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  • Track Premiere: Sura’sura – ‘Atomic Phalanx’

    Warfare Metal, the debut release from Sri Lankan black/death/war metal outfit Sura’sura, is a hell of an introduction, steeped in primitive rage and no-frills songwriting. Sura’sura are a mysterious group, existing only on Bandcamp and in the physical realm, offering nothing but the members’ initials and a statement about Warfare Metal:

    “No divine bailout. No external savior. No gods. No masters. You are your own savior!”

    These beliefs tie in to the greater themes on Warfare Metal and on “Atomic Phalanx,” streamable below exclusively via Decibel. The EP focuses on themes of man versus AI, technology and advanced forms of warfare, coupled with South Asian mythology in which the gods depend on human action for conflict resolution.

    Brace for impact and listen to “Atomic Phalanx” below. Warfare Metal is out on March 29 via VIRŪPI (විරෑපී); CDs and digital are available via Bandcamp.

    The post Track Premiere: Sura’sura – ‘Atomic Phalanx’ appeared first on Decibel Magazine.

  • AN NCS PREMIERE: NIFROST — “LIVSKRAFT”

    (written by Islander) “Hailing from Jølster, Norway, Nifrost return with a masterful display of melodic and epic black metal. Following the well-received Blykrone and Orkja, it is now time for Briseld. Once again, the legacy of Windir and the seeds planted by Enslaved and Borknagar have borne fruit in a new collection of songs.” And […]

    The post AN NCS PREMIERE: NIFROST — “LIVSKRAFT” appeared first on NO CLEAN SINGING.

  • Live Review: WSTR – Sheffield

    Live Review: WSTR – Corporation, Sheffield

    27th February 2026
    Support: Downcast, Broken Narrative, Wnsdy at 7

    Words & Photos: Martin Hingley

    A sweaty, jam-packed Friday night in Sheffield provides the perfect backdrop for a high-energy night of British pop-punk, headlined by Liverpool’s WSTR.

    Opening the bill tonight are Sheffield rockers Wnsdy At 7, who bring a fresh blend of pop-punk to the stage with hints of Waterparks and State Champs. Having hit the scene last year, the three-piece only have a handful of songs (four to be exact), but that doesn’t stop them from putting on a great performance to get the night started. Beginning with T.A.L.K., its high vocals and super catchy chorus immediately impress those who have come out early.

    Midway through their set, they add a classy touch by playing a couple of covers, understanding that not everyone knows their material yet and that their catalogue is still small. They choose 5 Colours In Her Hair by McFly and Year 3000 by Busted, both of which get the crowd singing along. It’s a slightly unusual choice, but done in their style it works well. Wnsdy At 7 pull off a solid opening slot, and I’m looking forward to seeing them again soon.

    Photo Credit: Martin Hingley Photography

    Up next are Broken Narrative, another Sheffield band who have been building a following on the scene despite only forming around a year ago. As The Prologue begins and its punchy guitar riff kicks in, the room starts to bounce, with pockets of fans already singing along. On stage they carry an aura that draws the audience into the stories told through their songs which something they clearly aim for with their cryptic themes and thoughtful lyrics.

    Broken Narrative thrive off the audience’s participation, sparking the first big sing-alongs of the evening and pushing the energy up another level, so much so that the guitarist ends up on his last set of strings before the final song. Overall, it’s a thumping, riff-driven performance that wins over plenty of people in the room.

    Photo Credit: Martin Hingley Photography

    Downcast are up next, and by now the venue is packed to capacity. They waste no time getting down to business, bringing out WSTR vocalist Sammy Clifford during the second song of their set, Home. It marks the first time the track has been performed live with Clifford delivering his vocal part, and the crowd respond instantly as the first real mosh pits begin to form.

    Bassist Jeff Bowyer even joins the pit wearing a Ghostface mask, creating some chaos in the process. After asking whether anyone in the room is part of the emo crowd, the band launch into their cover of My Chemical Romance’s I Don’t Love You, sending emotions running high before the end of their set. Before leaving the stage, they thank tonight’s headliners WSTR for having them along. Finishing with Catharsis, Downcast cement their place on the British pop-punk scene as a strong live act well worth catching.

    Photo Credit: Martin Hingley Photography

    As tonight’s headliners, Liverpool-based WSTR take to the stage, the only words that come to mind are complete and utter carnage. Arriving to a wall of cheers and screams, they turn things up to 11 with an incredibly high-energy performance. With a constant stream of crowd surfers flying overhead and landing on the stage (this is a no-barrier show) only to dive straight back into the audience, it’s clear how much the city has missed them.

