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  • ANBERLIN’s Ninth Album Signals a Full Reset With a New Voice at the Front

    Anberlin will release Currency, the band’s ninth studio album, on Nov. 11. It is the first full-length record the Florida alternative rock band has made with new lead singer Matty Mullins, formerly of Memphis May Fire, and according to The Oregonian, it marks a deliberate creative reset after more than two decades in rock.

    A Band Reboot and the Battle for Fans’ Evening Hours

    For a band approaching its mid-career with close to 1 million monthly listeners on Spotify, releasing a new album is no longer simply a matter of putting music in front of a waiting audience. That audience’s time is distributed across a crowded digital environment, and a legacy act returning with a new lead singer faces a distinctive challenge: convincing longtime fans that the unfamiliar voice is worth the evening.

    The Lucky Crush editorial team, which tracks how audiences allocate their online downtime, notes that a drop like Currency lands in a particularly contested window. Fans drawn to the announcement might stream the new singles, queue up old favorites like “Paperthin Hymn” or “Godspeed,” and still have hours left to fill. The LuckyCrush video chat app draws on some of that same after-hours attention, competing for social time on precisely the kind of night a major release generates. From an observer’s standpoint, the picture is less about music versus everything else and more about a shrinking pool of unscheduled hours being divided finer with each passing year.

    “It felt like we needed to make an album that let us embrace the roots of the band and truly ‘reset’ with Matty to make something that we would love and our fans would recognize.”

    For a band with Anberlin’s catalog weight, the stakes of that reset are real.

    How Matty Mullins Moved From Touring Slot to Full Member

    The transition was gradual rather than sudden. Original lead vocalist Stephen Christian announced in 2023 that he was taking an indefinite hiatus, opening a gap that the band chose to fill carefully rather than quickly.

    Mullins began touring with Anberlin in 2023, giving both the band and its audience time to measure the fit before any studio commitment was made. That audition period proved useful. He contributed vocals to two tracks on Anberlin’s 2024 album Vega, and the band subsequently released re-recorded versions of signature songs including “Feel Good Drag” and “Paperthin Hymn” with Mullins on lead vocals. By the time Currency entered production, the working relationship had enough mileage behind it that the recording process, by the band’s own account, felt settled.

    “Matty comes from a band that has their process fully hammered out over years of refinement, so I didn’t envy him coming into a new situation with guys that have done the same in a completely different way. It went so smoothly that you would’ve thought we’d already done this together a hundred times. Neither of us had to change much at all. I think that’s all it comes down to: having a shared vision of what the end result will be. During the writing process, there were no egos clashing, no big dramas, just everyone communicating and working toward the same goal.”

    That description of a frictionless process carries particular weight given how much transition the band absorbed in a short period.

    Currency Takes Shape: Producer, Lineup, and the Lead Single

    The album’s production ties the Memphis May Fire connection tighter. Currency was produced by Kellen McGregor, himself a member of Memphis May Fire, which means two people from that band’s orbit shaped what Anberlin is presenting as its reintroduction. McGregor’s involvement suggests a deliberate bridge between Mullins’s previous creative home and his new one, even as the band insists on a return to its roots.

    The record contains 11 brand-new songs, all featuring Mullins on lead vocals. The lead single, “Neverafter,” is already out, giving listeners their clearest signal yet of where the album sits sonically. Surrounding Mullins on the record is the full current lineup: Christian McAlhaney on guitar and vocals, Joseph Milligan on guitar, Deon Rexroat on bass, and Nathan Young on drums. The core instrumentalists remain intact, which provides continuity even as the most prominent voice has changed.

    From Florida Garages to Gold Records, and Still on the Road

    Anberlin formed in Florida in 2002 and built its reputation steadily through the mid-2000s Christian rock circuit before crossing into wider alternative markets. The 2005 album “Never Take Friendship Personal,” released on the Christian music label Tooth and Nail Records, established the band’s name with a broader rock audience. Three years later, the group signed with Universal Records and released “New Surrender,” which went gold in 2008, a benchmark that cemented Anberlin as more than a genre act.

    Two decades on, the band retains a genuine active following. Close to 1 million monthly listeners on Spotify return regularly to tracks including “Paperthin Hymn,” “Godspeed,” “Breaking,” “A Day Late,” “Impossible,” “The Resistance,” and a cover of Depeche Mode‘s “Enjoy the Silence.” That audience is not merely nostalgic; it is engaged and consistent.

    The live calendar reflects the same momentum. Anberlin is scheduled to perform at the Vans Warped Tour in September, then move into an extensive run of dates with Switchfoot that carries through November. The tour arc leads directly into the Nov. 11 album release, meaning Currency arrives at the end of a months-long live push rather than in isolation. By the time the album drops, Mullins will have performed before large crowds across multiple markets, and the reboot will be well underway.

