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  • Metal Hammer’s tracks of the week: August 28 2026

    Summer might be over (or almost, at least), but the big season for new releases is well and truly upon us. Just today, there’s new albums from Mastodon, Beartooth and In This Moment, plus what feels like hundreds of new singles arriving each week. That’s exactly what we’re here for though, cutting through the clutter to bring you a collection of brilliant new metal songs each week.

    First, the results of our last vote! As ever, brand recognition isn’t always a guarantee of top placing, though Mastodon still managed a very respectable third place finish in the poll. Above them however were Japanese newcomers Zilqy, who edged into second, while Derby newcomers The Cartographer proved your overall favourite by some way.

    It’s all to play for this week as we’ve got more big names returning to the mix in the form of Amon Amarth, Clutch, Imminence and Comeback Kid. But there’s still some rising underground talent in there too, so check out the tracks below and don’t forget to cast your vote!

    A divider for Metal Hammer

    In This Moment – I Want To Believe (ft. Dayseeker)

    If any metal band is overdue a TikTok blow-up, it’s In This Moment. The industrial outfit have been going for over 20 years now, and their striking visuals and canny earworms have made them a mainstay of the metal scene, but it’s not outside the realms of possibility that they’ll get a Crowbar-style lift-off at some point. I Want To Believe sees them team up with Dayseeker’s Rory Rodriguez for a powerful, atmospheric track.

    Imminence – If Not Now, When

    Imminence have gone full Deftonescore. There’s no shortage of bands tinkering with heavygaze in 2026, but the Swedish metalcore group’s dive into thick, floaty melodies doesn’t sacrifice their own unique sound, the violins adding a gorgeous, melancholic tone to If Not Now, When that shows new album Axis Mundi – due October 2 – might be their true breakout moment.

    Comeback Kid – Chosen Hell

    Stride with absolute confidence to yet another howler from Comeback Kid. Pounding beats and big riffs make Chosen Hell a real swing-for-the-fences from the Canadians, marking the announcement of their new album – also called Chosen Hell – for a November 6 release date. We’ll be keeping our ears out for the planned Courtney LaPlante collab, too.

    Amon Amarth – Eight Legs Of Thunder

    Thor might have a hammer, but he doesn’t have an eight-legged steed, does he? That’s the topic of Amon Amarth’s latest melodeath banger, Eight Legs Of Thunder appropriately powered by a galloping riff and the distinct sense the Swedes are having the time of their lives on new album The Allfather Awakens, coming October 2.

    Turnstile – Birds (Dying Fetus version)

    #WhynotDyingFetus indeed. On a remix album that features appearances from Elton John and Hayley Williams, the biggest left-turn is surely Birds being ‘reimagined’ by Dying Fetus. It’s gloriously short and to-the-point, bringing to mind DF’s earlier grindcore-adjacent material.

    Kamelot – Sanctuary (feat. Clémentine Delauney and Ignacia Fernández)

    Kamelot know their way around an epic composition. Their new album Dark Asylum is positively packed with ’em, but with guest appearances from Visions Of Atlantis’ Clémentine Delauney and Decessus’s Ignacia Fernández, they’ve expanded their repertoire impressively on this new track, making great use of melody and Ignacia’s brutal howls.

    Burner – Accelerationist

    If you’re in the market for something fierce and nasty, you’d do well to give Burner’s Accelerationist a spin. Lumbering, limb-swinging hardcore meets guttural death metal in a whirligig of violent intent. Taken from new album No One Is Coming To Save Us – out September 25 – it’s sure to scratch an itch for underground brilliance.

    Maple’s Pet Dinosaur – Child’s Play

    Quite literally the next gen of talent, Australia’s Maple’s Pet Dinosaur has been signed by Warner Music at just 15 years old. Child’s Play – the title track of her upcoming debut EP – gives an insight as to why, the track taking horror aesthetics and pulsing riffs to create something unique and striking.

    Clutch – The Drifter Returns

    In a week that’s robbed us of legends, it’s good to have some of the old reliables come back as fiesty and fierce as ever. The Drifter Returns is a slick, punchy Clutch song in the vein of Earth Rocker or X-Ray Visions. There’s no word on when we’ll get a new album just yet, but this has us excited nonetheless.

    Black Spikes – Dulkés

    Lithuania’s Black Spikes released their new album Ydos this week, and Dulkés shows off their unique sound. There’s an odd, slightly off nursery rhyme quality to the song to start with, but when the band flex their more aggressive side they hit with pure nightmare-fuel force.

