PROX Intake

Blog

  • Sha-Boom drop video for new single “Walk (Far Away)”

    Sha-Boom .

    The post Sha-Boom drop video for new single “Walk (Far Away)” first appeared on Sleaze Roxx.

  • STORMHAMMER Release Music Video For New Single “Scars Of The Abyss”

    German power metal force STORMHAMMER have released a music video for their brand-new single “Scars Of The Abyss“. Combining crushing riffs, soaring melodies and a gripping atmosphere, the track delivers a powerful metal statement that perfectly showcases STORMHAMMER’s unmistakable sound.

    Commenting on the song, bassist and backing vocalist Horst Tessmann states:

    “Scars Of The Abyss is one of the songs that best reflects the blend of old-school power metal and modern heaviness that defines this album.”

    Stream the single here: 

    https://stormhammer.rpm.link/scarsPR

    Watch the official music video here: https://www.youtube.com/watch?v=rawNaVVzmXs

    With “Scars Of The Abyss”, STORMHAMMER unleash another impressive preview of their forthcoming studio album Wrath Of The Hammer, released on July 17 via ROAR – A Division of Reigning Phoenix Music. Blending anthemic choruses, dynamic musicianship and emotionally charged songwriting, the band once again demonstrates their ability to merge classic power metal traditions with contemporary heaviness and depth.

    Pre-order Wrath Of The Hammer at:

    https://stormhammer.rpm.link/wrathalbumPR

    Track-list:
    1. Beware
    2. Wrath Of The Hammer
    3. Ashes Of The Throne
    4. Light In The Dark
    5. Wheels Of Eternity
    6. Guardians Of The Night
    7. Veil Of Fire
    8. Scars Of The Abyss
    9. Shattered Dominion
    10. The Dune

    STORMHAMMER:
    M.Nox – Vocals
    Phil Meyer – Guitar, Backing Vocals
    Christos Efstathiou – Guitar
    Ashley Guest – Drums
    Horst Tessmann – Bass, Backing Vocals

    Connect With STORMHAMMER:
    Website: https://www.stormhammer.de/

    Facebook: https://www.facebook.com/stormhammerband/

    Instagram: https://www.instagram.com/stormhammer_official/

    Find ROAR bands online @distortion.musicgroup
    Facebook | Instagram | YouTube | Spotify

    Source: C Squared Music

  • “My Heart Isn’t So Sure” — Louisville Synthpop Trio Modiste Feel the Pull of an Old Flame With “Blur”

    Gave you all that I had
    Got indifference in return
    You won’t change but I keep coming back
    So I guess I’ll never learn 

    At midnight, every bad decision can feel briefly ordained, and Modiste channels that hour when resolve loosens its grip. Blur, the Louisville trio’s third single, lives inside that uneasy return: the call answered, the door reopened, the familiar wound examined once more beneath the glow of old machines.

    Sydney Sleadd sings with the poise of someone recounting a mistake while already walking toward it again. Her voice carries hurt, attraction, and wary self-knowledge without flattening any of them into easy drama. Around her, Dennis Stein’s synthesizers rise and recede in slow waves, while Kyle Stallings’ guitar adds a live-wire edge that keeps the track from drifting too far into reverie. The arrangement feels spacious, yet every part has purpose; a bass movement here, a clipped guitar figure there, each detail nudging the song closer to its emotional breaking point.

    Modiste exclusively uses analogue instruments, many dating from the 1980s and 1990s. The trio draws from synth pop, post-punk, new wave, industrial music, goth, and indie rock, then folds those references into a language with its own accent. Echoes of Tennis, Siouxsie and the Banshees, Metric, The Motels, and Weyes Blood pass through the room, but Modiste keeps the focus on the ache at the center.

    “We wanted Blur to have this ebb and flow that tapped into the feeling of not being able to pull away even when something isn’t good for you,” says Sydney, the lead singer of MODISTE. That push and pull shapes the song as each verse tightens the emotional knot, while the chorus lets certainty dissolve into desire. The relationship at its heart has already supplied every warning sign, yet one gesture is enough to restart the cycle.

    The band’s background gives the performance extra weight. Sleadd brings the authority of an award-winning frontwoman, Stein contributes decades of production and stage experience, and Stallings adds the tension of Southern Indiana rock clubs and left-field electronics. Together, they make Blur feel intimate on headphones and built for a room filled with synced lights, projected images, sharp fashion, and collective recognition.

    Listen to Blur below and order the single here.

    Following their Waterfront Wednesday appearance and the earlier single Breaking My Own Heart, Modiste sounds ready for a larger frame. With a full-length album due in August 2026, Blur offers a persuasive glimpse of a band learning how to turn romantic relapse into sleek, heartaching pop. It leaves behind the sensation of standing outside an ex-lover’s house with the engine running.

