They’ll also be out this summer on the second leg of ‘The Summer Slaughter Tour’.
The post Creeping Death Sign With BLKIIBLK, New Album In The Works appeared first on Theprp.com.
They’ll also be out this summer on the second leg of ‘The Summer Slaughter Tour’.
The post Creeping Death Sign With BLKIIBLK, New Album In The Works appeared first on Theprp.com.
The Milo album era draws near.
The post Fear Factory Share Behind The Scenes Footage From Their New Music Video Shoot appeared first on Theprp.com.
A few weeks Clairo gave a vague yet inspiring update on her upcoming fourth studio album, the follow-up to 2024’s Charm and her first for new label home Atlantic Records. We know that the new album sounds very different than its predecessors, and that she’s a bit scared (in a good way) about it. Yesterday, SZA posted a video of Clairo in the studio on her Instagram story. Knowing that the Clairo album is imminent and that she’s been in such beautiful creative company, is this an A+B=C scenario? Are we getting a freaking Clairo/SZA collab?
The post SZA Is In The Studio With Clairo appeared first on Stereogum.
Bear McCreary is continuing the story of his symphonic metal project The Singularity with the release of a new album, The Singularity: Ekleipsis, arriving July 31 through Sparks & Shadows Records and Mutant.
The project began in 2024 with the release of The Singularity, a hard rock and metal concept album featuring an impressive lineup of guest performers, including Serj Tankian of System Of A Down, Corey Taylor of Slipknot, Rufus Wainwright, and others.
The upcoming follow-up, The Singularity: Ekleipsis, expands on that narrative. Written primarily by Bear McCreary and his brother Brendan McCreary, the album takes its title from the ancient Greek word for “abandonment” and explores themes centered on perseverance, struggle, and disillusionment.
The record once again brings together a wide range of notable names from the rock and metal worlds. Contributors include Joseph Duplantier (Gojira), Patrick Stump (Fall Out Boy), Claudio Sanchez (Coheed And Cambria), Jens Kidman (Meshuggah), Alissa White-Gluz (Arch Enemy), Tim Henson (Polyphia), Steve Vai, Slash (Guns N’ Roses), Duff McKagan (Guns N’ Roses), Chad Smith (Red Hot Chili Peppers), Stewart Copeland (The Police), and more.
The latest preview of the album is the new track “Cool Kids”, featuring Slash, Duff McKagan, Chad Smith, and Brendan McCreary.
Discussing the song, Bear McCreary said: “‘Cool Kids’ was born when [bassist] Duff McKagan sent me a voice memo of a riff he was messing around with. My ears perked up instantly — his riff was undeniable! So Duff and I went into the studio the next week, along with my brother, vocalist Brendan McCreary, and [drummer] Chad Smith from Red Hot Chili Peppers wrote the song together. We went in with Duff‘s initial riff and our enthusiasm, and walked out with ‘Cool Kids’. When Slash got back into town, he added his signature screaming guitar parts, and there it was.
“‘Cool Kids’ is a song about all of us being proudly who we are, but I wouldn’t blame anybody for assuming the title was inspired by the fact that Brendan and I got to create this song with the coolest kids in rock and roll.”
When The Singularity: Ekleipsis was first unveiled in April, McCreary offered additional insight into the album:
“I need more cinematic metal in my life! The Singularity: Ekleipsis builds upon the musical and narrative themes of my 2024 album The Singularity, and this time around it rocks even harder. My brother, vocalist/producer Brendan McCreary, and I were once again thrilled to partner with a number of inspiring artists for this record, each of whom brought their unique musical personalities and perspectives to the project.
“‘Black Box’, our debut single, was written in collaboration with and features Joe Duplantier, of the iconic band Gojira. It blends my cinematic background with Joe‘s distinctive vocals, harmonized beautifully by the legendary women’s choir the Mystery Of The Bulgarian Voices. Equally inspired by ’90s alternative bands, Eastern European folk music, symphonic film scores, and progressive metal, ‘Black Box’ encapsulates the epic scope of ‘Ekleipsis’ while just cracking open the door to the rest of the album.”
While many metal fans know Bear McCreary for his extensive work in film, television, and video games, the composer has steadily expanded his presence in heavy music. After launching his career under the mentorship of legendary composer Elmer Bernstein, McCreary became widely recognized for his score to Battlestar Galactica and has since earned multiple Emmy Awards, BAFTA Awards, Grammy nominations, and International Film Music Critics Association honors.
With The Singularity: Ekleipsis, McCreary continues to bridge cinematic composition and modern metal, assembling another diverse cast of musicians while pushing the project further into heavier territory.