    Vocalist Sammy Clifford relishes the chance to interact with the crowd, giving fans plenty of opportunities to sing and scream down the microphone with him while delivering a strong vocal performance of his own. Despite being on the final stretch of a European tour, WSTR show no signs of slowing down, with Alex Tobijanski donning a very rockstar furry leopard-print bucket hat and sounding tighter than ever on bass.

    Photo Credit: Martin Hingley Photography

    There’s a clever moment as the band finish The Latest with an outro of The All-American Rejects’ Gives You Hell before launching straight into See You In Hell, sparking a huge sing-along about a twisted holiday and showing that WSTR are more than just a typical pop-punk band.

    As the show races towards its end, the band bring out the big guns with Featherweight, Eastbound & Down and 3 Days Sober, each one sending the room into overdrive with crowd surfers and bouncing fans throughout. With time running out, WSTR stay on stage and finish their set without an encore giving fans one last treat with Filthy for a final mosh before heading home.

    Tonight has been an incredible evening of British pop-punk and shows just how strong the scene has become across the country, with bands dreaming of following in You Me At Six’s footsteps. Personally, I can’t wait to see WSTR again if every show is as good as this one.

    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography

    Photo credits: Martin Hingley

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZOR’S EDGE on facebook, twitter and instagram.

    The post Live Review: WSTR – Sheffield appeared first on The Razor's Edge.

  • Live Gallery: WSTR – Sheffield

    Live Gallery: WSTR – Corporation, Sheffield

    27th February 2025
    Support: Downcast, Broken Narrative, Wnsdy at 7 5

    Photos: Martin Hingley

    We look back at the epic WSTR show through the eyes of our photographer Martin Hingley!

    WSTR

    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography

    Downcast

    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography

    Broken Narrative

    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography

    Wnsdy at 7 5

    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography
    Photo Credit: Martin Hingley Photography

    All photo credits: Martin Hingley Photography

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Live Gallery: WSTR – Sheffield appeared first on The Razor's Edge.

  • Lion’s Share – guitarist/producer/songwriter Lars Chriss

    Guitarist/producer/songwriter Lars Chriss – Lion’s Share Interviewed by: Anders Sandvall Thanks to Stephan Burmeister at Flying Dolphin Entertainment UG for setting up this interview. Thanks […]

    The post Lion’s Share – guitarist/producer/songwriter Lars Chriss appeared first on Metal-Rules.com.

  • Morgan Nagler – “Hurt”

    On Friday, the LA-based singer-songwriter Morgan Nagler, of the bands Whispertown and Supermoon, will release her first solo album I’ve Got Nothing To Lose, And I’m Losing It. We’ve posted the early tracks “Grassoline” and “Heartbreak City,” and the album features contributions from a whole bunch of Nagler’s indie peers. Plenty of them helped out…

    The post Morgan Nagler – “Hurt” appeared first on Stereogum.

  • Why Slipknot Changes Members So Often Is More Complicated Than Fans Think

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    Why Does Slipknot Change Members So Often?

    Slipknot changes members so often because the band has had to survive a rare mix of tragedy, health issues, internal strain, legal conflict, and constant pressure to evolve while operating one of the most intense setups in heavy music.

    TL;DR:

    Slipknot’s lineup history is not just a story of people getting fired. Some changes came from devastating loss, like Paul Gray’s death. Some came from serious health issues, like Joey Jordison’s battle with transverse myelitis. Others came from business and legal fallout, like Chris Fehn’s split. And then there is the harder truth fans do not always want to hear: Slipknot is a massive, demanding band built on constant reinvention, and that kind of machine creates friction. The reason Slipknot changes members so often is not one simple pattern. It is a collision of tragedy, pressure, secrecy, and a band identity that has increasingly become bigger than any one person.

    If you want a full breakdown of the band’s evolving lineup, check out our complete guide to every Slipknot member and their role in the band.

    Slipknot Was Never Built Like a Normal Band

    Slipknot has always been harder to hold together than a standard metal band.

    Nine members. Masks. Characters. Separate creative roles. A huge live production. Multiple personalities. Constant touring. Constant pressure. Even before the fame exploded, this was not the kind of group where everything was ever likely to stay neat and stable for decades.

    That matters, because when people ask why Slipknot changes members so often, they usually frame it like there must be one secret answer hiding behind all the chaos.

    There is not.

    The real answer is that the Iowa band has been carrying unusual pressure since the beginning. It is a collective with more moving parts than almost anyone in heavy music, and over time that means loss, conflict, exhaustion, and change hit harder.

