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  • TRIUMPH’s GIL MOORE On Band’s Second Documentary: “It’s Gonna Be Totally Different Than the First — It’ll Provide an Insight to Fans About the Behind the Scenes”

    Triumph drummer/vocalist Gil Moore has confirmed that a second documentary about the band is in the works, this one centered on the Canadian hard rock trio’s recently completed 2026 comeback tour — their first in more than 30 years. Moore addressed the project in a recent interview with The Joel Martin Mastery Podcast.

    Moore said (transcribed by Blabbermouth): “I’m not sure when it’ll come out, but it’s gonna be a documentary about the tour, about how the transformation happened, getting back together with Phil [X] and Todd [Kerns] and Brent [Fitz] and what it was like for Rik [Emmett] and I and Mike [Levine], and it’s gonna document it all, and I think it’s gonna be really exciting. It’s gonna be totally different than the first documentary, but I think it will provide an insight to fans about the behind-the-scenes, I’ll call it, of how this came together and why we do what we do.”

    In a separate interview with WNST, Moore traced how the 2026 reunion came about. He explained that after Triumph originally split up, personal circumstances — caring for his mother after his father’s passing and being present for his children as they grew up — had kept him off the road. “I guess enough time’s gone by,” he said. “My kids are adults. My wife’s completely supportive of all this stuff.” Moore said the reunion began as “kind of a lark” with a June 2025 outdoor hockey concert in Edmonton, Alberta, and that even after that show, he wasn’t sure a full tour was coming. The chemistry in the dressing room, however, changed his mind: “The vibe in the dressing room — if you could be there — and it’ll all come out because we’re doing a second documentary, and you’ll see it. You can’t make this stuff up. This is the high-five dressing room.”

    Emmett and Moore also appeared on SiriusXM’s Trunk Nation With Eddie Trunk ahead of the tour’s conclusion. Emmett said, “It’s going great. It’s been a tremendous surprise to Gil and I that it’s gone as well as it has, because we were both a little skeptical coming in. We’re a couple of old farts, so we weren’t sure that the young guys were gonna be able to carry us, but it’s worked. It’s worked a charm.” Moore added, “Playing every night has been fantastic. The audiences have been outrageously good. Yeah, it couldn’t have worked out better if we scripted it.”

    Emmett described the dynamic with the expanded lineup — which features original members Moore and Emmett alongside guitarist Phil X (a former Triumph member and current Bon Jovi guitarist), bassist Todd Kerns and drummer/keyboardist Brent Fitz (both of Slash Featuring Myles Kennedy & the Conspirators) — in glowing terms: “This reinvention, this reloading of Triumph is a thing where we picked up these guys that can sing harmonies, but they can be rock stars and they can play guitar solos that are light years beyond me. And I go, ‘Well, that’s okay. That’s great.’ There’s a respect that exists between us that has made the band a stronger entity than it ever was.” He added, “You just feel younger and stronger and braver. The band makes me feel like Winnie-the-Pooh: I’m braver than I thought, and I’m stronger than I thought, and I’m smarter than I thought. That’s the bottom line.”

    The 2026 tour opened April 10 in Orlando, Florida, and included dates across Canada and the United States with April Wine as support, concluding June 10 in Laval, Quebec, Canada. The first Triumph documentary, Triumph: Rock & Roll Machine — directed by Sam Dunn and Marc Ricciardelli for Banger Films and produced with a planned 2020 premiere before the COVID-19 pandemic intervened — debuted at the 2021 Toronto International Film Festival and was widely released in 2022.

    Triumph was formed in Mississauga, Ontario in 1975 and sold more than 15 million albums while earning a reputation for elaborate live productions featuring pyrotechnics and laser lighting, including a performance before 500,000 fans at the 1983 US Festival. Hits include “Lay It on the Line,” “Magic Power” and “Fight the Good Fight.” In 2025, the band was honored with the tribute album Magic Power: All-Star Tribute to Triumph (Round Hill Records), featuring contributions from Phil X, Slash, Alex Lifeson, Sebastian Bach, Dee Snider, Joey Belladonna, Nancy Wilson and others. The band was also inducted into the Canadian Songwriters Hall of Fame in October 2025, adding to previous honors including the Canadian Music Industry Hall of Fame (2007), the Canadian Music Hall of Fame (2008), and Canada’s Walk of Fame (2019).

    The post TRIUMPH’s GIL MOORE On Band’s Second Documentary: “It’s Gonna Be Totally Different Than the First — It’ll Provide an Insight to Fans About the Behind the Scenes” appeared first on Sonic Perspectives.

