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  • SPIRIT ADRIFT Stream Crushing New Standalone Single “Eternal Celestial Energy”, Confirm Band’s Final Album Is In The Works

    Nate Garrett is back with Spirit Adrift. Following his gothy 2024 side project Neon Nightmare, Garrett has returned to his main band with “Eternal Celestial Energy,” a new standalone single.

    The track is a heavy, detuned dirge built around melodic low-end crush and Garrett‘s emotionally raw vocals — screaming and crooning through a storyline that cuts deep.

    Garrett kept his comments on the song brief, but direct: “I can’t speak too much on this song, other than to say it’s probably the heaviest thing I’ve ever written, both sonically and emotionally. It was extremely difficult to make, but hopefully it will resonate with people who need some catharsis.”

    He also confirmed that “Eternal Celestial Energy” is not tied to an upcoming album — but that one is coming.

    Garrett added, “This is a standalone single. That said, the sixth and final Spirit Adrift album is approaching sooner than you realize. We will debut two brand new, never-before-heard songs at our upcoming show with Crowbar, Eyehategod, and Bl4ckm4gnet on 03/20. Thank you so much to all of you who made the show sell out. It will be Spirit Adrift‘s final performance. We look forward to the coolest possible farewell we could imagine, in one of the most metal cities in the world!”

    Garrett closed with a nod to a recently lost legend: “In the words of our beloved Ozzy Osbourne… ✌🏻 ‘We love you all!’ ✌🏻”

    The post SPIRIT ADRIFT Stream Crushing New Standalone Single “Eternal Celestial Energy”, Confirm Band’s Final Album Is In The Works appeared first on Sonic Perspectives.

  • METATRONE Unveils New Single “Stato Infame” From New Album SANGUEACQUA

    Italian Christian power-prog metal band Metatrone returns with the new single “Stato Infame”, alongside an official lyric video. The track is the third preview from the band’s upcoming album “SANGUEACQUA”, scheduled for release on March 13th, 2026, from Rockshots Records, marking the group’s long-awaited return ten years after their acclaimed album “Eucharismetal“. Following the previously released singles “Emmaus” and […]

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  • Pearl Jam’s Mike McCready Announces Grunge Opera

    Mike McCready is here to make people care about opera again. Today the Pearl Jam guitarist announced Farewell To Seasons, a “graphic album” and rock opera set in 1990s Seattle about a fictional grunge musician named David Williams.

    The post Pearl Jam’s Mike McCready Announces Grunge Opera appeared first on Stereogum.

  • Album Review: Nuctemeron – Demonic Sceptre

    Album Review: Nuctemeron – Demonic Sceptre

    Reviewed by Matthew Williams

    I can’t afford to lose more of my hairline, and I want Nuctemeron to know that I hold them and their insalubrious speed-freak devilry personally responsible for the additional four inches of formerly fabulous follicles I am now bereft of, blasted as it was clean off my skull by their occult tomfoolery. I had ringlets once, cherubic and flowing. Now I look like a fucking thumb. Ah well. The receding runs strong in my family, and in truth all Nuctemeron have done is speed along a process already long afoot. Given that the hand of fate already had a future as a cue ball in store for me, there’s only so much ire my heart may hold for the band. I suppose, then, that the question really worth the asking is: “Are Nuctemeron worth the deforestation job they’ve given me?”.

    Imagine thrash metal – but the earliest examples. Masterworks like “Kill ‘em All” and “Show No Mercy” wherein the debt owed to classic heavy metal was obvious and unabashed. Then accelerate. Accelerate to the point that from a standing start the voyager probes will be coughing up your space dust inside a minute. Add in a vocalist that screams like he’s using hornets for suppositories, a Paul Baloff on bath salts type that shrieks like he’s stuck in a phone booth with a polar bear. Riffs that scrabble with the boundless skittish energy of an electric gibbon, and the dread magnificence of that spiky sandpaper distortion we all know and love from the fledgling efforts of Destruction or Kreator. A puglistic cardiovascular ordeal of a drum performance somewhere between an amphetamine rampage and a hate crime against a snare. When it all comes together, you more or less have the blueprint for classic speed metal. Or at least I think you do, “speed metal” and “thrash metal” seem to be close enough to be synonymous much of the time, to the point that Dave Mustaine calls Megadeth speed metal in the liner notes for the “Rust in Peace” remaster. I’m not sure I understand the distinction between the two, but there’s an extent to which it’s unimportant, because one concrete determination that I can make with crystal clarity is that “Demonic Sceptre” is metal as fuck.

