Category: news

  • Album Premiere: Miscreance – Reminiscense

    Italian tech-thrash/death metal mutants Miscreance sound like they were built in a lab from the best wrong parts of several different eras. On Reminiscence, the Northern Italian quartet take the old-school technical death metal blueprint—Death, Atheist, Coroner, Sadus, all the good stuff—and drag it through a prehistoric hallucination full of tribal percussion, psychic violence, alien ritual and fretboard abuse.

    Out May 28 via Season of Mist, Reminiscence follows Miscreance’s 2022 full-length Convergence, but this is not simply another exercise in retro worship. Yes, the riffs splinter, twist and slash with late-’80s/early-’90s precision. Yes, the tempos turn on a dime. Yes, the band look and sound like people who have worn out more than one copy of Human and Unquestionable Presence. But Reminiscence also pushes deeper into concept and atmosphere, imagining a lost civilization that feels both ancient and impossibly futuristic.

    “After meandering through the sands of time, we are finally unearthing our new album Reminiscence,” Miscreance tell Decibel. “Each of the nine songs on the album take a look into a forgotten past. Together, they merge into a mind-altering experience.

    Reminiscence is a concept album that tells the story of a lost civilization, suspended in time. Gifted with psychic powers and driven by an insatiable hunger for prey, this civilization once lived in symbiosis with nature, only for their age of splendor to give way to inexorable decline.

    “While writing, we pushed ourselves toward a state of total neural unity, just as the lost tribe at the heart of our story once did. We became so deeply captivated by the concept that we decided to reinterpret the lost album as coherently and faithfully as possible, bringing its sound to life again through an array of tribal and unconventional instruments, unearthly time signatures and ritualistic chants.

    “Lose yourself into the abyss and find your true self beyond the edge of reality!”

    That perspective gets weird fast. Opener “Trait d’Union” doesn’t simply explode out of the gate; it lures the listener in with bouncing, ritualistic percussion before the band start cutting through dimensions. “Scalp Ceremony” folds bongos into its bloodthirsty thrash attack. Elsewhere, Miscreance thread strange tongues, telepathic dissection, jungle horror and celestial death through nine tracks of restless, technically ridiculous extreme metal.

    Stream Reminiscence in full below.

    The post Album Premiere: Miscreance – <i>Reminiscense</i> appeared first on Decibel Magazine.

  • Norwegian-Americana: Nashville on Her Mind, Norway in Her Bones

    Before there was Tennessee, there was Stavanger. Before the highways, honky-tonks and imagined horizons of America, there was the Norwegian coastline—cold water, hard wind, immense mountains and a young girl searching for where she belonged. Maren Davidsen’s music exists in that distance between two worlds. A Norwegian singer-songwriter drawn to the emotional honesty of Americana, […]
  • Frozen Crown – Present ‘Who Wants To Burn In Heaven’ Track

    In anticipation of their new full-length release The Legend Of The Six Kings, Italians Frozen Crown now stream a Raoul Noise-directed/edited music video for the new single “Who Wants To Burn In Heaven”.
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  • Jack White Revives “Jolene” Cover In Tribute To Dolly Parton

    Way back in 2000, the White Stripes released their powerful, unhinged cover of the 1974 Dolly Parton classic “Jolene” as the B-side to their “Hello Operator” single. That song was a regular highlight of the White Stripes’ live sets, and they performed it hundreds of times — way more times, as it happens, than Parton herself ever did. Jack White stopped performing that song after the White Stripes broke up, and he never played it live as a solo artist until last night.

    The post Jack White Revives “Jolene” Cover In Tribute To Dolly Parton appeared first on Stereogum.

  • Crystal Eyes – Ninth Studio Record On The Way

    Thunder God has been set as the official title of Crystal Eyes‘ ninth full-length offering. It will be set free on October 30th, 2026 through Massacre Records. Track listing and cover artwork can be seen below.
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  • Genital Shame – Streaming New Song

    One-woman experimental black metal act Genital Shame has revealed a new song, “I Want To Die Before You”, as part of the upcoming debut record Wellness Plan. The latter drops October 30, 2026.
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  • A View From The Back Of The Room: Lacertilia (Matt Bladen)

    Lacertilia, Cybernetic Witch Cult & Goat Major, Fuel Rock Club, 21.08.26



    With my trips to gigs being stunted somewhat by a knackered spine, the ones I’m picking and choosing bands that I know will absolutely deliver on a live stage. I’d try to catch South Wales’ psychedelic stoner riff warriors a few times this year already but life and physical pain got in the way meaning I had to abandon them.

    However a Friday at Fuel Rock Club with support coming from some fellow Welsh riffers I know always bring the groove and psychedelic space rockers that I had not seen before wasn’t going to be a gig I missed so it was a slow walk from the car ready to get as groovy as a man with a slipped disc can be.

    Getting the night started, fresh from a triumphant show at Bloodstock festival it was the sludgy doom riffs of Goat Major that made sure the PA was working at full volume as they roared to life with a set full of occult doom for for an Argento movie. Mainly drawn from their debut record, the trio stormed through the Sabbath worshipping songs, with a crushing rhythm section adding the meaty grooves while the guitar brought some technical melodies to join the thunder. Goat Major are the heaviest thing to come out of Pembrokeshire in a long while and the one new track they played bodes well for their upcoming album.

    Next up were Cybernetic Witch Cult, psychedelic weirdos with plenty of brain melting melodies. I’d never seen the band before and I’m not too sure if many inside Fuel but the volume did decline briefly when they took to the stage as this cult are much more about classic transcendental journeys than sledgehammer riffs. With a revamped line up, playing a set of mostly unreleased music, their was something if a return for the band and the crowd were receptive though I’m sure the majority would have seen anything they played as new, due to them being a rarity on this side of the bridge.

