London trio Ebbb are dropping their debut album Shallow Hits on in July. They’ve already released the singles “Now You Know” and “Home Ground.” Yesterday, they shared their third offering, the album’s grand title track. “Shallow Hits” is mesmeric and synth-heavy. It starts big and throbbing, anchored by Scott MacDonald’s drum pulses. Then, just before the…
The post Ebbb – “Shallow Hits” appeared first on Stereogum.
Every time folk musician Johanna Warren releases new music I am awestruck by her acute lyrical powers. Last year she released a magical EP that reconnected with her younger self called The Night Of The Wind, which was then followed by the poignant single “New Song Old Prayer.” Yesterday, she returned with a new single…
The post Johanna Warren – “brave & capable” appeared first on Stereogum.
Maja Presnell, the young musician who records under the name Mynolia, grew up all over the world, never settling any one place for long. These days, she’s based in Nashville, and she makes gentle and hypnotic indie folk. She released the album All Things Heavy in 2022, and she followed it yesterday with the perfectly…
The post Mynolia – “Needle” appeared first on Stereogum.
– May 28th, 2026 –
New Video / Single Now Playing + Pre-Orders Available
Watch / stream PSYCROPTIC’s “Gathering a Venomous Herd” HERE
For over two decades, PSYCROPTIC has operated at the vanguard of technical death metal, defined by instrumental precision, structural intelligence and an uncompromising creative ethic. From their Tasmanian origins to commanding stages worldwide, the band have built a reputation on rhythmic complexity, exacting musicianship, and a refusal to plateau.
Photo by Rae Chatten
On July 17th, PSYCROPTIC enters a decisive new chapter with The Pulse Of Annihilation, their first full-length release for Metal Blade Records. The partnership marks a strategic alignment between one of extreme metal’s most technically formidable acts and a label whose history is intertwined with the genre’s evolution.
At the core of this next phase is guitarist and principal songwriter Joe Haley. Over time, Haley’s compositional voice has evolved from pure technical density into something more architecturally deliberate. On The Pulse Of Annihilation, riff construction feels sharper, transitions more fluid, and thematic motifs more intentional. Haley’s writing demonstrates a seasoned understanding of pacing-knowing when to constrict, when to expand, and how to weaponize silence and space within otherwise relentless arrangements. Experience has not diminished intensity; it has refined its delivery.
“The Pulse Of Annihilation is the culmination of everything that has come before,” remarks Haley. “We never force anything stylistically and just let the songs manifest of their own accord – maintaining progression while remaining very much PSYCROPTIC. I feel this is our most epic, thrashing, technical while grooviest release yet.”
The record features the dual-vocal assault of Jason Peppiatt and Jason Keyser (Origin), a partnership that debuted on PSYCROPTIC‘s previous full-length, Divine Council. Peppiatt’s commanding growl intertwines with Keyser’s razor-edged articulation, creating a dynamic vocal interplay that adds dimension and contrast to the band’s dense instrumentation. This twofold approach heightens the record’s impact, featuring layered, confrontational elements that remain tightly synced with the band’s intricate foundation.
The album’s first single, “Gathering A Venomous Herd” serves as an immediate declaration of intent.
“This one’s a tricky one and total wrist splitter,” Haley notes, “It’s a mega non-stop riff fest.”
“It’s a knuckle-dragger,” agrees bassist Todd Stern, “I love when we can just cool out at this tempo. All my favorite PSYCROPTIC songs have this kind of ‘bounce’ to them that allows for just endless head-banging and leaves room for massive vocal passages, plus there’s that noodley section in the middle with the guitar ring out… Meathead Monday.”
Watch PSYCROPTIC‘s “Gathering A Venomous Herd” video HERE.
Produced once again by Haley at his Crawlspace Productions studio, The Pulse Of Annihilation reinforces PSYCROPTIC‘s commitment to sonic autonomy. The production balances clarity and weight. Haley’s brother and co-founder, Dave Haley pounds the drums with surgical precision, bass frequencies anchor the harmonic movement, and guitars cut through with controlled aggression. The mix allows complexity to breathe while preserving crushing force.