    Album Review: Nuctemeron - Demonic Sceptre

    There’s something in the way Germans do this sort of stuff. The band understands that anything worth doing is worth doing quickly, and apart from the odd breather taken largely to snort 4 mile lines of coke cut with cayenne pepper tempo distinctions are largely between “fast” and “faster”. They play like they thought “Angel of Death” was drone metal, slamming into cuts like “Burn my Skin to Leather” as though hell itself snaps at their heels. The following sentence makes no sense but is true nonetheless: cheese is metal. It’s why something potentially ridiculous – like “The Bat” having a chorus in which the sole lyrics are the word “BAT” screamed at you over and over – effortlessly swerves clear of any sardonic mockery I could derisively lob at it. The directness and unashamed passion of it is just awesome, every note, every lyric is slam-fired out with absolute conviction – and it’s irresistibly engaging on account of it. It doesn’t go out of it’s way to be catchy but any song titled “Fuck Off!!!(in the Name of Evil)” can’t help but have an infectious chorus. Nor is the playing exactly airtight, but it brims with such rambunctious enthusiasm that I just couldn’t find it in myself to care. They attack the music with such fervour that one might think it had done them personal harm – take the bass for example; hear it open “Burn My Skin to Leather”, hear it being thrashed to within a planck length of it’s life. Nuctemeron’s bass duties are fulfilled by someone calling themselves “Volcanic Slut”, and she plays with the untold aggression of a woman who splices ghost pepper extract into her vagisil.

    With that said, there is a thimble’s worth of setbacks. I wasn’t sold on the ambient intro, nor would the cover of Venom’s “Angel Dust” float my boat if I had one to float. For the intro, the chief sin is irrelevancy in an otherwise exhilarating album – the 2nd track (“The Bat”) has a moment of spooky ambient jimmy-rustling at the beginning anyway, which is well enough to set the scene before the rest of this fucking thing kicks your bollocks off and replaces your spinal fluid with Dr Pepper. A full track of it feels surplus to requirements, and despite having spun this album more times than the earth has rotated I’ve never failed to skip that introduction once a first listen granted me the full measure of it. The “Angel Dust” cover is fine of itself, but the band seems to be playing it note for note, as opposed to adapting it into something more demonstrative of their talents than it is Venom’s. I like Angel Dust (the song is pretty good too) but if a cover is to be done, it seems to me best that the cover version do something that the original did not, becoming almost more a homage to the original than a retelling of it. Space allotted to a clone generally feels (to me at least) as though it would be better used to display original material – in particular when that original material is as fiery as this.

    That those two tracks open and close the album is unfortunate, but as the good lord saw fit to bless us with a skip button, I can only implore you to make use of it. Besides that, if you consider yourself a thrash metal fan, or a speed metal fan (doubly so if you enjoy the shrill “one more degree on the treble knob and this is black metal” branch of the genre) then do not permit Demonic Sceptre to pass you by. While I doubt it’ll reorganise your perceptions of what’s possible within thrash (or speed, or whatever the fuck it is) I defy each and every one of you to resist the impassioned, hellacious momentum this band toy with. This is music by people who think metal is the coolest thing ever, for people who think metal is the coolest thing ever. I couldn’t be more the target audience if I painted a bullseye on my forehead. So, Nuctemeron – if you’re reading this – while I curse thee and all blighted scions of thine bloodline for the crimes thy hands hath wrought upon my hairline…I can’t stay mad at you. This album is – moderate quibbles notwithstanding – incredible fun, and your life will be better for listening to it.

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Album Review: Nuctemeron – Demonic Sceptre appeared first on The Razor's Edge.

  • Nuctemeron – Demonic Sceptre Review

    There’s a big problem with today’s metal scene: There aren’t enough fukkin bands that sound like Nifelheim. Every time I listen to those crazy Swedes, I want MOAR of their scalding black-thrash riffs, MORE of their pummeling blast beats, more of the unhinged ferocity that feels sorely lacking in today’s scene, when it seems like every band needs to have clean vocals and mix at least three genres. While Nifelheim vocalist Hellbutcher did release a very good album in 2024 via his eponymous band, his main project’s frantic intensity has gone largely unreplicated. Fortunately, Nuctemeron are here to change that. Over the past decade, this German group has kept the black flame burning with a slew of splits and EPs that bear titles like Beastfuck and Rape from the Grave, all while clad in enough spikes and leather to make them the favorite customers of their local BDSM shop. With their debut album, Demonic Sceptre, the group has continued following Nifelheim’s burning warpath, unleashing a barrage of frenetic riffs, scathing vocals, and battering rhythms that would make those Swedes proud.

