Category: news

  • SUICIDE SILENCE Shares Music Video For Title Track From Upcoming Album “Graceless”

    California deathcore act Suicide Silence has shared “Graceless,” the title track of the band’s upcoming eighth studio album of the same name, due Nov. 20, via Century Media. The accompanying music video is available now.

    Suicide Silence commented: “This is the title track off our new record. It’s a short-and-sweet crusher that gives you a taste of what this record is all about. Check out our podcast where we go in detail about the song, video and album.”

    Guitarist Chris Garza described the band’s approach on the record: “Just get out of the way and serve that band logo. When we choose to do that, great things follow. We’re back to doing it exactly as we did it when we were kids: just playing heavy sh*t and doing it from the heart.”

    Suicide Silence will embark on the “Reminders Of Hell” tour this fall, launching Nov. 6 in Riverside, California and concluding Dec. 13 in Los Angeles. Support on the trek comes from Emmure, Angelmaker and Synestia.

    The band’s previous album, Remember… You Must Die, was released in March 2023 via Century Media, produced and mixed by Taylor Young (Nails, Xibalba, Vitriol). Earlier this year, the band announced that Ian Waye (Soreption) had been brought in on guitar while Garza took a temporary hiatus from the group.

    Longtime drummer Alex Lopez exited the band in April 2022 and was succeeded by Ernie Iniguez, who previously recorded drums on Suicide Silence’s Become The Hunter album. Vocalist Hernan “Eddie” Hermida (All Shall Perish) joined in 2013 following the passing of founding frontman Mitch Lucker, who died Nov. 1, 2012, after sustaining injuries in a motorcycle crash in Huntington Beach, California.

    The post SUICIDE SILENCE Shares Music Video For Title Track From Upcoming Album “Graceless” appeared first on Sonic Perspectives.

  • ALICE COOPER & CRISS ANGEL Release Video From “Welcome To Our Nightmare” Shows

    Alice Cooper and illusionist Criss Angel have released an exclusive video clip from their “Welcome To Our Nightmare” collaboration shows in Las Vegas — the first-ever visuals made available from the production. Cooper has also announced that guitarist Nita Strauss will be rejoining the band for the upcoming “Welcome To Our Nightmare” shows Nov. 27–28 and Dec. 4–5 at the Criss Angel Theatre at Planet Hollywood.

    Strauss, who joined Cooper’s band in 2014, last performed with him at the Las Vegas shows March 6–8 before taking a leave of absence to have a baby earlier this year. Guitarist Anna Cara has been filling in throughout 2026 and will continue with Cooper on his “Alice’s Attic” tour Sept. 17–22 and Oct. 27–Nov. 21.

    Cooper commented: “We added the November and December shows after the March, April, and May shows sold out so quickly, so that more of our fans could experience this very special show that Criss and I created.

    “Nita opened our 2026 touring season in Las Vegas back in March and is now returning to close out 2026 with us there, and we’re really looking forward to welcoming the Hurricane back onto the stage. Bringing Nita back after she took a break to start a family is the perfect way to wrap up 2026.

    “We couldn’t believe our luck when we confirmed Anna Cara to fill in for her for all of our shows across North America and Europe this year. Anna has been a true asset to the tour and she’s now part of the family. Who could ask for anything more than to have these two amazing musicians in the Cooper family?”

    “Welcome To Our Nightmare” opened March 6 at the Criss Angel Theatre inside Planet Hollywood Resort & Casino, with the first three shows selling fast enough to force the addition of more dates. The historic creative collaboration combines Cooper’s legendary rock ‘n’ roll hits with Angel’s award-winning mastery of magic in what organizers described as a “revolutionary concert spectacle of magic, music, and mayhem.”

    The 19-song, 90-minute production is strictly phone-free and featured deep cuts from Cooper’s catalog, including two songs never previously performed onstage — “Cold Machines” and “I Am Made Of You” — alongside the ballad “You And Me,” performed live for the first time since 1978.

    The post ALICE COOPER & CRISS ANGEL Release Video From “Welcome To Our Nightmare” Shows appeared first on Sonic Perspectives.