    Love Is Noise – Smile

    Bounding into life, Love Is Noise have announced their new EP The Space Between Happiness And Heartache for an October 9 release with the infectious Smile. The heavygaze markers are unmistakeable, but the band also inject so much energy and enthusiasm it’s hard not to want to leap about the room with joyous abandon.

    I Helvete – Nälkätalvi

    If you didn’t gather from our recent albums of 2026 round-up, black metal is having a stellar year. You can add I Helvete to the pile, if Nälkätalvi is anything to go by. The Finnish band have been through some line-up turbulence as of late, but this new single sees them asserting a ferocious and classic take on the BM sound, laying just enough melody atop a bedrock of frosty, furious extremity.

  • The inside story behind the celebrations of Syd Barrett’s 80th birthday. “Syd emerged from the womb fully formed. There was no lead-in period – it was bang!”

    Celebrations for what would have been the 80th birthday of Syd Barrett, the late Pink Floyd co-founder and solo maverick, will take place in October, with proceeds raised going to mental health charities. Barrett, who died in 2006, aged 60, quit Floyd in April 1968. After the release of two solo albums, he walked away from the industry, seeing out the rest of his days as a recluse.

    With the full support of the Barrett family, Syd’s legacy is honoured with a live concert in Cambridge, an all-star tribute album and an exhibition. As well as Cambridge being his home city, Barrett’s last known live performance took place at the Corn Exchange there on February 24, 1972.

    The tribute show – featuring Kula Shaker, Soft Machine, Men On The Border, Diana Silveira & The Psychedelic Circus, Radhika and Pünk Floyd, with additional surprise guests set to be announced – takes place at the same venue on October 10, which is World Mental Health Day.

    “Eighty years after his birth, Syd Barrett’s influence remains as powerful as ever,” says co-organiser Neil Jones. “It’s especially fitting that this celebration takes place in Cambridge, the city at the heart of his story.”

    The album, Clowns And Jugglers: The Songs Of Syd Barrett, scheduled for release the previous day on coloured vinyl and CD, stars an array of heavy-hitters and stylistically related acts including Pink Floyd, David Gilmour, Nick Mason’s Saucerful Of Secrets, Soft Machine, and Robyn Hitchcock featuring John Paul Jones. Curated by Mark Wilkinson (designer of sleeve art for Marillion, Iron Maiden and Judas Priest), Syd’s nephew Ian Barrett and Gonzo record label boss Rob Ayling, most of the tracks were recorded specially for the project.

    “It isn’t just a bunch of oldies,” Wilkinson says. “Some of the best tracks are by the younger artists – I love what Rosalie Cunningham has done with Lucifer Sam, from [Floyd’s debut] Piper At The Gates Of Dawn.”

    The inclusion of Terrapin, from Syd’s solo debut The Macap Laughs, by Mancunians Henge, was down to Ian Barrett. “Henge are an incredible band,” he enthuses. “For me they are one of the highlights of it all.”

    The project has taken more than a year of planning, helped by several twists of fate. It effectively began when Wilkinson exhibited a portrait of Syd at the Bloodstock Festival and happened to have a conversation with Syd’s nephew Mark Barrett. Talk of an album led to the show at the Corn Exchange, and then the exhibition, which turns the spotlight on Barrett’s life, art and cultural impact. Running from October 3-9 at the Cambridge OpenSpace arts venue, with a further display on October 10-11 at The Cambridge Guildhall, it showcases original paintings and sketches by Syd, alongside prints of larger works.

    All of the above confirms that 20 years after Barrett’s passing, his legacy remains as strong as ever. “People still care because Syd was completely unique and always adventurous,” says Wilkinson. “I can’t praise his lyrics enough – they were incredible. You can see where Bowie and Bolan took some of their ideas from.

    “[Noted journalist] Nick Kent wrote that as an artist Syd emerged from the womb fully formed,” he continues. “There was no lead-in period, it was bang! And he was doing it all straight away. That’s what we are celebrating here.”

    “From a family perspective, we are still slightly amazed that people are as interested as they are,” comments Syd’s nephew Ian Barrett. “After he died I kind of expected it to fade away slightly, but I’m realising that it probably won’t happen. The fascination is as strong as it ever was.”

    Mental health is a strong part of the narrative that runs through the project’s several strands. It’s a subject that people are far more comfortable talking about than they used to be.

    “It helps that there are names for these conditions now,” says Ian Barrett. “People can get treatment for it. There’s less of a stigma and hopefully things will get better still in the future. We are raising money as well, so that’s another positive.”

    Ian still has strong memories of his uncle, specifically the year in the 80s that Syd spent Christmas with the family in Luton.

