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  • STARSET Return With Video For Recently Released New Single “p a r a d 0 x 1 c”

    Starset, who’ve existed at the intersection of music and sci-fi for most of their billion-streaming career, kick off their newest era with the new single “p a r a d 0 x 1 c.”

    This is Starset at their most seductive — dark, synth-driven alt rock with a hypnotic pulse.

    Known for their interstellar, world-building atmospheres, Starset bridge the gap between cinematic EDM and guitar-forward, textured rock. Here, genres collide, with massive, emotionally charged, sci-fi-bred hooks and an explosion of riffs. Ultimately, it’s a neon-soaked, synth-infused track that feels like a transmission from the future. “p a r a d 0 x 1 c” stands as a world of its own — layered and encapsulating, and a harbinger of what’s to come.

    Since emerging in 2013, Columbus, Ohio’s Starset have become one of modern rock’s most distinctive and commercially successful acts, amassing nearly 5 billion global streams, including more than 1.7 billion on Spotify alone, earning RIAA Platinum and Gold certifications, scoring multiple Billboard Mainstream Rock Top 10 hits, and building a devoted global fanbase through cinematic storytelling and immersive live productions that blur the line between concert and science-fiction experience.

    Lauded by Forbes as having “one of the most firmly established brands of any modern rock band,” Starset is creating a true multimedia empire with music at its core. Starset are one of the most successful and visually and conceptually ambitious acts in rock music. The band’s impact is best captured in its massive numbers: Starset have accumulated billions of streams worldwide. Their breakout hit “My Demons” has become a rock staple, earning multi-platinum certifications and dominating alternative and active rock charts. Meanwhile, their cinematic, sci-fi–driven live shows sell out venues across North America, Europe, and beyond — due to the passionate vigor with which their fanbase follows the band.

    Continuing to push creative boundaries both on and off the stage, Starset will bring their transportive live production to cities across North America throughout September and October.

    Stream “p a r a d 0 x 1 c” here.

    The post STARSET Return With Video For Recently Released New Single “p a r a d 0 x 1 c” appeared first on Sonic Perspectives.

  • Kali Malone Announces New Album Burning Song: Hear “Heavy With Fruit”

    Kali Malone’s last solo album was 2024’s All Life Long. Since then, the Stockholm-via-Denver composer and organist has shared collaborations with Drew McDowall and Leila Bordreuil, and she reissued her influential 2019 LP The Sacrificial Code. Now, she’s announcing her new LP Burning Song.

    The post Kali Malone Announces New Album <em>Burning Song</em>: Hear “Heavy With Fruit” appeared first on Stereogum.

  • PAARA – Finnish Black Metal Shadows Return With Third Album: Laulut tulen ja jään

    From the darkest corners of the North, PAARA return to the surface with their third full-length album, Laulut tulen ja jään, set for release on October 30th, 2026 through Dusktone.

    The first single “Pohjolan” is now streaming HERE.

    For more than a decade, PAARA have cultivated a vision of Finnish black metal that feels deeply rooted in the landscape that surrounds them. Their music evokes the bleak winds sweeping across the fells, the thousands of lakes and the endless forests of Finland, drawing on the darkness of the old world while allowing moments of unexpected beauty to emerge from within it.

    Formed around fifteen years ago, PAARA have developed into an entity that thrives on contradiction: brutal yet beautiful, harsh yet strangely comforting, black as the northern night yet capable of revealing flashes of warmth beneath its frozen surface. The band’s modern manifestations began with Yön olevainen puoli (2015) and Riitti (2018), establishing a distinctive approach to atmospheric black metal that balances aggression with a strong sense of melody and place.

    After seemingly disappearing from view around 2019, PAARA were never truly gone. The entity had simply retreated into the wilderness, gathering strength and tracing the roots of its inspiration through the darkest reaches of Northern nature and the distant past. Now, in 2026, it emerges once again with Laulut tulen ja jään, most expansive and dynamic manifestation yet.

