Armed for release day.
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SHARON OSBOURNE Confirms Settlement With BLACK SABBATH’s First Manager Over Early Band Recordings: “I’m Just Happy That It’s Where It Should Be — With The Band”
Sharon Osbourne has reached a settlement with Jim Simpson — Black Sabbath‘s first-ever manager — over his plans to put out a collection of early recordings made by Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Wardunder their pre-Black Sabbath name, Earth.
Sharon broke the news on the latest episode of “The Osbournes” podcast, speaking with her son Jack. According to (transcribed by Blabbermouth), she said: “We settled with Jim Simpson, and the band now has their demos back. And all four of them [the original members of Black Sabbath] own it, which is where it should be. All of that stuff should be theirs. So it all ended well. So, yeah, they own them. We’re gonna talk about what everybody wants to do with it, and we’ll go from there.”
She also spoke about what’s on those recordings, noting that the Earth material sounds quite different from what Black Sabbath would go on to create — more blues-oriented, leaning away from the heavy sound the band became famous for. Even so, Sharon stressed their historical value.
“I just think it’s historically important — for music lovers of that genre. And then we got [the rights to] the pictures that were taken at that time too. So, that is all so important. I mean, listen, you [Jack] want those pictures. Everybody in the band’s kids and grandkids would love to see [them]… It’s special. And I’m just happy that it’s where it should be — with the band, and [they can decide] what they wanna do as a band, what they’re gonna do with it. So that’s great.”
Sharon also gave Simpson credit for ultimately coming around and doing right by the band: “He did the right thing at the end of the day. He did the right thing for the band.”
The dispute had been brewing since Simpson — now in his late 80s — announced plans last year, weeks before Ozzy‘s death, to release Earth: The Legendary Lost Tapes, a set of 1969 demos originally scheduled for July 2025. Simpson managed Black Sabbath during their earliest days and claimed he paid for those sessions himself when the four Birmingham lads were still teenagers performing as Earth. He had restored and remastered the recordings through his Birmingham blues/jazz imprint Big Bear Records.
Simpson had previously stated that he reached out to the band members about the project in September 2024, only to be turned down — including, he said, via legal threats from Sharon: “I approached members of the band about this on 24 September 2024. The message I got back was that they didn’t want it released and wanted nothing to do with it. This included two very threatening e-mails from Sharon. But the band had every chance to be involved.”
He had made clear why he felt the release mattered: “My reason for launching this album is because it will become a crucial segment of music history. It contains recordings that clearly demonstrate what fine music Ozzy, Tony, Geezer, and Bill were producing right from the very beginning in their pre-Sabbath days.
“It shows how these four young men from Birmingham, barely out of their teens, were already remarkable musicians when they existed as Earth, and that they fully deserved all the success that was to come their way as Black Sabbath.”
Earth: The Legendary Lost Tapes reportedly includes three blues covers — “Blue Suede Shoes,” “Evenin’” and “Wee Wee Baby” — alongside two versions of a track called “Song For Jim” (the title referencing Simpson directly, per Jim). The first version features Iommi on guitar, while the second showcases a rare flute performance. Rounding out the tracklist are “Untitled,” “Free Man,” “Wicked World,” and “Warning.”
Simpson had previously said of the project: “If we can finally release this album, it will be a great gift to the music world and to millions of Sabbath fans.”
With the settlement now in place, what becomes of those recordings is a decision that belongs entirely to the band.
The post SHARON OSBOURNE Confirms Settlement With BLACK SABBATH’s First Manager Over Early Band Recordings: “I’m Just Happy That It’s Where It Should Be — With The Band” appeared first on Sonic Perspectives.
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High Roller Low Life — DC Darkwavers Die Feen Deal Casino Noir on “A Night At The Golden Nugget” EP
In ‘68 I worked at the Sands, big singer came in and threw his weight around
The other waitresses they got enraged
I went to my husband who worked security
Knocked out his two front teeth
Washington, DC’s Die Feen started in 2023 and are, by their own admission, terrible at writing about themselves, which is either charming modesty or the first honest press quote since Lou Reed decided politeness was for dentists. Luckily, they write about other people beautifully, especially when those people are stranded under casino carpet patterns, bad decisions, comped cocktails, and the grim fluorescent theology of Las Vegas.