  • Judgement Comes Down on the Guy Who Got Caught in the Act On The Download Ferris Wheel

    download-donnington-ferris-wheel-intimate-act-2026

    A 33-year-old man has pleaded guilty to outraging public decency after having sex on the ferris wheel at Download Festival in June. Innes Miller, from Nottinghamshire, appeared at Leicester Magistrates Court over the incident at Donington Park on Saturday, June 13 — a few hours before Guns N’ Roses closed the main stage. He had no idea it had been filmed until his employer rang him to tell him he was all over the internet.

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    What happened

    Saturday afternoon at Donington. Eighty thousand people on site. Guns N’ Roses due on the main stage that evening.

    Miller and a woman he had met at the festival got onto the ferris wheel — one of the most visible structures anywhere on the site, and by design the one thing at Download that everybody can see from everywhere.

    What happened in the carriage was filmed from the ground. The footage went round social media.

    He found out the way nobody wants to find out anything. His boss called him and told him he was all over the internet.

    The court heard he had been drinking. His solicitor described it as a moment of madness and said his client was thoroughly ashamed and embarrassed by what had happened.

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    What it cost him

    He pleaded guilty to outraging public decency, and the financial penalty is the part that will surprise people.

    Fined £80. Plus £85 in court costs and a £32 victim surcharge. A total of £197.

    Two hundred quid, roughly, and a criminal conviction that will follow him considerably longer than the fine will. He’s currently studying civil engineering at Nottingham College.

    The woman involved apologised immediately when police contacted her and was not prosecuted.

    download-festival-ferris-wheel

    Why there was a prosecution at all

    This is the part that explains why it went to court rather than being written off as festival stupidity, and it’s worth knowing before anyone decides it was heavy-handed.

    The complaint came from a woman who had taken her young son on the ferris wheel at the same time.

    The court heard her son has autism, that he was in shock at what he saw, and that his behaviour has changed since. Other families were having picnics on the grass nearby.

    That’s the reason the charge exists. Outraging public decency isn’t about the act — it’s about doing it somewhere people can’t avoid seeing it, and a fairground wheel in the middle of a festival site on a Saturday afternoon is about as public as it gets.

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    The thing about the ferris wheel

    Anyone who has been to Download will have already worked out the flaw in the plan.

    The big wheel is the tallest thing on the site that isn’t a stage. It’s the landmark people use to find each other. It’s in the background of roughly half the photos anyone takes there. From the top you can see the whole of Donington Park, which necessarily means the whole of Donington Park can see you.

    It is, in other words, the single worst place at a festival of that size to assume you have any privacy at all.

    Eighty thousand people, most of them holding a phone.

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    For context on the weekend itself

    Download 2026 ran June 12 to 14 at Donington Park, with Guns N’ Roses, and it was one of the strongest bills the festival has assembled in years.

    Miller’s incident happened on the Saturday, some hours before Axl Rose and company took the main stage.

    Which means that among all the things that happened at Download this year — the sets, the reunions, the debuts — the one that ended up in a courtroom involved a fairground ride and somebody’s phone.

    TL;DR

    • Innes Miller, 33, from Nottinghamshire, has pleaded guilty to outraging public decency at Leicester Magistrates Court.
    • The incident took place on the ferris wheel at Download Festival on Saturday, June 13, 2026, a few hours before Guns N’ Roses headlined.
    • He learned the footage was online when his employer called him and told him he was all over the internet.
    • He was fined £80, with £85 costs and a £32 victim surcharge — £197 in total.
    • The complaint came from a woman who had taken her son on the wheel at the same time. The court heard her son has autism, was in shock, and that his behaviour has changed since.
    • The woman involved apologised immediately when contacted by police and was not prosecuted.
    • His solicitor called it a moment of madness and said he was thoroughly ashamed.

    FAQ

    What happened on the Download Festival ferris wheel?

    A 33-year-old man from Nottinghamshire had sex with a woman he had met at the festival while on the ferris wheel at Donington Park on Saturday, June 13, 2026. The incident was filmed from the ground and the footage circulated on social media.

    What was the sentence?

    He pleaded guilty to outraging public decency at Leicester Magistrates Court and was fined £80, with £85 in court costs and a £32 victim surcharge — a total of £197. The conviction stands on his record.

    Was anyone else prosecuted?

    No. The woman involved apologised immediately when contacted by police and was not charged.

    Why was it treated as a criminal matter?

