Blog

  • A Night In Texas Streaming New Single “A Primal Conditioning”

    Their fifth album “The Darkest Side Of Humanity” is due in September.

    The post A Night In Texas Streaming New Single “A Primal Conditioning” appeared first on Theprp.com.

  • Amplify Carlisle Video Interview: Volumes

    Weezy caught up with Volumes during their time at Amplified Carlisle for an in-depth chat about all things music, creativity, and their latest era as a band. We talk about their album “Mirror Touch”, the balance between crushing heaviness and huge melodic moments, the evolution of their dual vocal dynamic, and the songwriting process behind … Continue reading Amplify Carlisle Video Interview: Volumes
  • Interview | Alisha, Lizzie, and Yara of Lebanon’s MCR Tribute, The Black Parade

    This one feels special. Not only am I interviewing three members of a tribute band dedicated to my favorite rock band of all time, My Chemical Romance (you might have guessed that from my pen name), but after 348 interviews for FemMetal since 2018, I am finally interviewing musicians from my own country. And not just one, but three.

    Alisha, Lizzie, and Yara, the bassist, drummer, and vocalist of The Black Parade, talked about how the tribute act came together, their other musical projects, their upcoming appearance at Beirut Rock Live Festival, and the artists who inspire them.

    Read on, and welcome to The Black Parade.

    Reuel

    Hello girls! I’m happy to chat with you. How are you doing?

    Alisha

    We’re good, thank you for asking!

    Lizzie

    Good, thank you!

    Yara

    Super excited!

    Reuel

    So you’re all going to be playing at the Beirut Rock Live Festival next month! How excited are you for that?

    Lizzie

    Very excited! My brother and our friend are organizing the event, they’ve been planning for about a year now. It’s gonna be a huge and really fun event!

    Alisha

    It’s my first time playing in a festival so I’m really hyped!

    Reuel

    How did you all meet, and whose idea was it to start playing these MCR songs together?

    Lizzie

    The project started through my friend Karim, whom I’d met by playing a gig with him back in 2024. He dreamed of doing a Black Parade tribute show, so we found members who loved MCR as much as we did and put a band together! I met most of the members from local gigs.

    Alisha

    Actually Karim came to me first to ask me to be the singer of the band! But I felt like the genre did not match my voice and I love the basslines! So that’s how I ended up as the bassist and backing vocalist!

    Yara

    I also randomly met Karim and Kimmy at a gig and we talked about MCR at the time, but it wasn’t until a few months later that they approached me about joining the band.

    Reuel

    Do you remember the very first My Chemical Romance song you jammed together as The Black Parade? What was that energy like?

    Yara

    I joined the band way after all the other members, but I think the first song we played together was Dead! I immediately knew that I loved everyone’s energy and that I would enjoy playing together.

    Lizzie

    We started with the first few songs off The Black Parade album like “The End” and “Dead,” and other hits like “Helena” and “I’m Not Okay!” The energy was very hype and fun from the start, and we connected fast.

    Reuel

    Which song in MCR’s discography was the most challenging for you to master, and what made it so difficult?

    Lizzie

    I felt that the hardest was “Welcome to the Black Parade.” Though a fan favorite, the dynamics and fast drum fills are a little challenging.

    Yara

    Yeah, me too, it’s vocally challenging for me personally because it’s at a difficult part of my range.

    Alisha

    Agreed, “Welcome to the Black Parade” for sure!

    Reuel

    You’re all also in other music projects. Can you tell us about your other bands?

    Alisha

    I used to be in an original band called Open Road Archives, but now im mostly doing gigs here and there playing with amazing musicians across many genres, blues, Funk, old pop, Soul…

    Lizzie

    My two main projects are Brick Floyd – a Pink Floyd tribute show, and Dreaming Madmen – a progressive rock originals band. I also play for the punk band Glide and pop artist Pól!

    Yara

    I’m in an emo and post-hardcore cover band called Phase with my brother and some of our friends! We haven’t done any gigs yet, but we’re practicing every week.

    Reuel

    What musicians can you credit as the ones who inspired you, personally, in your life or career as a musician?

    Alisha

    My biggest inspiration was my mom and my grandfather who were both really into music. But also Michael Jackson! I always told myself I want to have his energy on stage and his presence, which is why I always strive to be super active and interactive on stage.

