Category: news

  • My Own Will Premiere New Single & Music Video “Rorschach” From Upcoming New EP “Misery”

    Michigan deathcore band My Own Will premiere a new single and music video by the name of "Rorschach". The track is taken from their upcoming new EP "Misery", which will be out in stores June 4, 2026 via Bleeding Art Collective. Check out "Rorschach" streaming via YouTube and Spotify for you now below. Read More/Discuss on Metal Underground.com
  • The Devil Himself New Single & Music Video “Enough”

    Beeville, TX-based deathcore quartet The Devil Himself premiere a new music video for "Enough", streaming via YouTube and Spotify for you now below. Read More/Discuss on Metal Underground.com
  • Reviews: Devin Townsend, Sarcasm, Brocarde, Galvanist (Simon Black. Mark Young, Matt Bladen & Adz Redpath)

    Devin Townsend – The Moth (Inside Out Music) [Simon Black]

    This is going to be a really tricky review to write…

    The remarkably talented Mr Townsend is an incredibly prolific writer. He has on average produced an album of new studio material in one incarnation or another since he first appeared out from behind Steve Vai’s shadow in the early 1990’s, and even Covid only slowed him down and forced him to clear the archives of live material to keep momentum going. 

    In that time, he has stylistically ping-ponged in so many directions (even to more conventional rock ‘n’ roll territory as a collaborator with the equally prolific Ginger Wildheart), to the point where it’s pointless trying to attach labels to his work, as frankly he’s a sub-genre all on his own.

    People either seem to love him or hate him, yet whenever I play haters a few choice tracks without telling them to whom they are listening they often declare a liking, because there’s so much variety in his discography that almost every taste is catered to somewhere. 

    I’ve come across him fairly late in the day myself and have generally been rather blown away by the bulk of what I have heard, so when this piece was offered to me, I leaped forwards greedily… then proceeded to hit a wall. 

    Because here’s the rub – it’s probably his masterwork, which has been gestating for a decade because the scope of his vision was way more than he could realistically achieve in a normal album / tour cycle.

    I, however, found it an impossibly challenging listen…

    My esteemed editor is probably contemplating brutal and bloody ends for me as he reads this, because on paper it should absolutely hit my sweet spot. It’s a hugely intricate 24 track conceptual record, it goes beyond progressive into full-blown orchestral – and not with synths, but a full blown orchestra, a choir and a plethora of guest voices in an Avantasia style Rock Opera (not operatic in the musical sense, but in the mode of distinct characters personified by the guests) and it’s the brainchild of probably one of the most talented musicians currently writing and recording today.

    But no, I found it really challenging to digest.

    I’m no stranger to gritting my teeth on concept albums – I’ve trudged through enough Euro Power Metal albums in the reviewers’ slush pile to know very quickly where the gems and the dirt are to be separated, but this record took me four full spins and still I’m struggling to articulate my thoughts (bearing in mind I usually know what I’m going to write about an album a couple of tracks into the first spin, because I’ve been doing this off and on for 30 years). 

    Usually by this point familiarity wins me over to a band’s side, but the whole point of this piece seems to be to unsettle the listener. It’s a deeply self-reflective about coming to terms with yourself, and Townsend brilliantly translates that traumatic experience to record. 

    You aren’t going to find a hit single here, and I very much doubt it will ever get played live, because this record veers all over the place and would probably require someone like Terry Gilliam to turn into a concert movie to do it any justice.

    It’s mostly a lot lower tempo, and when the rock parts arrive, they don’t stay around long – often dropping into create a point of crescendo mid-point in a song, before dropping back to eclectic but softer territory. 

    Vocally the bulk of Townsends lyrics are delivered in a soft but high falsetto, with his more distinctive rock voice barely used. Yet all his vocals take a remarkably diplomatic role in the mix, with the choirs and orchestration dominating the soundscape (as they would live), and he and his more traditional instruments of mayhem scaled back into the mix. 

    The effect is to create the sense that he’s just one more instrument in the mix, but the challenge is this makes unpicking the material much more difficult for the listener, who let’s face it is not going to bother to read the helpfully supplied lyric sheet as mere hacks like me when trying to sound like we know what we’re talking about. 

    I don’t like it; I love it because this is a true marmite album. The thing about Devin Townsend is that even if this one doesn’t pull all your strings, even as a fan of some eras of his output, there will be another one along very soon. 

