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  • Clutch – New Single Unveiled

    Maryland-based Clutch are streaming a brand new single, “The Drifter Returns”, accompanied by an official lyric video. Check it out.
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  • Carnifex – Announce & Detail New Studio Album

    Deathcore institution from California Carnifex has announced the release of their new long player, More Than Misery. It is set for release on November 6th, 2026 via Sumerian Records. Alongside disclosed details you can check out a video for the first single-title track.
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  • “It’s doom, but with the added vibe of a winter burial on the outskirts of a desolate industrial town.” Nintendocore, unblack metal and some of the weirdest metal subgenres you never knew existed

    “There are only two kinds of music: good music and the other kind,” wrote Duke Ellington in a 1962 essay. Metal didn’t even exist then – imagine that – and six decades on, it would be interesting to find out what the jazz legend would think of metal off-shoots like cybergrind and funeral doom.

    In an attempt to make sense of the continually sprawling world of metal and all its subgenres, here’s a comprehensive list of some umbrella terms that may have passed you by.

    A divider for Metal Hammer

    Atmospheric Black Metal

    If the sound of eternal torment recorded on a battered cassette player wasn’t atmospheric enough, this frostbitten subgenre reimagines the black metal blueprint and adds swathes of dense ambient layers to the mix, replacing verses about Gamle Erik with screeching vocals about nature and general melancholy.

    Notable bands: Wolves in the Throne Room, Drudkh, None

    Blackened Crust

    Marrying the relentless hectoring of crust punk and the relentless sonic pummel of black metal, blackened crust combines anti-establishment lyrics with raw power. Imagine Old Scratch writing a strong letter to his local council, then screaming it over the most unforgiving wall of sound.

    Notable bands: Martyrdöd, Dödsrit

    Cybergrind

    This offshoot of grindcore delivers short blasts of glitchy noise over a frantic drum machine, creating time signatures the average human mind could scarcely comprehend. Bear in mind, there is no suitable time to put a cybergrind album on, other than when you’re cornered by robot gangs in a dystopian city war.

    Notable bands: Agoraphobic Nosebleed, Genghis Tron

    Drone Doom

    Slow and low, that is the tempo. Drone doom is the preserve of the patient, with its proponents playing resonant riffs which move at a glacial pace and shake the calcium from your bones. Guttural screams optional.

    Notable bands: Sunn O))), Khanate

    Electronicore

    Here’s a mix of the deliberate chug of metalcore and the world of electronic dance music. In fact, electronicore’s reach is vast, with heavy bands mixing wobbly synths, sub-bass, and pop sensibilities. On paper, it should wind up metal purists, but the genre’s irresistible charm goes a long way at outdoor festivals. Exceptionally good at helping indoor cycling enthusiasts ‘dig deep’ or whatever during a Peloton session.

    Notable bands: Electric Callboy, Enter Shikari

    Funeral Doom

    Amateurs may describe this genre as simply slow and repetitive, but they’d be wrong. It’s doom, but with the added vibe of a winter burial on the outskirts of a desolate industrial town.

    Notable bands: Bell Witch, Ahab

    Goregrind

    An overwhelming and disturbing amalgam of grindcore, death metal, and the sort of imagery that you’d find on the now-defunct Rotten website, goregrind is the most abrasive of all metal. Unless you count gorenoise, which is an elitist subgenre for people who think goregrind is ‘soft’.

    Notable bands: Carcass, Repulsion

    Heavy Negative Wizard Metal

    Australian artist Bob Nekrasov’s solo project, Rebel Wizard, is an unholy blend of power metal, black metal, and New Wave of British Heavy Metal. All the metal, basically. He calls it an “anarchic alchemical process of outsider energies respecting the power of traditional triumphant metal into a unique sound to smash out the coerced gloom and banality of our times.”

    Notable bands: Rebel Wizard

    Industrial Black Metal

    It’s the frosty sound of black metal with all the percussive charm of a foundry. Lovely stuff.