    Lizzie with her band Dreaming Madmen

    Lizzie

    My biggest inspirations were my dad, who is also a great drummer, and my brothers, who I always thought are musical geniuses. I personally also love drummer Mike Portnoy’s energy on stage and I’ve gotten very inspired by him, and female drummer Anika Nilles, the new drummer of Rush!

    Yara

    My biggest inspiration is my vocal coach, Lara Jokhadar. She took me under her wing when I was 7 years old and she taught me classical technique and how to adapt it to any style of singing. My other vocal and acting coach, Christine Abou Zeid, is also a huge inspiration and she’s the reason I feel confident to go up in front of large crowds and perform.

    Reuel

    Lebanon’s rock and metal scene is definitely growing with young musicians like yourselves. If you could change one thing, outside of the big political stuff we can’t control, to help the local scene grow faster, what would it be?

    Alisha

    i would honestly like for musicians to be taken more seriously, for venues to be more prepared, and for gear to be cheaper!

    Reuel

    Thank you for your time, Lizzie, Alisha, and Yara! Is there anything else you’d like to add?

    Lizzie

    We’re very excited to see everyone there and play a show for you again. Thank you FemMetal!!

    Alisha

    Can’t wait to perform! Thank you for your time.

    Yara

    Thank you for having us!

    Follow

    The post Interview | Alisha, Lizzie, and Yara of Lebanon’s MCR Tribute, The Black Parade first appeared on FemMetal – Goddesses of Metal.

  • Gig Review: The Crazy World of Arthur Brown – Slay, Glasgow (1st August 2026)

    I’ll admit, I wasn’t quite sure what I was walking into. There’s a strange anticipation that surrounds seeing a true original. At Slay in Glasgow, the crowd gathering for The Crazy World of Arthur Brown’s “A Human Perspective” tour wasn’t quite the psychedelic carnival I’d initially imagined. There was no overwhelming tie-dye, costume, or glitter … Continue reading Gig Review: The Crazy World of Arthur Brown – Slay, Glasgow (1st August 2026)
  • Addiction, Doris, Riots and Tub Tarts: An A-Z Of Metallica

    They’re the biggest heavy metal band of all time and have had nothing short of a rollercoaster career. But how much do you know? Here’s the complete 26-point alphabetical guide to everything Metallica.

    A is for Alcoholica

    It’s no exaggeration to say that if it wasn’t for alcohol, there almost certainly would never have been a Metallica, with the super-introverted James Hetfield leaning heavily on booze from day one in order to conquer his stage fright and crippling shyness. On Ride The Lighting the quartet gave a shout out to Carlsberg, by Master Of Puppets their burgeoning status meant they were giving “xtra fucken yahooz” to Absolut Vodka. But as Hetfield later noted, the Alcoholica tag “turned from fun into destruction: it started to take over us.” Hetfield’s subsequent admission into rehab circa St. Anger saved his band, his marriage and quite possibly his life.

    B is for Burton

    Though taken from this world in tragic circumstances on September 27, 1986, Clifford Lee Burton aka ‘The Legend in Loon Pants’, will always be part of Metallica. That James Hetfield, Dave Mustaine and Lars Ulrich were prepared to uproot from Los Angeles to San Francisco purely to make Burton part of their band speaks volumes about the bassist’s charisma and talent, and his musicianship, compositional skills and creative fearlessness helped transform a scrappy garage band into a genuinely world class outfit. He will be forever missed.

    C is for Covers

    From 1987’s $5.98 EP (Jason Newsted’s first recording with the band) to 1998’s Garage Inc. collection through to their 2012 cover of Deep Purple’s When A Blind Man Cries (exclusively covered for a Classic Rock fan-pack magazine), Metallica have never been shy of paying tribute to their influences. Indeed at their very first gigs, back in March/April 1982, the quartet would play up to seven or eight cover songs a night, neglecting to tell those watching that the likes of Am I Evil? and Killing Time were in fact NWOBHM originals. Sneaky!