    The charge of outraging public decency applies to acts committed where members of the public can see them. The complaint was made by a woman who had taken her young son on the ferris wheel at the same time; the court heard the boy has autism, was in shock, and that his behaviour has changed since. Other families were nearby.

    When was Download Festival 2026?

    June 12 to 14, 2026 at Donington Park in Leicestershire, with Guns N’ Roses among the headliners. The incident took place on the Saturday afternoon.

    Eighty thousand people, the tallest ride on site, and a bill for £197. Keep it locked on the Loaded Radio stream — follow Loaded Radio for daily rock and metal news.

    The post Judgement Comes Down on the Guy Who Got Caught in the Act On The Download Ferris Wheel appeared first on Loaded Radio.

  • Flywheel I want to join The Fall Review

    Flywheel I want to join The Fall Review

    The song begins with an insistent rhythm, bolstered by a crunchy guitar that draws the listener in. As the sound builds, a sinuous and hypnotic bass line enters, creating a profound mixture. This foundation prepares the way for a female voice that arrives as ritualistic and enveloping as mist. With generous reverb, her delivery somewhat hypnotizes while simultaneously transporting you to distant realms.

    Flywheel I want to join The Fall

    The choice of a minimalist approach in the song is deliberate. Repetition plays a crucial role in its structure, allowing the intensity to accumulate gradually. The tension pulls you in, and soon the guitar, layered with a slightly higher doubled effect, complements the growing complexity of the track. Tension mounts with each passing moment, ensuring the listener is engaged throughout.

    Towards the end of the song, additional notes emerge that stimulate the mind, resulting in a radiant melody that provokes thought. Just as this burst of energy materializes, the song begins to fade out softly. The overall experience is mesmerizing, as the layers intertwine and draw you deeper into the listening process.

    I want to join The Fall – Sound and Atmosphere

    Flywheel’s single evokes memories of the 1990s while maintaining a contemporary twist. It creates a musical landscape that resonates powerfully with anyone who gives it a chance. The hypnotic elements blend well with the rhythmic foundation, making for an unforgettable experience.

    Listeners may find themselves captivated by the intricacies of the rhythm and melody. This song stands out in the modern music scene, thanks to its unique blend of past influences and current relevance. It is a single deserving of widespread recommendation.

    The minimalism in the composition serves to highlight the emotional weight of the vocals. Each note feels purposeful, contributing to a larger narrative within the song. The use of reverb amplifies the dream-like quality, making listeners feel as if they are in a trance.

    I want to join The Fall – Performance and Production

    The clean production ensures that each instrument can be appreciated in isolation or as a part of the ensemble. This clarity is refreshing and allows for deeper analysis each time the song is played. One of the most striking features is how the track manages to balance simplicity with rich textures and layers.

    “I Want to Join The Fall” by Flywheel is a beautiful trip through sound that connects past influences with a fresh contemporary energy. Its unconventional structure and minimalist approach allow for a unique auditory experience. The rising tensions paired with thoughtful melodies encourage listeners to stay engaged.

    This single not only stands out in current music but also pays homage to the 90s, connecting generations through sound. It is a recommended listen for anyone seeking depth and innovation in music.



    Hypnotic

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    Find Flywheel here:
    Spotify | Instagram

    The post Flywheel I want to join The Fall Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • MR. BIG Celebrates 30th Anniversary With First-Time Vinyl Release, Never Released Live Recordings & More

    Celebrating its 30th anniversary in 2026, Mr. Big’s million-selling compilation album Big, Bigger, Biggest! The Best Of Mr. Big finally makes its long-awaited debut on vinyl, SACD, and MQA-CD+CD set.

    Spanning the band’s most successful era, the collection includes global hits like “To Be With You,” “Wild World,” and “Just Take My Heart,” alongside the high-energy tracks that cemented their reputation for world-class musicianship. Upon its original release, the compilation was a massive commercial success, moving over a million units and achieving Multi-Platinum and Gold sales status across multiple territories.

    The 180g One-step Pressing Double Transparent Light Brown Etched Vinyl LP format comes in a gatefold sleeve, with new liner notes. Limited and numbered to 3,000 pcs only. This special edition features a silent Side D with an exclusive custom etching based on original sketch designs by Paul Gilbert himself—a feature exclusive to this vinyl reissue.