    Notable bands: Mysticum, Blut Aus Nord

    Jazz Metal

    In 1958, legendary jazz pianist Thelonious Monk said: “Where’s jazz going? I don’t know. Maybe it’s going to hell.”

    Almost seven decades later, we can safely say the genre is firmly in the big pit of hot punishment, taking the genre’s swing and improvisational techniques and marrying them to heavy, distorted riffs, the raspy honk of a sax, or a squeaky trumpet parp. Nice.

    Notable bands: Shining, Naked City

    Kawaii Metal

    Named after the Japanese word for ‘cute’, kawaii metal effortlessly blends catchy J-pop with propulsive, aggressive riffs. Metal purists scoffed when Babymetal first arrived in 2010, but the Tokyo-based band took the genre worldwide and introduced their unique take on metal to a whole new audience.

    Notable bands: Babymetal, Hanabie

    Medieval Metal

    If you’ve got a mate who says stuff like ‘my liege’ and bows, there’s a massive chance they’ll be into this music. If they’re not, they’re a time-traveler. It’s metal for people who yearn for the hand-cranked riffs of a hurdy-gurdy, the painful wheeze of the dudelsack, or even the dull thud of a frame drum. If that sounds appealing, then there’s a whole world of minstrel music waiting for you.

    Notable bands: In Extremo, Saltatio Mortis

    Nintendocore

    Thanks to 8-bit computer processors, early console users could enjoy a handful of beeps which soundtracked their games. Nintendocore takes those technologically primitive noises and combines them with rock and metal. HORSE the Band frontman Nathan Winneke is responsible for this particular genre’s name: “It amused us to say that the keyboards in our songs sounded like a Nintendo game. So we said we were ‘Nintendocore’. And now it’s stupid.”

    Notable bands: HORSE the Band, Powerglove

    Pornogrind

    Remember our evocative description of goregrind earlier on? Well, if you swap out the lyrical obsession with disease and death for pornography, then you’ve got yourself a whole new take on extreme metal. It’s cock rock, but not as we know it.

    Notable bands: Cock and Ball Torture, Anal Blast

    Red And Black Anarchist Metal

    Red and Black Anarchist Metal, or RABM, is black metal with left-leaning lyrics that opposes everything National Socialist Black Metal stands for.

    Notable bands: Dawn Ray’d

    Symphonic Black Metal

    Doing away with the genre’s embedded nihilism and general mischief, here we have a focus on gothic and fantasy themes, while adding lush, sweeping strings and crisp production to produce an altogether epic take on black metal. Tuxedos not included.

    Notable bands: Cradle of Filth, Dimmu Borgir

    Tech Death

    With a name that sounds like some sort of a computer calamity, this subgenre takes death metal’s blueprint and adds a sweep-picking virtuosic element to its complex chaos.

    Notable bands: Death, Archspire

    Unblack Metal

    This subgenre has all the hallmarks of traditional black metal – shrieked vocals, cold washes of tremolo-picked guitar, and monotone, Olde English font logos. But here’s the twist: it’s performed by Christian musicians. Horde, one of the genre’s leading bands, are from the frostbitten forests of, um, Australia. Their album Hellig Usvart is the Christian black metal equivalent of Darkthrone’s A Blaze in the Northern Sky.

    Notable bands: Horde, Crimson Moonlight

    War Metal

    While some purists call this subgenre bestial black metal, war metal is basically sonic hostility. While we’re extremely lucky not to have been caught in an actual war zone, we can only imagine it sounds like this.

    Notable bands: Blasphemy, Archgoat

    Yodel Metal

    Metal was forever tainted by this viral guff that combined Alpine singing with heavy riffs. While it’s not strictly a genre, we’ve heard it and now you must too. We could lump Korpiklaani in with this section for including traditional SĂĄmi singing, which sounds a bit like yodelling to the untrained ear.

    Notable bands: The Institute of Quackology (sort of)

    Zombiecore

    We’re on the last letter of the alphabet. There’s a ton of thrash bands obsessed with and inspired by horror films. Take Washington thrashers The AccĂŒsed, who pioneered splattercore, or Leeds’ Send More Paramedics, who named themselves after some dialogue in The Return of the Living Dead and dressed up like zombies.