    D is for Doris

    The crumbling centre-piece of Metallica’s …And Justice For All stage-set, Doris aka ‘Lady Justice’ represented Metallica’s first real foray into stage production. Pulled out of storage for the band’s 2012 The Full Arsenal tour, the statue was one of the ‘stars’ of the Through The Never film, and was subsequently broken up into chunks and given away with a special deluxe edition of the movie on DVD. Perhaps they should have used the chunks of masonry to stone to death whoever conceived the utterly shit script instead. Just a thought…

    E is for Ednas

    ‘Edna’ was Metallica slang for any young lady willing to spend time, and share bodily fluids with, band or crew members. The young Californians weren’t particularly choosy, and clearly the young ladies who wanted to hook up with these stinky, spotty, bumfluff-‘tache- sporting metalheads weren’t either. “They enjoyed what they did,” James Hetfield told Playboy in 2001. “And, heh-heh, they were good at it. Back then, we all shared stuff. ‘I did her. Dude, here! Have my chick.’ Lars would charm them, talk his way into their pants. Kirk had a baby face that was appealing to the girls. And Cliff – he had a big dick. Word got around about that, I guess.”

    F is for Fade To Black

    Metallica’s first ballad (accompanied, inevitably, by the first accusations that they’d “sold out”), dealt with themes of suicide, helplessness and despair, and was originally inspired by the theft of the band’s gear in Boston in January 1984. “I’m sure I wasn’t really thinking of killing myself,” James Hetfield noted, “but it was my favourite Marshall amp!” When the band first premiered the song in San Francisco, their mates in the audience took the piss by waving hankies at the stage.

    G is for Glastonbury

    For all the heat and light generated by Metallica’s decision to headline Worthy Farm in 2014, the gig itself was rather unremarkable, just another crushing day at the office for the biggest metal band in the world. The bespoke ‘Glastallica’ T-shirt and specially-commissioned Julian Temple intro film were works of genius, though.

    H is for Hetfield and Hammett

    Gorham and Robertson. Smith and Murray. Tipton and Downing. Not a ‘twin’ guitar team in the classic sense, Hetfield and Hammett are nonetheless one of the most formidable and well-respected duos in six string science. Arguably the best rhythm guitar player in metal, Hetfield didn’t actually permit Kirk Hammett to record rhythm parts on a Metallica album until Load, while the decision to restrict their gifted lead guitarist to only rhythms parts on St. Anger remains one of the most curious decisions of the band’s career.

    I is for I Disappear

    Recorded at the personal request of M:i-2 star Tom Cruise, I Disappear, Metallica’s first ever contribution to a Hollywood film soundtrack, is most significant because its appearance – in unfinished form – on peer-to-peer music sharing networks sparked off Lars Ulrich’s epic, much-misunderstood battle with Napster. Mercilessly abused at the time for his campaign, Ulrich’s arguments have proved uncannily accurate, even if the affair left an unpleasant stain on Metallica’s public profile.

    J is for Junior Dad

    At 19 minutes 29 seconds long, the closing track of Lulu, Metallica’s controversial collaboration with Lou Reed is the longest piece of music Metallica have ever recorded. It’s also the first Metallica song to reduce both Kirk Hammett and James Hetfield to tears. “It was insane,” recalled Hammett of the moment he and Hetfield broke down in the studio. “[Lou Reed] managed to take out both guitar players in Metallica in one fell swoop, with his amazingly poetic lyrics. And [then] he came into the kitchen and he was laughing. He looked at James and I and said, ‘That’s a good one, huh?’”

    K is for Kill ‘Em All

    They may have been forced to back down from their original plan to call it Metal Up Your Ass, but Metallica’s debut album was otherwise compromise-free: an unkempt, snarling, in-your-face riff assault which re-defined the metal genre. On the opening day of the two week Kill ‘Em All recording session producer Paul Curcio pulled James Hetfield aside and informed him that the sound coming from his Marshall amp didn’t sound ‘normal’: “It’s not meant to sound normal,” Hetfield spat back. And so a legend was born.

    L is for Load

    The haircuts! The guy-liner! The blood-and-semen artwork! When Metallica’s sixth album emerged in 1996 it was accompanied by howls of protest by devoted fans who couldn’t figure out what the fuck their favourite band was doing. “Cliff would have hated this!” they howled, seemingly oblivious to the fact that it’s more bluesy, ‘greasy’ feel drew much inspiration from many of the late bassist’s favourite bands – ZZ Top, Skynyrd and Thin Lizzy among them. If you’ve not listened to it in years, it’s much, much better than you remember, honest.