    “He came over from Cambridge, and he seemed pretty normal, really,” he recalls. “I didn’t realise what he had done, because nobody talked about his fame. I couldn’t really understand how he fitted into the Pink Floyd story, because in a sense he didn’t.”

    A Celebration of Syd Barrett poster

    (Image credit: Syd Barrett Music/Infinite Sun)

    In the internet age, and thanks to the 2023 film Have You Got It Yet?, Ian believes that a lot of past myths and falsehoods about Syd have now been corrected.

    “I hope so,” he says. “Rob Chapman’s book [A Very Irregular Head] took some of that stuff apart. The old stories about Mandrax and being locked in cupboards have all been discounted.

    “Nobody is trying to deny that some strange things happened, and it was certainly a mysterious time,” he continues, “but I think people no longer believe in that stuff and hopefully they can focus on what’s important – the creativity he achieved in such a short career. And then he quit. The quitting was the important part. Nobody could understand that when he said that he was stopping, he meant it.”

    Ian is prepared to offer hope that more of Syd’s work could be found and brought out of the archives in the future.

    “Everyone’s looking around for it, and it’s possible there might still be some left to discover,” he says cautiously. “I’m pretty sure there will be something further, but these things don’t happen quickly.”

    Asked to speculate what his uncle Syd might have made of the celebrations surrounding his 80th birthday, had he lived to experience it, Ian is adamant.

    “Syd would have been pleased with it all, I think, especially because there is art involved,” he explains. “Personally, I think of him as an artist that ended up in music. Fundamentally, he wanted to be an artist, but he happened to play guitar too well and it all blossomed out of control. I think he just wanted to paint, really.”

    Tickets for A Tribute to Syd Barrett – Official 80th Anniversary Celebrations are sold out.

  • Listening Now : Couchmood – Don’t Stop

    Couchmood’s Don’t Stop is a smooth electronic cut built around warm house grooves, laid-back rhythms, and polished production. The track carries an easygoing energy, with subtle hip-hop touches adding extra character to its dancefloor-oriented foundation. Couchmood keeps the arrangement flowing naturally, allowing the groove to remain central while atmospheric details and melodic elements give the track a relaxed, immersive quality. There is a refined balance between club-ready movement and chill listening, making Don’t Stop feel equally suited to late-night sessions, casual daytime listening, or a laid-back electronic playlist. A sleek and effortless house mood with enough warmth to keep the groove rolling.

    Connect:

    Instagram

  • Four Missing Chapters of SACRIVERSUM’s History Reach Streaming

    The transformation of SACRIVERSUM can finally be followed across the major streaming platforms. Four albums released between 1998 and 2004—Soteria, Beckettia, Mozartia and Sigma Draconis—have received their first full digital distribution. Together, the records document one of the most adventurous periods in the Polish band’s history. Across six years, SACRIVERSUM moved away from the progressive […]

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  • Winecraft – Wild Wine Quest

     

    French hard rockers WINECRAFT fuse heavy, blues-soaked ’70s riffs with modern edge and attitude. Drawing inspiration from icons like Deep Purple, Motörhead, and Uriah Heep, the quartet has spent their time tearing up stages across France, Belgium, and Germany with an explosive live show and a powerful, contemporary voice. 

    The band describe their new song Wild Wine Quest, which is the opener of their new album: “Heavy, epic rock driven by a galloping bassline. A burning epic, turned feral by drink and pushed all the way to incandescence.” I love the mood of the song, the rhythm section (I love the break in the middle), the guitar solo, the catchy vocal lines, and the style, in between a few genres, with lots of elements from the past but modern at the same time.  A very cool one, amazingly written and performed.

    Give it a go by clicking on the Spotify player below and follow WINECRAFT if you like what you hear. 

    https://www.youtube.com/@Winecraftrockband
    https://winecraft.bandcamp.com
    https://www.instagram.com/winecraft_rockband/
    https://www.facebook.com/Winecraft.RockBand
    https://linktr.ee/WinecraftRockBand

     

  • Slowly Slowly – Sacrosaint

     

    Australian Slowly Slowly are back with “Sacrosaint,” their first new music since 2025’s ARIA-chart-topping album Forgiving Spree. Driven by raw passion and Ben Stewart’s most explosive vocal performance yet, the track signals a new era for the Melbourne outfit—turning Stewart’s lens outward toward global turbulence and existential dread.

    The cinematic, apocalyptic music video (inspired by Deftones and Red Hot Chili Peppers) is out now alongside news that the band will join Limp Bizkit, The All-American Rejects, and Simple Plan at this December’s Good Things Festival. Ten years and five albums into an impressive career, Slowly Slowly continue to prove why they’re one of Australia’s most compelling rock exports.

