Category: news

  • Stay Dead – Beneath the Weight of Worlds (Review)

    This is the debut album from sludge metal band Stay Dead. Featuring members of Aiwass and High Desert Queen, Stay Dead play a compelling mix of sludge and doom. Beneath the Weight of Worlds contains five original songs, plus a cover, bringing together 36 minutes of material in total. Beneath the Weight of Worlds focuses … Continue reading “Stay Dead – Beneath the Weight of Worlds (Review)”
  • Bloodstock Bound: Death Brigade

    Bloodstock Bound: Death Brigade

    As Bloodstock gets closer, we delve deep into the line up to find out more about some of the bands playing the New Blood and EMP stages at this years event.

    Today we chat with Death Brigade

    I’m Kieran Hall – Drummer
    Rest of band are:
    Anthony Gill – Vocalist
    Charlie Cozza – Lead Guitar
    Paul Hanlon – Rhythm Guitar
    Reece Witcombe – Bass

    We play Blackened Death Metal and everything we do is inspired by the grim dark world of Trench Crusade

    Through Somerset’s M2TM competition

    It was a tough competition, we are a relatively new band having formed only in August 2025 and playing against experienced bands that have been entering the competition for years was daunting but we took on the challenge!

    It’s an insane privilege and one we’ve still not fully processed – we never expected to win the competition in our first year and we’re not sure anyone else ever has either so it’s a huge honour to represent Somerset on the stage!

    We bring a high intensity show that combines the lore of the subject matter with brutal blackened death metal and an unrivaled atmosphere

    Sunday 9th August

    Definitely Lamb Of God, and some of us are partial to a bit of Bodycount as well!

    We’re hoping to use our appearance on the New Blood stage as the launchpad for greater things – we’re going to release a full length album later in the year and we’d like to play shows across the country, maybe even come back for the Sophie stage at next year’s Bloodstock!

    Since we won M2TM we’re going to enjoy the perks that come with that so we’re camping in the Artist / VIP area.

    We love a bit of Road Crew (the Motorhead beer) in our band, so we’ll definitely take
    a few crates of that along with us – but definitely drink lots of water!

    Thank you – we can’t wait to play, and we hope to see you in the Trench of Death ☠⚔

    For all the latest newsreviewsinterviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebooktwitter and instagram.

    The post Bloodstock Bound: Death Brigade appeared first on The Razor's Edge.

  • Rush Reportedly Weeks Away From Signing Las Vegas Sphere Residency Deal For Up To 18 Shows Next Year

    rush-live-junos-2026

    The Rush Sphere residency rumors just went from whisper to roar. According to a new report from The Sun’s Bizarre column, the Canadian rock legends have been quietly negotiating with Las Vegas Sphere bosses for some time, and contracts could reportedly be locked down within the next couple of weeks.

    That report lands just days after longtime radio host Eddie Trunk told his SiriusXM audience that a Rush residency at the venue is already a “done deal” — one he claims will consist of between 16 and 18 performances next year. Nothing is official yet, but the smoke around this one is getting very thick.

    🎧 STREAM THE METAL BREAKDOWN DAILY NOW:

    Scott Penfold breaks down the Rush Sphere report — and why the world’s most advanced venue is becoming rock’s new arms race — on today’s Metal Breakdown Daily. Download the free Loaded Radio App on Apple iOS and Google Play to stream the broadcast natively.

    What The Report Actually Says

    Per The Sun’s source, Rush’s massive North American audience, deep catalog and legendary live reputation make the band a natural fit for the Sphere, with negotiations described as having been underway behind the scenes for a while. The claim: a signed deal could arrive within weeks.

    The tabloid report would be easy to shrug off on its own — but it doesn’t stand alone. Fan site Rush Is A Band flagged Eddie Trunk’s on-air comments days earlier, in which the veteran broadcaster characterized the residency as finalized and pegged it at 16 to 18 shows in 2027. Two independent signals pointing at the same target is usually where “rumor” starts becoming “announcement pending.”

    For now, treat it as unconfirmed — but well-sourced smoke.

    Why The Sphere Makes Perfect Sense For Rush

    The Sphere is a 17,600-capacity venue just off the Strip that has redefined live production since opening in September 2023, wrapping audiences in the world’s highest-resolution LED display and the HOLOPLOT-powered Sphere Immersive Sound system. U2, Phish, Dead & Company and The Eagles have all held residencies there — and Metallica made history as the first metal band to headline the venue, with a residency that has kept expanding, now stretching from this October into March 2027.

    Now consider Rush: a band whose catalog is practically built for a 16K wraparound canvas. “2112.” “Cygnus X-1.” “Red Barchetta.” Entire albums of science fiction, dystopia and cinematic storytelling that have been waiting fifty years for a screen big enough to hold them. If any classic rock catalog was born for this venue, it’s this one.