    Notable bands: The AccĂŒsed, Send More Paramedics

  • Album review : SHAKRA – Just Live Loud

    SHAKRA 150 Just Live coverFrontiers [Release date : 04.09.26] Since 1995, Swiss band, Shakra have shared stages worldwide with everybody worth knowing, from Guns’N’Roses to Great White, from Stratovarius to Iron Maiden. And in between times they’ve released 14 albums. Their secret, apart from … Continue reading →

    The post Album review : SHAKRA – Just Live Loud appeared first on Get Ready to ROCK!.

  • Album Review: Accept – Teutonic Titans 1976-2026

    Album Review: Accept – Teutonic Titans 1976-2026

    Reviewed by Beatriz Pereira

    Half a century of Accept deserves a proper celebration, and Teutonic Titans 1976–2026 certainly looks like one!

    Instead of just giving us another greatest-hits album, Accept have invited around fifty musicians from the rock and metal world to give 19 of their classic songs a fresh twist.

    And with names like Rob Halford, Phil Anselmo, Kirk Hammett, Tobias Forge and Sebastian Bach involved, there are plenty of reasons to be excited.

    “Fast as a Shark” comes in fast and loud, with Phil Anselmo, Kirk Hammett, Billy Sheehan and Mikkey Dee adding their own energy to the classic. It’s aggressive, fun and sounds exactly like the kind of track you want to turn up loud.

    Then there’s “Balls to the Wall” featuring Rob Halford. Two legendary metal voices coming together on such an iconic song? Absolutely yes!

    What I really like about this album is that Accept aren’t trying to replace the original versions. They’re simply having fun with them and celebrating the music that has been part of their journey for five decades.

    With so many different musicians involved, every track has something a little different to offer. A mixed of emotions and such a brilliant work put together!

    The full album arrives on 4 September, and from what I’ve heard, Teutonic Titans 1976–2026 sounds like a fun, loud and very fitting way to celebrate half a century of Accept.

    After five decades, they’re still making plenty of noise and will definitely make fans love it — that’s exactly how it should be!

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Album Review: Accept – Teutonic Titans 1976-2026 appeared first on The Razor's Edge.

  • Brann Dailor Explains Why Mastodon Called New Album ‘Marrow Deep’

    The drummer/vocalist dives into how the title of Mastodon's latest LP represents loss, relationships and gratitude. Continue reading…
  • The Symbolism of Lace in Gothic Fashion

    The Symbolism of Lace in Gothic Fashion

    Few materials have become as closely associated with Gothic fashion as lace. Black velvet, silver jewelry, and Victorian silhouettes all contribute to the Gothic aesthetic, yet lace occupies a unique position. It appears delicate and fragile, but its emotional associations are surprisingly complex.

    For centuries, lace has been linked to mourning, romance, social status, spirituality, and ritual. It carries traces of multiple histories at once. When Gothic fashion adopted lace, it inherited those meanings and transformed them into something darker and more ambiguous.

    This transformation explains why lace remains one of the defining materials of Gothic style. The fabric exists on a threshold. It is neither fully opaque nor fully transparent. It softens boundaries rather than eliminating them. Looking through lace means encountering uncertainty, and uncertainty has always occupied a central place within the Gothic imagination.

    More than decoration, lace became a visual language for themes that Gothic culture continues to explore: memory, absence, identity, grief, and the attraction of things that resist complete understanding.


    The Symbolism of Lace in Gothic Fashion
    The Symbolism of Lace in Gothic Fashion

    Victorian Mourning and the Legacy of Lace

    The Gothic relationship with lace begins long before the emergence of modern Gothic subculture.

    During the nineteenth century, mourning rituals shaped every aspect of public appearance. Following the death of a family member, clothing became a visible expression of grief. Social customs regulated colors, fabrics, accessories, and even the duration of mourning itself.