    The video is amazingly made and the song is quality from every point of view. I love the chorus, reminding me of Biffy Clyro. “Sacrosaint,” is a very cool song, with a very peculiar drumming and fantastic vocal lines. Give it a go by clicking on the YouTube player above and follow Slowly Slowly if you like what you hear. 

    https://open.spotify.com/artist/2NNeERUBxmB2UrLFfL1Q8e
    https://instagram.com/slowlyslowlymusic
    https://facebook.com/slowlyslowlymusic/
  • Listening Now : FatRodzianko – Pushy Be Thy Man

    FatRodzianko’s Pushy Be Thy Man is a dreamy synthwave instrumental drenched in analogue textures, with shimmering synth lines, a warm retro pulse, and an unmistakably nocturnal atmosphere. The production leans into the genre’s nostalgic character without feeling overly polished, allowing the analogue elements to give the track a tactile, slightly hazy quality. There is a relaxed groove underneath the layers, while the melodic details keep the arrangement moving and give it a cinematic, late-night feel. FatRodzianko creates a solid balance between chilled-out mood and forward momentum, making Pushy Be Thy Man an easy fit for listeners drawn to atmospheric electronic sounds, retro-futuristic textures, and synth-driven journeys. A cool analogue ride with plenty of neon in its veins.

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    Spotify

  • NOOTHGRUSH’s Crucial 1996 Recordings Finally Come Together

    NOOTHGRUSH never needed a conventional studio album to leave a permanent mark on sludge. Thirty years after the Oakland band’s most pivotal year, the recordings that established their reputation are being collected in full for the first time. Nespithe Records will release Man is His Own Tormentor on October 30, 2026. Running for approximately 73 […]

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  • The MetalTalk Lowdown: Connor Selby – “The Passage Of Time Really Freaks Me Out”

    The MetalTalk Lowdown: Connor Selby – "The Passage Of Time Really Freaks Me Out"

    Connor Selby has built his reputation the old-fashioned way with thoughtful songwriting, expressive guitar playing and a voice that carries far more lived-in weight than his years might suggest. A five-time UK Blues Awards winner, the singer-songwriter has continued to broaden his sound beyond traditional blues, drawing in soul, folk and Americana on his latest album, The Truth Comes Out Eventually.

    The UK leg of Connor’s headline tour begins at Peggy’s Skylight in Nottingham on 4 September. Here, Connor takes on The MetalTalk Lowdown.

    What’s the worst gig you’ve ever played, and why?
    I’ve been quite lucky to not have played that many gigs where bad things have happened. When I was first starting out, I played a lot of pubs, and I got heckled by drunk people a few times, but I suppose that’s something every performer has to go through at some point. Other than that, it’s been pretty smooth sailing so far, which I’m very grateful for.

    What’s the best gig you’ve ever played, and why?
    Easy. Wembley Stadium opening for The Who. Was one of the greatest days of my life, and I still pinch myself that I was given such an opportunity. It was just an incredible day, and being able to stand on that stage playing my music is a memory I’ll cherish for the rest of my life. 

    Would you choose a platinum record or one perfect, legendary live show?
    I think I would prefer to have a platinum record. The problem with having a legendary live show is that once it’s over, it’s gone forever, and only the people who were there on the day would remember how it went. At least with an album, once I’m dead and gone, it will outlive me, and people will still be able to enjoy it and connect to it. If it’s gone platinum, then it means many people probably will be as well.

    What’s the trait you most deplore in yourself?
    One thing I really don’t like about myself is how picky and stubborn I am. I am extremely fussy about everything, and it is exhausting at times, especially to the people around me. Sometimes I wish I could be more flexible and easier-going, but I have a very clear idea of what I like and don’t like, and I don’t have much time for things I’m not interested in or don’t want in my world.

    What’s the trait you most deplore in other musicians?
    Jealousy and vindictiveness. Music is about sharing and collaboration, and I have no time for people who want to put others down for whatever reason. If you don’t like what someone does, then just ignore them and let them get on with it and if they’re having more success doing it, then all power to them. 

    Describe yourself in three words.
    Earnest, obsessive and wistful

    What’s your guiltiest pleasure?
    Wasting money on buying stupid stuff that I don’t need 

    What does a great riff feel like to write?
    I don’t really tend to write many riffs, to be honest. My songs aren’t really riff-based.  I do love a good riff though. I think a riff should be the musical equivalent of kicking in a door.

    What’s the worst thing a fan has ever said to you?
    No one particular thing stands out, but people have always commented on how shy I am or my looks or the way I dress or this and that. I don’t really pay it any mind, though. People can say what they want within reason. Generally, people have been very nice to me.