  • DARK FUNERAL Announce “A Beast To Praise” Live Album, Share Video For “The Arrival of Satan’s Empire”

    Swedish black metal veterans Dark Funeral will release a new live album, A Beast to Praise, on Aug. 21, 2026, via Century Media Records. Recorded at Fållan in Stockholm in 2022 during the touring cycle for their sixth studio album, We Are the Apocalypse, the release spans 13 tracks and runs approximately 70 minutes (69:30). A first preview arrives today in the form of a live video for “The Arrival of Satan’s Empire.”

    Guitarist and founding member Lord Ahriman said: “A Beast to Praise captures a very important moment in the history of Dark Funeral — not only the live release ritual for We Are the Apocalypse, but also our return to the stage after years of silence during the pandemic. That night at Fållan was intense in every possible way. The energy in the room, the fire, the audience and the atmosphere all came together into something far beyond an ordinary concert. This release is the immortal document of that night. With the release of this live album and the upcoming European touring cycle in the fall of 2026, we now close the chapter surrounding We Are the Apocalypse. At the same time, we are already deeply focused on the next era of Dark Funeral and hard at work creating new material for what will become our next studio album, planned for release in 2027.”

    Pre-order the album here.

    The full track listing is:

    • “Unchain My Soul” (7:45)
    • “The Arrival of Satan’s Empire” (3:54)
    • “My Funeral” (5:35)
    • “Leviathan” (4:50)
    • “We Are the Apocalypse” (4:57)
    • “Open the Gates” (4:38)
    • “When I’m Gone” (6:16)
    • “Goddess of Sodomy” (4:09)
    • “Vobiscum Satanas” (4:45)
    • “Nail Them to the Cross” (5:30)
    • “Let the Devil In” (5:27)
    • “The Secrets of the Black Arts” (4:50)
    • “Where Shadows Forever Reign” (6:45)

    We Are the Apocalypse (2022) entered the charts across Europe upon release, including No. 6 in Germany, No. 13 in Finland, No. 28 in Switzerland, No. 29 in Austria and No. 31 in Sweden. Dark Funeral will next embark on the massive “In League With Satan” European tour alongside Behemoth and Dimmu Borgir in October.

    Dark Funeral was founded in 1993 by Lord Ahriman and Blackmoon. Their independently financed debut mini album was recorded in January 1994 at Dan Swanö’s Unisound Studio and released May 4, 1994. The band has since toured 45 countries and released seven studio albums. Diabolis Interium was nominated for Best Metal Album at Sweden’s P3 Guld awards, and Where Shadows Forever Reign received both the P3 Guld award and Germany’s Metal Hammer Award. A 30th Anniversary Edition of the band’s debut was released in August 2024 via Century Media, remixed by David Castillo. The current lineup is Lord Ahriman (guitar), Chaq Mol (guitar), Heljarmadr (vocals), Adra-Melek (bass) and Jalomaah (drums).

    The post DARK FUNERAL Announce “A Beast To Praise” Live Album, Share Video For “The Arrival of Satan’s Empire” appeared first on Sonic Perspectives.

  • SAXON Announce 11-Date 2027 “Gods Of Thunder” U.K. & Ireland Tour; New Album Due January 22

    Saxon have announced the first U.K. and Ireland leg of their “Gods of Thunder” world tour, with further international dates to be revealed in the coming months. The 11-date run spans February 13–27, 2027, and will feature the return of the band’s legendary 30-foot mechanized Eagle stage prop for all shows except Cardiff, where venue restrictions apply. The band will also revive their full “Castles & Eagles” stage production.

    The mechanized Eagle was originally constructed in the early 1980s by Midlands-based company LSD, built using airport runway landing lights, as Saxon prepared to tour their seminal Denim and Leather album. It became an enduring symbol of the band and inspired the title of their acclaimed 1982 U.K. Top 5 live albums: The Eagle Has Landed. Frontman Biff Byford said, “We wanted to make the ‘Gods of Thunder’ U.K. and Ireland tour extra special. And what better way than to fly our beloved Saxon Eagle again… Get ready for take-off!” Tickets go on sale June 26 at 9 a.m. via saxon747.com.

    The full schedule is:

    • Feb. 13 — Civic Hall, Wolverhampton
    • Feb. 14 — O2 Academy, Glasgow
    • Feb. 16 — Telegraph Building, Belfast
    • Feb. 17 — 3Olympia Theatre, Dublin
    • Feb. 19 — O2 Apollo, Manchester
    • Feb. 20 — O2 City Hall, Newcastle
    • Feb. 21 — City Hall, Sheffield
    • Feb. 23 — The Great Hall, Cardiff
    • Feb. 24 — Beacon, Bristol
    • Feb. 25 — O2 Guildhall, Southampton
    • Feb. 27 — Eventim Apollo, London

    The tour supports Saxon’s forthcoming 25th studio album, due January 22, 2027 — a date Byford revealed exclusively to France’s Last Ride podcast. Fans will be able to pre-order the record in early September, with the first single and video expected the same month. Producer Andy Sneap (Judas Priest, Exodus, Accept) finished mixing the album in January 2025. The new record will follow Hell, Fire and Damnation (January 2024, Silver Lining Music), also produced by Sneap.

