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  • L7 bassist Jennifer Finch dead at 59

    L7 bassist Jennifer Finch has died at the age of 59 after being diagnosed with an aggressive form of brain cancer.

    The US band announced the news on Saturday July 18 via a statement on Instagram: “With a very heavy heart we announce that our beloved bandmate, friend, and fellow troublemaker Jennifer Finch has passed away today.

    “She had a long courageous fight with brain cancer and was loved by many wonderful friends, musical peers and fans worldwide. We love you Jennifer.”

    In a subsequent statement, the band said: “We are shattered by the loss of our beloved bandmate, sister and friend Jennifer Finch, whose fierce spirit, humor and boundless creativity helped shape L7 and changed all of our lives forever.

    “Jennifer was a true original who lived entirely on her own terms, and the impact she made on music, art and everyone lucky enough to know her cannot be measured. We love her beyond words and will carry her with us always. Rest in power our dear friend.”

    Finch’s illness was publicly revealed last week, when the band launched a GoFundMe campaign to help raise money for care and rehabilitation following “multiple surgeries and serious complications”. The campaign raised almost $400,000.

    Finch was born in Los Angeles in 1966. Her first notable band was Sugar Babydoll, playing alongside of future Hole singer/guitarist Courtney Love and Kat Bjelland, who would go on to form Babes In Toyland.

    She joined L7 in 1986, and played on their first four albums, including 1992’s Bricks Are Heavy, which produced the hit single Pretend We’re Dead.

    After quitting L7 in 1995, she went on to front OtherStarPeople in the late 1990s before forming The Shocker in 2002 and, later, Sex In Progress.

    She also worked as a photographer, having originally started out shooting the early 80s LA punk scene as a teenager.

    L7 reunited in 2014 after a lengthy hiatus, with Finch rejoining her old bandmates. In 2026, she was forced to sit out the band’s farewell The Last Hurrah Tour due to her illness.

  • Review HOLLYWOOD VAMPIRES “Live at Montreux Jazz Festival “

    The collective is back. With Alice Cooper, Johnny Depp, Joe Perry, and Tommy Henriksen leading the charge, Hollywood Vampires return in great fashion. Recorded at the legendary Montreux Jazz Festival in 2018, Hollywood Vampires – Live at Montreux Jazz Festival captures the band at the height of its powers and stands as an impressive live document celebrating… Continue Reading →
  • Jennifer Finch, L7 Bassist, Dead At 59

    Jennifer Finch of L7 has died. The musician joined the Los Angeles rock band in 1986 as bassist and vocalist and played on all five of the band’s original studio albums, including 1990’s Smell The Magic and 1992’s Bricks Are Heavy, two of the grunge era’s essential and most influential albums. Earlier this week, Finch revealed she’d been diagnosed with an aggressive form of brain cancer, forcing her to sit out L7’s fall farewell tour. A GoFundMe launched by her friends and family quickly surpassed its goal, raising nearly $400,000. She was 59.

    The post Jennifer Finch, L7 Bassist, Dead At 59 appeared first on Stereogum.

  • Concert Album By NUCLEUS Sees A Remastered Reissue

    Concert Album By NUCLEUS Sees A Remastered Reissue

    At first glance, there were several jazz-rock ensembles like NUCLEUS in England back in the ’70s; but then, there weren’t, and NUCLEUS, led by trumpeter Ian Carr, seemed to be one of the most intrepid fusion collectives ever. And if … Continue reading

    The post Concert Album By NUCLEUS Sees A Remastered Reissue appeared first on DMME.net.

  • Mick J. Clark Anuther Sunny Hulliday Review

    Mick J. Clark Anuther Sunny Hulliday Review

    This single serves as the perfect summer anthem. Its Caribbean rhythms set a vibrant tone that puts one in a sunny mood. Yet there’s a light nostalgia that pulls you back to the 1980s. Mick’s voice conveys strong feelings, making the song feel therapeutic. It invites listeners to dream of a sunset over the shimmering sea.

    Mick J. Clark Anuther Sunny Hulliday

    The rhythm is fantastic and blends with the laid-back vibe of a beachside cocktail gathering. Each beat feels precisely crafted for maximum enjoyment, evoking imagery of summer parties and sunny days. The arrangement is lush and expansive, showcasing the artist’s impressive compositional skills. The use of various instruments creates a layered texture that enhances the listening experience.

    The combination transports listeners to a carefree world where sunshine and joy reign supreme. The rich production adds depth, making one feel enveloped by the music. The soothing harmonies invite everyone to let go of their worries and immerse themselves in the warm ambiance.