    And Rush wouldn’t be alone in the queue — TOOL’s Adam Jones recently confirmed his band is in talks for a Sphere residency of their own. The Sphere gold rush is officially on, and the heaviest catalogs in rock are lining up.

    Also Recommended – Terrified It Would Never Happen: Shocked Fans Weep at the Forum as Rush Resurrects for 2026 Reunion Tour and Unleashes Unprecedented History

    rush-band-2026

    From ‘Not Impossible’ To Half A Million Tickets

    What makes this report believable is the year Rush is having. The “Fifty Something” tour — the band’s first with Geddy Lee and Alex Lifeson joined by drummer Anika Nilles and keyboardist Loren Gold — was initially announced as a 22-date run and sold out immediately. It has since ballooned to 58 shows across 24 cities, with more than half a million tickets sold for 2026, plus South America and Europe dates added for early 2027 — the band’s first European shows since 2013.

    Not bad for a band that, just a few years ago, would only say a return was “not impossible”. The demand question has been answered emphatically. A Vegas residency isn’t a gamble at this point — it’s the logical next move for a band celebrating Neil Peart’s legacy in front of the biggest audiences of their career.

    What Happens Next

    If The Sun’s timeline holds, an official announcement could arrive within weeks. Watch for how a 2027 residency would slot around the already-announced South American and European legs — and whether the Sphere production leans into the band’s visual universe the way U2 and Metallica’s shows have.

    Loaded Radio will keep you posted the moment anything is confirmed.

    Check This Out – Rush Rotates Live Setlist for Night Two at Kia Forum to Unleash Full 2112 Suite and Deep Cuts

    TL;DR

    • The Sun reports Rush is in talks for a Las Vegas Sphere residency, with contracts reportedly weeks from being signed
    • Radio host Eddie Trunk claims the deal is already done and will consist of 16 to 18 shows next year
    • Nothing has been officially confirmed by Rush or the Sphere
    • The Sphere has hosted U2, Phish, Dead & Company and The Eagles, with Metallica’s residency running October 2026 through March 2027 and TOOL also in talks
    • Rush’s “Fifty Something” tour has sold over half a million tickets across 58 shows, with South America and Europe dates set for early 2027

    FAQ

    Is Rush doing a Las Vegas Sphere residency?

    Nothing is officially confirmed. The Sun reports Rush has been negotiating with the Sphere for some time and a deal could be signed within weeks, while radio host Eddie Trunk has claimed the residency is already finalized.

    How many shows would a Rush Sphere residency include?

    According to Eddie Trunk’s comments on SiriusXM, the residency would consist of between 16 and 18 performances next year.

    Who is in Rush’s current lineup?

    The “Fifty Something” lineup features founding members Geddy Lee and Alex Lifeson alongside drummer Anika Nilles and keyboardist Loren Gold, with the shows celebrating the life and legacy of late drummer Neil Peart.

    Which rock bands have played residencies at the Sphere?

    U2, Phish, Dead & Company and The Eagles have all held Sphere residencies, Metallica’s residency runs from October 2026 into March 2027, and TOOL has confirmed it is in talks for a future residency.

    Is Rush touring in 2026 and 2027?

    Yes. The “Fifty Something” tour spans 58 shows across 24 cities in Canada, the U.S. and Mexico in 2026, with South America and Europe dates following in early 2027 — the band’s first European shows since 2013.

    Would you fly to Vegas to see Rush inside the Sphere? Tell us which Rush song needs the 16K treatment in the comments below, and follow Loaded Radio for daily rock and metal news.

    The post Rush Reportedly Weeks Away From Signing Las Vegas Sphere Residency Deal For Up To 18 Shows Next Year appeared first on Loaded Radio.

  • 11 Best Prog Metal Covers of Prog Rock Songs

    Bands who nailed making prog rock songs more metal! Continue reading…
  • “I put myself on the line to potentially get the s**t kicked out of me.” Producer Andrew Watt on working with rock legends The Rolling Stones and Paul McCartney

    In January 2015, just eight months on from the May 2014 release of their self-titled debut album, Los Angeles ‘power trio’ California Breed announced that they were splitting up. Original drummer Jason Bonham had exited the band in June 2014, and although vocalist/bassist Glenn Hughes and guitarist Andrew Watt recruited ex-Queens of the Stone Age drummer Joey Castillo to replace Bonham for live shows, former Deep Purple legend Hughes decided that the project had run its course. At the time, the least-well known member of the band, Andrew Watt made it clear that he didn’t want the band to break up, and pledged to “continue the quest to bring rock n roll back to the people that are hungry for it.”