    The album moves constantly between razor-sharp black metal assaults and more majestic passages, with clean vocals and choral arrangements often amplifying the grandeur of its most imposing moments. Yet PAARA refuse to settle into a predictable pattern. Their compositions are full of structural turns and unexpected developments, allowing delicate atmospheric passages to surface between the harsher sections.

    A particularly important role is played by the guitars, with acoustic passages adding an unexpected fragility to the album and creating moments of stillness within its otherwise turbulent landscape. These quieter sections never feel ornamental: they become an integral part of the compositions, opening new perspectives before the music inevitably plunges back into darkness.

    The songs on Laulut tulen ja jään are sharply defined and deliberately varied in their construction. Some unfold across more than ten minutes, patiently developing their ideas and allowing the atmosphere to evolve, while shorter pieces take a more concentrated approach, extracting their impact from carefully shaped moods and textures. Despite the breadth of ideas at work, the album remains remarkably fluid, with each composition finding its own path without disrupting the overall flow

    Rich in detail but never cumbersome, Laulut tulen ja jään finds PAARA at their most expressive. Riffs, choirs, clean voices, acoustic guitars and atmospheric passages become different facets of the same northern vision, creating an album that can be both savage and majestic, intimate and imposing.

    The old entity has returned. The darkness of the North has found another voice.

    Tracklist:

    CD:

    1. Tuli
    2. Kirveenkantaja
    3. Vuorten varjoista
    4. Kylmään kylään
    5. Kutsuu M.A.N.A.
    6. Lapsi päivännäkemätön
    7. Pimeyteen
    8. Pohjolan
    9. Jää

    VINYL:

    1. Tuli
    2. Kirveenkantaja
    3. Kylmään kylään
    4. Kutsuu M.A.N.A.
    5. Lapsi päivännäkemätön
    6. Pohjolan

    Line-up:

    Zvartus: guitars, vocals, keyboards & programming
    Helmouth: vocals & soundscapes
    Hahtezan: vocals
    Trangoth: bass
    Waara: drums & percussions

    Credits:

    Laulut tulen ja jään produced by Zvartus & Helmouth.
    “Kirveenkantaja” composed by Paara & Iiro “Leper” Illman. Otherwise songs composed by Paara.
    Lyrics by Helmouth.

    Acoustic guitars for “Kutsuu M.A.N.A.” recorded by Jussi Kraft.
    Drums recorded by Saku Moilanen at Deep Noise Studios.
    All other instruments and vocals recorded by Zvartus, Paara & Ville O. at Chef’s Room Studio, Helsinki.
    Album mixed by Zvartus except drums, rhythm guitars & bass mixed by S. Moilanen.
    Mastered by S. Moilanen.
    Cover art by David Thiérrée.
    Logo by Toni Hietomaa.
    Crest by Jussi Kandelin.
    Photo by Teppo Ristola.
    Layout by J.Pihlajaniemi.

    PAARA:

    https://paara.bandcamp.com/

    https://www.facebook.com/paaranmaa

    https://www.instagram.com/paaraband/

    Dusktone:

    https://www.dusktone.it/

    https://dusktone.bandcamp.com/

    https://www.instagram.com/dusktone/

    https://www.facebook.com/dusktone

  • Pet Fox Announce New Album Balance: Hear The Title Track

    It’s been a few years since Pet Fox released their great debut album A Face In Your Life. The Boston indie rock band is announcing its followup, Balance, today. The promising title track is out now.

    The post Pet Fox Announce New Album <em>Balance</em>: Hear The Title Track appeared first on Stereogum.

  • Downes Braide Association share new single “Hello, Hello” from new album ‘Trauma’

    Downes Braide Association (DBA) who are keyboard maestro Geoff Downes and multi award-winning songwriter Chris Braide (vocals), announce the second single and video “Hello Hello” from their 6th Studio album Trauma, which will be released on September 25th via Cherry Red Records.