The post BEAR MCCREARY Unveils Latest Single “Cool Kids” Featuring SLASH, DUFF MCKAGAN & CHAD SMITH appeared first on Sonic Perspectives.

Poison frontman Bret Michaels may have officially bowed out of his scheduled appearance at the highly controversial Freedom 250 Great American State Fair, but his long-time solo band guitarist Pete Evick is absolutely furious over the immediate wave of toxic fan backlash that targeted the singer. In a scathing social media manifesto, Evick completely unloads on a segment of the band’s audience, labeling those who quickly turned on Michaels as “users and abusers” who completely erased decades of the vocalist’s historic generosity over a single four-day media cycle.
Stream today’s full broadcast on the Loaded Radio Podcast network for an aggregated breakdown of this exploding rock radio controversy, plus updates on major metal tour routing announcements and exclusive audio content.
The drama began immediately following the initial entertainment lineup reveal for the multi-week, Trump-linked Freedom 250 Great American State Fair scheduled to take over Washington, D.C.. Within mere hours of the promotional rollout, a mass artist exit was triggered as artists claimed they were misled about the partisan nature of the event.
While Bret Michaels was arguably the marquee anchor of the rock block, legacy acts like Morris Day and the Time, Young MC, The Commodores, and country star Martina McBride all aggressively distanced themselves and canceled their sets before Michaels officially followed suit.
In his formal exit statement, Michaels noted that what was initially billed as a unifying, patriotic celebration had mutated into an incredibly divisive political flashpoint. Shockingly, the singer also revealed that the situation had escalated to the point of posing a direct security hazard, pointing out “threats that are completely unfounded and unforgivable” aimed at his crew and family.
While Michaels kept his departure note corporate and safety-focused, his long-time guitarist and musical director Pete Evick went completely nuclear on Facebook. Having stood by the Poison vocalist’s side for over two decades, Evick found the sudden, collective amnesia of the rock community entirely repulsive.
“Everyone has opinions, I know I can’t change them, but… I would certainly like everyone to have all the facts if you are literally turning your back on someone you loved 96 hours ago,” Evick fired back.
Evick proceeded to itemize Michaels’ extensive, quiet humanitarian resume over their 21-year working relationship. He noted that the band has repeatedly flown directly into active war zones in the Middle East to play for active-duty troops, built physical homes for veterans with their own hands, and donated millions of dollars directly to wounded warrior initiatives.
The breaking point for the guitarist was seeing local fans, peer musicians, and industry insiders—many of whom had actively accepted free perks from Michaels in the past—instantly join the internet lynch mob.
“Moving on, on a very personal note with a completely different tone,” Evick continued aggressively. “If Bret or me have ever put a dime in your pocket, given you a free ticket, a free meet and greet, a free hotel room, a free flight, a photo pass, let you or your child perform onstage with us, gotten something signed for you or your charity… or if you are one of those people when I’ve gotten Bret to show up at one of my local gigs, and you were the first in line to be close to him who has now openly turned your back on him. FUCK OFF.”
He closed his defense with zero hesitation: “We see you, we see your posts, FUCK OFF. I’m not saying you have to openly support him. But those that called us friends four days ago and have used and abused us and have now turned on us. FUCK OFF.”
As the event completely unraveled at the seams, former President Donald Trump addressed the mass musical exodus during an appearance on the Pod Force One podcast. Rather than attempting to rescue the concert roster, Trump completely dismissed the departing performers.
“They’re not really cowards, but I never even heard of these people,” Trump stated on the podcast. “I never heard of any of them. They’re boring. I don’t even want ’em. And when I heard a couple of them canceled out, I was like, ‘Cancel the whole thing. We’re gonna do a rally.’ …. Nobody’s ever gotten crowds like I get at a rally.”
With the concert portion functionally dead and buried by the administration’s own directives, the conversation has officially flipped to the permanent damage left behind within the rock fanbase.

Best known as the energetic, multi-platinum frontman of legendary glam metal icons Poison, Bret Michaels has maintained a massive global presence as a solo artist, reality television star, and prominent philanthropist. For over 21 years, guitarist, producer, and author Pete Evick has served as the musical backbone and director of the Bret Michaels Band (BMB). Together, the duo has toured continuously across worldwide arenas and military bases, blending classic arena rock hits with extensive fundraising efforts for veterans, pediatric diabetes research, and localized military support networks.
Q: Why did Bret Michaels cancel his Freedom 250 concert appearance?
A: Michaels officially withdrew due to the increasingly divisive partisan political nature of the Great American State Fair, alongside serious, explicit safety and security threats directed toward his fans, crew, and family.