    I can also see this album ear worming its way into my psyche over time, even though I know each and every time it will be a tough and challenging listen, because real art should not be shallow and simplistic. 8/10

    Sarcasm – Lifeforce Omnibound (Hammerheart Records) [Mark Young]

    The incredibly reliable Hammerheart Records have done it again, with Sarcasm casually serving up a slice of old school Scandinavian death metal as if it was a back hand return at Wimbledon.

    Sarcasm, as an entity have been around since the 90’s with what could be described as a stuttering, stop-start existence. The current line-up contains one member from that early period, vocalist Heval Bozarslan, who brings that experience to the table. 

    Lifeforce Omnibound is the 6th album since the bands rebirth and is really what you would expect from them. Starting up hot with Essence Of Existence, its straight in with a furious statement of intent; Riffs at speed, that classic pummelling drum sound and an overall feeling of momentum that you look for in the opening song. 

    As a scene setter, it leaves you in no doubt as what is coming next, and basically tells you that if you like this, then the following 7 songs are a doozy. If not, off you go. Personally, I loved it; no introductory instrumental that goes nowhere, just bang, off we go. 

    Same with Altering The Perception, that class swedeath approach is in full view here and as a one-two it’s a belter. I appreciate that there a thousand bands who do this and its strange for me that I don’t always react the way I do here, but I’m enjoying this. 

    The Reward Of Adversity represents this albums masterwork, starting on a burning build that allows them to pull back ever so slightly just before they come back in. It has a swing to it, almost classical in the way that they unwrap it but shows that they are unafraid to push themselves when it needs to. 

    They are noted as atmospheric depending on where you look online, I didn’t get that vibe but what I did get was that they know how to put songs together. The main riff is a sliding beast of a thing, with hints of Carcass in there. Its just a good song, one that combines everything we love about metal into one place. 

    It also settles the rest of the songs to be able to come in and shine; Crumbling Mind Edifice tears along whilst Plunged Into A Paradox is crushing. It’s a healthy mix that stays within the overall DNA first shown with Essence Of Existence and its delivered to a high standard too. That level of quality is maintained throughout, with a latter high point being A Concept Older Than Time, the shortest track here that seems to have the most going on in it. Empirical Life Metaphysical maintains both speed and brutality, bringing these 8 tracks to a satisfactory close.

    Now, it’s a shoo-in that if you have any appreciation for Scandinavian metal then this is going to tick so many boxes for you. I’m not suggesting that it’s the pinnacle of form, but I am saying that it is a damn good album, one that knows what it wants to do and achieves it. 8/10

    Brocarde – Good Attendance At Sunday School (Self Released)

    Brocarde is an artist who dwells on the fringes, outside of music she has married and divorced the ghost of a Victorian soldier, which led to appreances on Say Yes To The Dress, This Morning and First Dates and writing a paranormal column in a newspaper.

    So a less than ordinary life for a less than ordinary artist, but then this entire album is inspired by being an outsider, a “one woman horror story” whose music is just as intense and vibrant as her fashion sense, both just as important to the overall theatrical, gothic, witchy aesthetics.

    Appearing on the music scene for the first time in 2019, Brocarde immediately got people talking with her debut single which was praised for being innovative and dynamic, combining multiple genres without any fear of alienating gatekeepers, but appealing to those who feel themselves drawn towards the more experimental side of the rock/metal sphere.

    On the back of that she led ghost hunt at Download and seance at Wacken, the collision between horror and music, closely linked as she tells stories drawn from her own experiences and her influences, written over the course ten years, this a multicoloured journey through her journey to where she is today.

    A twisted fairytale of rock, goth, punk, industrial, classical and more colliding as Feed My Soul blends Three Blind Mice with some haunting goth rock, there’s twitching electronics and huge orchestrations on Last Supper and a vocal prowess that reaches the heights of Maria Brink but with a distinctly British diction, which lends itself to the Victorian Horror aesthetic.

    I can hear the likes of Kittie on Haunted, which is about her spectral ex and features stinging Steinman like strings against some Nu-Metal riffs, while Identity Theft has the aggression and rage of Lauren Tate/Delilah Bon and Blank Pages, which ends the album could be a Kate Bush song in its fragility.