A Night at the Golden Nugget is based on a true story, and a story that was truly told to the singer, which already gives it the smell of sacred barroom scripture. Across five songs, Die Feen turn one legendary 1993 evening into a Pyrrhic Vegas pageant: old-fashioned country storytelling dragged through a darkwave lens, with the tragicomic appetite of The Damned and Jack Ladder, the bruised elegance of The Chameleons, and a little Lou Reed street-corner stink tucked into its jacket pocket.
3 Miles opens with Willa, a 28-year-old cocktail server, walking three miles to work because Stretch, her unemployed magician of a boyfriend, has failed at the basic sorcery of putting gas in the tank. That detail alone deserves a bronze plaque. The song catches her between financial fatigue and romantic disgust, trudging toward a shift where “Drinks are comped for players / But tips are welcome” becomes the setup for a creep’s joke so sour you can practically smell the stale Marlboros. Vegas here is no glittering adult playground; it is a dry-mouthed valley with sore feet.
Then Linda arrives in You’ve Been Warned, and thank God for Linda. A veteran server in her late fifties, she handles the patron with the poise of a union rep, a mob aunt, and a cocktail waitress who has seen Frank Sinatra’s bad side and kept receipts. Her old Sands story, complete with knocked-out teeth and jewelry, is so gloriously grotesque it ought to be taught in hospitality schools as Conflict Resolution 101.
Megabucks lets the awful customer hit seven figures, and naturally, he interprets this as proof that the universe wants him to bother women. Suddenly he is offering Maui, Don Ho, luaus, and whatever Jim Nabors is doing in his imagination. Die Feen nail the pathetic inflation of a man who confuses luck with destiny and cash with charisma.
F.I.T.S. is the blessed pin in that balloon. The bartender has a kid’s soccer game, taxes, shampoo, and about a thousand drinks to sling. His beach fantasy lands with all the seductive power of a damp coupon. By the time we arrive at To Absent Friends, triumph has gone rancid. Alone in a comp suite, the patron slips into hunger, knights, gods’ blood, prime rib, and spiritual indigestion. Die Feen leave him there, rich and ridiculous, staring at the buffet of his own emptiness. In Vegas, even victory can come with a room key and a curse.
Listen to A Night At The Golden Nugget below and order the EP here.
Follow Die Feen:
The post High Roller Low Life — DC Darkwavers Die Feen Deal Casino Noir on “A Night At The Golden Nugget” EP appeared first on Post-Punk.com.
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Slaughter To Prevail Vocalist Alex Terrible’s Remix Of Till Lindemann’s “Es Brennt…” Is Now Streaming
Part of an upcoming new EP from the Rammstein vocalist.
The post Slaughter To Prevail Vocalist Alex Terrible’s Remix Of Till Lindemann’s “Es Brennt…” Is Now Streaming appeared first on Theprp.com.
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SÖNUS Unleashes “Sisyphus Stomp” OUT NOW — A Relentless Anthem of Struggle and Defiance – @thebeast
FOR IMMEDIATE RELEASE
SÖNUS Unleashes “Sisyphus Stomp” OUT NOW — A Relentless Anthem of Struggle and Defiance
Release Date: April 24, 2026
Rising heavy metal force SÖNUS returns with “Sisyphus Stomp,” a crushing new single taken from their forthcoming full-length album Planes of Torment .
Blending the raw punch of classic hard rock with the unrelenting weight of traditional heavy metal, “Sisyphus Stomp” channels the spirit of legends like AC/DC, Motörhead, and Judas Priest while pushing it into a modern, no-nonsense sonic attack. Recorded live in the studio, the track captures a band locked in, loud, and fully dialed in with zero polish holding it back.