    Chris Braide says:”’‘Hello Hello’ is a deceptively upbeat song about how our own psychology can sometimes work against us. We can retreat into ourselves, build walls and become isolated, and that isolation can have a devastating effect. At its heart, the song is about having the self-awareness and courage to reach out and say, ‘I’m scared, I need help, is there anyone there?’ When we say ‘love can open doors’, that begins with learning to love and accept yourself. Sometimes opening that first door is what allows the rest of the world back in.” – Chris Braide

    Geoff Downes states “The opening track on our Trauma album is a message full of hope. The start of a new chapter on our 6th DBA album, embodying the discovery of a new world and the start of a journey into the unknown. When Chris sings the poignant lyric “Hello, Hello, Hello, Love can open doors” it immediately captures the sentiment of a positivity outlook which calls all genres, nations and creeds to come forward and join together.”

    Trauma is a return to the expansive DNA of classic DBA, with long-form pieces sitting comfortably alongside tracks, like the epic melodic rock and cinematic songwriting that have always defined with Chris Braide and Geoff Downes together.

    The road to Trauma began overlooking the River Thames in Richmond before taking on new life beneath the skies of Los Angeles. The songs ultimately found their true identity back in the Gloucestershire countryside and South Wales, while the album was completed with mastering in Devon. Fittingly, a record centred on resilience followed a journey of its own before reaching its final form.

    Chris Braide explains, “These songs emerged from the cracks. ‘Trauma’ is about the ghosts we inherit, the wounds we hide, and the light that still finds its way through. In the end, it is not an album about suffering, but survival. ‘Trauma’ isn’t an album about defeat—it’s about what happens after. It’s about carrying your scars with dignity, refusing to be diminished, and remembering that kindness and perseverance ultimately outlast cruelty and fear. Making music with Geoff continues to be one of the great privileges of my career.”

    Geoff Downes adds, “Working with Chris on our Downes Braide Association albums is always a great inspirational and joyous experience for me. In ‘Trauma,’ our 6th studio album, we have dug deep into our respective layers and reservoirs of emotion, a theme of darkness followed by light – something we both could relate to. And in particular on this album, we have explored numerous diverse influences characterising the contrast of these polarised emotions. For instance, our epic long track “Lake Of Memories” begins with a quasi-classical bombastic intro and immediately jumps into a fast trance-like up-tempo techno workout – It’s pomp-rock straight into pop-rock! And it’s Chris at his absolute best, grabbing my ideas and working them into some kind of intricate musical kaleidoscope. I think it’s what contributes to our uniqueness, and this album is one we are immensely proud of. Sit down, turn it up, listen and enjoy the ‘traumatic’ DBA journey!”

    PRE-ORDER LINK HERE: https://cherryred.co/Trauma

    Tracklisting:

    1.Hello, Hello – 4:57
    2.Trauma – 8:20
    3.King of Karma – 4:53
    4.Wonderland – 5:12
    5.Love and Loss – 3:16
    6.I Wish I’d Known – 4:11
    7.Do You Remember? – 4:54
    8.Juliet – 2:24
    9.Lake of Memories – 14:29
    10.Wherever You Are Now – 5:44

    Written & Produced by Chris Braide & Geoff Downes. Paintings and logo by Roger Dean

    The post Downes Braide Association share new single “Hello, Hello” from new album ‘Trauma’ appeared first on The Prog Report.

  • Kelly Clarkson Goes Viral With Last Ever Kellyoke, A Powerhouse “Golden”

    For the past seven years, Kelly Clarkson has proven herself to be an absolutely delightful daytime talk show host. Back in February, Clarkson announced that she’s stepping away from The Kelly Clarkson Show to focus on her family, and its final episode aired yesterday. That meant that we got the last ever installment of Kellyoke, the regular feature in which Clarkson belts the absolute shit out of somebody else’s song. She went out on a literal high note.

    The post Kelly Clarkson Goes Viral With Last Ever Kellyoke, A Powerhouse “Golden” appeared first on Stereogum.