    The post ANBERLIN’s Ninth Album Signals a Full Reset With a New Voice at the Front appeared first on Sonic Perspectives.

  • DISGRUNTLED DAD REVIEWS With DAVE MUSTCOMPLAIN: GOROD – THE EMBER GONE

    DDR Template

    Goddamn heart’s acting up again… think it might be all the stress being put on it by these fucking lunatic Socialists trying to take over our country. Thank God I have Fox News to mainline the straight dope into my veins for three hours every night so I can stay informed on how badly our country’s going to hell.

    Worse yet, I have to wait another two weeks for the Bears’ season opener. I know it’s going to be worth it when they wallop the Christ out of the Panthers, but I gotta have something to hang my hat on until then, and that sure as shit ain’t reviewing this godless drivel my MetalSucks editor keeps projectile vomiting in my direction.

    Let’s just get this over with, because I hear Sean Hannity’s going to do a piece tonight on some trans kid in Oklahoma who wants to be on their high school wrestling team. This is going to drive my diastolic number through the roof, but I have to watch because it’s super important and definitely affects me personally. Anyway, here’s my review of the new Gorod album.

    Track 1: Signs

    Did a computer make this? I don’t think guitars are supposed to sound like that. I’m going to have to do some research on these guys.

    Track 2: Devise

    Oh Jesus, they’re from France? Fucking France? Did I not make my status as a God-fearing patriot perfectly plain when I signed myself up for this racket? What, does MetalSucks think I clogged my arteries eating all those Freedom Fries in 2003 for fucking nothing? * I have half a mind to march back into their offices to stomp some sense into them, had I not already been banned following that episode when they asked me to specify my preferred pronouns during New Employee Orientation.

    Track 3: Forgiveness

    I know it’s very un-Christian of me, but forgiveness is not high on my list of priorities at the moment. I’m absolutely furious.

    Track 4: Regret

    At least they’re singing over those nonsensical guitars. I would say I enjoy this more than most albums I cover here, if doing so wouldn’t be a betrayal to all my proud brothers in the Central Illinois Militia. I’ll see you fellas when I’m back on my feet and can run a 25-minute mile again. It’s been too long.

    Track 5: Crimson

    I gotta tell ya, this guitarist is certainly no Mark Knopfler, but I’ll be goddamned if he can’t work his way around the fretboard, and—NO, Dave! They’re from France! No compliments!

    Track 6: Ignite

    Phew, more screaming so I can go back to hating this. I was starting to scare myself back there.

    Track 7: Ember

    I’m kind of enjoying this track too, and for that reason I must skip to the next one. Good thing there’s only one left, because I’m getting a little concerned that I’m about to start dressing like a mime and eating croissants, or whatever it is they do over there.

    Track 8: Remains

    I swear to God I’m quitting if the next album isn’t American. And I mean American, nothing from New York City, San Francisco, and certainly nothing from fucking Portland.

    There you go. 0/5 stars, regardless of how frighteningly alluring some of that guitar work was. You’re on thin ice, MetalSucks. Dave Mustcomplain out.

    * Editor’s Note: One could only hope, Dave, one could only hope.

    The post DISGRUNTLED DAD REVIEWS With DAVE MUSTCOMPLAIN: GOROD – THE EMBER GONE appeared first on MetalSucks.

  • Mastodon fans! Get a t-shirt unavailable in the shops and an exclusive Metal Hammer cover, only through Louder

    2026 will go down as the year Mastodon were reborn, rebounding from tragedy with new members and a triumphant new album, Marrow Deep. Metal Hammer has honoured the occasion by teaming up with the Atlanta metal masters for a bundle unavailable in the shops!

    Only through the Louder webstore, you can get your hands on the new issue of Hammer with a cover featuring The ’Don’s revamped lineup, as well as a stylish t-shirt dedicated to the band. Pre-order yours while stocks last!

    Inside the new Hammer, we talk to founding members Brann Dailor, Troy Sanders about Bill Kelliher about the journey leading up to Marrow Deep, including the death of their long-time bandmates Brent Hinds last August, five months after he parted ways with the band, and their reinvigorations.

    “I was immediately shocked and saddened,” Troy says of Brent’s death in a motorcycle accident, aged 51. “But unfortunately, I wasn’t surprised. I don’t mean that in any distasteful manner, whatsoever. I’ve done everything I could as a friend and as a bandmate over the years. I don’t know what else I could’ve done, so I’m kind of forced to just let go.”

    “I wasn’t surprised that it happened, but I was shocked,” adds Bill. “I just didn’t think it was going to happen like that.”

