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Volbeat have confirmed that touring guitarist Flemming C. Lund is now their permanent lead guitarist, succeeding Rob Caggiano.

The post VOLBEAT Officially Adds FLEMMING C. LUND As Permanent Lead Guitarist appeared first on Metal Injection.

Who Was The Only Person Ozzy Osbourne Would Accept Criticism From?

Tony Iommi. According to Jack Osbourne, the Black Sabbath guitarist was uniquely positioned to challenge Ozzy — and actually make it land.

TL;DR:

Jack Osbourne shares rare Ozzy + Tony Iommi story
Moment happened during Black Sabbath soundcheck
Iommi told Ozzy he was “singing flat”
Ozzy didn’t love hearing it
Jack says everyone needs that one brutally honest voice

There are rock star stories… and then there are the ones that crack the mythology wide open.

Jack Osbourne just delivered one of those.

Appearing on Billy Corgan’s The Magnificent Others podcast, Jack pulled back the curtain on a dynamic fans have long suspected but rarely heard described this plainly:

Tony Iommi was the only person who could tell Ozzy Osbourne to step it up.

Loaded Radio Recommends – Lost Ozzy Osbourne 1980 Rehearsal Tape Discovered After 46 Years — Listen To The Rare Audio Here

The Soundcheck Moment That Says Everything

Picture the scene.

Black Sabbath preparing for what everyone understood carried historic weight. Massive crowd. Finality in the air. Pressure thick enough to taste.

Ozzy Osbourne, already famously meticulous (and yes — anxious) before big performances, was running through soundcheck.

Not full throttle.
Not “A-game Ozzy.”
Just making sure everything worked.

And then it happened.

Tony Iommi listened… and didn’t sugarcoat it.

“Hey, you’re singing kind of flat.”

That’s not casual feedback.
That’s a direct hit.

Ozzy’s Reaction? Human.

According to Jack, the comment stung.

Ozzy wasn’t thrilled.

Which, honestly, makes the story even better.

Because it reminds us that beneath the legend, Ozzy is still a performer — still vulnerable to critique, still sensitive when it comes from someone whose opinion actually matters.

Why Tony Iommi Could Say What No One Else Could

Jack’s explanation is where this becomes fascinating.

Out of tens of thousands of people in that stadium…

Out of managers, crew, executives, media, even family…

Only Tony Iommi could say “do better” — and have Ozzy truly hear it.

Not because of authority.

Because of history.

Because some bonds are forged in decades of shared stages, shared battles, shared survival.

Because of brotherhood.

Check This Out – THE MADMAN UNFILTERED: 13 Facts About Ozzy Osbourne’s Attempted Murder, The Bat, and The Alamo

The Brutal Honesty That Defined Great Bands

Jack compared Ozzy’s relationship with his Sabbath bandmates to that of brothers — complicated at times, yes — but unbreakable at the core.

Every legendary band has this dynamic:

The one member who doesn’t flinch
The one voice that cuts through ego
The one person immune to backlash

For Black Sabbath, that figure was clearly Iommi.

And Jack’s take on it?

Refreshing.

Jack Osbourne’s Unexpectedly Deep Insight

Rather than framing the moment as tension or conflict, Jack leaned into something more universal:

Everyone needs someone who can call them out.

Someone who can say:

“That’s not your best.”
“You can do better.”
“Step up.”

Without politics.
Without fear.
Without agenda.

In Jack’s eyes, Iommi’s comment wasn’t harsh.

It was necessary.

Why This Story Resonates So Hard

Because it dismantles the illusion that icons float above criticism.

Even Ozzy Osbourne — one of metal’s most untouchable figures — still had someone who could check him.

Still had someone he respected enough to feel the impact.

Still had someone who mattered more than the roar of the crowd.

Loaded Radio Recommends – Ranking the 13 Ozzy Osbourne Solo Songs That Built a Throne

A Reminder Of What Made Sabbath Different

Black Sabbath weren’t just bandmates.

They were survivors of an era that chewed people up.

Decades of lineup shifts, personal struggles, reconciliations, reinventions.

Yet at the core, the Ozzy + Iommi connection endured.

And moments like this reveal why.

FAQ

What did Tony Iommi say to Ozzy?
During soundcheck, Iommi told Ozzy he was “singing kind of flat.”

How did Ozzy react?
According to Jack Osbourne, Ozzy was upset by the comment.

Why could Iommi say that?
Their decades-long bond and mutual respect gave Iommi unique credibility.

Where was this story shared?
Jack Osbourne discussed it on Billy Corgan’s The Magnificent Others podcast.

Why is this significant?
It highlights the rare dynamic where even rock legends accept criticism from a trusted peer.

Ozzy Osbourne Bio

Ozzy Osbourne rose to global prominence as the frontman of Black Sabbath, pioneering heavy metal with a voice and presence that redefined the genre. Launching a massively successful solo career, Ozzy became one of rock’s most enduring and culturally iconic figures. Known for his unmistakable vocals, chaotic energy, and resilience through personal and professional upheaval, Osbourne remains a cornerstone of metal history.

The post “Hey, You’re Singing Flat”: Jack Osbourne Reveals The Only Man Who Could Tell Ozzy To Do Better appeared first on Loaded Radio.