This is more than just a heavy anthem. “Sisyphus Stomp” hits like a rallying cry for anyone stuck in the grind. Drawing from ancient mythology, the song reflects the endless cycle of struggle in modern life, calling out burnout, inequality, political decay, and nonstop conflict. The message is simple and unshaken: the climb never ends, you just decide whether you keep pushing or fold.
Following the success of their 2022 Doom Charts–topping release Usurper of the Universe , SÖNUS mastermind David Wachsman went through a stretch of personal and creative upheaval. What came out the other side was sharper, heavier, and more focused than ever. That evolution now drives Planes of Torment , an album built over years of persistence, pressure, and survival.
The current lineup features:
David Wachsman — Lead/Backing Vocals, Lead/Rhythm Guitars, Synths, Lyrics/Arrangements
Dave Reno — Bass, Backing Vocals
Colin Jaramillo — Drums, Backing Vocals
Additional contributions include Mike Gorman on rhythm guitar and Will Harper on flute (featured on the album track “Scorpio” ).
Engineered and recorded live to preserve its raw energy, Planes of Torment was tracked by Adam Reed at Reed’s Recordings in Campbell, California. The album was mixed by Dave Reno at Fuzzy Wizard Studios and mastered by Matt “Mojo” Denton at Ragged Birds Music.
“Sisyphus Stomp” is out now and serves as a direct hit from what is shaping up to be a defining heavy metal statement from a band doing it the old way: loud, honest, and relentless.
Planes of Torment is coming. The climb has already started.
Listen now:
https://distrokid.com/hyperfollow/snus/sisyphus-stomp
https://sonusrocks.bandcamp.com/track/sisyphus-stomp-2
Watch the video and subscribe:
Connect with the band:
https://linktr.ee/SonusRocks
Contact: band@sonus.rocks -
Blood Incantation To Release ‘All Gates Open’ Documentary & Soundtrack
It was previously exclusive with a deluxe edition of “Absolute Everywhere”.
The post Blood Incantation To Release ‘All Gates Open’ Documentary & Soundtrack appeared first on Theprp.com.
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der Mist Northern Lights Review
der Mist Northern Lights Review
The album opens with “Sea Change,” showcasing a vibrant rock vibe. This track highlights the duo’s strong personality. Their compositional style blends alternative rock with American influences. Following this is “Lost Souls,” a song characterized by its rhythmic drive. The slight megaphone effect on the vocals gives this song a retro feel, reminiscent of artists like Alice Cooper.
Next is “Lay Me Down,” which possesses a distinct 1970s quality. It showcases the duo’s diverse range of influences. The sound here evokes music projects akin to the New Radicals. The title track, “Northern Lights,” is notable for its robotic effects on the vocals. This song carries an 80s ambiance, merging elements from Pet Shop Boys, Alphaville, and Empire of the Sun.
Then comes “To the Limit,” an energetic track demonstrating the band’s unique sound. The use of arpeggiators blends with the alternative rock foundation. The vocal delivery alternates between a deep tone and a higher pitch in the chorus, almost like an oracle calling out.
“Wash Over Me” follows, a song that compels the listener to tap their foot in time with the music. It features a striking keyboard solo that expands the auditory landscape. Closing the album is “The End,” which begins with a crystal-clear guitar sound. This track emphasizes the duo’s attention to crafting a distinctive sound. The chord progression is intriguing, while the guitar solo brings to mind musical influences similar to Soundgarden.
Northern Lights – Sound and Atmosphere
Overall, this is an impressive album that I recommend to everyone. The tracks demonstrate a careful blend of various musical elements and styles. Each song reveals different influences while maintaining a cohesive sound. The duo’s ability to evoke nostalgia while creating something fresh is commendable. In an era filled with repetitive sounds, “Northern Lights” stands out uniquely.
With each track, listeners are taken on a remarkable journey through time. The blend of classic rock influences with contemporary elements is masterfully executed. The musicianship displayed throughout the album is evident. The rich textures and layers in their music offer depth and complexity. It is refreshing to hear a band that prioritizes originality while paying homage to musical legends.