Q: Which other artists dropped out of the Great American State Fair?
A: Prior to Michaels’ exit, Martina McBride, The Commodores, Morris Day and the Time, and rapper Young MC all officially canceled their scheduled performances at the National Mall event.
Q: What did Donald Trump say about the rock musicians canceling?
A: Speaking on the Pod Force One podcast, Trump claimed he had never heard of the artists, labeled them “boring,” and directed organizers to cancel the concert block entirely in favor of hosting a political rally.
Q: Are Bret Michaels and Poison still touring in 2026?
A: Yes. Bret Michaels continues to consistently tour with his solo band across North America throughout the summer and fall cycles.
Never miss a beat in the heavy music or hard rock world. You can catch this exclusive breakdown, along with daily extreme music updates, artist deep-dives, and non-stop rock by subscribing to the Loaded Radio Podcast on Apple Podcasts, Spotify, or your favorite platform.
Want to take the heavy metal community wherever you go? Download the official Loaded Radio App right now on iOS and Android to access our high-quality 24/7 live stream, exclusive news updates, and on-demand podcast archives natively from your phone.
Was Pete Evick completely justified in telling double-crossing fans to “F* OFF,” or do fans have a right to change their stance based on the events an artist aligns with? How do you feel about Trump’s response to the rock community? Let us know your take in the comments section below!
The post “F* OFF!” — Bret Michaels’ Guitarist Pete Evick Explodes on “Double-Crossing” Fanbase Following Divisive Freedom 250 Festival Exit appeared first on Loaded Radio.
The 11th hour.
The post Darkest Hour Have Finished Tracking Their Eleventh Studio Album appeared first on Theprp.com.
Rain slid slowly across cracked pavement beneath flickering neon while cold basslines echoed through underground clubs hidden inside collapsing industrial cities. England at the end of the 1970s felt emotionally exhausted. Factories closed, gray concrete districts expanded endlessly, and modern optimism seemed to decay beneath cigarette smoke, urban loneliness, and sleepless nights illuminated only by dim red lights. Somewhere inside that atmosphere, Gothic rock was born.

The origins of Gothic rock emerged from post-punk darkness, underground clubs, industrial England, and cinematic emotional atmosphere.
Gothic rock transformed post-punk rebellion into atmosphere, emotional isolation, and nocturnal beauty.
More than a musical genre, Gothic rock emerged as an emotional reaction to alienation, romantic melancholy, modern anxiety, psychological tension, and the growing feeling that mainstream culture no longer reflected deeper human emotions. While punk exploded outward through confrontation and rage, Gothic rock turned inward toward atmosphere, emotional immersion, and cinematic darkness.
Punk screamed at society.
Gothic rock stared silently back at it.
“Gothic rock transformed post-punk rebellion into nocturnal atmosphere, emotional isolation, and dark romantic beauty.”
Decades later, Gothic rock still survives because the emotional landscape that created it never truly disappeared.
The origins of Gothic rock cannot be separated from the atmosphere of post-industrial England during the late 1970s and early 1980s. Economic instability, unemployment, collapsing factories, urban decay, and emotional exhaustion shaped an entire generation growing up beneath gray industrial skies and cold concrete architecture.
Many musicians emerging from the post-punk movement no longer wanted music built purely around aggression or political confrontation. They wanted atmosphere capable of expressing emotional fragmentation, existential anxiety, psychological tension, and nocturnal loneliness.
Cities themselves began influencing the sound. Empty train stations after midnight, rain against apartment windows, abandoned industrial districts, flickering neon reflections, and emotionally detached urban life all became part of Gothic rock’s emotional DNA.
The music sounded cold because the environment surrounding it felt emotionally cold.
Gothic rock evolved directly from post-punk, but emotionally the transformation felt enormous. Punk sought revolution through speed, confrontation, chaos, and raw simplicity. Gothic rock slowed everything down and replaced aggression with atmosphere, tension, reflection, and psychological immersion.
Deep melodic basslines replaced explosive energy while chorus-soaked guitars drifted through cavernous reverb beneath emotionally restrained vocals. Drum machines pulsed like distant mechanical heartbeats while icy synthesizers floated through smoke-filled clubs illuminated by dim red lights.
Silence became just as important as sound.
Much like classic film noir, Gothic rock relied on shadow, pacing, emotional distance, and psychological tension to create immersion. Songs unfolded slowly like scenes from psychological cinema rather than conventional radio singles.
The listener did not simply hear Gothic rock.
The listener entered a nocturnal emotional landscape built from loneliness, atmosphere, and reflection.
