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  • BEAT Announces 40-Date U.S. Tour With TERRY BOZZIO Joining The Lineup

    Beat will return to U.S. stages this fall with a new lineup addition and an expanded setlist. The progressive rock project featuring King Crimson veterans Adrian Belew and Tony Levin alongside Steve Vai has announced a 40-date American tour, with Terry Bozzio taking over drum duties for the run.

    General ticket sales begin Friday, August 7 at 10 a.m. local time. An artist pre-sale starts Tuesday, August 4 at noon Eastern using the password “BEATTOUR” and continues until Thursday, August 6 at 10 a.m. local time. VIP packages will also be available.

    Fans who caught Beat during its previous tours can expect more than a repeat performance. According to Adrian Belew, the group has added material from another era of King Crimson‘s catalog.

    Belew said: “For those of you who’ve seen Beat live, it’s important to note we’ll be adding some material from ’90s Crim to our U.S. tour; along with the addition of Superman drummer Terry Bozzio, we feel this will result in a new experience for our audience. We’re very excited to play for you again. Don’t miss it!”

    The upcoming tour also introduces Terry Bozzio as the band’s drummer. Danny Carey remains part of the Beat family, but commitments with Tool prevent him from participating in the fall dates.

    Steve Vai welcomed the change, saying: “Terry is one of the truly legendary drummers of our time, whose remarkable career and unique musical voice make him the perfect artist to join us for this tour. He brings his own extraordinary artistry to Beat, and that’s something worth celebrating.”

    Belew also paid tribute to the drummer who helped launch the project by stating: “Our deepest appreciation goes to our brother Danny Carey — a true Beat-poet. His extraordinary musicianship, generosity, humor, and explosive creativity helped establish Beat as something far beyond a tribute. He helped create its identity. While Tool commitments keep him from joining us this fall, he remains an essential part of our family.”

    Since making its debut in April 2024, Beat has built a strong following by performing fresh interpretations of King Crimson‘s celebrated 1980s material. The original concept focused on the albums Discipline, Beat and Three Of A Perfect Pair. Initial U.S. dates sold quickly, leading to additional concerts and an opening run that eventually reached 65 shows across the country.

    From there, the project expanded internationally with performances in Mexico, South America and Tokyo’s Budokan before completing an extensive European tour that included 31 cities earlier this year.

    The next U.S. run promises more changes than simply a new drummer. Alongside selections from the 1990s King Crimson catalog, the band plans to rotate songs throughout the tour, introducing different classics into the nightly setlist.

    The tour begins on October 9 at Quarry Amphitheater in Santa Cruz, California, and concludes on December 3 at Municipal Auditorium in Riverside, California.

    Each stop will also feature VIP experiences with Adrian Belew, Steve Vai, Tony Levin, and Terry Bozzio. Fans can choose from three package levels.

    The premium “BEAT On-stage Experience” includes a reserved ticket, on-stage viewing during the performance, early venue access, a pre-show meet-and-greet and group photo with the band, access to the soundcheck, an autographed tour poster, commemorative ticket magnet, specially designed record bag, exclusive merchandise item, and an official side-stage laminate and lanyard.

    The “BEAT Meet & Greet / Soundcheck Experience” offers seating within the first five rows along with early entry, the meet-and-greet, group photo, soundcheck access, signed poster, commemorative merchandise and VIP laminate.

    The third option, the “BEAT VIP Tour Package,” includes a premium reserved seat within the first 15 rows, an autographed tour poster, commemorative ticket magnet, specially designed record bag, exclusive merchandise item and commemorative laminate.

    With Terry Bozzio joining Adrian Belew, Tony Levin, and Steve Vai, plus the addition of material from the 1990s King Crimson era, Beat‘s upcoming U.S. tour is shaping up as more than an extension of its previous runs. Returning fans can expect a refreshed performance while newcomers will get another opportunity to hear music spanning one of progressive rock’s most influential catalogs performed by the musicians who helped create it.