    Yet at the same time, calling Nuctemeron mere Nifelheim clones is hardly accurate. Perhaps most notably, the band’s aptly-named bassist and vocalist, “Lunatic Aggressor,” avoids mimicking Hellbutcher’s manic rasp by instead delivering a larynx-shredding shriek that somehow turns songs like “Burn My Skin to Leather” into singalong anthems. And, as hinted at by the cover art’s apparent homage to Destruction’s Eternal Devastation, the music here shows that these Germans have heard plenty of thrashy bands besides Hellbutcher and Co. Take the instrumental opener, “Fresh Blood for the 13th Coffin,” which is an ambient synth piece with vaguely medieval vibes that recall Desaster. Said influence continues with the Hellfire‘s Dominion-style guitar melodies that open the first proper track, “The Bat,” before the slicing verses began slashing into your neck like a sharpened scythe. Likewise, “Under Devil’s Command” features a terrific, olde school main riff that evokes the glory days of 80s speed metal, while the harmonized guitars of that song’s bridge serve as a saccharine throwback to metal’s golden age.

    That said, it’s clear that Nifelheim is a massive influence here. And fortunately, Nuctemeron absolutely nail that band’s sound with a slew of the wildest black-thrash cuts I’ve heard in a long time. Early highlight “After Violent Storm” basically functions as a complementary vasectomy, as the ricocheting guitar line in that song’s refrain is hot enough to turn whatever genitals you have into something that looks like a charred pork rind. “Fuck Off!!! (In the Name of Evil)” uses Nifelheim’s infamous two-word mantra as the basis to unleash a shitstorm of bouncy, frantic guitars that culminates with the sound of a skipping record repeating that titular proclamation over and over. Later, the aforementioned “Burn My Skin to Leather” sounds like a lost cut from Servants of Darkness with its squealing guitar lines, while “Metallic Thunder” uses a rapid, tapping guitar line to great effect.

    My only real criticism here is that some of the songs repeat their main riffs a bit too much, but that feels like a minor quibble in light of the sheer inspiration on display. The aforementioned “Lunatic Aggressor” shrieks his head off like a banshee the whole time, and the way he pronounces his V’s as W’s is positively endearing. Guitarist “Exterminator” unleashes riff after riff of pure maniacal energy, and his searing, fast solos are a perfect complement to the band’s relentless nature. As shown on the closing track, “Brandish the Hammer of Hell,” the group also aren’t afraid to mix things up, as the song concludes with crooning clean vocals that mimic a melodic guitar line. The production is also great, sounding raw and powerful while remaining clear and retaining plenty of dynamic range.

    Demonic Sceptre is exactly what your psychotic inner black-thrash fan has been craving. This is the first group I’ve heard that truly embodies Nifelheim’s unhinged, frantic style, and yet they mix things up just enough to avoid being a mere worship act. What’s more, the band constantly exude a sense of furious inspiration, yet for how extreme they are, their songs sure are fukkin catchy. For me and anyone else bold enough to brave the group’s scorching fury, Nuctemeron’s debut may just be the best black-thrash record we hear this year.


    Rating: 4.0/5.0
    DR: 9 | Format Reviewed: 320 kbps
    Label: I Hate Records
    Websites: nuctemeron-blackspeedhell.bandcamp.com | facebook.com/blackspeedhell
    Releases Worldwide: March 13th, 2026

    The post Nuctemeron – Demonic Sceptre Review appeared first on Angry Metal Guy.

  • MOONLIGHT HAZE new EP “Interstellar Madness” out in May

    Moonlight Haze will release the new EP “Interstellar Madness” on May 22 through Scarlet Records. Moonlight Haze and extraordinary vocalist Chiara Tricarico (Avantasia) brought symphonic power metal to the next level throughout the tracklist of their fifth studio release, indulging in extremely mighty, epic and theatrical moments. Guided by striking instrumentals parts, catchy and epic […]

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  • WACKEN OPEN AIR 2026 – over 50 new bands announced!

    Excitement for Wacken Open Air is ramping up. Last week’s announcement for W:O:A’s “Wasted Wednesday” kicked things off. Now 49 more bands have been announced for this year’s anniversary edition! The festival week stars with a bone-crushing party on Wednesday, as Sacred Steel, The Troops of Doom, Phantom, Poison the Preacher, Crypt Sermon, Battlecreek and Diabolisches Werk promise to musically plough up the […]

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  • US prog/tech death band XENOSIS unveil astounding new album via Transcending Obscurity

    It’s only for their fifth album that this deserving and rather overlooked US band got a record deal. Xenosis are playing prog/tech death metal and they have been increasingly experimenting with their music. On their latest album “Hermetic Transmutation”, one can even hear influences of dissonant as well as brutal death metal. Watch their newly released official video AT […]

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  • Filth Need Help After Their Tour Van Was Totaled in a Hit-And-Run, GoFundMe Launched

    filth-van

    It always sucks when something goes down and it sets a touring band back. We’ve seen it time and again — gear gets stolen, people get injured, and methods of transportation go down for the count. Such was the case for Filth, who lost their van and trailer in a hit-and-run accident on I-95. Though everyone came out of that incident unscathed, the same couldn’t be said about aforementioned van and trailer. And now they’re looking for some help from their fans and strangers.