    Brocarde’s debut won’t be for everyone but that’s by design, it’s avant-garde, experimental music with a dark mantra, a strong feminist power and a dalliance with the occult on every track. I urge you to listen to it as you just get bewitched by it. 8/10

    Galvanist – The Space Between Stars (ATMF) [Adz Redpath]

    Galvanist are from Bozeman, Montana, they weave an intricate and brutal soundscape which manages to balance true heaviness and anger with a haunting melancholy that is genuinely intriguing and a blend that many fail to accomplish yet this group manages with aplomb. 

    There is a striking balance between doom, death metal and several other sub genres within the extreme sector, to narrow this sound to a single genre would be disingenuous as this is a group truly trying to have their own voice with an unrelenting fist to the face.

    These are not short tracks, once the intro has set the stage as it were then the shortest track clocks in at over 7 minutes so be ready for a journey. 

    The Production on show here is reasonable although not top tier however with that being said I think it adds to the feel and attitude on display here and in particular on the tracks Dreich and the haunting Spiorad, this could be jarring for some but for myself I genuinely had goosebumps and on a damn hot day that’s a success in my mind. 

    A true soundscape is what is brought to you here, the musicianship is of a high level on all fronts but not in a pretentious way which I truly am glad to see, it feels like the whole band is writing for the song and not themselves, blending a sound that is homogenous and endearing in its scope. 

    Huge vocals and drums with a great and tasteful use of keys and samples throughout whilst not overdoing that side of things which is so easily done within the doom centric genres. The standout here though are the vocals which convey true emotion and angst throughout and are truly compelling.

    The production on the guitars and bass could do with some fine tuning in future to add more definition and separation and maybe a touch more clarity on the guitars and maybe pushing the vocals forward in the mix if I were to nitpick but these are genuinely just minor tweaks that would only elevate in future releases and don’t detract from what is a group that brings to mind so many sounds even the likes of Neurosis at their peak and I don’t say that lightly.

    Whilst this might not be for the casual listener or a newbie to the styles on show here it is a release that has a lot to offer and whilst not their first ( I believe it to be their fourth from what I can find online ) The discordant soundscape and vocal attitude on display here will have a true fan of death and doom hungry for more.

    An EP that you will play again and has truly undeniable potential. 7/10
  • Southpaw FLHC Premiere New Single & Music Video “Run Game”

    Southpaw FLHC have released the music video for their new single “Run Game” today, streaming via YouTube and Spotify for you now below. The track is taken from their upcoming album “The Standard,” which is set for release on July 31st via Spinefarm. A record release show is scheduled to follow on August 1st at Hardlove in Jacksonville, Florida…. Read More/Discuss on Metal Underground.com
  • Chandra Nessun Dorma (We Will Win!) Review

    Chandra Nessun Dorma (We Will Win!) Review

    For years, I have wondered if there could be an alternative to “We Are The Champions” by Queen. This song is often used to celebrate moments of victory in sports. Now, Chandra has sparked a brilliant idea by transforming Giacomo Puccini’s aria “Nessun Dorma” from the opera Turandot into a powerful anthem. This band has crafted a piece that fuses operatic elements with pop rock. They have managed to maintain the classical essence while making it more accessible to a broader audience.

     Chandra Nessun Dorma (We Will Win!)

    “Nessun Dorma” was previously made famous by Luciano Pavarotti. His performance left audiences moved, particularly when he sang “Vincerò.” However, that was pure opera, rich in tradition and emotion. This new version from Chandra pivots to “We Will Win,” shifting the narrative completely. This change can inspire a sense of unity and resilience for everyone who hears it. The band’s interpretation provides not just an accessible entry point into opera. It also breathes new life into an iconic piece while preserving its emotional intensity.

    Chandra’s version combines familiar operatic themes with a contemporary pop rock energy. This makes it suitable for a modern audience that might not typically engage with opera. By opting for a clear and uplifting message, the band offers listeners not only an enjoyable musical experience but also an inspiration for personal triumphs. The phrase “We Will Win” resonates universally, suggesting hope and victory. It is a refreshing take on an operatic classic that might very well become a rallying cry.