    The post BEAT Announces 40-Date U.S. Tour With TERRY BOZZIO Joining The Lineup appeared first on Sonic Perspectives.

  • Hifi Riff Raff The Cool Kids Review

    Hifi Riff Raff The Cool Kids Review

    From the start, “Rock is Dead,” it becomes clear that Hifi Riff Raff delivers a sound that is direct and honest. This band offers pure, raw rock steeped in intensity. The lead vocals draw intriguing parallels to the legendary Lemmy, while the music evokes the spirit of classic rock from the past.

    Hifi Riff Raff The Cool Kids

    Following this impactful opening, “My People” brings a different flavor to the EP. This track introduces funk-infused vibes while still incorporating psychedelic and rock elements reminiscent of the 1970s. The upbeat nature of the song makes it impossible not to enjoy, and it showcases the excellent chemistry within the band. The collaborative energy translates into a buoyant listening experience, marking the track as a highlight on the EP.

    One of the standout songs is “Detour.” It speeds along with an invigorating rhythm that channels punk influences. The energy captured within this piece carries a dark undertone, reminiscent of hard rock from the 1980s. It presents a rawness that speaks volumes about the band’s ability to blend genres while maintaining their distinctive style. This track is bound to resonate with listeners looking for something that pushes the boundaries of traditional rock.

    The Cool Kids – Sound and Atmosphere

    A very interesting addition is the band’s rendition of “Come Together,” originally by The Beatles. Hifi Riff Raff manages to infuse their personality into this iconic song while paying homage to the original. The cover offers fresh energy while creating a wonderful atmosphere that engages listeners from start to finish. The band knows their craft, effectively breathing new life into a classic without losing its essence.

    Rounding out the EP is “Moonshiner,” a track that creates an intense connection to the Appalachian region. This song feels a bit rebellious, capturing an intense spirit that combines alternative rock with subtle hints of country influences. While the country elements are restrained, they add depth to the overall listening experience. It serves as an excellent contrast to the heavier tracks and provides a reflective moment as the EP draws to a close.

    Hifi Riff Raff displays their ability to create solid music. They take a stance against contemporary generative music, emphasizing the value of genuine rock. This is music that conveys passion and authenticity. Each track on “The Cool Kids” is a declaration of the band’s identity and commitment to producing true art.

    The Cool Kids – Performance and Production

    Listeners seeking authenticity and skillful musicianship will find Hifi Riff Raff an exciting discovery. The EP speaks volumes about the direction and aspirations of the band. With its blend of rock, funk, and punk elements, it offers a little something for everyone. This collection clearly showcases the band’s versatility while staying true to its roots.

    If you are passionate about real, unadulterated rock music, the “The Cool Kids” EP is an essential listen. Hifi Riff Raff invites you on a journey through sound that is nostalgic and fresh. It is recommended for anyone who appreciates meaningful music that does not shy away from intensity. This band is undoubtedly one to watch in the evolving landscape of rock.

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    For fans of:

    Lemmy • The Beatles

    The post Hifi Riff Raff The Cool Kids Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Cultus Sanguine – Announce Fourth Long Player

    Italian cult doom metal band Cultus Sanguine are pleased to announce that they will put out their next full-length effort, Tears Painted Sky, on October 9th, 2026 via My Kingdom Music . The 9-piece outing was recorded, mixed and mastered at MoonHouse Studio by Danilo Dilorenzo.
    Read more…

  • DEMONIC MANIFESTATION premiere new track at NoCleanSinging.com

    Today, Mexican death metallers Demonic Manifestation premiere the new track “Host” at heavily trafficked web-portal NoCleanSinging.com. The track is the second to be revealed from the band’s highly anticipated third album, Grimshrine, set for international release on September 4th via Personal Records. Hear Demonic Manifestation‘s “Host” in its entirety exclusively HERE. Demonic Manifestation are a Mexican death metal band from Colima, formed in 2012 after years of different parallel projects […]

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  • Seema Farswani Evolved Review

    Seema Farswani Evolved Review

    From the very first notes of the guitar, “Evolved” paves the way for an intense and introspective journey. Seema Farswani’s voice enters gracefully, instilling belief in every word she sings. As the listener absorbs this initial phase, the atmosphere created by the music feels both inviting and reflective.