    Browse upcoming heavy metal concerts and ticket availability here

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    Paul Gray’s Death Changed Everything

    If you want the turning point, start here.

    Paul Gray was not just the group’s bassist. He was one of the emotional and musical anchors of the band. His death in 2010 due to an accidental overdose shattered the group in a way they have never completely escaped.

    This is where a lot of casual retellings get too shallow. They reduce Paul’s death to a lineup note in a timeline. That misses the real impact.

    Slipknot did not just lose a member. They lost part of their center.

    You can hear that rupture all over what came after. The band’s next era was shaped by grief, survival, and the very real question of whether Slipknot could even continue as Slipknot without him. That kind of trauma changes how a band functions internally, creatively, and emotionally. Once that foundation breaks, stability gets a lot harder to maintain.

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    Joey Jordison’s Exit Proved How Fragile Even Foundational Roles Could Be

    Joey Jordison leaving was the moment a lot of fans realized nobody was untouchable.

    For years, Joey felt inseparable from Slipknot’s identity. He was one of the founders, one of the defining musical voices, and one of the players most responsible for the band’s violent early chemistry. So when he was out, it did not feel like a routine personnel move. It felt like part of the DNA had been removed.

    What makes that story even heavier is that Joey later revealed he had been battling transverse myelitis, a neurological condition that temporarily took away his ability to play drums properly.

    That matters because it turns the conversation away from lazy fan narratives. Joey’s departure was not just “band drama.” It unfolded around a serious health crisis, confusion, and a breakdown in communication. That does not make the split any less painful. It makes it sadder.

    And yes there were substance abuse issues as well.

    Once the band survives losing Paul Gray and Joey Jordison in relatively quick succession, the illusion of permanence is gone.

    Loaded Radio Recommends – 13 Shocking Joey Jordison Facts: The Unseen Life of the Masked Metal Icon

    joey-jordison-facts-slipknot

    The Band’s Internal Pressure Cooker Has Always Been Real

    One reason Slipknot changes members so often is simple: this band has never exactly hidden that life inside it can be intense as hell.

    That is true creatively, emotionally, and personally.

    This is a band whose mythology is built on catharsis, violence, chaos, and confrontation. Fans love that because it makes the music feel dangerous and alive. But the same energy that makes Slipknot powerful can also make it unstable.

    Heavy touring schedules do not help. Neither does the fact that Slipknot has always had multiple strong personalities, multiple creative voices, and a structure where every member is expected to contribute to a larger identity rather than just play their instrument and go home.

    Bands much smaller and much less demanding fall apart all the time.

    Slipknot somehow kept going.

    But the cost of that has often been lineup change.

    Chris Fehn’s Split Showed the Business Side Can Blow Things Up Too

    Not every Slipknot departure came from grief or health.

    Chris Fehn’s exit was the clearest public example of how business and money can fracture even a long-running band.

    His split happened after he sued the band over compensation and business arrangements. That immediately changed the conversation around Slipknot, because it was no longer just about chemistry or art. It was about the machinery behind the machine.

    And this is another reason the band changes members more often than fans want to admit: Slipknot is not just a band anymore. It is a brand, a touring operation, a business structure, and a major institution in metal.

    Once a group reaches that level, tension is not only about riffs and personalities. It is also about ownership, power, money, transparency, and control.

    That kind of pressure destroys trust fast.

    chrisfehnslipknotsolomarch2019

    Some Exits Have Been Clear, and Some Absolutely Have Not

    This is where accuracy matters.

    It is easy to write a sensational article that acts like every Slipknot exit came from the same ugly pattern. That is not supported by the record.

    Some departures are relatively well understood. Paul Gray died. Joey Jordison later discussed his health battle. Chris Fehn’s legal conflict was public.

    But others have stayed murky.

    Craig Jones’s departure was announced, then the statement disappeared, and fans were left doing what Slipknot fans always do when the band goes silent: trying to build certainty out of scraps. Jay Weinberg’s departure was described by the band as a creative decision, while Jay later said he was heartbroken and blindsided.

    That uncertainty is part of the story too.

    Slipknot does not always explain itself clearly, and that has helped create the feeling that the band is constantly unstable or secretive. Sometimes that perception is fair. Sometimes it is just the byproduct of a group that has always guarded its internal world tightly.

    Either way, silence creates speculation. Speculation creates mythology. And mythology makes every lineup change feel even bigger.

    Slipknot’s Identity Has Gradually Become Bigger Than Individual Members

    This may be the hardest truth for longtime fans.