    Nessun Dorma (We Will Win!) – Sound and Atmosphere

    This song could bring luck to the English team competing in the 2026 World Cup, shared by the USA, Canada, and Mexico. With its anthemic quality, “Nessun Dorma (We Will Win!)” positions itself as a perfect motivational track. The energy infused in this single surpasses the boundaries of conventional opera. It speaks directly to the heart of modern expressions of victory. The transformation from the operatic roots into a contemporary anthem is commendable.

    Chandra demonstrates the potential of art to evolve. By bridging the gap between classical and popular music, this band is setting a precedent. They are inviting a broader audience to appreciate the richness of operatic music through a modern lens. Chandra’s ability to maintain the integrity of the original work while making it relevant today is noteworthy.

    The arrangement cleverly incorporates uplifting instrumentation, enhancing the message behind the lyrics. This serves as a tribute to its operatic origins and a celebration of modern musical forms.

    Nessun Dorma (We Will Win!) – Performance and Production

    Chandra has not only presented a magnificent idea but has created a song that undoubtedly brings good fortune. The essence of the original opera is retained while presenting it in a way that resonates with today’s audience. It is a clever reimagining that encourages participation from all who hear it.

    This innovative approach may encourage other artists to explore similar intersections of music genres. With its rousing chorus and vibrant energy, the piece positions itself uniquely against traditional sports anthems. Chandra’s work offers a fresh alternative while paying homage to a classic.

    Chandra’s single represents a harmonious blend of the past and the present. The song is a celebration of victory and an invitation to embrace the power of music. It can inspire teams and fans alike to rally behind a common dream.



    Powerful

    🔥 If you love this music: Discover More


    Find Chandra here:
    Spotify | Instagram

    The post Chandra Nessun Dorma (We Will Win!) Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Carcosa Premiere New Music Video For “Corey Place” Feat. Aaron Matts (ten56.)

    Carcosa have released a new EP titled “TAFTTR_DLC,” serving as a companion piece to their sophomore album “The Axe Forgets, The Tree Remembers.” The Canadian melodic deathcore band—fronted by AngelMaker’s Johnny Ciardullo—have framed the release around a video game downloadable content-style concept. The two-track release includes a reworked… Read More/Discuss on Metal Underground.com
  • YACOVELLI Since Emilia Review

    YACOVELLI Since Emilia Review

    The song opens with a sound reminiscent of System of a Down. It features a melody that feels ethnic and intriguing. This introduction paves the way for the main body of the piece. From there, the song transitions into a sound that brings to mind Soundgarden and Alice in Chains. The blend of alternative and psychedelic influences is evident throughout.

    YACOVELLI Since Emilia

    The verse is well-structured, drawing listeners in with its rhythmic sophistication. Following this, the chorus emerges, evoking strong feelings akin to those of Alice in Chains. The drum patterns are intriguing, featuring unexpected syncopation that elevates the musical experience. Guitar phrases sometimes scream from the background, delivering a sense of urgency and raw emotion.

    The band plays with palpable energy. Their authenticity shines through, showcasing an intense and genuine sound. The production choices retain an organic feel, avoiding artificial constraints. This results in a pure rock experience that resonates deeply with listeners. The rawness of the album feels relatable and real, reinforcing the band’s connection to their musical roots.

    Since Emilia – Sound and Atmosphere

    Additionally, the music video enhances the song’s themes. It features the band performing in a pub, an environment that adds a sense of community. The visual narrative takes an intriguing turn when the frontman, Alex, begins to fly like Superman. This surreal imagery symbolizes freedom, inviting viewers to dream beyond their confines.

    The video also portrays Alex plunging underwater before resurfacing. This act serves as a metaphor for liberation and exploration. Such sequences align with the song’s intense vibes. The special effects are executed skillfully, enhancing the psychedelic atmosphere that permeates the song.

    Overall, YACOVELLI demonstrates a remarkable musical identity. Their ability to blend various influences creates a unique artistic vision.

    Since Emilia – Performance and Production

    Music fans will likely appreciate the depth and rawness of this single. Each listen reveals new layers and textures. The interplay between the instrumentation and vocals maintains the listener’s interest throughout.

    “Since Emilia” is not just a song; it’s an experience. The band continues to push the envelope, proving their capacity for creativity. They have succeeded in capturing a moment in time with this release. It feels as if they are inviting listeners on a journey towards liberation. The sounds intertwine to create a narrative of exploration and self-discovery.