  • ANBERLIN’s Ninth Album Signals a Full Reset With a New Voice at the Front

    Anberlin will release Currency, the band’s ninth studio album, on Nov. 11. It is the first full-length record the Florida alternative rock band has made with new lead singer Matty Mullins, formerly of Memphis May Fire, and according to The Oregonian, it marks a deliberate creative reset after more than two decades in rock.

    A Band Reboot and the Battle for Fans’ Evening Hours

    For a band approaching its mid-career with close to 1 million monthly listeners on Spotify, releasing a new album is no longer simply a matter of putting music in front of a waiting audience. That audience’s time is distributed across a crowded digital environment, and a legacy act returning with a new lead singer faces a distinctive challenge: convincing longtime fans that the unfamiliar voice is worth the evening.

    The Lucky Crush editorial team, which tracks how audiences allocate their online downtime, notes that a drop like Currency lands in a particularly contested window. Fans drawn to the announcement might stream the new singles, queue up old favorites like “Paperthin Hymn” or “Godspeed,” and still have hours left to fill. The LuckyCrush video chat app draws on some of that same after-hours attention, competing for social time on precisely the kind of night a major release generates. From an observer’s standpoint, the picture is less about music versus everything else and more about a shrinking pool of unscheduled hours being divided finer with each passing year.

    “It felt like we needed to make an album that let us embrace the roots of the band and truly ‘reset’ with Matty to make something that we would love and our fans would recognize.”

    For a band with Anberlin’s catalog weight, the stakes of that reset are real.

    How Matty Mullins Moved From Touring Slot to Full Member

    The transition was gradual rather than sudden. Original lead vocalist Stephen Christian announced in 2023 that he was taking an indefinite hiatus, opening a gap that the band chose to fill carefully rather than quickly.

    Mullins began touring with Anberlin in 2023, giving both the band and its audience time to measure the fit before any studio commitment was made. That audition period proved useful. He contributed vocals to two tracks on Anberlin’s 2024 album Vega, and the band subsequently released re-recorded versions of signature songs including “Feel Good Drag” and “Paperthin Hymn” with Mullins on lead vocals. By the time Currency entered production, the working relationship had enough mileage behind it that the recording process, by the band’s own account, felt settled.

    “Matty comes from a band that has their process fully hammered out over years of refinement, so I didn’t envy him coming into a new situation with guys that have done the same in a completely different way. It went so smoothly that you would’ve thought we’d already done this together a hundred times. Neither of us had to change much at all. I think that’s all it comes down to: having a shared vision of what the end result will be. During the writing process, there were no egos clashing, no big dramas, just everyone communicating and working toward the same goal.”

    That description of a frictionless process carries particular weight given how much transition the band absorbed in a short period.

    Currency Takes Shape: Producer, Lineup, and the Lead Single

    The album’s production ties the Memphis May Fire connection tighter. Currency was produced by Kellen McGregor, himself a member of Memphis May Fire, which means two people from that band’s orbit shaped what Anberlin is presenting as its reintroduction. McGregor’s involvement suggests a deliberate bridge between Mullins’s previous creative home and his new one, even as the band insists on a return to its roots.

    The record contains 11 brand-new songs, all featuring Mullins on lead vocals. The lead single, “Neverafter,” is already out, giving listeners their clearest signal yet of where the album sits sonically. Surrounding Mullins on the record is the full current lineup: Christian McAlhaney on guitar and vocals, Joseph Milligan on guitar, Deon Rexroat on bass, and Nathan Young on drums. The core instrumentalists remain intact, which provides continuity even as the most prominent voice has changed.

    From Florida Garages to Gold Records, and Still on the Road

    Anberlin formed in Florida in 2002 and built its reputation steadily through the mid-2000s Christian rock circuit before crossing into wider alternative markets. The 2005 album “Never Take Friendship Personal,” released on the Christian music label Tooth and Nail Records, established the band’s name with a broader rock audience. Three years later, the group signed with Universal Records and released “New Surrender,” which went gold in 2008, a benchmark that cemented Anberlin as more than a genre act.