    Eleven years on, it’s fair to say Watt has over-delivered on that promise. In the last year alone, the 35-year-old New Yorker has produced albums for The Rolling Stones and Paul McCartney, performed alongside Guns N’ Roses duo Slash and Duff McKagan as a tribute to his friend Ozzy Osbourne at the Grammys, played in Eddie Vedder’s backing band at his Ohana festival, and appeared on US TV alongside Michael Stipe (ex-R.E.M.). Dig a little further back, and he’s also produced albums for Iggy Pop (2023’s Every Loser), Pearl Jam (2024’s Dark Matter), and Elton John and Brandi Carlile (2025’s Who Believes in Angels?). Oh, and he also co-wrote and produced a couple of songs on the new Madonna album, Confessions II: chances are that he’s not pining too much for the days when California Breed supported Alter Bridge. Not that working with legends comes without a different type of pressure.

    “If I make the shittiest Rolling Stones album of all time, it’s on me,” Watts admits in a new interview with The Times newspaper. “It’s not on them because they can play You Can’t Always Get What You Want for the rest of their lives. I put myself on the line to potentially get the shit kicked out of me.”

    Watt reveals that he was working with pop star Dua Lipa when he got an invitation to tea with Mick Jagger, as a prelude to working with The Rolling Stones.

    “If you talk to anyone who’s worked with the Stones, they’ll say the same thing: there’s always a point where it’s informal, but Mick is interviewing you,” Watt says. “We were chatting, listening to music, and suddenly Mick was grilling me: what my process was, what I would do with the band. I thought we were just having a cup of tea and some biscuits.”

    Asked if the Stones are willing to be bossed around in the studio by a 35-year-old, Watt says, “I’m a New Yorker. I say what’s on my mind. I am here to produce, to give my opinion -otherwise what the fuck am I doing? So I do. On everything. And these guys were gracious enough to come down to my level and listen. They might not agree with me, though.”

    In the interview, Watt also pays tribute to Paul McCartney’s tireless energy.

    “Paul McCartney has more energy than you and I combined” he tells interview Will Hodgkinson. “Paul is playing two-and-a-half-hour shows each night, he gets on the bus with his boys afterwards, a margarita is poured for him – he’s unbelievable.”

  • Ruyned – Profanum Sacrificium Review

    I’ve been on a bit of a thrash bender in June, and Ruyned will conclude this month’s kick for ol’ Grin. The Romanian trio sends me deep into the heart of July with turbocharged, high-octane riffing and a moderate case of whiplash. Profanum Sacrificium, Ruyned’s sophomore LP, plays thrash the way the olde school intended—at furious speeds with the subtlety of an uppercut to the jawbone. My elevator pitch for Ruyned is, ‘Midnight but faster,’ yet the crew also channels Kill ‘Em All-era Metallica and a stripped-down Hellripper. With blistering paces in all the right places, does Profanum Sacrificium satisfy listeners’ need for speed?

    Profanum Sacrificium is a tale of two halves, covering a pair of narrative arcs that relate accounts of violence and death. The front-end scorches with instantaneous shots of adrenaline and describes the heinous depravity of the Vampire of Düsseldorf. “Speedchain” and “Sex’n Speed” reek of OG Metallica, where “Hit the Lights” seems a major inspiration for both “Speedchain”‘s thunderous opening as well as the primary hook in “Sex’n Speed.” “Sex Commander 666” sprints into Motörhead territory, opening with a solo that Fast Eddie Clark would approve of before slinking into a funky swagger that reminds me of “Love Me Like a Reptile.” Where Ruyned plays a touch too close to influence on the first two, “Sex Commander 666” exudes a freshness that hints at touchstones without plaguing me with questions of where I’ve heard a riff before. Meanwhile, “Orgasm Through Death” slows proceedings down appreciably, with Bogdan Mateescu’s tortured, blackened rasps guiding listeners through a plodding march that amplifies the drama.

    The second half of Profanum Sacrificium shifts to a separate narrative, describing centuries-long witch hunts from post-medieval Europe steeped in folklore and flames. Musically, this pulls Ruyned away from the straightforward ragers that define Profanum Sacrificium’s first half and into darker, more novel waters. The most immediate difference is that more time gets dedicated to instrumentation on the back half, with two instrumentals and less vocal focus towards the ends of tracks “Malleus Maleficarum” and “Witches Gallöw.” Originality flares here as well, where the instrumentation is reminiscent of bands like Bütcher and Toxic Holocaust, but the songs don’t blur with comparisons. “Profanum Sacrificium,” “Malleus Maleficarum,” and “Witches Gallöw” could pass for decade-old Kreator B-sides sung by Tapping the Vein-era Tom Angelripper, boasting snappy melodic riffing supported by Mihai Marinescu’s machine-gun blast drums and Tiberiu Olescher’s mid-range bass attack.

