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Paul Bergmann delivers a brooding, introspective moment with West Rock, a slow-burning track that feels both grounded and existential. Recorded live, the song carries a raw, organic presence—its steady rhythm and restrained instrumentation allowing Bergmann’s contemplative vocals to take center stage. Inspired by the looming geological landmark in New Haven, the track unfolds like a restless meditation on the human condition, balancing melancholy with quiet intensity.

A haunting preview of the upcoming album Connecticut Cowboy, the track gradually builds tension and atmosphere—so hold your breath. This one is going to explode.

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baby hollis delivers a charming indie gem with it’s sweet, a playful love song that leans into warmth, sincerity, and effortless melody. Built around breezy instrumentation and Hollis Griffin’s relaxed vocal delivery, the track captures the simple joy of affection without overthinking it. Light, catchy, and disarmingly honest, it flows naturally before unfolding into a satisfying closing breakdown that adds a touch of emotional lift.

it’s sweet feels exactly as the title suggests—an easygoing indie moment made to brighten the day.

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Black Water Mountain bring gritty energy and old-school swagger with Lou Lee Lou, a punchy slice of rock ’n’ roll driven by raw guitars, steady rhythms, and a soulful edge. The track carries a classic barroom spirit—catchy, loud, and built to move—while the band’s no-frills approach keeps the focus on groove and attitude. With its infectious hook and straight-to-the-point rock power, Lou Lee Lou delivers the kind of unapologetic, feel-good rock that’s meant to be played loud.

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Blackbraid will independently release a new three-track EP, titled Nocturnal Womb this Friday, March 6th. The Indigenous solo black metal project also premiered the lead single “Celestial Bloodlust” along with a live performance video shot. Check it out below.
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The Last Post taps into early-2000s emo nostalgia with 1999 (Acoustic Mix), a stripped-back reflection on first love, mixtapes, and those endless late-night drives where everything felt possible. Built around warm acoustic guitar and confessional vocals, the track leans fully into vulnerability, capturing the nervous excitement and bittersweet innocence of youth. With echoes of classic emo storytellers, 1999 (Acoustic Mix) feels intimate and timeless—like a bedroom performance meant for anyone still holding onto the magic of being young, hopeful, and a little reckless.

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Twisted Sister have announced that former Skid Row vocalist Sebastian Bach will take over lead vocals for a series of select 50th anniversary shows this fall, following the departure of long-time frontman Dee Snider due to health concerns.
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Cola return with Hedgesitting, a hypnotic indie rock cut that thrives on restraint and atmosphere. Built around crisp guitar lines, steady rhythms, and Tim Darcy’s detached yet expressive vocal delivery, the track balances minimalist precision with an undercurrent of emotional intensity. Subtle layers—live drums intertwining with loops—create a quietly immersive groove, while the songwriting drifts between nostalgia and introspection. Hedgesitting feels both understated and magnetic, capturing Cola’s knack for turning subtle textures and thoughtful lyricism into something deceptively powerful.

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Elska dives deep into nocturnal euphoria with Lost in the Club, a hypnotic slice of melodic techno built for late-night dancefloors. Driven by pulsating beats, shimmering synth layers, and a haunting vocal line, the track gradually pulls the listener into its immersive groove before erupting into an electrifying drop. Balancing emotional atmosphere with club-ready power, Lost in the Club captures that fleeting moment when the lights blur, the bass takes over, and the night feels endless.

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Gay Nineties deliver a punchy burst of indie rock energy with Internet, Sex & Drugs, a fast-moving track that captures the restless pulse of modern disconnection. Clocking in at just over two minutes, the song blends bright new wave textures with sharp guitar hooks and a driving rhythm, channeling a nostalgic spirit while dissecting contemporary distractions. Beneath its infectious momentum lies a subtle emotional tension—where the search for real connection collides with the endless noise of the digital age.

Playful yet perceptive, Internet, Sex & Drugs proves that Gay Nineties know how to wrap thoughtful observation inside an irresistibly tight indie anthem.

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Psycroptic are rolling through the country in August with a big tour that concludes at Necrosonic in Brisbane.

The Tasmanian metal masters have put together a massive package that also features Pennsylvanian progressive death unit Rivers of Nihil, Melbourne’s Growth and Sydney band Slaughtercult. The shows kicks off in Perth on August 13. Get tickets now.