    Seema Farswani Evolved

    The song begins with a somewhat suspended verse, creating an air of anticipation. Then the arrangement intensifies as the drums emerge more forcefully during the chorus. This dynamic shift demonstrates an impressive understanding of musical contrasts, as the energy rises and falls seamlessly between sections. Such careful construction holds the listener’s attention, drawing them deeper into the narrative.

    As the composition evolves, it becomes apparent that “Evolved” reflects the constant changes we face in life. There is a sense of vulnerability in the music, evoking fear and acceptance of life’s unpredictable nature. Farswani’s lyrics speak to the fundamental truth that adapting to change is essential, reinforcing the idea of surrendering to the universal energy that surrounds us all.

    Evolved – Sound and Atmosphere

    The collaboration with producer Rish from Level Music in Mumbai enhances the overall quality of the single. The addition of background vocals provides extra layers and vivid color to the melody, enriching the listening experience. Such collaboration showcases the artist’s dedication to creating a polished and professional sound.

    Further into the song, the nostalgic feel becomes increasingly apparent. There’s a depth to the melody that reaches into those introspective corners of our minds, invoking memories and emotions that resonate universally. This depth is achieved through a careful balancing act of instrumentation, vocal delivery, and lyrical content, making it more than just a simple ballad.

    Seema’s voice shines throughout, serving as the emotional core of the track. Her ability to convey longing and reflection is impressive, anchoring the listener amidst the changing dynamics. The chorus, in particular, bursts forth with energy, moving beyond simple lyrics to embody a collective sentiment. It feels like a call to embrace life with all its uncertainties.

    Evolved – Performance and Production

    The song gives listeners a moment of respite, transporting them away temporarily into a realm of imagination. One can almost visualize themselves on that journey of self-discovery, grappling with the themes presented. This element is vital, as it allows “Evolved” to resonate on a personal level, turning a simple song into an experience.

    The themes of evolution and acceptance are universal, transcending personal anecdotes. Farswani captures the essence of personal growth and the whirlwind of emotions that accompany it. The creative decisions made throughout the arrangement reflect a deep understanding of the human experience, helping listeners find solace in the message of the song.

    As the track progresses, it feels like a mirage suspended in time, encapsulating the notion that change is a constant companion in our lives. The soulful representation of life’s intricate tapestry is beautifully reflected through both lyrics and music. It remains integral that listeners recognize the importance of embracing their journeys, evident in the stirring melodic phrases.

    Farswani’s “Evolved” ultimately serves as a heartfelt reminder of life’s fluidity. It exists not just as a piece of music but as a meaningful exploration of our fears and hopes. With the blending of her voice and powerful instrumentation, the track invites listeners to reflect and engage with their surroundings.

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    Find Seema Farswani here:
    Spotify | Instagram

    The post Seema Farswani Evolved Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • O Slow Announces Debut Album Antenna: Hear “No Body” & “Shine”

    Brooklyn-based Jacqui Miranda makes ethereal alt-pop under the moniker O Slow. She’s been dropping singles for a few years now, and last year she released the EP Night Shine, Through Me. In September, we’ll have her first full-length album, Antenna — and actually we have 22% of it now.

    The post O Slow Announces Debut Album <em>Antenna</em>: Hear “No Body” & “Shine” appeared first on Stereogum.

  • New Tool Album Rumors Heat Up Thanks To Danny Carey’s Fall Commitments

    One of Danny’s bandmates may have tipped the band’s hand.

    The post New Tool Album Rumors Heat Up Thanks To Danny Carey’s Fall Commitments appeared first on Theprp.com.