    In a world saturated with polished tracks, YACOVELLI’s raw approach is refreshing. They bring a sense of authenticity and complexity to their music. The varied influences add layers of richness, providing a well-rounded musical journey.

    Their mastery of alternative rock and psychedelic elements is commendable. As they continue to evolve, there will be no shortage of excitement surrounding their music. This single is just the beginning of what they can achieve.



    90s Vibes

    🔥 If you love this music: Discover More


    Find YACOVELLI here:
    Spotify | Instagram

    For fans of:

    System of a Down • Soundgarden • Alice in Chains


    The post YACOVELLI Since Emilia Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Rage Against The Machine & System Of A Down Members Unite On New Single & Music Video “ADJOURN IT”

    “ADJOURN IT,” a new collaborative track from Rage Against The Machine guitarist Tom Morello, System Of A Down vocalist Serj Tankian, and Tom’s teenage son Roman Morello, has premiered online. Morello and Tankian have long shared activist ties, having co-founded the Axis Of Justice nonprofit in 2002 to promote social justice causes and combat ra… Read More/Discuss on Metal Underground.com
  • Forgotten Garden Rain Review

    Forgotten Garden Rain Review

    The song begins with a very intense atmospheric pad that envelops the listener in a mist-like ambiance. This sonic introduction transitions into the female vocals, which are accompanied by a groove and guitar that evoke similarities to the feel of “Le vent nous portera” by Noir Désir. The track presents an introspective and melancholic nature, drawing the listener into its emotional depth from the very start.

    Forgotten Garden Rain

    The female voice is occasionally supported by male vocals, providing a harmonious background that enriches the overall texture of the song. These male contributions blend well, sometimes responding to the main vocal line and enhancing the poignant moments of the piece. The artistic arrangement allows both voices to resonate with the listener, creating a layered vocal experience that amplifies the song’s emotional impact.

    The lyrical content delves into themes that many can relate to, specifically addressing the complexities of distancing oneself from a relationship. The narrative reflects a journey of self-discovery, where one believes they have made the right choice for personal well-being. However, the resurfacing of memories becomes particularly pronounced during rainy days, echoing the feelings of sorrow and introspection. The rain serves as a metaphor for the heaviness of past emotions, transforming sunny memories into poignant reminders of lost love.

    Rain – Sound and Atmosphere

    The song progresses, revealing a struggle against the encroaching shadows of depression, much like the endless gray of a cloudy day. As the rainfall intensifies, so do the feelings of nostalgia and uncertainty. This duality in emotions is captured beautifully through the powerful instrumentation and vocal interplay. Each note and lyric resonates with an authenticity that speaks to anyone who has experienced similar feelings of longing and reflection.

    The collaboration between the male and female vocals not only enriches the texture but also signifies the duality in the struggles of moving on from past relationships. This dynamic serves to enhance the sense of longing that permeates the entire track.

    Rain – Performance and Production

    Musically, the production shines brightly. The arrangement provides a backdrop that is rich and engaging, capturing the essence of the emotions being conveyed. Each instrumental layer complements the vocals, creating a holistic listening experience that feels both immersive and intimate. It’s a delicate balance of musicality and lyricism that highlights the band’s artistic vision.

    As the song reaches its conclusion, there’s a lingering sense of unresolved feelings. This intentional choice leaves the listener with a bittersweet taste, reminiscent of the lasting effect that memories can have. The rain motif continues to symbolize the deep-rooted emotions tied to love and loss, underscoring the idea that healing is often a gradual and complex process.

    Forgotten Garden’s single “Rain” resonates on many levels. Its sonic depth, paired with relatable themes of love and introspection, makes it a noteworthy addition to the contemporary music landscape. Those in search of music that speaks to the soul should not overlook this powerful offering.



    Emotional

    🔥 If you love this music: Discover More


    Find Forgotten Garden here:
    Spotify | Instagram

    For fans of:

    Noir Désir


    The post Forgotten Garden Rain Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • AXTY Premiere New Single & Music Video “nothing but pain” From Upcoming New Album “The Pain Made Me Who I Am”

    Brazilian metalcore band AXTY have premiered their new single “nothing but pain” online, alongside a music video directed by Murilo Amancio. Frontman Felipe Hervoso shared the following about the track: Read More/Discuss on Metal Underground.com