    The post SAXON Announce 11-Date 2027 “Gods Of Thunder” U.K. & Ireland Tour; New Album Due January 22 appeared first on Sonic Perspectives.

  • SZA Warns AI Is Exploiting Black Artists, Calls Out Diplo

    Last week the Atlantic posted an upsetting report about datasets of music that are being used to train AI. If they weren’t already aware, major artists from Bad Bunny to Nirvana are part of it. The Atlantic identified over 21 million recordings across four datasets. I even did a quick search on my favorite artists such as Squirrel Flower and the Cramps, and both of their music included. One of the many artists who’s speaking out after searching their name is SZA.

    The post SZA Warns AI Is Exploiting Black Artists, Calls Out Diplo appeared first on Stereogum.

  • BEAST IN BLACK Announce New Guitarist MARKUS VENEHSALO

    As work continues on their fourth studio album, BEAST IN BLACK has officially welcomed Finnish guitarist Markus Venehsalo into the band’s ranks. The group was deep into the recording sessions for the next release when the need arose for a second guitarist capable of handling guitar solos for the album. At that stage of production, […]
  • BEARTOOTH Stream Third Single “Bulls***” From Upcoming “Pure Ecstasy” Album

    Beartooth have shared “Bulls***,” the third pre-release single from their forthcoming sixth studio album, Pure Ecstasy, due Aug. 28 via Fearless Records. The track follows previously released singles “Pure Ecstasy” and “Free.”

    Frontman Caleb Shomo said of the new track: “‘Bulls***’ is a familiar song I’ve written many times. I wanted to revisit the musical style that was the catalyst of so much healing and discovery in my earlier years of Beartooth. It’s an exercise in letting the truth out about what you’re sick of in your own life. Sometimes the easiest way to deal with something is to yell about it as loud as you can. Can confirm, it felt as amazing to do this exercise now as it did when I was 19.”

    Pure Ecstasy is also Beartooth’s first release with Fearless Records and their most collaborative album to date. Early songwriting contributions came from Skyler Accord (Issues, Twenty One Pilots, Bilmuri), while production work with Jordan Fish (Bring Me the Horizon, Poppy, Architects) pushed Shomo toward a rawer examination than on any previous record. For the first time, Shomo did not perform every instrument himself — drummer Connor Denis tracked drums across the album at NRG Recording Studios, while bassist Oshie Bichar and guitarists Zach Huston and Will Deely all played larger roles in the record than on past releases.

    Beartooth will support the album with a world tour beginning Sept. 17 in Europe. The North American leg launches Nov. 11 in Boston and includes stops at the Hammerstein Ballroom in New York City on Nov. 12 and the Hollywood Palladium in Los Angeles on Dec. 18. Don Broco, Magnolia Park, and Windwaker are the support acts for all dates.

    Beartooth was formed by Shomo in Columbus, Ohio, in 2013. Their previous album, The Surface (2023), debuted at No. 1 on Billboard’s Alternative and Hard Music charts and yielded the No. 1 rock radio singles “Might Love Myself” and “I Was Alive.” The band’s catalog has accumulated more than 1.3 billion streams globally, with certified-gold “Hated” and platinum In Between (2016) among the key releases in their back catalog.

    The post BEARTOOTH Stream Third Single “Bulls***” From Upcoming “Pure Ecstasy” Album appeared first on Sonic Perspectives.

  • EPICA Share ‘Sirens – Of Blood And Water’ (Live At Ziggo Dome Amsterdam)

    Having wrapped up their vast Arcane Dimensions Tour earlier this year, symphonic metal powerhouse EPICA have now unveiled a soul-stirring live version of their track Sirens – Of Blood And Water, featuring the formidable Alissa White-Gluz, Elize Ryd and Charlotte Wessels. This spine-tingling version, which was also captured on video, was recorded early this year […]
  • Deflecting Ghosts Death is Calling Review

    Deflecting Ghosts Death is Calling Review

    The song starts with an intense guitar riff that hits you hard. This powerful opening creates a melancholic anthem in a slightly grunge style, infused with metal elements that shake your bones. The theme is profound, and this song exemplifies why music created by artificial intelligence can never reach such levels of intensity. Art is a creation of human beings who pour their emotions and life experiences into music. They seek liberation and comfort, especially during difficult times.