  • Buzz Osborne & JD Pinkus Launch New Supergroup Gatta Morta With Surprise EP Burn Witch Burn

    It’s always cool when underground rock lifers join forces. Between the two of them, Buzz Osborne and Jeff Pinkus have been making bugged-out noise rock for roughly ten thousand years. Osborne has been leading the Melvins since 1983. Bassist Jeff Pinkus joined the Butthole Surfers in 1985. Now, the two of them have united to form a new band called Gatta Morta, and their first EP is already out.

    The post Buzz Osborne & JD Pinkus Launch New Supergroup Gatta Morta With Surprise EP <em>Burn Witch Burn</em> appeared first on Stereogum.

  • JOHN BUSH Brings His ANTHRAX-Era Celebration To Europe With Wacken 2027 Debut

    After taking his Anthrax-focused live show across the United States late last year and returning for a performance at Milwaukee Metalfest in June 2026, John Bush is now preparing to bring that set to Europe for the first time.

    The singer has been confirmed for the 2027 edition of Wacken Open Air, which will take place in Wacken, Germany, from July 28-31, 2027. The appearance marks Bush‘s first European performance dedicated to the material he recorded during his years fronting Anthrax.

    The current show centers entirely on Bush’s 1993-2003 period with the band, drawing material from all four studio albums he recorded: Sound Of White Noise, Stomp 442, Volume 8: The Threat Is Real and We’ve Come For You All.

    Discussing the upcoming European debut, Bush said: “Totally pumped to bring the celebrating the songs of Anthrax ’93-’03 show to the continent of Europe.

    The four shows we did in the States were awesome. Now it’s time to bring that material over the pond and have some stellar shows at some killer festivals, the first of which is Wacken!

    The fans were always great during my time in the band and I have some special memories, so let’s belt out some tunes in 2027 and relive it!”

    More European dates are expected to be announced in the near future.

    Bush first introduced the concept during three U.S. concerts in December 2025 before bringing it to Milwaukee Metalfest earlier this year. Across those performances, he revisited songs from every album he recorded with Anthrax, giving fans a rare opportunity to hear material from that chapter of the band’s history performed live by its original vocalist.

    Backing Bush on stage is a lineup featuring several familiar names. His Category 7 bandmates Phil Demmel and Mike Orlando handle guitar duties, while Jason Bittner plays drums. Bass responsibilities are covered by Bush‘s longtime Armored Saint bandmate Joey Vera, who stepped in because Category 7 bassist Jack Gibson was unavailable due to scheduling commitments. During the December U.S. shows, Category 7 also performed their own set before returning to the stage as Bush‘s backing band for the Anthrax material.

    Over more than four decades, Anthrax has featured several vocalists. Alongside Bush, the band’s history includes Joey Belladonna, Neil Turbin, and Dan Nelson. Throughout every lineup change, guitarist Scott Ian and drummer Charlie Benante have remained the only musicians to appear on every Anthrax studio album.

    Neil Turbin handled vocals on the band’s debut release, Fistful Of Metal, in 1984 before Belladonna took over. Belladonna‘s first run with Anthrax included four studio albums, among them Among The Living, one of the band’s best-known releases. After his departure, Bush joined the group in 1992 and remained its frontman until 2005.

    His tenure ended when Anthrax reunited with Belladonna for the band’s 20th-anniversary tour. Following the collapse of that reunion and the departure of Dan Nelson, Bush briefly returned before Belladonna rejoined permanently in 2010.

    For fans who consider the Bush years an essential part of Anthrax‘s history, the upcoming Wacken appearance offers another opportunity to hear songs from Sound Of White Noise, Stomp 442, Volume 8: The Threat Is Real and We’ve Come For You All performed by the singer who originally recorded them. With additional European festival appearances expected to follow, the celebration of that era looks set to continue well beyond its successful U.S. debut.

    The post JOHN BUSH Brings His ANTHRAX-Era Celebration To Europe With Wacken 2027 Debut appeared first on Sonic Perspectives.

  • Archgoat – Drop ‘The Dawn To Armageddon’ Single

    Black metal purveyors Archgoat have launched “The Dawn To Armageddon”, the second preview tune off their next studio record Nightbringer, Lightbringer.
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