No discussion about Gothic rock can exist without Bauhaus and their legendary 1979 single “Bela Lugosi’s Dead.” Stretching beyond nine minutes, the song abandoned traditional rock structure in favor of hypnotic repetition, dub-inspired basslines, cavernous production, theatrical restraint, and slow-building dread.
The song felt less like conventional music and more like wandering through abandoned corridors illuminated only by candlelight while distant shadows moved silently behind cracked walls.
“Bela Lugosi’s Dead” established many elements that would later define Gothic rock:
The reference to Bela Lugosi also connected Gothic rock directly to classic horror cinema and Gothic imagery, strengthening the genre’s relationship with visual atmosphere and dark storytelling.
While Bauhaus established much of Gothic rock’s theatrical darkness, The Cure helped shape the genre’s emotional melancholy and introspective atmosphere. Albums such as Faith, Pornography, and later Disintegration transformed sadness, emotional fragility, romantic longing, and existential isolation into cinematic soundscapes filled with shimmering guitars and haunting emotional depth.
Robert Smith’s emotionally vulnerable songwriting introduced another essential dimension to Gothic rock: beauty inside emotional collapse. The music felt intimate, distant, romantic, and devastating simultaneously.
This emotional contradiction became one of Gothic rock’s defining characteristics.
Explore Gothic-inspired apparel, Edgar Allan Poe designs, noir aesthetics, and dark fashion inside the official Edgar Allan Poets Noir Store.
Few bands shaped modern Gothic rock more profoundly than Sisters of Mercy. Andrew Eldritch’s deep baritone vocals, drum machine rhythms, delayed guitars, and emotionally detached delivery helped define the cold mechanical atmosphere that later became central to Gothic music.
Unlike punk’s chaotic energy, Sisters of Mercy embraced restraint, repetition, and hypnotic tension. Songs often felt simultaneously seductive and emotionally distant, combining romantic darkness with industrial coldness beneath endless reverb and smoke-filled atmosphere.
This fusion between emotional danger and cinematic elegance became one of Gothic rock’s most recognizable identities.
As Gothic rock evolved, underground clubs became emotional sanctuaries for outsiders searching for artistic identity, emotional honesty, and belonging. One of the most influential spaces was The Batcave in London, opened in 1982.
The Batcave transformed Gothic rock from underground music into recognizable subculture mythology. Inside fog-filled dance floors illuminated by dim red lights, black silhouettes moved slowly beneath echoing basslines while fashion, music, cinema, and emotional atmosphere merged into a complete artistic identity.
Black velvet, silver jewelry, leather jackets, Victorian lace, dramatic makeup, and monochromatic aesthetics reflected the emotional atmosphere already present inside the music itself.
This was never simply fashion.
It was an emotional architecture for outsiders searching for beauty inside darkness.
Explore Gothic music, noir rock, cinematic darkness, atmospheric soundscapes, and emotional immersion through the official Edgar Allan Poets playlist.
Gothic rock drew enormous inspiration from Gothic literature, noir cinema, Romantic poetry, and psychological horror. Writers such as Edgar Allan Poe, Mary Shelley, Bram Stoker, and Lord Byron shaped emotional themes later absorbed by Gothic musicians: mortality, obsession, romantic tragedy, madness, supernatural mystery, existential fear, and emotional isolation.
Meanwhile, classic film noir contributed emotional silence, shadow-heavy cinematography, cigarette smoke aesthetics, urban loneliness, and psychologically detached characters navigating morally uncertain worlds.
This fusion between literature, cinema, and music helped Gothic rock become intellectually immersive, emotionally cinematic, and psychologically intimate all at once.
The genre felt dangerous precisely because it transformed emotional darkness into seductive atmosphere rather than simple despair.
One of the biggest misconceptions surrounding Gothic rock is the belief that the genre revolves entirely around horror imagery or theatrical darkness. While Gothic rock certainly embraces darkness, its emotional core is far more nuanced.
Gothic rock explores introspection, romantic melancholy, emotional vulnerability, beauty inside sadness, existential reflection, and psychological depth. The darkness exists not for shock value but for emotional honesty.
Unlike Gothic metal, which evolved primarily from heavy metal traditions, Gothic rock emerged from post-punk and atmospheric alternative music focused more heavily on mood, tension, emotional immersion, and cinematic atmosphere.
This emotional sincerity explains why Gothic rock continues resonating decades after its birth. Many listeners recognize themselves inside the genre’s atmosphere because it acknowledges emotions modern culture often hides beneath distraction and emotional performance.
Gothic rock transforms emotional isolation into shared atmosphere.