    The SACD Hybrid Multi-channel format includes new 5.1 mixes on “Wild World”, “Colorado Bulldog”, “Promise Her The Moon”, “Nothing But Love”, and “Seven Impossible Days,” with new liner notes. It’s compatible with all standard CD and SACD players.

    The MQA-CD+CD set comes in a deluxe digipak, with new liner notes. This expanded edition features a wealth of original live content from the ten years leading up to the release of this album, including hard-to-find and previously unreleased live performances of the band’s iconic hits “Addicted to That Rush” and “Green-Tinted Sixties Mind.”

    Big, Bigger, Biggest! The Best Of Mr. Big will be released worldwide on 27th November, 2026. All formats are now available for pre-order here.

    The post MR. BIG Celebrates 30th Anniversary With First-Time Vinyl Release, Never Released Live Recordings & More appeared first on Sonic Perspectives.

  • Mister Chorister You’re Not Listening Review

    Mister Chorister You’re Not Listening Review

    The song features a harmonious progression, with a steady rhythm and a bouncy bassline. The vocals possess a hypnotic quality that wraps around the listener’s mind like a kaleidoscope. This track evokes the instinctive voices we often overlook, perhaps representing the demons that prevent us from letting loose. Each aspect of the song has significance, showcasing the remarkable qualities of this artist, who consistently produces high-caliber music.

    Mister Chorister You're Not Listening

    With a touch of retro sound, the artist delivers rhythmic vocals reminiscent of the late David Bowie. The structured pauses and climactic moments create a thrilling dynamic within the song. It easily stands out with its fluid and engaging rhythm, blending both smoothness and urgency. The combination of all these elements results in an outstanding piece.

    The vibe of the song makes the listener feel reflective while encouraging deeper introspection. Every listen offers new layers and nuances that draw one back for more. The artist’s ability to fuse classic influences with modern elements is impressive, reflecting a thoughtful approach to songwriting. The track unfolds gently, guiding listeners through its delicate balance of power and tenderness.

    You’re Not Listening – Sound and Atmosphere

    The bass continues to bounce energetically, creating an infectious groove. This rhythmic foundation invites listeners to engage with the music physically and emotionally. The hypnotic nature of the vocals complements the instrumentation beautifully, producing a mesmerizing effect that is hard to shake off.

    The lyrics explore an essential theme: the feeling of being unheard or unacknowledged. This relatable topic resonates with many, allowing listeners to connect with his personal experiences of misunderstanding. The artist navigates this sensitive subject matter with grace and insight, further enhancing the quality of the music.

    You’re Not Listening – Performance and Production

    The chorus explodes with energy, contrasted beautifully with reflective verses. This juxtaposition captures the complexities of the human experience. Moments of stillness lead to bursts of sound, which symbolize the struggle to be heard in a chaotic world. It’s a reminder to embrace both silence and noise.

    Intriguingly, the song’s structure allows for introspection and engagement. This makes it suitable for personal listening and more social settings. It strikes a fine balance, ensuring it resonates with a wide audience. The artist’s ability to connect through his music is commendable.

    “You’re Not Listening” captures the essence of a complex reality, reminding listeners to pay attention not only to the music but also to the voices within themselves. This single is sure to resonate with those seeking authenticity and depth.

    Visually, one can imagine the artist performing this piece live, making it particularly exciting. The energy generated during a live performance would only enhance the song’s already magnetic appeal. It sparks interest in what future works this artist may offer, leaving fans eager for more.

    Through every measure, Mister Chorister demonstrates his ability to command attention and provoke thought.



    Reflective

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    Find Mister Chorister here:
    Spotify | Instagram

    The post Mister Chorister You’re Not Listening Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • AEW Collision Keeps the Action Rolling From Allen, Texas

    Allen, Texas — Aired September 5, 2026 AEW Collision continued the road toward All Out with an action-packed episode from the Credit Union of Texas Event Center in Allen, Texas. Taped following the September 2 […]

    The post AEW Collision Keeps the Action Rolling From Allen, Texas appeared first on INFRARED MAGAZINE.

  • Gojira Announce Intimate Show With $30 Tickets

    Gojira are not only keeping the cost low, but all proceeds from the show will benefit a local charity. Continue reading…