    Two decades on, the band retains a genuine active following. Close to 1 million monthly listeners on Spotify return regularly to tracks including “Paperthin Hymn,” “Godspeed,” “Breaking,” “A Day Late,” “Impossible,” “The Resistance,” and a cover of Depeche Mode‘s “Enjoy the Silence.” That audience is not merely nostalgic; it is engaged and consistent.

    The live calendar reflects the same momentum. Anberlin is scheduled to perform at the Vans Warped Tour in September, then move into an extensive run of dates with Switchfoot that carries through November. The tour arc leads directly into the Nov. 11 album release, meaning Currency arrives at the end of a months-long live push rather than in isolation. By the time the album drops, Mullins will have performed before large crowds across multiple markets, and the reboot will be well underway.

    The post ANBERLIN’s Ninth Album Signals a Full Reset With a New Voice at the Front appeared first on Sonic Perspectives.

  • DISGRUNTLED DAD REVIEWS With DAVE MUSTCOMPLAIN: GOROD – THE EMBER GONE

    DDR Template

    Goddamn heart’s acting up again… think it might be all the stress being put on it by these fucking lunatic Socialists trying to take over our country. Thank God I have Fox News to mainline the straight dope into my veins for three hours every night so I can stay informed on how badly our country’s going to hell.

    Worse yet, I have to wait another two weeks for the Bears’ season opener. I know it’s going to be worth it when they wallop the Christ out of the Panthers, but I gotta have something to hang my hat on until then, and that sure as shit ain’t reviewing this godless drivel my MetalSucks editor keeps projectile vomiting in my direction.

    Let’s just get this over with, because I hear Sean Hannity’s going to do a piece tonight on some trans kid in Oklahoma who wants to be on their high school wrestling team. This is going to drive my diastolic number through the roof, but I have to watch because it’s super important and definitely affects me personally. Anyway, here’s my review of the new Gorod album.

    Track 1: Signs

    Did a computer make this? I don’t think guitars are supposed to sound like that. I’m going to have to do some research on these guys.

    Track 2: Devise

    Oh Jesus, they’re from France? Fucking France? Did I not make my status as a God-fearing patriot perfectly plain when I signed myself up for this racket? What, does MetalSucks think I clogged my arteries eating all those Freedom Fries in 2003 for fucking nothing? * I have half a mind to march back into their offices to stomp some sense into them, had I not already been banned following that episode when they asked me to specify my preferred pronouns during New Employee Orientation.

    Track 3: Forgiveness

    I know it’s very un-Christian of me, but forgiveness is not high on my list of priorities at the moment. I’m absolutely furious.

    Track 4: Regret

    At least they’re singing over those nonsensical guitars. I would say I enjoy this more than most albums I cover here, if doing so wouldn’t be a betrayal to all my proud brothers in the Central Illinois Militia. I’ll see you fellas when I’m back on my feet and can run a 25-minute mile again. It’s been too long.

    Track 5: Crimson

    I gotta tell ya, this guitarist is certainly no Mark Knopfler, but I’ll be goddamned if he can’t work his way around the fretboard, and—NO, Dave! They’re from France! No compliments!

    Track 6: Ignite

    Phew, more screaming so I can go back to hating this. I was starting to scare myself back there.

    Track 7: Ember

    I’m kind of enjoying this track too, and for that reason I must skip to the next one. Good thing there’s only one left, because I’m getting a little concerned that I’m about to start dressing like a mime and eating croissants, or whatever it is they do over there.

    Track 8: Remains

    I swear to God I’m quitting if the next album isn’t American. And I mean American, nothing from New York City, San Francisco, and certainly nothing from fucking Portland.

    There you go. 0/5 stars, regardless of how frighteningly alluring some of that guitar work was. You’re on thin ice, MetalSucks. Dave Mustcomplain out.

    * Editor’s Note: One could only hope, Dave, one could only hope.

    The post DISGRUNTLED DAD REVIEWS With DAVE MUSTCOMPLAIN: GOROD – THE EMBER GONE appeared first on MetalSucks.