    M is for Mustaine

    On the morning of April 11, 1983 Dave Mustaine was rudely awoken by James Hetfield, Lars Ulrich, and Cliff Burton and informed that he was no longer a member of Metallica. It was a brutal exit for the guitarist who’d contributed much to the band’s early sound, and was viewed by many at the time as the group’s de facto leader. Dumped at NYC’s Port Authority bus station, Mustaine’s anger only increased when he realised he’d be undertaking the three day trip back to California without a single cent in his pockets. “It had to happen,” James Hetfield later mused. “[With] his personality in this band, there would have been myself, Lars and him all trying to drive and it would have been this triangulated mess.”

    And if it hadn’t happened, we’d never have had Megadeth, of course.

    N is for Newsted

    With hindsight, it’s obvious that James Hetfield, Kirk Hammett and Lars Ulrich were deeply traumatised following the death of Cliff Burton, and that their inability to process their loss contributed to the trio acting like absolute dicks to ‘Newkid’ Jason Newsted. One ‘wheeze’ found Metallica informing the media that their new bassist was gay, another saw them charge thousands of dollars worth of drinks to the hapless new recruit’s hotel room. At autograph signing sessions, James Hetfield would adjust Newsted’s custom signature ‘Jason, bass face’ to read ‘Jason, ass face.’ Hilariously childish.

    Less amusingly, earlier this year Newsted revealed that he took the decision to leave Metallica in 2001 because, at the time, he was dealing with serious addiction issues and his bandmates’ refused to allow him to take time out to get help.

    “The reason I left Metallica is because I was a horrible addict,” he admitted. “I was way up against myself, and if I didn’t get some kind of help, I was going to die. And so I just said, ‘You guys, can I have a minute? Please give me a minute.’ And they said, ‘No’.”

    That Metallica then put everything on hold so that James Hetfield could address his own addiction issues doesn’t reflect well on their organisation, but in doing so, they saved their career.

    O is for Orion

    Using the title of Cliff Burton’s classically-informed instrumental masterpiece as the name of their own bespoke music festival was a nice touch from Metallica. For all the goodwill and positive press generated by the event however, after just two stagings, Orion was laid to rest. “It’s been a disaster financially,” James Hetfield admitted bluntly. “Right now, it seems like metal is struggling a little bit in the States.”

    P is for Paradise Lost

    In licensing their music to Paradise Lost, Joe Berlinger and Bruce Sinofsky’s documentary about the West Memphis Three, Metallica threw their weight behind the campaign to have the convictions of Damian Echols, Jason Baldwin and Jesse Misskelley Jr, three Arkansas teenagers accused of the murder of three eight year old boys, over-turned. In 2011, after 18 years in jail, the three young men finally walked free, by which time the film-makers had already turned their cameras on Metallica themselves, for the film Some Kind Of Monster.

    Q is for Quintana

    As anyone who’s ever been in a band will testify, choosing a good band name is a painful, tortuous business. When the teenage James Hetfield and Lars Ulrich decided to unite in the cause of heavy metal, their initial ideas were not exactly inspiring, with Helldriver, Death Chamber, Exterminator and er, Thunderfuck among the monikers under consideration. By coincidence, however, Ulrich’s friend Ron Quintana was searching for a title for his new fanzine around the same time, and had shown a list of potential names to the little Dane. The canny drummer duly advised Quintana to go with the name Metal Mania, while filing away the next suggestion on his pal’s list – Metallica – for his own use.

    R is for Riots

    Just as Spinal Tap’s manager Ian Faith liked to carry around a cricket bat (“In the topsy turvy world of heavy rock having a good solid piece of wood in your hands is often useful”) so Cliff Burton never left home without his trusty ball pen hammer. During a tension-filled gig in Finland on the Ride The Lightning tour, the wisdom of that decision became obvious when Burton dispersed a rioting crowd of pissed-off teenagers by wading into their midst swinging his hammer like a vengeful hippy Thor. If the Californians thought this would be the only crowd disturbance to mar their concert history, they had yet to encounter Mr Axl Rose.

    S is for Some Kind Of Monster

    What. A. Film.