    Over time, Slipknot has increasingly functioned like an entity that outlives whoever is inside it. That does not mean the members do not matter. Obviously they do. The early chemistry of the classic lineup is the reason the band became what it became.

    But the project now operates on a level where the brand, the concept, and the larger vision can continue even after major losses and shocking exits.

    That is why the band has survived what would have killed most groups.

    It is also why members can leave and Slipknot keeps moving.

    For some fans, that feels like strength. For others, it feels like something colder: proof that the band they fell in love with became more institutional than human. That tension is part of why every lineup change hits so hard. Fans are not just reacting to who left. They are reacting to what Slipknot is now.

    metal-bands-for-mental-health-slipknot-new-song-old

    So Why Does Slipknot Change Members So Often?

    Because Slipknot has had to absorb more damage than most bands ever do.

    Because grief changed them.
    Because illness changed them.
    Because business conflict changed them.
    Because creative pressure changed them.
    Because no nine-member band operating at this scale stays untouched forever.

    That is the real answer.

    Not “they just fire people.”
    Not “everyone gets replaced eventually.”
    Not “it is all because of Clown,” or any other fan-forum shortcut.

    Slipknot changes members so often because the band has spent decades surviving conditions that make stability almost impossible. And yet somehow, against all logic, it keeps surviving anyway.

    That is not a clean story. It is not a comforting story either.

    But it is the honest one.

    What This Means for Slipknot Now

    At this point, lineup changes are not some weird exception in Slipknot’s history. They are part of the history.

    That does not automatically mean the band is doomed. It means fans should probably stop pretending the classic version of Slipknot can ever fully come back. It cannot.

    What exists now is a different kind of Slipknot: older, more damaged, more guarded, still powerful, still dangerous live, but shaped as much by endurance as by youthful chaos.

    That is why the band still matters.

    Not because it stayed the same.
    Because it did not.

    If anything, Slipknot’s history shows that metal longevity is rarely noble or tidy. Sometimes it is ugly. Sometimes it is painful. Sometimes it leaves scars all over the lineup sheet.

    And sometimes that is exactly why the music still sounds like it has something real to lose.

    Check This Out – The 13 Most Brutal Slipknot Songs Ever Recorded (Ranked)

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    FAQ

    Why Did Slipknot Lose So Many Members?

    Slipknot lost members for different reasons, including Paul Gray’s death, Joey Jordison’s health crisis, Chris Fehn’s legal dispute with the band, and later departures tied to creative or internal decisions that were not always fully explained publicly.

    Did Joey Jordison Leave Slipknot Voluntarily?

    No. Slipknot announced in 2013 that Joey Jordison was leaving, and Joey later said he was fired rather than choosing to quit.

    Why Did Chris Fehn Leave Slipknot?

    Chris Fehn’s exit followed a lawsuit over compensation and band-related business entities, making his departure one of the clearest examples of business conflict inside Slipknot.

    Why Do Slipknot Fans Talk About the “Classic Lineup” So Much?

    Because the band’s most formative and beloved era was built around the lineup that recorded the early albums, especially the years anchored by Paul Gray and Joey Jordison. For many fans, that chemistry still defines the band at its peak.

    Slipknot Band Bio

    Slipknot is an American metal band formed in Des Moines, Iowa in 1995. Known for its masks, nine-point star, and punishing blend of extreme metal, groove, industrial textures, and chaos, the band broke through globally with its 1999 self-titled album and became one of the biggest metal acts of the 21st century.

    Across eras defined by albums like Iowa, Vol. 3: The Subliminal Verses, All Hope Is Gone, .5: The Gray Chapter, We Are Not Your Kind, and The End, So Far, Slipknot has built a legacy on brutality, spectacle, and emotional intensity. Despite repeated lineup changes, tragedy, and internal upheaval, the band has remained one of the genre’s most recognizable and commercially powerful forces.

    The post Why Slipknot Changes Members So Often Is More Complicated Than Fans Think appeared first on Loaded Radio.

  • RANDY BLYTHE Of LAMB OF GOD Says To The People Who Say To Keep Politics Out Of Music, “Go F*ck Yourself”

    LAMBOFGOD MI MODA 2024-23

    “I’m a human being. I’m not some dancing monkey put here for your entertainment. If you have any sort of moral compass at all, it’s irresponsible to not exercise your right to speak up.”

    The post RANDY BLYTHE Of LAMB OF GOD Says To The People Who Say To Keep Politics Out Of Music, "Go F*ck Yourself" appeared first on Metal Injection.

  • Jon Anderson announces more UK live shows for September

    Former Yes singer Jon Anderson will now play shows in Brighton, Oxford, Nottingham and Portsmouth