    They also cast a hopeful eye towards the future.

    “I feel like the next record, in another year or two, will showcase even more of Nick [Johnston, new guitarist] and me playing off each other,” Bill says. “Toward the end of Brent’s time in the band, I was writing most of the rhythms and song structures anyway, and he would come in like a finishing carpenter to add the crazy solos. It’s a similar set-up with Nick, but Nick is much more receptive and absolutely full of fresh ideas.”

    Elsewhere, we talk to metalcore heroes Motionless In White as they celebrate 20 years on the scene and release their best album yet, the aptly titled Decades.

    “I ground myself to the bone for this record,” frontman and sole constant member Chris Motionless says. “I was going into these toxic cycles of workaholism and just burnt myself out. It took a little bit of my passion away, because it felt like a job for the first time, so I definitely wanted to walk away and come back to it. That’s part of why it took so long.”

    We also go inside Ghost’s massive new concert movie, 2 Big To Rig. Tobias Forge tells us about how they captured the epic Skeletour stage show, the unfortunate incident that nearly derailed it, and his “extracurricular” future plans.

    Meanwhile, seven years on from his throat cancer diagnosis, Megadeth’s Dave Mustaine revisits his journey in an exclusive interview and an extract from his new book, In My Darkest Hour.

    Green Lung take us on a tour of London’s graveyards and occult hotspots, Halestorm power couple Lzzy Hale and Joe Hottinger tackle your questions about love, keytars and… killer farts?! And Snot explain why they’re back in the studio, almost 30 years after the tragic death of frontman Lynn Strait.

    Sleep Theory’s Cullen Moore shares his soulful playlist, Mudvayne/Hellyeah veteran Chad Gray delivers the lessons he learned from hanging out with a young Slipknot and meeting James Hetfield, and Godsmack give us the inside story of their blockbuster anthem, I Stand Alone. Plus, we meet Decessus, the Chilean death metal band led by a beauty queen.

    All this, along with Eddfest, Metallica, Bring Me The Horizon, Sigh, Rory, System Of A Down, Acid Bath, Duff McKagan and much, much more.

    Only in the new issue of Metal Hammer, available to pre-order now with that Mastodon cover and shirt!

    Mastodon on the cover of Metal Hammer in 2026

    (Image credit: Future)
  • BLIND ILLUSION Announces “STAGE FLIGHT: Live At The UC Theatre” Featuring Original Vocalist David White – @thebeast

    FOR IMMEDIATE RELEASE
    BLIND ILLUSION Announces “STAGE FLIGHT: Live At The UC Theatre” Featuring Original Vocalist David White
    Progressive Thrash Metal Pioneers Capture Historic 2025 Performance for New Live Album Due October 16, 2026

    BERKELEY, CA — Progressive thrash metal pioneers Blind Illusion are set to unleash their new live album, STAGE FLIGHT: Live At The UC Theatre , on October 16, 2026 through Hectic Records / Bleeding Priest Records . The release captures a historic 2025 performance featuring original Blind Illusion vocalist David White , recorded at the UC Theatre in Berkeley, California, during a special celebration of Exodus’ 40th anniversary of Bonded by Blood .
    For fans of Coroner, Watchtower, and Exodus , STAGE FLIGHT: Live At The UC Theatre showcases Blind Illusion at full power, bringing the band’s progressive approach to thrash metal to the stage in a performance that connects the group’s legendary past with its continuing evolution.
    Originally established in 1978 , Blind Illusion has spent nearly five decades carving out its own distinctive place within the underground metal landscape. Led by mastermind Mark Biedermann on lead guitar and vocals, the band’s current lineup features Phil Cosentini on drums, Avery Thurman on bass, and Martin Lacour on lead guitar.
    The new live album also serves as another chapter in the remarkable history of Blind Illusion and its landmark debut, The Sane Asylum . Originally released in 1988, the album has gone on to become regarded as a classic of progressive thrash metal. The record featured Biedermann alongside guitarist Larry Lalonde , bassist Les Claypool , and drummer Mike Miner , delivering now-classic tracks including “Vengeance Is Mine,” “Death Noise,” “Kamikaze,” “Smash The Crystal,” and “Blood Shower.”
    Biedermann’s musical history extends well beyond Blind Illusion. In 1987, while working with legendary producer Sandy Pearlman , he contributed rhythm guitar and guitar leads to four songs for Blue Öyster Cult’s Imaginos , working alongside musicians including Joe Satriani and Robbie Krieger of The Doors .
    Blind Illusion continued to evolve throughout the following decades. The band returned in 2010 with Demon Master , shifting toward a more traditional heavy metal sound. In 2014, bassist Harald Oimoen of D.R.I. joined forces with Biedermann and helped inspire a return to the progressive thrash metal style that defined The Sane Asylum .
    Further lineup changes followed, including a 2017 incarnation featuring Doug Piercy of Heathen and Anvil Chorus on lead guitar. The band released the 2018 EP and toured Europe. In 2020, legendary Death Angel drummer Andy Galeon joined Blind Illusion, contributing to the band’s Wrath of the Gods album, released in 2022, followed by additional European touring and festival appearances.
    In 2024, Blind Illusion introduced its current lineup and returned to the live stage. Then, in 2025, the band reunited with original vocalist David White , performing alongside Exodus, Death Angel, and Nukem at the UC Theatre in Berkeley on Paul Baloff’s birthday as part of the celebration surrounding Exodus’ 40th anniversary of Bonded by Blood .
    That performance became the foundation for STAGE FLIGHT: Live At The UC Theatre .
    The story didn’t stop there. Blind Illusion later appeared at the Frost and Fire V Festival in Ventura, California, where the band performed The Sane Asylum in its entirety for the first time in its history, giving longtime fans the opportunity to hear the influential album performed live as a complete work.
    With STAGE FLIGHT: Live At The UC Theatre , Blind Illusion once again proves that nearly five decades into its existence, the band remains a vital force in progressive thrash metal. The release captures a significant moment in the band’s history while celebrating the music, musicians, and underground metal spirit that have kept Blind Illusion moving forward since 1978.
    STAGE FLIGHT: Live At The UC Theatre will be released October 16, 2026 as a 12-inch vinyl LP , pressed at 33 RPM , through Hectic Records / Bleeding Priest Records .
    Release Information