    Black lace occupied an important place within this culture. Veils made from lace softened facial features and created a subtle barrier between mourners and the outside world. The effect was neither complete visibility nor complete concealment. Instead, the wearer appeared distant, separated by a delicate layer that symbolized loss and remembrance.

    Victorian mourning attire transformed grief into an aesthetic experience. Clothing communicated emotional states that could not easily be expressed through language. Lace contributed to this visual vocabulary by introducing texture, shadow, and distance.

    Many elements now associated with Gothic fashion originate directly from this tradition. Black veils, dark romantic silhouettes, and an appreciation for melancholy beauty all emerged from a culture that treated mourning as both personal experience and public ritual.

    When Gothic fashion later embraced lace, it inherited more than a decorative fabric. It inherited centuries of emotional symbolism connected to memory, absence, and the presence of the past.


    Why Lace Feels Uncanny

    Part of lace’s power comes from the way it alters perception.

    Unlike solid materials, lace interrupts vision. Patterns fragment what we see. Details become incomplete. The eye recognizes forms but cannot always perceive them clearly.

    This experience creates a subtle sense of uncertainty.

    Psychologists and literary critics have long observed that ambiguity can produce both attraction and unease. Objects that appear familiar yet slightly altered often feel more emotionally charged than objects we understand immediately. Lace operates through a similar mechanism. It transforms ordinary visibility into something less certain.

    This quality helps explain why lace appears so frequently within Gothic aesthetics. Gothic stories often depend upon partial knowledge, obscured truths, and hidden histories. Readers encounter fragments and clues rather than complete explanations. Lace achieves a comparable effect visually. It invites attention while preserving a degree of opacity.

    The result is not fear in a conventional sense.

    Instead, lace produces a feeling that something remains just beyond reach. The fabric suggests that complete understanding may be impossible, and that suggestion has always fascinated Gothic culture.


    Veils, Faces, and the Question of Identity

    Throughout Gothic fashion, lace most commonly appears in items connected to the face and hands. Veils, gloves, collars, and masks all alter how identity is perceived.

    Among these accessories, the veil remains the most symbolically powerful. Victorian portrait photography frequently used veils to create emotional distance, particularly in mourning imagery. The effect was striking. The individual remained visible, yet the veil introduced separation between observer and subject.

    This separation carried psychological significance.

    Faces are central to how human beings recognize identity and emotion. When part of the face becomes obscured, interpretation becomes more difficult. Observers instinctively begin filling in missing information. Imagination enters the process.

    Gothic fashion repeatedly returns to this dynamic because it aligns with one of the genre’s enduring concerns: the idea that identity is never entirely transparent. Beneath every appearance lies another layer waiting to be discovered.

    Lace veils embody this concept perfectly. They preserve individuality while introducing distance, creating an image that feels intimate and inaccessible at the same time.

    Few materials express that contradiction as effectively as lace.


    Black Lace and the Language of Power

    Lace is often described as delicate, but Gothic fashion rarely treats it as fragile.

    The material’s visual lightness can be deceptive. Black lace, in particular, carries an unusual combination of elegance and authority. It softens outlines while simultaneously drawing attention to them. Rather than diminishing presence, it often intensifies it.

    This contradiction helps explain why lace became so important within Gothic fashion.

    Many Gothic garments explore tensions between strength and vulnerability, beauty and sorrow, refinement and rebellion. Black lace expresses these oppositions without resolving them. The fabric appears graceful, yet its dramatic contrast against skin creates an image that feels intentional and self-possessed.

    Unlike armor, lace does not project power through force.

    Its power emerges through suggestion.

    The wearer controls what is visible, what remains obscured, and how attention moves across the garment. This quality gives lace a psychological dimension that few fabrics possess.

    For Gothic fashion, that complexity is far more interesting than simple displays of dominance or fragility.


    Alexander McQueen and Gothic Lace

    Few designers understood the emotional potential of lace better than Alexander McQueen.

    Throughout his career, McQueen repeatedly used lace to explore themes of memory, mortality, beauty, and transformation. Rather than treating the material as ornament, he incorporated it into larger narratives that often drew upon history, grief, and psychological tension.