    However they did manage to win over the crowd with dual vocals and spacial journeys through galactic soundscapes. Pushing further into psychedelic realms this witch cult was perfect cleanse from the heavy crush of the openers and moved perfectly into the headliners, they even found time to record the set and release it as live record which is mind blowing in a venue like Fuel.

    Then it was time for the headliners, like conquering heroes, they once again stormed the Fuel stage with an unmatched energy. The last time I’d seen them in Cardiff was at their album release show (I think) and as with every Lacertilia show they were unbelievably good (spoiler), but while hearing them play the entire third record in full was a brilliant event, I was very interested to hear how those songs blend with their older material.

    There’s a nervous energy to frontman Fry, always balancing on the edge between mastery and madness, he’s the conductor of this church of riffs, letting loose when the riffs of The Wired And The Weird and Weird Scenes kick off the Lacertilia party. Belting out the lyrics and prowling the stage it’s hard to take your eyes off him, the between song asides bringing humor and humility.

    Behind him though Lacertilia are band with an ease to them, virtuoso masquerading as your local biker club band, Carl’s drumming laser focused driving the groove, probably because he’s the only one who knows the setlist! With Ed’s fluid basslines joining him they’re a formidable rhythm section that can weave their magic between tracks as different as the Jane’s Addiction like Tangled Up and the showstopping The Sun Is The Key.

    The riffs come from Mike and Lukas, the punk rocking of closer Fire Up The Engine Of God or the stoner chug of Deviate From The Plan are just as impressive as the more laid back moments such as Over And Out and Nothing’s Sacred where the leads take a melodic turn into psych and prog realms.

    I’ll always support Lacertilia, every promoter in the UK should be on the phone to them as there’s a magic they bring to the stage and after a decade as a band they’re at the best they’ve ever been. A brilliant night in Cardiff with three excellent bands playing to a receptive and up for it crowd, worth the journey as usual. 10/10
  • Crawl – Part Ways With Vocalist

    Swedish death metal unit Crawl and vocalist Joachim Lyngfelt goes separate ways, due to distance between the southern and northern part of Sweden where Joachim Lyngfelt is living.
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  • 17-disc Soft Machine box set, Slightly All The Time Recordings 1970-1974, due in October

    Canterbury legends Soft Machine are to have their most creative period celebrated with a massive 17-disc box set, Slightly All The Time Recordings 1970-1974, released through Sony Music on October 30.

    Spread across a mammoth 14 CDs and three Blu-rays, the set collects the five albums the band recorded for Columbia Records between 1970 and 1973 – Third (1970), Fourth (1971), Fifth (1972) and Sixth (1973) – all newly remastered from the original ¼” tapes. It also includes all of their extant BBC sessions (half of which are unreleased) and a generous selection of rare and previously unavailable concert recordings from Europe (UK/France/Switzerland), as well as a book featuring brand-new liner notes from Prog writer Sid Smith.

    Compiler Mark Powell, head honcho of Esoteric Recordings, has also unearthed an entirely different set of recordings of Fifth, as well as over six hours of superb audio-visual material gathered from European TV broadcast archives, almost all of which has never been issued before, such as Paris 1970, Brussels 1971, the complete Berliner Jazztage performance and the BBC TV appearances on An Anatomy Of Pop and Full House.

    The band have shared a video of them performing Out-Bloody-Rageous, plus All White, from Beat Club in 1971, which you can watch below.

    Pink Floyd drummer Nick Mason, a peer of the band back in the late 60s and early 70s, and who also produced drummer Robert Wyatt‘s second solo album, 1974’s Rock Bottom, commented, “If there really was a UFO Club house band, it was a title shared between The Soft Machine and (the) Pink Floyd. Even though the musical influences could not have been more different, I tend to think that the one ingredient that both bands were unique in providing was playing music that was simply impossible to dance to.

    “I don’t think there was any rivalry between us. I think we probably huddled together for comfort as Northern Soul music and the Top Rank ballrooms topped the bill. We did become friends, and I have happy memories of spending time – I think in the Chelsea Hotel, or Max’s Kansas City in NYC – waiting to head out to attempt to conquer the American mid-west. And in later years I had the privilege of producing Robert Wyatt’s Rock Bottom album as well as appearing on Top Of The Pops with Andy Summers in pre-Police mode as a fill-in guitar player to accompany Robert.

    “Although Pink Floyd were to head down a very different musical path in the years to come, I do clearly remember being deeply impressed by the musicianship of Soft Machine. That modern jazz influence was something I could only wonder at and certainly couldn’t emulate! I’m looking forward to reacquainting myself with some happy memories as well as good music.”

    Pre-order Slightly All The Time Recordings 1970-1974.

    Soft Machine Slightly All The Time Recordings 1970-1974 Box Set art

    (Image credit: Sony Music)

    Soft Machine Slightly All The Time Recordings 1970-1974 Box Set back cover

    (Image credit: Sony Music)
  • Scandal Tree Releases New Single ‘Twenty-O-Six’

    Detroit 1976 Meets Australian Hard Rock in Scandal Tree‘s New Single ‘Twenty-O-Six‘ Stream – here Scandal Tree vocalist Huck has an unusual explanation for the inspiration behind the band’s new single, ‘Twenty-O-Six‘. He says the song began after what he describes as a semi-dream conversation with a Detroit auto worker living in 1976. “I think […]

    The post Scandal Tree Releases New Single ‘Twenty-O-Six’ appeared first on ROCKPOSER DOT COM.