    According to a GoFundMe page started yesterday, the accident happened on Tuesday, causing their trailer to flip and damage some of their gear. The biggest damage, however, came to the van, which is now completely totaled. Rather than go over their account myself, here’s the information straight from the band:

    “Tuesday March 10th we were involved in a crash on I-95 that totaled our van, flipped our trailer, damaged the side of it, and blew the tire out. Everyone is thankfully okay and safe, most of our gear was fine, some damage here and there. We decided we didn’t want to drop the tour, we were able to find a RV to rent so we could keep going.

    “The expenses from all of this keeps adding up, Insurance isn’t covering anything since the van is totaled and we didn’t have full coverage on it, we are completely at a loss with that. The RV rental drained all the money we had saved up. We have a very large merch order that has to be paid off at the end of tour, as well as having to try and purchase a van before our next tour starts in April. We wanted to continue the tour so we could play these shows, see all of our friends and fans, and make any money we can to help with all the financial stress we are under now. We hate asking for handouts as we’ve always handled everything ourselves, but we are in a bind and need help.

    “Anything at all helps, and we can not express enough how thankful we are for everyone who has supported us along this journey.

    “Thank you all so much, GUTTER GANG!”

    That fucking sucks, but the good news is their initial ask of $18,000 is already nearly met, with just a couple thousand dollars needed to reach their goal. To help sweeten the pot for anyone considering donating to the cause, the band is offering a free t-shirt and guest list access to a future show to anyone that donates $50 or more

    In a separate statement, the band said they were reticent to start a GoFundMe after the accident, but they’re heartened by the outpouring of support.

    “We truly hate to ask for any help, but at the moment we are at our wits’ end. We cannot express how much we appreciate all the support we’ve gotten over the years from everyone, it means the world to us.”

    If you have the means and can spare a little something for Filth, you can head over to their GoFundMe to contribute to the cause. Hell, you might get you some merch and a concert guest list as a result, so why not?

    The post Filth Need Help After Their Tour Van Was Totaled in a Hit-And-Run, GoFundMe Launched appeared first on MetalSucks.

  • sace6 Announce Debut Album ‘brutalist’

    After announcing their signing to Sumerian Records, sace6 have now shared the details of their first body of work for the label.


    The band’s debut full-length will be titled ‘brutalist’ and will be released on May 08. It serves as a follow-up to the duo’s 2025 EP ‘Limerence’.

    The artwork looks like this:


    Whilst the tracklist is more like this:

    1. besotted
    2. reverie ft. jxdn
    3. basorexia
    4. allured
    5. ego
    6. covet
    7. uneven
    8. dolorous
    9. nepenthe
    10. fabulist
    11. perfidy

    The band have also released a new taste of the record in the form of ‘covet’. A silky smooth blend of pop sensability and electronic flutters with bursts of crushing heaviness littered throughout, it’s further proof of how masterfully the duo are able to combine different styles and sounds. It’s insatiably catchy and brilliantly bludgeoning, the best of both worlds.

    They had this to say about the track’s themes, stating, “Our second single off of brutalist – ‘covet’, remaining anchored to the definition of the word, is an audible representation for jealousy, wanting what/who someone else has to the point of being inept at moving within my own connection.”


    You will be able to catch sace6 opening for Dayseeker alongside Northlane and Wind Walkers around the album’s release. Here are the dates:

    MAY

    01 – HUNTINGTON The Paramount
    02 – WALLINGFORD The Dome @ Oakdale
    03 – SAYREVILLE Starland Ballroom
    05 – ALLENTOWN Archer Music Hall
    06 – BUFFALO Buffalo Riverworks
    07 – GRANDRAPIDS 20 Monroe Live
    09 – GREEN BAY Epic Event Center
    10 – DES MOINES Val Air Ballroom
    12 – OKLAHOMA CITY Diamond Ballroom
    15 – ST. LOUIS The Pageant
    16 – KANSAS CITY Grinders
    19 – WINNIPEG Burton Cummings Theatre
    20 – SASKATOON Coors Event Theatre
    22 – EDMONTON Midway Music Hall
    23 – CALGARY MacEwan Hall
    25 – VANCOUVERCommodore Ballroom
    26 – SPOKANE Knitting Factory
    28 – WHEATLAND Hard Rock Live
    29 – POMONA Fox Theater
    30 – SAN DIEGO SOMA

    The post sace6 Announce Debut Album ‘brutalist’ appeared first on Rock Sound.