    A raw, unflinching depiction of Metallica’s fumbling attempts to hold their band together in the wake of Jason Newsted’s exit and James Hetfield’s disappearance into rehab, 2003’s Some Kind Of Monster is one of the greatest music documentaries ever made. Not least for the infamous scene where a frustrated Lars Ulrich screams “FOCK!” into Hetfield’s face, a confrontation which band therapist Phil Towle later told Metal Hammer was “scary, but necessary“

    T is for ‘Tub Tarts’

    ‘Tub tarts’ was the not terribly PC name given to any adventurous young female who wished to prolong an evening with Metallica by joining the band for a post-gig shower. Things, predictably, would get a little steamy from this point on. “It started around the Ozzy tour, was perfected around the Black Album tour,” recalled Kirk Hammett. “It was a pretty big motivation at one point, just how many women we could get into the shower. I remember one time I turned the corner and there were at least 30 women in there…”

    U is for Ulrich

    Aka The Little Prince. Whatever truth there might be in the rumours that James Hetfield and Cliff Burton were of a mind to kick their motormouth Danish drummer out of his own band in 1986 – “It’s certainly not something that I was ever aware of”, Ulrich said in 2022 – there’s simply no question that Metallica would have amounted to anything without the driving ambition, networking ability and sheer bloody-minded work ethic of the young Lars Ulrich. Haters gonna hate, but when it comes to Metallica business, their biggest fan usually has the last laugh.

    V is for Video

    Despite MTV’s undoubted ability to break metal bands into the mainstream, Metallica refused to shoot a promo video for any of the songs from Kill ‘Em All, Ride The Lightning or Master Of Puppets. The quartet finally acquiesced on …And Justice For All, but on their own terms, with a stark, horrifying meditation upon war which still gives our own Simon Young nightmares…

    W is for Whiplash

    “Bang your head against the stage like you never did before. Make it ring, make it bleed, make it really sore…” Metallica have written more sophisticated songs, but as mission statements go, this paean to the unadulterated thrill of pure heavy fucking metal is hard to top. Decades after the teenage James Hetfield penned its lyrics, the lines “We’ll never stop, we’ll never quit ‘cause we’re Metallica” remain a wonderful statement of intent.

    X is for X-Rated

    On November 14, 1996 Metallica were billed to appear alongside the likes of George Michael, Boyzone and Simply Red at the MTV Europe Music Awards, staged at London’s Alexandra Palace. Rather than playing their new single King Nothing as scheduled, however, the quartet chose instead to treat a watching television audience in the tens of millions to a cover of the Anti-Nowhere League’s So What. “I fucked a sheep, I fucked a goat, I rammed my cock right down its throat” roared a beaming James Hetfield above the sound of MTV executives’ jaws hitting the venue floor.

    Y is for Yeauuuhhh!

    Yeah? Fuck yeah!

    Z is for Zazula

    Metallica’s first manager, New Jersey record store owner Jon ‘Jonny Z’ Zazula re-mortaged his house to start Megaforce Records to release Kill ‘Em All when no other label in the world showed the slightest interest in the noisy Californians. Following Zazula’s death in 2022, Lars Ulrich posted a touching tribute, writing, “Thank you Jonny for taking a chance on these crazy, noisy, uncompromising and undisciplined dudes from NorCal who didn’t know what was up, down or sideways, but who were ready, willing and more than able to fuckin throw it all to the wind and go for it.

    “Thank you for giving us a sense of belonging and ultimately, a sense of self-worth. I will forever be grateful for your friendship, advice and blind belief that the music we played could be shared with way more people who were just like us… outsiders and misfits!”

  • Disney Just Dropped a Metal-Inspired Villains Merch Collection

    Disney just dropped a metal-inspired villains merch collection in the parks that features the Evil Queen in a black metal font, Hades in gothic metal and more. Continue reading…
  • HULDER – Verbolgen (Album Review)

    Traditionalism thrives in an unexpected place.

    Old school enthusiasts of the blackened sonic craft are quick to say that the original spirit of the 2nd wave passed out of existence roughly 3 decades ago. But the point that tends to elude most of those who cleave to the days when the likes of Immortal, Emperor, and Darkthrone were shunning conventional definitions of extreme metal for something more primeval is that the philosophy behind the sound can manifest in different ways.