    Anuther Sunny Hulliday – Sound and Atmosphere

    Mick J. Clark’s craftsmanship shines brightly in this track. His ability to evoke emotion through melody is unique. The lyrical content complements the music beautifully, enhancing the overall experience. Each line resonates well, contributing to the song’s uplifting message. You can feel the joy radiating through every note.

    There’s an undeniable warmth to the song that feels inclusive. It beckons listeners to join in on the celebration of life and happiness.

    Its universal appeal extends beyond private listening, making it perfect for social gatherings. Its bright tones and cheerful melodies encourage everyone to engage and share in its joy. It is the kind of song you want to play on repeat at summer parties or lazy afternoons by the beach.

    Anuther Sunny Hulliday – Performance and Production

    As the track plays, there’s a subtle nuance that connects past and present. Traditional elements are integrated with newer musical styles. This creates a refreshing and timeless feel. There is much to appreciate in how well these elements are blended.

    Furthermore, the careful arrangement of instruments elevates the song further. Each component serves a purpose, and they come together harmoniously.

    This single by Mick J. Clark is an excellent addition to anyone’s music collection. It effectively combines upbeat rhythms and nostalgic melodies. It evokes memories while celebrating the joys of summer. Each time you listen, you’ll be transported to sun-soaked days and fun-filled nights.



    Sunny

    🔥 If you love this music: Discover More


    Find Mick J. Clark here:
    Spotify | Instagram

    The post Mick J. Clark Anuther Sunny Hulliday Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Lee Miller Matsos Change Review

    Lee Miller Matsos Change Review

    From the outset, the song enters with a hypnotic rhythm that grabs the listener’s attention. The rhythmic structure invokes shades reminiscent of Lou Reed, yet this track carries a more pop-oriented vibe while maintaining an atmospheric quality. The cadence of the rhythm remains steady, aligning perfectly with the vocals. This alignment cultivates a strong and immersive ambiance that draws listeners deeper into the sound.

    Lee Miller Matsos Change

    One of the remarkable aspects of “Change” is the sudden shift in atmosphere that occurs at the one-minute mark. This transition illustrates how the artist refuses to conform to the typical structures of commercial music, instead opting for a free expression of artistic vision. This song becomes more than just auditory stimulation; it evolves into a journey of varied atmospheres.

    At approximately one minute and thirty seconds, the music transforms dramatically. This marks a point where it feels especially atmospheric, reminiscent of the innovative spirit found in the works of David Bowie. Bowie was known for his eclecticism and visionary approaches to music, and the changes within “Change” reflect these characteristics. The unexpected harmonic and rhythmic shifts keep the audience intrigued, as they never quite know what to expect next.

    Change – Sound and Atmosphere

    This song has the potential to serve as a soundtrack for a Broadway musical. Its emotive nature and dynamic shifts could easily translate into powerful visual storytelling on stage. Each transition captivates the listener, inviting them to remain engaged throughout the exploration of different musical themes.

    Miller Matsos embraces a range of avant-garde influences while anchoring the song in an accessible pop context. This duality allows “Change” to appeal to a broad audience while still showcasing the artist’s uniqueness. The combination of rhythmic precision and atmospheric depth offers listeners a refreshing experience.

    Vocally, Miller Matsos maintains control over the rhythm, enhancing the overall feel of the song. The voice complements the instrumental elements perfectly, creating a cohesive unit. Together, they achieve a harmonious blend that emphasizes both melodic trends and intricate rhythmic patterns.

    Change – Performance and Production

    The production quality of “Change” deserves attention. The attention to detail in the mix allows all elements to shine without overshadowing one another. This approach enhances the listening experience, making it rich and textured.

    “Change” does not shy away from complexity. Rather, it embraces it, providing listeners with a multifaceted artistic expression. The artist’s commitment to innovating allows for exploration while staying grounded in a relatable experience. This balance is not easily achieved, marking Miller Matsos as an artist worth keeping an eye on.

    As the song progresses, it continues to reveal new layers and emotions. Every listen brings something new, reinforcing the idea that this piece is not merely a pop song but an intricate audio experience. The artist’s willingness to take risks sets this track apart in a music landscape often dominated by formulaic approaches.

    This single is an invitation to embark on a sonic journey that leaves a lasting impression.



    Unique

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    Find Lee Miller Matsos here:
    Spotify | Instagram

    For fans of:

    Lou Reed • David Bowie


    The post Lee Miller Matsos Change Review appeared first on Edgar Allan Poets – Noir Rock Band.