During the 1980s, Gothic rock expanded beyond its original post-punk foundations. Bands such as Fields of the Nephilim, Clan of Xymox, Dead Can Dance, Cocteau Twins, and The Mission introduced new sonic textures blending darkwave, industrial influences, atmospheric rock, ethereal soundscapes, and cinematic production.
Baritone vocals drifted through icy synthesizers while delayed guitars echoed endlessly beneath hypnotic rhythms. The genre became increasingly immersive, dreamlike, spiritual, and emotionally cinematic.
Modern darkwave revival movements and atmospheric noir rock projects continue carrying these foundations into contemporary music through cinematic storytelling, literary influences, dark emotional themes, and immersive production.
Edgar Allan Poets represent part of this modern evolution by blending noir atmosphere, Gothic emotionality, cinematic textures, haunting instrumentation, and literary-inspired storytelling rooted in psychological tension and dark romanticism.
Many musical genres disappear once trends change, but Gothic rock survived because the emotions at its core remain permanently human. Loneliness, romantic longing, existential anxiety, emotional fragility, alienation, and the search for beauty inside darkness continue shaping modern life across generations.
Gothic rock never tried escaping the darkness.
It transformed darkness into atmosphere, identity, romance, and emotional beauty.
That emotional honesty still resonates inside underground venues, headphones during sleepless nights, rain-covered city streets, and silent moments where people continue searching for meaning beneath modern noise.
Long after trends disappear, Gothic rock continues echoing through the night because loneliness itself never vanished.
Gothic rock emerged from the post-punk movement during the late 1970s. Bands such as Bauhaus, Joy Division, Siouxsie and the Banshees, The Cure, and Sisters of Mercy helped shape the genre’s earliest sound and atmosphere.
Gothic rock was inspired by post-punk music, Gothic literature, noir cinema, Romantic poetry, psychological horror, urban isolation, and emotional melancholy.
Gothic rock emerged primarily from post-punk and atmospheric alternative music, while Gothic metal evolved from heavy metal traditions combined with dark romantic and Gothic themes.
Yes. Gothic rock continues influencing darkwave, noir rock, Gothic fashion, atmospheric music, alternative culture, and modern cinematic soundscapes around the world.
The post The Dark Origins of Gothic Rock appeared first on Edgar Allan Poets – Noir Rock Band.
Denver, CO progressive metal band Entropist are sharing their new single “Intense Warmth,” as the follow‑up to their debut single “Creation.” Both tracks appear on the band’s upcoming first full‑length album, The Vision, arriving June 26.
Entropist’s origins trace back to 2013 in Greeley, Colorado, where Solomon, Jeremy, Parker, and drummer Matt lived as roommates and neighbors. As Parker recalls:
“We all bonded quickly over our love for prog metal and djent … Solomon had written a few songs at the time … and we ended up setting Matt’s drum set up in our living room so we could learn them together.”
After moving away, the music paused until the COVID era rekindled the project:
“Lots of long nights chatting in Discord, lots of sharing of guitar pro files, bouncing ideas back and forth. This was the start of Entropist,” adds Solomon.
The addition of guitarist Will Vinson pushed the project into its fully realized form, which is now The Vision, a dual‑layered concept record intertwining a fantastical narrative of demons, celestial beings, and the void with a grounded exploration of mental struggle, nihilism, and the search for meaning.
“As a band, we see The Vision as a powerful and forward‑thinking progressive metal odyssey, one that explores a huge spectrum of soundscapes and metal influences to tell its intertwined stories. Our goal from the very beginning was to create something that truly feels like a journey, something listeners can step into and escape with for a while. Working with Jamie King was a milestone for us. Some of our favorite albums ever were mixed by him, so having him produce, mix, and master this record was surreal. He elevated everything far beyond what we imagined, and the final product exceeded all expectations,” say the band.
The album’s artwork comes from a hand‑painted canvas by guitarist Solomon’s wife, Shannon Bortfeldt, an impressionist depiction of the story’s opening moments and the emotional weight of its darker themes.
Of this single, Smith says,
“One of my favorites because it just keeps building … The moment the listener hears the walls of vocals come in, it’s clear they’re listening to something different.”
The post Lyric Video Premiere: Entropist – “Intense Warmth” appeared first on Decibel Magazine.
(written by Islander) Angest is a new name within the freezing and fiery realms of black metal, but its multi-national lineup quickly attracts attention. It includes two members of Détresse, two members of Humanitas Error Est, and the drummer for Cult of Erinyes and LVTHN. At one time three of them performed with Lebenssucht, and […]
The post AN NCS PREMIERE: ANGEST — “THICK, BLACK TAR” appeared first on NO CLEAN SINGING.