    In all, Ruyned zips through half an hour of breakneck thrash with enough energy and grit that it’s unerringly easy to enjoy despite some bumps along the way. Even before I discovered Profanum Sacrificium’s two narrative arcs, the musical split between them stood out. While each half succeeds on its own, together they present a whole too disjointed to flourish without an interceding mixer. Ruyned’s instrumentals also undercut Profanum Sacrificium’s potential, where the three of them total four-and-a-half minutes of fluff. The remainder of Profanum Sacrificium barely contains enough meat to qualify for LP status, leaving the album longing for another well-developed song or two rather than three throwaway tracks.1 Still, the rest of the album supplies plenty of good thrashing, and with a little more consideration to songwriting cohesion, Ruyned possesses the pizzazz to set barns ablaze their next time out.

    After several listens through Profanum Sacrificium, I’m convinced Ruyned can write first-class thrash. Rapidfire riffs and blackened edges give Ruyned a sense of familiarity, and if they can take care to push further away from genre greats and commit to more unified songwriting, they’ll menace listeners with an all-killer fusillade next time. Until then, Profanum Sacrificium serves as a fun diversion when time doesn’t allow for a longer dive, but it ultimately doesn’t threaten what other acts have done in the space this year.


    Rating: Good
    DR: 8 | Format Reviewed: 320 kbps mp3
    Label: Osmose Productions
    Websites: Bandcamp | Facebook
    Releases Worldwide: June 26th, 2026

    The post Ruyned – Profanum Sacrificium Review appeared first on Angry Metal Guy.

  • Famous Strangers Track By Track Run Down of Their Self-Titled Album

    Famous Strangers Track By Track Run Down of Their Self-Titled Album

    This album brings together both Famous Strangers past and present work, weaving through a wide range of themes. It moves from inspiring words meant to uplift and energize the listener, to moments of space-travel escape, to deeply personal and subtly seductive reflections and beyond. As the bands first album, they’re incredibly excited to finally share our art with the world.

     

    Fire Inside
    This began as a simple progressive metal riff but evolved right up to the studio, where the chorus and ending were finalized. After extensive preproduction, the song truly came together. Lyrically, it’s about grounding the listener in the moment and embracing mistakes to honor the journey that shaped you, while holding onto the peace within.

     

    Far away from Home
    Written early on while we were still finding our sound. It started with a punk riff that everyone ran with, keeping the song fun and energetic a tribute to punk. The chorus evolved significantly from preproduction to recording. Lyrically, It’s about being abducted by Aliens! It came from a playful place, and having full creative freedom helped the song come together in a way that felt natural and true.

     

    Ghosts of Men
    This began as one of the earliest songs written with the band and was later completely rewritten. Originally shelved, it resurfaced when we wanted a raw rock ripper and quickly morphed into its final form, coming together almost instantly and earning its place on the record. Lyrically, it’s a new and deeply personal track, drawn from real experiences and recurring patterns in my life. It’s raw, vulnerable, and unfiltered but that’s the point.

     

    As Your Leader
    As Your Leader is one of the earliest songs written for the band and has been with us since the beginning, taking on new life as the lineup came together. While it carries a lot of anger and frustration, at its core it’s about community, connection, and the belief that we’re stronger when we come together, all wanting the same things in the end peace, health, and the freedom to live fully.

     

    Please Her
    This started as a single rock riff and evolved through preproduction as arrangements shifted, especially once Amanda’s vocals came into the mix. The song eventually came full circle, landing as a straightforward hard rock ‘n’ roll track. The title seems to give it all away.. it’s playful and confident about staying true to yourself, knowing your worth, and making sure your cup is overflowing, because every person deserves to feel that way.

     

    Desire
    A song was born from my first Bloodstock Festival in the UK a very rock ‘n’ roll, Mötley Crüe style night that sparked both the riff and the story behind it. Written by Jeff Kittlitz, the song captures that instant connection you feel when you lock eyes with someone special. What started as a wild night turned into something deeper – a love song with a bigger meaning. Amanda adds – Bringing it to life has been a blessing, and after taking the time to find the right vocal approach, it finally feels like I’m delivering the song the way Jeff intended.

     

    Rain
    Rain was written in a small town in England on a rainy day, born from a quiet moment on the couch with an acoustic guitar. What started as a simple blues idea came together back in Canada, becoming the first song that truly pulled Amanda in her lyrics completed it in a way that felt almost magical. Lyrically, the song digs deep into fear, pain, and feeling trapped, and finding the strength to finally let go and choose yourself. It’s one of our softer tracks, showing another side of the band, and we’re excited to share it on the new record.

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Famous Strangers Track By Track Run Down of Their Self-Titled Album appeared first on The Razor's Edge.