    What’s the worst thing a critic has ever said to you?
    I remember reading one review of one of my albums that said something along the lines of “Connor Selby needs to cheer up” and that my music is too depressing and melancholic. I am aware that I have a tendency to lean in that direction, but I’m not sure it’s fair to say that that is how all my music is. 

    If you weren’t in music, what would you be doing?
    Probably writing. Maybe journalism or something. I’ve also always been interested in photography and have been doing it in a more serious way lately, so maybe that. Maybe something that involves drawing as well. 

    What’s one album outside your genre you secretly love?
    Laufey – Bewitched

    When did you last cry, and why?
    When my cat passed away, I cried for about 2 weeks.

    What keeps you awake at night?
    Just thinking about the future. Seeing my parents start to grow old and wondering how things will be when I am their age. All the people that will have passed away by then. The passage of time really freaks me out. It’s probably the thing I’m most afraid of.

    Riffs, royalties or recognition, if you had to choose?
    Recognition, I guess. That’s what I’ve always strived for. I want to be remembered for making something that means something to people. 

    How do you want to be remembered?
    I want to be remembered as someone who creates music that people can connect with and can find a lot of meaning in. That is the test of all great art, in my opinion. If one of my songs ever gets played at someone’s wedding or someone’s funeral, then I will have achieved what I set out to do. 

    What’s the most important lesson the road has taught you?
    Resilience and being able to adapt. Things can go wrong and most probably will. When you’re the one in charge of booking everything and making sure everything goes smoothly, you have to be able to find a way to deal with difficult situations and keep morale up when things do inevitably go wrong. Also, how to function on lack of sleep. 

    What happens when the music stops?
    I spend a lot of my time just doing admin these days when I’m not actually playing. If I don’t do it, no one else will, and I’m responsible for almost every aspect of the business, so it takes up quite a lot of time. When I’m not working, I normally just chill by watching TV or stuff on YouTube. I obviously listen to music a lot. It’s pretty much always on. If not that, then a podcast or something. I listen to a lot of political podcasts, which probably isn’t great for my mental health, but I do enjoy them. As I mentioned before, I’ve been getting into photography lately, so I’ve been focusing on that a bit as well. 

    Connor Selby UK Tour 2026 Poster
    Connor Selby UK Tour 2026 Poster

    September

    04sep7:30 pmConnor Selby, NottinghamPeggy’s Skylight Event Organized ByConnor Selby

    05sep7:30 pmConnor Selby, GlasgowHug and Pint Event Organized ByConnor Selby

    06sep7:30 pmConnor Selby, YorkRise Event Organized ByConnor Selby

    09sep7:30 pmConnor Selby, WorthingThe Factory Event Organized ByConnor Selby

    11sep7:30 pmConnor Selby, SittingbourneSwale Assembly Event Organized ByConnor Selby

    12sep7:30 pmConnor Selby, Milton KeynesStables 2 Event Organized ByConnor Selby

    13sep7:30 pmConnor Selby, BuxtonPavillion Arts Event Organized ByConnor Selby

    16sep7:30 pmConnor Selby, BarnoldswickMusic and Arts Centre Event Organized ByConnor Selby

    17sep7:30 pmConnor Selby, BirkenheadFuture Yard Event Organized ByConnor Selby

    18sep7:30 pmConnor Selby, Barnard CastleThe Witham Event Organized ByConnor Selby

    20sep7:30 pmConnor Selby, SwindonSwindon Arts Centre Event Organized ByConnor Selby

    23sep7:30 pmConnor Selby, OxfordThe Bullingdon Event Organized ByConnor Selby

    26sep7:30 pmConnor Selby, New MiltonForest Arts Centre Event Organized ByConnor Selby

    30sep7:30 pmConnor Selby, LondonPizzaExpress Live Chelsea Event Organized ByConnor Selby

    October

    30sep7:30 pmConnor Selby, LondonPizzaExpress Live Chelsea Event Organized ByConnor Selby

    01oct7:30 pmConnor Selby, CamberleyLogin Lounge Event Organized ByConnor Selby

    The post The MetalTalk Lowdown: Connor Selby – “The Passage Of Time Really Freaks Me Out” first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • DRAGONLAND Set Their New Saga in Motion With “The Prophecy Unfolds”

    The opening chapter of Prophecies has arrived. DRAGONLAND have released an official video for “The Prophecy Unfolds,” the title track and album opener from their seventh studio record, due October 23, 2026, through Scarlet Records. Serving as the album’s second preview after “Survival of Mankind,” the song introduces the sweeping melodies, rapid power metal momentum […]

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