Northern Lights – Performance and Production
“Northern Lights” by der Mist delivers a refreshing take on rock music. The album’s energy and creativity will surely attract a diverse audience. The ability to evoke emotions and memories through their sound is impressive. Every song has its own character while contributing to the overall narrative. This album is a must-listen for fans of rock and alternative music.
The production quality amplifies the band’s vision effectively. The album covers a broad spectrum of influences, making it appealing to various musical tastes. In an industry where trends often overshadow originality, der Mist takes a bold step forward.
With this album, they set themselves apart with clear artistic intent. The tracks flow well into one another, creating an engaging listening experience. The craftsmanship behind the music is commendable. This is a group well worth following as they develop their sound further.
“Northern Lights” is an album rich with musical heritage and innovation. It’s a rewarding experience for anyone seeking depth in modern rock. Der Mist successfully merges various influences into a fresh and exciting listening experience. The album is a formidable addition to their discography and deserves widespread recognition.
Unique
If you love this music: Discover More
For fans of:
Alice Cooper • New Radicals • Pet Shop Boys • Alphaville
The post der Mist Northern Lights Review appeared first on Edgar Allan Poets – Noir Rock Band.
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CONFESSIONS OF A TRAITOR ANNOUNCE “SACRED & SEVERED” US TOUR — BRINGING THIS PAIN WILL SERVE YOU TO THE STAGE – @thebeast
FOR IMMEDIATE RELEASE
CONFESSIONS OF A TRAITOR ANNOUNCE “SACRED & SEVERED” US TOUR — BRINGING THIS PAIN WILL SERVE YOU TO THE STAGE
London, UK – Confessions Of A Traitor are stepping off the record player and straight into the chaos of the road with their newly announced Sacred & Severed Tour , a full-force US run in support of their latest album This Pain Will Serve You , out now via Facedown Records.
Known for turning raw emotional weight into towering, melodic heaviness, the band is taking that energy where it belongs… into packed rooms, sweat-soaked stages, and loud nights that don’t let up until the lights come on.
This run is not a victory lap. It is a survival march.
Joining them on the Sacred & Severed Tour are Fight From Within and Exit Wounds , rounding out a lineup built for impact, volume, and zero wasted motion. Three bands, one mission, no easy exits.
SACRED & SEVERED TOUR DATES
05/07 – Chicago, IL – The WC Social Club
05/08 – Akron, OH – Afterlife Nightclub
05/09 – New Baltimore, MI – Diesel Concert Lounge
05/10 – Lansing, MI – Mac’s Bar
05/11 – Erie, PA – Centennial Hall
05/12 – Rochester, NY – Photo City Music Hall
05/13 – Manchester, NH – Bungalow Bar
05/14 – Brooklyn, NY – Lucky 13 Saloon
05/15 – Catonsville, MD – Morsebergers Tavern
05/16 – Wilmington, NC – Reggie’s 42nd Street Tavern
05/17 – Richmond, VA – Ember Music Hall
05/18 – Raleigh, NC – Chapel of Bones
05/19 – Nashville, TN – Cobra
05/20 – Atlanta, GA – Boggs Social & Supply
05/21 – Pensacola, FL – The Handlebar
05/22 – Winter Park, FL – The Conduit
05/23 – Bradenton, FL – Oscura
05/24 – Jacksonville, FL – Jack Rabbits
“This Pain Will Serve You” continues to hit hard worldwide, built on themes of endurance, faith, and confronting what most people try to bury. Now the band is bringing that message into the live setting where it lands different, louder, and closer to the bone.
No safety net. No soft landing. Just truth, volume, and release.