    Sometimes all that is needed to discover the ties that bind the new to the old is looking past the modern coat of paint that even rugged DIY outfits enjoy due to greater interest in the subgenre and studio accessibility, thus revealing the same devotion to pre-modern lore with the same signature style. This is the place where Hulder, the brainchild of Belgian-turned-Washington-state-based multi-instrumentalist and vocalist Marliese Osborne, resides amid a scene more readily associated with 3rd-wave naturalism and progressive contemplation, and their third studio LP Verbolgen presents the clearest presentation of the traditional northern European approach.

    At its core, this is an album that is born of a mixture of diabolical mysticism and northern coldness that contrasts with a dank naturalism and meditative quality. There is a peripheral flavoring of folksy/medieval period instrumentation and corresponding woodland tunes that runs somewhat parallel to the former, but the predominant character of how Hulder’s brand of auditory grimness is executed is more in line with the melodic and frosty demeanor of the elder Scandinavian masters of the snowy mountains of might.

    Indeed, apart from Marliese’s and/or bassist/husband Sam Osborne’s sepulchral barks, epic forays into the arcane black such as “The Crowning” and “View From Nemeton” strike a very similar chord to the seminal mid to late 90s odes to Norse warfare. Then again, the more controlled and methodical character of the instrumentation and the quasi-symphonic character of the keyboards also point to a strong influence from Emperor’s In The Nightside Eclipse.

    Even from its very beginning, this is an album that communicates a sentiment that is as spiritually centered as it is defiant. The instrumental prelude “Drie Raven” has all the makings of a Viking Age overture performed at a campfire with mead in hand and a grand tale to tell, though what follows is quite different from the folk metal stylings that one would normally expect. At best, Hulder dabbles in the sort of pomp and bluster associated with Heidevolk or Ensiferum, as the dancing melodic character and more mid-paced feel of “Thy Binding Oath” and “In Blood And In Earth” is draped in a far more morbid atmosphere.

    By contrast, the blast-happy and war-torn title anthem “Verbolgen and its longer brother “…And We Shall Sing” are full-on master classes in pure blackened violence that seldom veer into folksy trappings save for a faint chant during its closing moments of the latter that sounds like it’s buried in an avalanche of guitars. Round it out with a thrashing beast of an entry in “Den Nacht Zijn Lied”, featuring some flashy guitar moments out of Obsequiae’s Tanner “Keld” Anderson, and a closing melancholic fanfare dubbed “The Glow Of Dawn,” and an intricate circle of 2nd-wave-inspired power is fully drawn.

    In every relevant respect, Verbolgen is among the more compelling examples of an American-based band fully embracing the European aesthetic and making it accessible to mid-2020s listeners. Much of this likely owes to Marliese’s close proximity to where said sound was born prior to her move to the U.S., and is clearly reflected in her prior band Bleeder’s music bearing heavy similarities to the early blackened trails blazed by Celtic Frost and Bathory.

    But whether this air of old school authenticity arises from one’s roots or just a desire to walk a similar path to the bands that one identifies with, the result is an impressive anthology of odes that are possessed of the same general character and effectively balance the cold atmospheric character of said sound with a more impact-based and heavy execution. Fans of classic 90s albums like Dark Medieval Times, Blizzard Beasts and In The Nightside Eclipse that don’t mind a 2026 studio upgrade and some Falkenbach and Windir elements along for the ride will definitely want to warm their travel-weary selves by Hulder’s campfire.

    Release Date: August 7, 2026
    Record Label: 20 Buck Spin
    Genre: Black Metal

    Musicians:

    • Hulder / Vocals, Electric & Acoustic Guitars, & Keyboards
    • Necreon / Bass, Vocals

    Guest Musicians:

    • Januaria / Flute
    • Vapula / Drums (Tracks 4, 5, 8, 9)
    • Vrolok / Drums (Tracks 2, 3, 6, 7)
    • Keld / Hurdy Gurdy, Keyboards, & Lead Guitars

    Verbolgen Tracklist:

    1. Drie Raven (Intro)
    2. The Crowning
    3. Thy Binding Oath
    4. Verbolgen
    5. …And We Shall Sing
    6. In Blood and In Earth
    7. Den Nacht Zijn Lied
    8. View From Nemeton
    9. The Glow of Dawn

    Order the album here.

    The post HULDER – Verbolgen (Album Review) appeared first on Sonic Perspectives.

  • Glenn Hughes to Undergo Heart Surgery and Retire From Performing

    The Deep Purple and Black Sabbath star expressed gratitude for his long career. Continue reading…