For the second review in a row, I heard about a band via skimming YouTube, heard something I liked, and tracked down their promo. I’m used to working this from the other direction, but when the almighty algorithm gives, one must take and be thankful. Domhain is an atmospheric post-black metal band from Northern Ireland, and In Perfect Stillness is their debut full-length. With an emotionally charged sound and style, Domhain touches on the past works of Darkest Era, Primordial, and Agalloch while utilizing cellos and haunting female vocals to punctuate the melancholic, often grim moods they wallow in. Over the album’s runtime, they do a lot of things very well and a few things spectacularly. What they do best is keep me locked in, listening raptly to the ebb and flow of their compositions. There’s something here, and that something has teeth.

At just over 35 minutes, In Perfect Stillness is composed of a mood-setting intro and 4 songs running between 7-9 minutes. With so little meat on the bone, the marrow had best be savory and memorable, and Domhain achieve that. First track proper “Talamh Lom” kicks off in highly Gothic realms with post-y cold trems ungirding Andy Ennis’ plaintive, forlorn clean singing. He lapses into harsh blackened croaks soon enough, and when things slow down, the sawing cello appears alongside sad, ethereal vocals from cellist/drummer Anaïs Chareyre. It’s a beautiful and poignant combination that keeps you listening attentively as the band moves between harsh and fragile, heavy and soft. There’s a beautiful flow to the music that carries you away to another place and makes you forget about the passage of time. There are slight touches of A Swarm of the Sun here alongside Darkest Era-esque moments, and there’s a vague Warning vibe in the music too. “Footsteps II” bears a strong resemblance to the moodier moments of Ghost Brigade and Deathwhite, which is an easy way to win me over as the sadboi feelz flow like hobo wine on Skid Row.

The title track brings strong Agalloch notes as downcast but furious black metal takes centerstage, and select moments remind me of Nechochwen as well. The way the ethereal female vocals pair with the blackened rasps is captivating and expertly done, creating a wealth of emotional resonance. The album’s high point arrives with the 9-plus-minute “My Tomb Beneath the Tide,” which is a gigantic dose of negative emotions delivered in a beautiful, beguiling package. Here, the post-black, melodoom, and atmospheric black metal ingredients coalesce into a potent brew that will make you feel things you might not want. There’s an epic scope to the song that recalls the best of Primordial, but I hear a lot of vintage Votum in the vocals, and the shifts from harsh to sullen and soft are very well-conceived and executed. This is easily my favorite song so far in 2026, and I can’t stop getting lost in the moods here. The production is quite good, but there’s a weird background static-hiss that leaks through at times, most noticeably on “My Tomb Beneath the Tide.” It’s a bit distracting, and I hoped it was just on the video, but it’s on the promo copy as well, which is unfortunate.

The vocal combination of Andy Ennis and Anaïs Chareyre pays major dividends across In Perfect Stillness. Ennis has a convincingly dour singing voice that conveys grief and despair, and his blackened rasps are equally powerful. When he leans more toward death roars, he reminds me a bit of Nick Holmes of Paradise Lost. The guitar work by Nathan Irvine and Bryn Boothby sets the dark, dreary tableau perfectly. The frantic, post-y trems and the savage blackened riffage deliver real impact, and their morose doom noodling and trilling captivate the ear. This is an ensemble that knows how to toy with the listener’s heart and mind, and over the too-short runtime, they have their way with you emotionally again and again.

Domhain have a great thing going here, and though it isn’t something entirely new, they stamp it with enough identity to make it their own. In Perfect Stillness is a short, sharp shock to the part of the brain that deals with feelings, and there’s a genuine, raw beauty to their music that sticks with you long after you step away. It’s the rare album I wish were longer, and I actually don’t want it to end when it does. That’s a sure sign that a band created something special. Hear this sooner rather than later, as it will make waves.

Rating: 4.0/5.0
DR: 9 | Format Reviewed: 320 kbps mp3
Label: These Hands Melt
Websites: domhain-band.bandcamp.com | facebook.com/domhain.band | instagram.com/domhain_band
Releases Worldwide: February 20, 2026

The post Domhain – In Perfect Stillness Review appeared first on Angry Metal Guy.

Gulf Coast Records [Release date : 27.02.26] Garret T. Willie’s ‘Bill’s Café’ is a powerful statement of intent. Were it not for the fact that he hails from a little rural town called Alert Bay, off the northern tip of … Continue reading →

The post Album review : GARRET T. WILLIE – Bill’s Cafe appeared first on Get Ready to ROCK!.

Berzan Önen is among the new Nevermore lineup and frankly, could not be a better choice to front the band in modern times.

The post NEVERMORE Vocalist BERZAN ÖNEN Shares His First Audition, A Cover Of "Born" appeared first on Metal Injection.

Marisa Shirar is the lead singer for the heavy shoegaze band Fleshwater, and those guys are doing great for themselves right now. Last year, Fleshwater released their sophomore album 2000: In Search Of The Endless Sky, and I saw them headline an extremely sick show with Chat Pile and Balmora. Since then, my daughter has…

The post Bedelia – “Tightrope” & “Valley Sadness” appeared first on Stereogum.

The Acacia Strain vocalist Vincent Bennett quests on one of tracks.

The post Chamber Announce New Album “This Is Goodbye…”, Debut “Violins” Music Video appeared first on Theprp.com.

(Andy Synn is here to encourage you to lose yourselves in the new album from French Post-Metal collective Ingrina) Here’s a funny story for you. Recently, quite out of the blue, we received an email asking us – and I swear I’m not making this up – to stop using so many words in our […]

The post INGRINA – NÅVÆRENDE LYSS appeared first on NO CLEAN SINGING.