Stream This Pain Will Serve You now via Facedown Records:
https://linktr.ee/confessionsofatraitor
For fans of: Fit For A King, While She Sleeps, The Ghost Inside, Architects
Lineup:
Stephen MacConville – Vocals
Seb Olward – Drums
Jack Darnell – Guitar
Genre: Metalcore / Hardcore / Post-Hardcore
Label: Facedown Records
Management: EMG
Check them out on YouTube and subscribe:
Connect:
https://linktr.ee/confessionsofatraitor
Contact: confessionsofatraitor@gmail.com -
DS Exclusive: Making Friends premiere video for new single “Billboard Town” from upcoming LP
Brighton skate punks Making Friends are back with “Billboard Town,” the second single from their upcoming album Home is Where the Heart Was, and it’s a full-throttle blast of melody, grit, and restless energy. Built for late nights, long drives, and blown-out speakers, this track captures everything that makes the band impossible to ignore right now.
Check out the brand new music video and get a first look at what’s coming next.
The new album lands Summer 2026 via Punk Rock Radar (US), Cat’s Claw Records (UK), Pee Records (AU), Bearded Punk Records (EU), High End Denim Records (CA), and Waterslide Records (JP). Preorders coming very soon.
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Tár Dancing On The Event Horizon Review
Tár Dancing On The Event Horizon Review
The EP opens with “A Course For Home,” immediately establishing a sense of tension. The female vocals appear to stem from a futuristic realm. These ethereal tones are complemented by chords that create a dystopian and intense atmosphere. The entry of the male vocalist adds an epic quality, shifting the ambiance towards a darker intensity. This combination sets the stage for the unfolding story within the music.
Next comes “Black Lights,” where the guitar riff draws inspiration from bands like the Foo Fighters. Yet, Tár’s unique touch brings a nostalgia reminiscent of the 90s. This track embraces alternative and melodic elements, filled with layers of emotion. It captures a sense of longing that resonates throughout its duration. The band successfully balances modern influences with retro vibes, creating a rich musical texture.
“Neon Blood” follows with an adrenaline surge. The rhythm is powerful and rapid, evoking the sensation of a runaway train. This energy is contagious and exemplifies Tár’s capability to conjure epic atmospheres. The sounds here evoke imagery fitting for science fiction films like “Mad Max” or “Blade Runner.” The urgency in this track underlines the band’s creativity and skill in crafting engaging music that stirs imagination.
Dancing On The Event Horizon – Sound and Atmosphere
The chemistry among the band members is evident. Tomasz Jackowski delivers impressive vocals, while Krzysztof Boboryko’s guitar work stands out. Robert Lachendro provides a solid bass foundation, and Daniel Nowakowski drives the rhythm with precision. Each member contributes to an emotional depth that elevates the music. Together, they summon a raw energy that connects deeply with listeners.
The EP concludes with “Anatomy of Letting Go,” which begins with a crunchy, nighttime guitar riff. This opening instantly evokes comparisons to bands like Staind. The song transforms into a fantastic ballad that builds effectively into a powerful chorus. The shift from a subdued intro to a climactic release showcases the band’s ability to craft dynamic compositions.
The entire atmosphere of this EP is impressive. Tár firmly demonstrates their understanding of musical language and emotional communication. They create a cohesive body of work that keeps listeners engaged from start to finish. The blend of nostalgia and modernity is well-calibrated, ensuring the music feels relevant while still honoring its influences.
Dancing On The Event Horizon – Performance and Production
This EP is an exciting exploration of sound and emotion. Tár has crafted a project that will resonate with fans of alternative music. Their ability to invoke imagery through their sound is remarkable. Each track possesses a distinctive character while contributing to the overall narrative. The commitment of each band member to the collective vision is commendable.
As the final notes of “Anatomy of Letting Go” fade away, the listener is left in a reflective state. Tár has successfully delivered a transformative experience. They offer a glimpse into a future where music continues to evolve and inspire. With this EP, Tár makes a notable entrance into the conversation of modern alternative rock.
Intense
If you love this music: Discover More
For fans of:
Foo Fighters • Radiohead • Staind
The post Tár Dancing On The Event Horizon Review appeared first on Edgar Allan Poets – Noir Rock Band.