    Artist: Blind Illusion
    Title: STAGE FLIGHT: Live At The UC Theatre
    Release Type: Live Album
    Genre: Progressive Thrash Metal
    Release Date: October 16, 2026
    Label: Hectic Records / Bleeding Priest Records
    Catalog Number: Hectic 009
    Format: 12″ Vinyl LP
    RPM: 33
    UPC: 810213561508
    Current Lineup

    Mark Biedermann – Lead Guitar / Vocals
    Martin Lacour – Lead Guitar
    Avery Thurman – Bass
    Phil Cosentini – Drums
    Blind Illusion
    Established 1978
    Progressive Thrash Metal
    For Fans Of: Coroner, Watchtower, Exodus, Heathen 

    Connect: 
    https://blindillusion.bandcamp.com/album/stage-flight-live-at-the-uc-theatre
    https://www.instagram.com/blindillusionofficial
    https://www.facebook.com/officialblindillusion
    https://ffm.to/bclink1
    https://www.hectic.com/product/blind-illusion-live
    Contact:
    David Hecht
    Hectic Records
    david@hectic.com
  • AN NCS INTERVIEW: CARDINALS FOLLY

    photo by Tomi Mäenpää (On October 9th Cruz Del Sur Music will release Let the Posers Fall!, a new album by the Finnish doom band Cardinals Folly. This provided an occasion for our Comrade Aleks to re-connect with the band for an extensive new interview with Mikko Kääriainen that we present below.) A band like […]

    The post AN NCS INTERVIEW: CARDINALS FOLLY appeared first on NO CLEAN SINGING.

  • Wavves’ Nathan Williams Addresses Max Bemis Allegations Ahead Of Joint Album Release

    Over the weekend, Say Anything’s Max Bemis canceled a run of solo concerts after a 17-year-old girl posted allegations of inappropriate interactions on the Say Anything subreddit, sharing screenshots of what appears to be months of sexually charged exchanges over text and social media. In announcing that cancellation, Say Anything’s social media accounts cited “the need to prioritize his mental health and personal well-being.” The allegations have come out just before the release of Cherry Soda, a new collaborative album from Say Anything and Wavves. Now, Wavves frontman Nathan Williams has weighed in.

    The post Wavves’ Nathan Williams Addresses Max Bemis Allegations Ahead Of Joint Album Release appeared first on Stereogum.

  • Biggest Rock + Metal Albums Released Each Day in Sept. History

    Some of the most beloved albums from Ozzy, Nirvana and Megadeth were all released in September. Here is a look at the best from each day. Continue reading…
  • Biggest Rock + Metal Albums Released Each Day in Sept. History

    Some of the most beloved albums from Ozzy, Nirvana and Megadeth were all released in September. Here is a look at the best from each day. Continue reading…
  • Futurebirds’ Carter King on Gas-Station Chicken Tenders and 401(k) Plans

    Carter King, singer-guitarist for Athens, Georgia’s Futurebirds, talks about the sea of part-time odds-n-ends he’s taken over the years to fill the music gaps and how Howie Mandel inspired the first song he ever wrote.