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Ridel High – B-Sides + Demos
When it comes to favorite eras of mine for music, the ’90s were hard to beat. Sure, the majority of my all-time favorite music was probably released in the late ’70s and early ’80s. But the ’90s were truly formidable. You had the glory days of pop-punk, the ’70s punk revival, early ’90s college radio, the new wave of new wave, and the prime years of lo-fi garage punk all thriving. One particularly underrated musical movement was one I still can’t quite put a name to. You had a bunch of alternative rock bands with loud guitars and massive hooks. They didn’t necessarily identify as power pop, but that’s fundamentally what they were. Major labels were quick to snatch them up and even quicker to drop them when they didn’t become overnight sensations. Their CDs were fixtures of cut-out bins for a few years and then more or less disappeared from the face of the Earth. And a lot of those releases that fell into the dustbin of history were really damn good. Emotional Rollercoaster by Los Angeles-based trio Ridel High was one of them. If you happen to come across it at a yard sale, in a thrift store, or in the attic of your childhood home, it’s worth snagging. Even better, you can head on over to Bandcamp and purchase a brand-new Ridel High release comprised of B-sides and demos. Conveniently, it’s called B-Sides + Demos!The thing that struck me about B-Sides + Demos is that it’s all killer, no filler. This is not one of those cases where an old band is dusting off a bunch of tracks “just because.” These songs are hits. Listening to this EP, I can say with complete confidence that out of all those almost famous later ’90s alt-rock power pop bands, Ridel High was one of the very best. The band consisted of Kevin Ridel (vocals/bass), Steve LeRoy (guitar/backing vocals) and Steve Coulter (drums/backing vocals). Ridel High signed to Joey Cape’s My Records and released its debut long player Hi Scores in 1997. A&M Records later signed the band and re-issued Hi Scores under the title Emotional Rollercoaster (that should have been the first sign that A&M didn’t know what the hell it was doing — why change a perfect title?). Once A&M dropped the band, that was pretty much all she wrote. Ridel and LeRoy went on to form Peel, and later Ridel formed AM Radio. Coulter joined Tsar and now runs one of the best music sites on the internet.B-Sides + Demos consists of tracks recorded in 1995, 1997, and 1998. Opening tracks “Facelift” and “Mindblower” sound so much like the ’90s with their cranked-up distorted guitars and melody-forward approach. It becomes obvious that bands like this (that had mostly contemporary influences) were an important link between “classic” power pop and modern-day power pop. If we didn’t necessarily call this power pop in 1997, we certainly do now. “Motorboat” was one of the first songs the band wrote but one of the last it recorded. It’s quintessential ’90s SoCal geek rock, and it holds up fantastically well. There was a time when I would have wanted to fight anyone who put “Weezer” and “power pop” in the same sentence. Clearly things have changed. “Winona Ryder,” which the band demoed in 1995, was later used as the B-side to its first 7″, “A Mouthful Of You.” In contrast to the more power poppy material on the EP, this is vintage buzzing slacker rock and a forgotten classic of its time. Although with its re-release, maybe we won’t be able to call it “forgotten” anymore! If you forgot what it felt like to be twentysomething in the early-to-mid ’90s, this song will take you back! The lyrics are hilariously on-point in reflecting on a very specific cultural moment. Given what culture is today, I find myself missing those days.Whether you fondly recall, barely remember, or never heard of Ridel High, B-Sides + Demos is sure to be up your alley if you dig quality power pop that will give you all those ’90s feels without sounding like it should have been left in the past. The band was wise to focus on quality over quantity, and this is a blast from the past that ought to be fully welcomed. -
Ridel High – B-Sides + Demos
When it comes to favorite eras of mine for music, the ’90s were hard to beat. Sure, the majority of my all-time favorite music was probably released in the late ’70s and early ’80s. But the ’90s were truly formidable. You had the glory days of pop-punk, the ’70s punk revival, early ’90s college radio, the new wave of new wave, and the prime years of lo-fi garage punk all thriving. One particularly underrated musical movement was one I still can’t quite put a name to. You had a bunch of alternative rock bands with loud guitars and massive hooks. They didn’t necessarily identify as power pop, but that’s fundamentally what they were. Major labels were quick to snatch them up and even quicker to drop them when they didn’t become overnight sensations. Their CDs were fixtures of cut-out bins for a few years and then more or less disappeared from the face of the Earth. And a lot of those releases that fell into the dustbin of history were really damn good. