Hadda Be’s High Noon is a thrilling burst of art-rock energy, balancing tension, urgency, and raw emotional force with remarkable precision. Refined through countless live performances, the track carries an organic dynamism that constantly shifts and evolves, keeping listeners engaged from start to finish. Produced by Stereolab’s Andy Ramsay, the song blends sharp instrumentation with a restless momentum, while Amber’s impassioned vocal delivery captures feelings of frustration, uncertainty, and resilience in challenging times. The result is both immediate and enigmatic, pairing infectious intensity with a deeper emotional undercurrent. High Noon stands as a bold and compelling statement from a band continuing to push its sound forward while retaining the exhilarating spirit of its live performances.
Polish extreme metal titans Behemoth have announced an exclusive new body of work titled I, Scvlptor, set to drop on 4th September 2026 (pre-save / pre-order the physical release). The independent release spans eight tracks, bridging the band’s foundational past with their modern creative flame. Introducing the collection is the monolithic lead single and title … Continue reading Behemoth drop new video for ‘I, Scvlptor’ title track and announce massive UK co-headline date
IDA JANE’s Tashkent is an inspiring soul pop gem that blends heartfelt storytelling with a message of perseverance and quiet determination. Drawing strength from its contrast between struggle and reward, the song reflects on the realities of chasing dreams while remaining grounded in optimism rather than bitterness. IDA JANE’s expressive vocals bring warmth and sincerity to the narrative, while the fusion of indie-pop sensibilities and subtle blues influences gives the track a distinctive emotional character. The songwriting strikes a thoughtful balance between reflection and encouragement, celebrating resilience in the face of setbacks. Tashkent ultimately emerges as a hopeful and uplifting reminder that dedication, patience, and authenticity remain some of life’s most valuable rewards.
Federal Lights return with Safest Place to Be, an anthemic indie folk/ rock standout that transforms personal struggle into something uplifting and deeply human. Built around soaring melodies, shimmering guitars, and an emotionally charged performance, the song examines the seductive comfort of self-doubt and the difficult process of breaking free from it. Rather than dwelling in despair, Federal Lights channel vulnerability into resilience, crafting a track that feels both reflective and empowering. The band’s knack for balancing expansive sonic textures with heartfelt songwriting is on full display, resulting in a sound that is as cinematic as it is relatable. Safest Place to Be marks a welcome return, reaffirming Federal Lights’ ability to create emotionally resonant indie rock with lasting impact.
Nunslaughter, a blasphemic metal band based in Cleveland, Ohio, started their musical journey in 1987 after being known as Death Sentence for two years. Scrolling through the band’s discography, you’ll notice that full-length releases are rather limited. EPs, split releases, and live recordings dominate a list that includes five studio albums. Five years after launching… Continue Reading →
KIT’s Form Endures is a fuzzy, riff-driven psychedelic rock excursion that pairs infectious energy with thought-provoking themes. Anchored by a memorable guitar motif and layered with rich textures, the track channels the adventurous spirit of modern psych-rock while exploring questions of existence, transformation, and what remains beyond physical form. The band effortlessly balances raw rock intensity with swirling, mind-expanding atmospherics, creating a sound that feels both immediate and immersive. Drawing inspiration from the genre’s contemporary innovators while maintaining its own identity, Form Endures unfolds as an engaging sonic journey filled with momentum, curiosity, and depth. It’s a captivating glimpse into KIT’s creative world and a strong preview of what’s to come from their forthcoming album.
Polish extreme metal legends, BEHEMOTH, unleash ‘I, Scvlptor‘, the first single from their new studio release, I, Scvlptor. The music video was produced by the acclaimed Polish production collective Grupa 13, while the cover artwork and design were created by long-time Behemoth collaborator Bartek Rogalewicz /LODGE.BLACK.
Nergal commented on the new single:
“’I, Scvlptor’ is a new Behemoth song rooted in the tradition of monumental tracks like ‘O Father O Satan O Sun!’, ‘Lucifer’ or ‘Nieboga Czarny Xiądz’, while at the same time opening a new chapter. It carries that epic weight but also takes an unexpected turn that makes it feel fresh and different from the previous pieces. Lyrically, it is a metaphor for the endless process of shaping oneself – an uneven struggle with matter and personal limitations. The paradox is that from the moment we are born we are already destined to die, so perhaps it is not about victory itself, but about the constant act of sculpting who we are”.
‘I, Scvlptor‘, which will be out 04 September 2026, is an exclusive release featuring eight previously unreleased songs – seven new studio recordings and one live track. It is an autonomous body of work that bridges the band’s foundational past with their present creative fire. The release features brand-new studio material embodying the full force of Behemoth’s live energy and intensity. Two tracks – ‘Rise of the Blackstorm of Evil’ (from The Return of the Northern Moon, 1992) and ‘In Thy Pandemaeternum‘ (from Pandemonic Incantations, 1998) – are newly re-recorded versions of early Behemoth material, reshaped with modern sonics while preserving their original spirit; a tribute to the bands who had a huge influence on Behemoth – ‘In League With Satan’ (originally by Venom, feat. Shagrath of Dimmu Borgir) and ‘The Return of Darkness and Evil‘ (originally by Bathory, feat. Sakis Tolis of Rotting Christ). Available on CD, LP, MC and Limited-Edition Box Set through Massacre Records worldwide and digitally via Nuclear Blast Records.
Nergal commented:
“We’re fucking excited about the release of I, Scvlptor. Even though it’s not a regular studio album and is, in fact, more of a compilation, the mere fact that it contains songs nobody has ever heard before makes it a significant release for us. What’s more, some of these tracks are likely a little different from what we offered on our last album, The Shit Ov God. That’s why we see I,Scvlptor as an important record — a connecting piece, a bridge between where we are now and whatever may come next in the distant future.”
Dead of Winter Festival is officially back, resurrecting its glorious, dark alternative underworld at Brisbane’s iconic Mansfield Tavern on Saturday, 27 June 2026. After six long years in the shadows, this absolute staple of the heavy music calendar is rising like a Phoenix. Organisers have curated a massive line-up of 31 bands, performance art, and […]
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Dead of Winter Festival is officially back, resurrecting its glorious, dark alternative underworld at Brisbane’s iconic Mansfield Tavern on Saturday, 27 June 2026. After six long years in the shadows, this absolute staple of the heavy music calendar is rising like a Phoenix. Organisers have curated a massive line-up of 31 bands, performance art, and […]