The Pulse Of Annihilation features cover art by Belial Necroarts (Gaerea, In Aeternum) and will be available on digipak CD and digital formats as well as vinyl in the following color variants:
World Ablaze (Tiger’s Eye) – (US)
Sleepy Hollow (Radioactive Dust) – (US)
180g Black – (EU – Ltd. 500)
Barren Waste (Swamp Green Gold Melt) – (EU – Ltd. 250)
Fires Of Time (Gold Black Splatter) – (EU – Ltd. 250)
Find all pre-orders at: metalblade.com/psycroptic
The Pulse Of Annihilation Track Listing:
01. Ashes of a New Dawn
02. Gathering a Venomous Herd
03. A Sword of Me
04. No Time for the Weak
05. Our Pillars Fall
06. Annihilation Pulse
07. No Blade of Grass
08. To Embrace This Curse
09. Forging the Crown
PSYCROPTIC will join labelmates Rivers Of Nihil for a short run of Australian dates with support provided by Growth and Slaughtercult. From there, PSYCROPTIC and Rivers Of Nihil will unite with The Zenith Passage (also on Metal Blade) for four shows in Japan. See all confirmed dates below and stay tuned for additional live dates to be announced in the weeks to come.
PSYCROPTIC w/ Rivers Of Nihil, Growth, Slaughtercult:
8/13/2026 Magnet House – Perth, AU
8/14/2026 Lion Arts – Adelaide, AU
8/15/2026 Max Watts – Melbourne, AU
8/21/2026 Manning Bar – Sydney, AU
8/22/2026 Necrosonic Festival – Brisbane, AU
w/ Rivers Of Nihil, The Zenith Passage:
8/24/2026 Socore Factory – Osaka, JP
8/25/2026 3Star Imaike – Nagoya, JP
8/26/2026 Space Odd – Tokyo, JP
8/27/2026 Space Odd – Tokyo, JP
PSYCROPTIC:
David Haley – drums
Joe Haley – guitars
Todd Stern – bass
Jason Peppiatt – vocals
Jason Keyser – vocals
https://www.psycroptic.com
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https://www.instagram.com/psycroptic_official
https://www.nightshiftmerch.com/collections/psycroptic
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The jaunty horn section screams Broken Social Scene, the keyboard part is giving me Dismemberment Plan flashbacks, and as ever, the vocals are pure Stereolab-inspired Euro chic. Yes, New Jersey’s own Starcleaner Reunion are back in action and sounding sublime. Today’s offering “Weather Instrument” is the band’s first official single since their 2024 debut EP…
The post Starcleaner Reunion – “Weather Instrument” appeared first on Stereogum.
The song opens with an engaging riff that energizes, showcasing a rock essence tinged with punk influences. It encourages listeners to raise the horns to the sky, embracing the spirit of rock music. Right from the start, it resonates as an instinctual and honest song. This is music that feels real, not manufactured by artificial intelligence. It has roots in garage rock, capturing the raw energy that often accompanies underground sounds.
There are clear vibes reminiscent of bands like Ramones and Weezer present in the overall sound. The driving guitar work captures attention and keeps the momentum alive. As the track unfolds, it surprises with an unexpected final solo that displays solid technical skills, showcasing the artist’s abilities.
Lyrically, “Slipp’n Away” serves as an emotional outlet tied to a distant memory from the artist’s school days. It tells the story of an unrequited love—the artist’s infatuation with a girl already in a relationship with someone else. This feeling of longing and unresolved affection permeates the track, emphasizing a bittersweet sense of nostalgia.
Many listeners can relate to the theme of unfulfilled love, as it is a universal experience. The song captures a raw sincerity, expressing emotions straightforwardly and intensely. It resonates deeply with anyone who has had to navigate the complexities of love and desire.
“Slipp’n Away” embodies a sense of liberation and vulnerability. It channels the frustrations of youthful crushes and the longing that often accompanies them, transforming these feelings into something artistically tangible.
There is a distinct refusal to conform to overly polished studio standards. The track retains a visceral, live feel that enhances its charm. This approach may draw fans who appreciate the gritty authenticity of early punk rock.
In its entirety, “Slipp’n Away” functions as a personal narrative and a collective anthem. The mixture of energy, memory, and emotion creates a relatable quality that makes the track stand out.
“Slipp’n Away” is a vibrant addition to contemporary rock. Its energy is infectious, making it a memorable track. This single is bound to leave a mark, symbolizing the complexities of love that many can relate to.
Den Edie’s channels feelings of unreciprocated affection, producing a unique experience that will resonate with many. “Slipp’n Away” stands as a genuine expression of artistry rooted in personal experiences.