    One of the strongest examples appeared in Widows of Culloden (2006). Inspired by the aftermath of the Battle of Culloden, the collection combined mourning imagery with Romantic beauty. Black lace veils, intricate overlays, and dark silhouettes created figures that appeared suspended between presence and absence, history and memory.

    The lace was not merely decorative.

    It became part of the story being told.

    A similar approach appeared throughout other McQueen collections, where lace frequently interacted with themes of decay, transformation, and the passage of time. Faces partially obscured by lace veils felt less like fashion accessories and more like symbols of unresolved histories.

    This narrative use of lace connects directly to Gothic aesthetics. The material introduces emotional complexity because it rarely communicates a single idea. Grief, beauty, vulnerability, and resilience can all exist within the same image.

    McQueen recognized that ambiguity often creates stronger emotional responses than certainty.

    Lace allowed him to build entire collections around that principle.


    Lace and Gothic Femininity

    The relationship between lace and femininity stretches back centuries, yet Gothic fashion reshaped that relationship in important ways.

    Historically, lace often signified refinement, social status, and adherence to cultural expectations. Gothic fashion retained the elegance associated with lace while freeing it from many of those traditional meanings.

    As a result, lace became a tool for self-definition rather than social conformity.

    A high Victorian lace collar can evoke historical memory. Black lace sleeves may suggest romantic melancholy. Veils can reference mourning traditions while simultaneously functioning as personal artistic statements. The symbolism remains fluid.

    This flexibility helps explain why lace continues to appear across such a wide range of Gothic styles.

    The material adapts easily because it carries multiple associations at once. It can feel elegant without appearing conservative, dramatic without appearing theatrical, and historical without becoming costume.

    Gothic fashion often celebrates complexity over simplicity.

    Lace naturally supports that sensibility.


    From Mourning Veils to Modern Runways

    The journey of lace through Gothic fashion reveals an unusual continuity between past and present.

    Victorian mourning culture gave lace a powerful emotional vocabulary. Designers, artists, and alternative fashion communities later adapted that vocabulary for new audiences and new cultural contexts.

    What remained consistent was the fabric’s ability to communicate layered meanings.

    Black lace can suggest remembrance, romance, spirituality, introspection, or dramatic self-expression depending on how it is used. Few materials possess such versatility.

    This richness explains why lace never disappeared from Gothic fashion. While trends changed, the fabric continued offering something uniquely suited to Gothic aesthetics: a visual language capable of expressing emotions that resist simple definition.

    Its history remained visible.

    Its meanings continued to evolve.


    Gothic Lolita and the Reinvention of Lace

    The endurance of lace within Gothic fashion becomes particularly visible in Gothic Lolita.

    Emerging in Japan during the late twentieth century, Gothic Lolita combined Victorian-inspired silhouettes, Rococo influences, dark romantic imagery, and meticulous attention to detail. Lace quickly became one of the movement’s defining materials.

    Brands such as Moi-mĂȘme-MoitiĂ©, founded by Mana of the Gothic band Malice Mizer, helped establish the visual language that many people now associate with Gothic Lolita. Elaborate lace trims, high collars, veils, gloves, and layered garments created an aesthetic that felt simultaneously historical and contemporary.

    What made this use of lace particularly interesting was its shift in emphasis.

    Victorian mourning attire employed lace to express grief and social ritual. Gothic Lolita transformed the material into a tool for artistic identity and imaginative self-creation. The emotional resonance remained, but the context changed.

    Lace no longer functioned primarily as a symbol of loss.

    It became part of a carefully constructed visual world where elegance, fantasy, melancholy, and individuality could coexist.

    This evolution demonstrates the remarkable adaptability of lace. The fabric retained its historical associations while acquiring entirely new meanings within contemporary Gothic culture.


    Why Lace Continues to Matter

    Fashion trends appear and disappear with remarkable speed.

    Lace has remained relevant for centuries.

    Its survival cannot be explained solely through beauty or craftsmanship. Other historically significant fabrics have faded from everyday use, yet lace continues to reappear across luxury fashion, alternative culture, bridal design, and Gothic aesthetics.

