar to their previous one and doesn’t really stray away from the death metal thrash genre but they do tend to get very creative in the technicalities of their riffs and their instrumentals.

    They also experiment with the form and genre which is absolutely fine because genre isn’t something that a band would usually mess about with, they’re not a gimmick they know who they are and what they make and they know what they’re good at so they deliver it they give us what we want.

    Their overall style consists of cold opens and tension build-ups and heavy breakdowns they’d like to drop you straight into the action they knock you off your feet until a long drawn out hurricane of instrumentals whisks you off your feet and into the action again it feels very much like a push and pull back and forth can overall frenzy it’s incredibly energetic with some metal screams and vocal sustains sprinkled in for a battle cry effect they will have you on the edge of your seat.

    One of my favourite tracks from the album is World Of Darkness it’s the second track after a gentle and ethereal interlude so it came as a huge surprise. It’s loud racing and very frantic with piercing and spiralling refs and a deep gravelly shouted metal vocals which is stereotypical within the genre but very nice to hear.

    It is pure mosh pit fuel it’s very thrash and it will get you throwing it back at a gig and the repetitive earworm instrumentals are very technical complex and dynamic each track sounds different. Though he’s not the best vocalist I’ve ever heard the instrumentals are outstanding and unrelenting there’s no downtime just a massive build and breakdown after build and breakdown.

    One of my favourite tracks from the album is World Of Darkness it’s the second track after a gentle and ethereal interlude so it came as a surprise. It’s loud and frantic with piercing riffs complimented by deep and gravelly death metal vocals, it’s very thrashy and it will get you throwing it back at a gig. The instrumentals are hypnotic and complex, though the vocals aren’t the best I’ve ever heard within this specific genre, the overall composition is impressive. 

    Towards Rebirth, the title track is much slower but more powerful. It’s classic sounding and very reminiscent of 80s style thrash with thunderous drums, it’s more beautiful than it is a floor filler. The vocals are interesting here, they are direct, punchy and very strong, it commands your attention which adds to the theatrical aspect to the atmosphere with some masterful vocal sustains sprinkled in for a fun battle cry effect. Ripper is not for the faint of heart, if it’s not your genre then it’ll be hard to stomach but lovers of death metal and thrash will love this one. 

    Overall, it’s a great album. I was on the fence with it at first as its not usually something I’d listen to as I find it’s very distracting, it does command 100% of your attention. It’s not something to have on in the background and is meant to be something you can move to, and it will get you moving. This album is professional, crisp and well-made, you can tell that it was made with a mighty sense of purpose and articulation. Give it a go if you have the chance, it is worth a listen. 8/10

    Sigyn – From Nation To Chaos (Noble Demon) [Matt Bladen]

    Symphonic melodeath now from Helsinki who will be on the playlist of every Children Of Bodom/Wintersun fan as there’s a thrilling mix of virtuoso guitar and keyboard playing on From Nation To Chaos, the twin axe assault rapid and ravenous as thrashy shredding, death metal grunt and power metal melodies all combined as any good melodeath band should.

    However like the bands I’ve mentioned Sigyn also have some epic keyboard/synth playing that will impress on I Am Nothing, Blind Prophet and the closing drama of World In Flames. For me the fusion between orchestrations and blast beats on A New Nation and Creating My Own Chaos puts Sigyn up with those Finnish foundations of this power/melodeath genre.

    They’re able to move away though as the chuggy Break These Chains takes the inspiration from the Swedish style while The Crawlers injects a bit of black/folk metal, the result of it all being that Sigyn’s second album, despite them being formed in 2008, is a slickly executed record of epic melodeath, that is heavily inspired from the Finnish originators. 7/10

    Tesla – Homage (Frontiers Music Srl) [Rich Piva]

    Generally Tesla is good at covers. They should be. One of their biggest hits was a cover, their live acoustic record that was a huge hit and helped to start the whole Unplugged thing (and that was great) was filled with covers, and they have multiple covers records, some of it good, some of it unnecessary. So it begs the question if we really needed Homage, their latest covers record, which has 14 songs and is over 50 minutes long, emphasis on long. The short answer is no, but that doesn’t mean there are not some fun covers on here that are done well.

    I will just mention the good. Give A Little Bit is right in their wheelhouse, if not an over done cover, but it sure is a great song. Picking a Queen song that is mostly overlooked with Spread Your Wings was a cool idea and well executed. The Ballad Of Curtis Loew is another one that I feel like they could do in their sleep, and it was also done well. Their one original on the record, Never Alone was solid too. That’s about it for me. This certainly could have been an EP.

    It pains me because I do think Tesla was one of the stronger bands of the “hair band” period, maybe because they really were never a hair band, but I digress. Their first three records are untouchable, and Five Man…was great too. Homage is pretty much a hard pass, but it doesn’t make me love Tesla less, only makes me want to turn on The Great Radio Controversy. 4/10