Electric
If you love this music: Discover MoreFor fans of:
Ramones • Weezer
The post Den Edie Slipp’n Away Review appeared first on Edgar Allan Poets – Noir Rock Band.
Following consecutive sold-out shows across the country, Australia’s premier new rock supergroup, MONSTR, has officially expanded their 2026 national tour. Responding to overwhelming fan demand, the band has announced four new dates across Queensland this August, bringing their acclaimed live experience, The Best of MTV Unplugged, straight to regional fans. Featuring an all-star lineup of homegrown rock royalty—Jason Singh (Taxiride), Stu Rudd (The Superjesus), Pete Drummond (Dragon), and Jimi Hocking (The Screaming Jets)—the tour pays powerful tribute to one of music history’s most iconic formats.
Stripping away the heavy production, the four-piece reimagines the legendary acoustic catalogues of Nirvana, Pearl Jam, Alanis Morissette, Eagles, Paul McCartney, Rod Stewart, and more. Critics have praised the group’s electric chemistry and vocal prowess, noting that the show is “a musical trip down memory lane… refined, human, and kick-ass” (The Rockpit).
Frontman Jason Singh says the band has been blown away by the response to the tour so far, making the decision to add regional Queensland dates a no-brainer. “We wanted to bring these shows to the people who live and breathe live music. There’s something incredibly special about stripping these massive anthems back to their absolute raw core,” says Singh. “When you take away the giant amps and distortion, you get a direct window into the heart and soul of the song. The crowds down south have been singing every single word back at us, and we can’t wait to bring that exact same energy to regional Queensland.”
New Queensland Tour Dates:
Thursday, 6 August – The Old Bundy Tavern, Bundaberg
Friday, 7 August – Leichhardt Hotel, Rockhampton
Saturday, 8 August – The Metropolitan, Mackay
Sunday, 9 August – The Warehouse, Townsville
Tickets for all newly added Queensland dates are on sale from 10am Friday 29 May via Oztix:
https://www.oztix.com.au/search?q=monstr
The post Aussie Supergroup ‘MONSTR’ Expands National Tour With Four More Queensland Dates Following Sell-Out Run appeared first on The Rockpit.
A beautiful rhythm opens this track, hooking the listener right away. Following the infectious beat, a melodic and intense voice emerges. At times, it reminds me of Lenny Kravitz. Musically, I detect vibes reminiscent of U2. The song gradually builds tension, aided by keyboards that bloom slowly, crafting a rich auditory experience.
This artist displays a keen understanding of how to construct song dynamics. After the chorus, the track returns to a softer second verse before slowly ramping up again. Notably, around 2:27, when one might anticipate an explosive bridge, the artist takes a different route. Instead, he completely shakes up the song, leaving only handclaps and the voice, which transcends into a moment akin to a gospel choir.
This moment transitions back into the chorus and guides us toward the conclusion. The song has a somewhat hypnotic quality, with the phrase “Am I dreaming” repeating throughout. Perhaps this repetition serves as a reminder to yank oneself from a daydream, affirming that this experience is indeed real. The lyrics explore themes of summer love, capturing that fleeting feeling of a dream one wishes would never end.
The initial rhythm sets an engaging pace. The artist’s voice layers over the instrumentation, imbuing the song with a rich emotional depth. Each element builds on the previous one, culminating in a sonorous journey. The synths create an expansive atmosphere that invites listeners to reflect.
It’s in the bridge where the true artistry shines. Instead of providing the expected explosive climax, the artist opts for simplicity. This choice highlights the vocal performance, inviting a collective experience reminiscent of a choir. It’s a moment of unity and uplift, where the listener feels an urge to join in.
“Dreaming” invites listeners to lose themselves in thoughts of love and longing. The repetitive phrasing anchors the experience, making it easily memorable. The idea of being caught in a dream state resonates with many.
The song captures a moment in time. It articulates the fleeting nature of summer love. The artist’s skillful handling of dynamics and moods ensures that listeners are engaged throughout.
Upon finishing, listeners might find themselves replaying the song, yearning for that feeling again. This single is not merely a track but a journey through emotions.
Dreamy
If you love this music: Discover MoreFor fans of:
Lenny Kravitz • U2
The post Keystone- Micky Joe Dreaming Review appeared first on Edgar Allan Poets – Noir Rock Band.