    Part of this endurance comes from the material’s symbolic flexibility.

    Lace can evoke mourning, romance, spirituality, nostalgia, elegance, rebellion, or introspection depending on its context. Few fabrics carry such a broad emotional vocabulary. Designers and wearers can reinterpret it repeatedly without exhausting its meaning.

    For Gothic fashion, this richness is particularly valuable.

    The culture has always been drawn to layered emotions and complex symbolism rather than straightforward visual statements. Lace naturally complements that sensibility because it encourages interpretation rather than providing fixed answers.

    The material feels historical without becoming obsolete.

    It feels romantic without becoming sentimental.

    It feels elegant without losing its edge.


    A Fabric Shaped by Memory

    The history of lace within Gothic fashion reveals why certain materials endure while others disappear.

    Lace accumulated meaning across generations. Victorian mourning culture connected it to remembrance and loss. Portrait photography linked it to distance and emotional complexity. Designers such as Alexander McQueen transformed it into a medium for storytelling. Gothic Lolita reimagined it as part of an alternative aesthetic built around imagination and individuality.

    Each period added new layers without erasing the old ones.

    As a result, lace carries an unusually rich cultural memory. A black lace veil can simultaneously evoke history, beauty, grief, elegance, and personal expression. The material remains recognizable while continuing to evolve.

    That accumulated history explains why lace occupies such an important place within Gothic fashion.

    More than an accessory or decorative detail, it serves as a bridge between past and present. The fabric connects modern Gothic style to centuries of visual culture while preserving the emotional depth that makes the aesthetic so compelling.

    Few materials tell such a long story.

    Fewer still continue finding new ways to tell it.


    Wear the Darkness

    If The Symbolism of Lace in Gothic Fashion speaks to your love of Victorian elegance, Gothic aesthetics, and dark self-expression, explore the Edgar Allan Poets store. Our apparel celebrates the symbolism, history, and beauty that continue to shape Gothic culture.

    Edgar Allan Poe Gothic apparel and noir-inspired fashion from the Edgar Allan Poets store


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    Frequently Asked Questions

    Why is lace associated with Gothic fashion?

    Lace became associated with Gothic fashion through Victorian mourning culture, Romantic aesthetics, and its ability to communicate emotional complexity through texture, shadow, and historical symbolism.

    Why is black lace so common in Gothic clothing?

    Black lace combines associations with mourning, elegance, emotional depth, and historical fashion, making it particularly suited to Gothic aesthetics.

    What role did lace play in Victorian mourning culture?

    Black lace veils and garments were widely used during mourning periods. They symbolized grief, remembrance, and the emotional separation created by loss.

    Why does Gothic Lolita fashion use so much lace?

    Gothic Lolita draws inspiration from Victorian and Rococo fashion. Lace contributes visual richness, historical references, and a sense of fantasy that aligns with the style’s aesthetic goals.

    What does lace symbolize in Gothic aesthetics?

    Lace can symbolize memory, ambiguity, elegance, vulnerability, identity, mourning, and the persistence of the past within the present.


    The post The Symbolism of Lace in Gothic Fashion appeared first on Edgar Allan Poets – Noir Rock Band.

  • 5 Artists Bringing Blues into the 21st Century

    From psychedelic soul to hip-hop, modern blues artists are proving that respecting the tradition doesn’t mean being trapped by it. Blues is often treated as something that needs to be preserved. Historically, though, blues has always been music that evolves. The biggest blues legends have always been innovators. Electric blues was once radical. Blues rock was once radical. Stevie Ray’s take on the Texas blues completely changed the game at the time. Soul, funk, R&B all grew from the blues tradition. It becomes evident that experimentation and bold takes have always been part of the story.

    These five artists carry the torch forward, and truly pull blues into the 21st century.

