Craig Morgan’s song catalog reflects a life that has been anything but ordinary. From heartfelt country ballads and working-class anthems to songs inspired by family, faith, and military service, Morgan has built a recording career that resonates with listeners who appreciate authenticity and real-life storytelling. This complete list of Craig Morgan songs from A to Z showcases the depth of a catalog that has produced enduring country radio favorites, including “That’s What I Love About Sunday,” “Redneck Yacht Club,” “Almost Home,” “International Harvester,” and “Bonfire.” Kingston Springs, Tennessee, has always remained at the heart of Craig Morgan’s story. Before becoming
RØRY has announced their biggest UK headline tour to date, including a show at London’s prestigious O2 Academy Brixton.
Photo credit: Derek Bremner
After a life-affirming performance on Download’s biggest stage, the ‘Bloodletting’ tour will kick off in January with support from Delilah Bon and MOTHICA.
The six-date tour will see her hit some huge stages in Manchester, Glasgow, Nottingham, Birmingham and Cardiff, ending with that enormous show in London.
Speaking on the announcement, RØRY has shared:
“Four years ago, I walked on stage at my first headline show and played to 250 people. I remember thinking, ‘This must be a dream.’ Today, I’m announcing the biggest headline tour of my life.
“And two of my absolute favourite artists are joining me… MOTHICA and Delilah Bon. One day I’ll wake up from this dream… but that’s not today.
“This album was born from pain, carried by hope, and fuelled by people who refused to give up on themselves. If you’ve ever felt behind, forgotten, broken, or underestimated… this tour belongs to you. Welcome to the bloodletting.”
Tickets will go on general sale on June 19 at 10am BST.
Here are all the dates you need to know.
JANUARY
30: MANCHESTER Academy 31: GLASGOW O2 Academy
FEBRUARY
2: NOTTINGHAM Rock City 3: BIRMINGHAM O2 Academy 5: CARDIFF The Great Hall 6: LONDON O2 Academy Brixton
RØRY’s latest full-length ‘BLOODLETTING’ will arrive on September 4 via their own SADCØRE Records.
Rock Sound caught her emotional set at Download Festival over the weekend. Here’s what we had to say about it:
RØRY, Download Festival 2026
LIVE REVIEW: “I want you to imagine the scene,” RØRY requests of the thousands gathered for their Apex Stage debut. “You’re 36 years old. You’ve tried and failed at music, but you decide to try one more time. You dye your hair blue, and now you’re on… pic.twitter.com/YIZQWAwUs6
Jonny Amoral is a rising grunge/punk artist celebrated for his raw energy, rebellious spirit, and infectious stage presence. Growing up on Kangaroo Island and cutting his teeth on grunge, Jonny’s live shows are a whirlwind of high-energy performances, full of crowd interaction, edgy attitude, and spontaneous fun that keeps audiences hooked. With every show, he continues to build a loyal following, making his mark on the underground punk scene.
His new song “Dig Me Up” is about “rediscovering your roots and staying true to yourself”, says the artist. I love the energy, the pure grunge vibes, and the balance between raw power and melody. The chorus hits hard, and there’s a killer solo section too. It’s a track worth checking out, especially if you are fan of the genre. Give it a go by clicking on the song on my Grunge & Alt.Rock playlist below and don’t forget to follow Jonny Amoral if you like what you hear.
Ice Nine Kills have announced their biggest ever headline show, taking place in March 2027.
After tearing up the main stage at Download Festival over the weekend, the horror metal icons have shared the news that they’ll be bringing their blood-soaked antics to London’s O2 Arena for the first time next year.
Taking place on March 28, it’s set to be their biggest headline performance yet, and we can’t even begin to imagine what they have in store.
Speaking on the announcement, frontman Spencer Charnas has said:
“London gave us our biggest headlining show in history thus far, and as everyone knows, there’s always a sequel. Can’t wait to soak the prestigious O2 in stage blood, and scream along with our British Psychos next year.”
Tickets will be on sale from 10am on Wednesday June 17.
Mork is the brainchild of Thomas Eriksen, who founded the band in 2004. „Isebakken“ was the debut album, and now the latest studio effort, „Monolitt“, hits the shelves. The band’s eighth album features nine songs, and the opener, “Under vekten av verden,” shows that Mork maintains an aggressive black metal sound. Sinister riffs and Eriksen’s… Continue Reading →
I put this on expecting exactly what you’d expect from a new Nunslaughter record – fast riffs, blasphemy, a bit of chaos, maybe a couple songs I’d forget by the next morning New Nunslaughter always gets the first spin immediately. Been that way for years.
At this point Nunslaughter have been doing this for so long that you almost stop thinking about “new” records from them. They just exist. Another album shows up, Don of the Dead is still barking about Satan and desecration, and life goes on. But Satanic Chaos Legions actually feels sharper than I expected.
The first thing that hit me was how immediate it is. No dragging intros, no filler mood-building, no wasted space. The title track gets straight to work and by the time “Jesus Fucking Dies” kicked in I already knew this was going to stick better than I even thought. It’s got that stupidly simple hook that only Nunslaughter can get away with.
That’s always been their strength. Not complexity, not technical playing – just knowing when a riff is enough.
“Unsacrament” and “Peukharist” are probably the ones I kept coming back to most. Both have that old rotten feel, like something that could’ve fit on Goat without sounding out of place. Then “Cathedral of Stench” turned out to be the one I kept going back to most too. It drags more than the others, slower in parts, almost like it’s trying to crawl instead of run. Didn’t think that would be the one sticking in my head, but here we are.
Don sounds rough as hell on this thing. Maybe rougher than before. Works for me. Never wanted this band sounding sharp or polished anyway. Half the charm is that it feels like it could all fall apart if you pushed it too hard.
Same with the sound. Guitars are filthy, bass is buzzing underneath, drums cracking loud enough without taking over everything. You can hear what’s going on, but it still sounds dirty. That’s enough.
What I noticed after a couple spins was that nothing here feels mailed in. That’s the main thing. Plenty of old bands keep going because that’s what they’ve always done. This doesn’t feel like that. Feels like they were actually into it.
That’s usually what sticks with me anyway.
And yeah, it’s not Hell’s Unholy Fire. Didn’t expect it to be.
New Nunslaughter always gets the first spin immediately. Been that way for years.