    Deflecting Ghosts Death is Calling

    This track addresses real-life issues and challenges that define a person’s existence. What I appreciate about this band is their lack of filters. They pull you into their world with raw intensity. Only music that embodies such depth and emotion can convey this kind of narrative. As health begins to deteriorate, you realize the fragility of life.

    The lyrics provoke moments of reflection on how fragile existence is. The threat of death often lingers just out of awareness. Most of the time, we don’t consider this potential, but it can strike us at any moment. The song has an exceptional depth and intensity that I recommend to everyone.

    Death is Calling – Sound and Atmosphere

    Musically, “Death is Calling” combines powerful instrumentation with emotionally charged lyrics. The driving riffs create a sense of urgency. The powerful blend of genres establishes a sound that is peculiar. The grunge influences evoke a sense of nostalgia while standing firm in contemporary rock landscapes.

    The voice portrays the burdens of life. This authenticity resonates with audiences, making the emotions feel tangible. The lyrical themes tackle the struggles of vulnerability and resilience. Each note contributes to a coherent message of life’s struggles and the inevitable confrontation with mortality.

    The dynamics between softer verses and explosive choruses heighten the sense of urgency present in the narrative. The shifts in volume and intensity mirror the tumultuous nature of life itself.

    Death is Calling – Performance and Production

    The progression from despair to a call to embrace life encourages exploration of personal emotions. This transformation is a hallmark of the band’s artistry. They take you on a journey through sound and lyricism, highlighting humanity’s struggles and experiences.

    Their work reflects a commitment to authentic emotional exploration. Listeners are invited to explore these feelings through their music. It encourages listeners to confront their feelings and acknowledge the complexities of existence.

    Deflecting Ghosts has produced a remarkable single that encapsulates the fragility of life. The raw power of the music, combined with its meaningful lyrics, invites contemplation. This song deserves recognition and appreciation for its emotional depth.



    Intense

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    Find Deflecting Ghosts here:
    Spotify | Instagram

    The post Deflecting Ghosts Death is Calling Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Mister Chorister Spark Review

    Mister Chorister Spark Review

    The song opens with a guitar riff that inspires a hopeful atmosphere. It depicts a journey of inspiration that drives individuals to create something exceptional. Each note resonates with the quest for vision and light, offering a reason to embrace life. The artist has discovered this illumination through music. After a lengthy period of creative stagnation, Mister Chorister found the strength to reignite that magic. Now, we can enjoy this beautiful song.

     Mister Chorister Spark

    This piece inspires with its dreamy and intense vibes, inviting listeners to dream along. It embodies solidity and fragility, much like a bubble that forms around a belief seen only by the individual. This belief can eventually lead to shared results that others can identify with. The musical style leans towards alternative rock, marked by refined arrangements and a captivating melody that lingers in the heart.

    The production accentuates a richness in texture while maintaining clarity. This balance allows the essence of the song to shine through. The rhythm section complements the guitar elements, creating a foundation that supports the thematic depth. Lyrically, the song navigates the complex emotions tied to rediscovering lost inspiration. It speaks to anyone who has faced a creative drought and seeks renewal.

    Spark – Sound and Atmosphere

    The chorus delivers an uplifting message, enhancing the song’s infectious quality. There is a sense of triumph in the way the melodies intertwine. The arrangement builds momentum before gently receding, making space for reflection. This ebb and flow are essential in drawing the audience into its emotional arms.

    The song possesses a quality that evokes imagery, making it fitting for various contexts, including cinematic moments. Imagine it accompanying a pivotal scene in a film where the protagonist undergoes a profound transformation. The emotional weight of the track matches the essence of rebirth beautifully, echoing the themes of growth and renewal.

    Spark – Performance and Production

    Listeners can find personal connections within the lyrics. The artist’s journey mirrors their own, sparking reflections on individual paths of creativity. The universal theme of rising from doubt resonates deeply, encouraging acts of creation. The music’s warm, inviting production enhances this connection, making each listen feel intimate.

    This engaging piece would appeal to listeners across various backgrounds. Fans of uplifting music, creative storytelling, and heartfelt melodies will surely find something valuable here. The melody sticks with you, an unforgettable experience that you will want to revisit repeatedly.

    This is not merely a song; it is an experience. One that deserves a place in any music lover’s collection, an anthem for creators and dreamers alike. I highly recommend this wonderful song to everyone. It speaks to the heart, igniting feelings of hope and inspiration that resonate well beyond the final note.



    Inspiring

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    Find Mister Chorister here:
    Spotify | Instagram

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