    Follow Modiste:

    The post “My Heart Isn’t So Sure” — Louisville Synthpop Trio Modiste Feel the Pull of an Old Flame With “Blur” appeared first on Post-Punk.com.

  • “Sales is not a mark of success”: 10 brilliant rock bands from the ’90s who should have been absolutely massive

    The biggest-selling alt. rock bands from the ’90s weren’t necessarily the best alt. rock bands from the ’90s

  • Hitmaking Producer Tay Keith Dead At 29

    The hitmaking Memphis rap producer Tay Keith has passed away. His regular collaborator BlocBoy JB shared the news of Keith’s death on his Instagram story, writing, “We talked everyday yeen even tell me you was leaving.” WSMV confirms that he was recently found dead in his Nashville apartment. No cause of death has been reported. Keith was 29.

    The post Hitmaking Producer Tay Keith Dead At 29 appeared first on Stereogum.

  • Premiere: RUNT ‘Surrendered’

    Brisbane rockers, Runt, have released their third single for XMusic, Surrendered. The song is a dive inside the claustrophobic tension of losing control, both your own mind and the toxic, shitty people who drain your sanity. It’s about that exact breaking point where you’re done trying to be understood, exhausted by the games, and you […]

  • Onelinedrawing (Ex-Far, Etc.) Announce Rock-Oriented New Album “RAINBOWMACHINE”, Debut “This Is A Warning”

    A backing band was assembled to pull off these new tracks.

    The post Onelinedrawing (Ex-Far, Etc.) Announce Rock-Oriented New Album “RAINBOWMACHINE”, Debut “This Is A Warning” appeared first on Theprp.com.

  • “Death is Following Us” — The Pixel Rain Condemns a Ruinous Legacy in Video for “Last”

    The view reminds me
    What used to be
    The golden age
    But we slowly drained the life out of our fields
    And everything has changed

    The Pixel Rain’s Last opens on a throne buried in dust, with musician Áron Siegler proverbially staring across a kingdom whose fountains have gone dry and whose rulers still expect applause. Last has a rancid grandeur: a despot surveying the wreckage, blaming the vanished citizens, then dressing his guilt in robes, gold, and divine permission. Power has rarely sounded so petty.

    Built around post-punk guitar, industrial pressure, and electronics that crawl beneath the floorboards, Last moves with the ugly certainty of machinery left running after everyone responsible has fled. The guitars carry a cold abrasion indebted to The Jesus and Mary Chain and The Horrors, yet Siegler folds those references into his own severe pop instinct. Beneath the corrosion sits a melody sharp enough to lodge itself in the skull, which makes the ruler’s final appeal feel dangerously plausible.

    “Last was born from my scorn for modern-day authority figures as I was picturing a world that these kinds of people are gonna leave behind,” says Siegler. “The song has a specific meaning for me as a Hungarian person but I always try to write lyrics universally, encouraging the audience to find their own stories in my songs.”

    Siegler sings from inside authority’s cracked skull, where self-pity and accusation share a bed, and every plea for forgiveness doubles as another order. Ecological ruin becomes dynastic décor; abandoned fields, empty fountains, and hollow lakes stand around like unpaid witnesses while the king prepares his farewell performance.

    The Hungary-shot video places Siegler beside Balázs Fűr, András Melles, Máté Breier, and Máté Király-Gyeőry, turning a studio-centered project into a band with visible muscle and communal force. Their presence also tightens the song’s link between Southeast London and Hungary, lending its political disgust a personal voltage.

    Watch the video for Last below:

    As the first signal from A Sense of Danger, due in late October, Last suggests an album willing to stare authority straight in its powdered face. The ruler may possess the gold and the throne, but The Pixel Rain owns the final word for everyone still listening.

    Listen to Last below and order the single here.

    Follow The Pixel Rain:

    The post “Death is Following Us” — The Pixel Rain Condemns a Ruinous Legacy in Video for “Last” appeared first on Post-Punk.com.

  • A Killer’s Confession Announce Fall Tour In Support Of Their New Album “Victim 3”

    Dizasterpiece and Dead Things have been booked to open.

    The post A Killer’s Confession Announce Fall Tour In Support Of Their New Album “Victim 3” appeared first on Theprp.com.

  • Getting To Know The Bands Of THRASHVILLE: THE BENNIES

    Thrashville returns to the lush bushland of Dashville in Lower Belford, Hunter Valley, on Saturday, 27 June 2026. Celebrated as the region’s heaviest music gathering, this inclusive, single-day outdoor festival delivers a high-energy feast of punk, hard rock, and heavy metal across four vibrant stages. Following a medical cancellation by US punk band FEAR, homegrown legends Cosmic Psychos will […]