    Dan Auerbach

      The Ohio-born guitarist, singer, bandleader, producer (the list goes on) has emerged as one of the key figures in the modern landscape of the genre. With his own spin on the Hill Country Blues, he has brought some deep cuts to wider audiences, and written some blues rock anthems of his own. Throughout his career, he’s managed to preserve the rawness of the north Mississippi sound, and paradoxically he has managed to make it sound ancient and modern at the same time. For those who have recently discovered the world of modern blues, The Black Keys’ catalogue is a journey not to be missed. But don’t be afraid to let yourself get lost in the swamp that is his debut solo album Keep It Hid either. In addition to his own music, he has founded a record label, Easy Eye Sound, that nurtures artists who channel that real emotion while staying brave enough to experiment and who are comfortable being considered slightly odd before they blow up.

      Gary Clark Jr.

      Gary’s music fuses the unimaginable and is one of the most obvious examples of crossing boundaries. A true pioneer of a brand new sound. Fuzz-drenched garage rock, traditional blues, hip-hop, funk, R&B. Yeah, Gary’s all that. It’s the blues meets everything type of thing. Widely considered a blues artist, he has won Grammy awards for best R&B performance, best Rock performance, and best Rock song. His sound is hard to describe without hearing and feeling it. Soulful voice, otherworldly guitar playing, and swagger that can’t be copied. His very colourful catalogue is to be meticulously explored. Unsure where to start? Try Blak and Blu.

      Marcus King

      Marcus King delivers big vocal performances, crazy guitar solos, and unmatched emotion. He truly puts his soul into his songs; there’s no doubt about that. He opens his heart to anyone that cares to listen, and follows it wherever it may take him. He seems to have been truly inspired by that Rick Rubin mantra of not considering the audience when writing and recording music, but following your instincts. He blends psychedelia, Southern rock, soul, country, folk, and even something that I wouldn’t be able to place in any traditional genre (e.g. Mood Swings). A good starting point for blues rock fans however, is the Dan Auerbach produced album Young Blood.

      Eddie 9V

      Hailing from Atlanta, this 30-year-old has developed his sound by playing in metal and indie rock outfits, before discovering the blues and letting it leave its mark on his DNA. He bit back and changed the traditional into something a bit more subtle, a bit more modern, and a bit more soulful. He doesn’t care about doing things ‘right’, the only thing he seems to care about is how it feels. Give his 2024 album Saratoga a spin to see exactly what I mean. Oh, and based on his latest single, he’s got something really special brewing for later in the year.

      Southern Avenue

      This female-led powerhouse from Memphis has souled up the blues, added the gospel edge to it, and made it easy to listen to, dance to, and get lost in regardless of your musical preferences. I could genuinely imagine their music being playlisted alongside Muddy Waters, Aretha Franklin, as well as Ariana Grande. Fiery energy, catchy melodies, irresistible groove, and tonnes of soul. Southern Avenue make it more about musical dialogue, a good time, and community than anything else. Their aptly titled album Family is evidence that blues does not have to be the final product; for them it’s a starting point to something much larger.

      All five artists on this list bring something new. A different perspective, a different subgenre, a different production technique. The question is not whether these artists are ‘blues enough’ based on an imaginary grading scale; it’s whether they’re doing what great blues musicians of the past have always done: taking the world around them, trusting their gut and doing what feels right, while using the traditional as a never-ending well of inspiration. You be the judge.

      The post 5 Artists Bringing Blues into the 21st Century appeared first on Blues Rock Review.

    1. Olivia Rodrigo Sings With Stevie Nicks At Daisy Chain Fields, Raises $20M For Women’s Rights: “See You Next Year”

      Olivia Rodrigo held her much-anticipated women-led Daisy Chain Fields in Irvine, CA last night. The inaugural event raised $10 million for women’s rights nonprofits, and Melinda French Gates is doubling that amount with a $10 million donation through her charity Pivotal. At a press conference on Friday, Rodrigo said the artists and activists participating in Daisy Chain gave her hope amid the current “regression of women’s rights.”

      The post Olivia Rodrigo Sings With Stevie Nicks At Daisy Chain Fields, Raises $20M For Women’s Rights: “See You Next Year” appeared first on Stereogum.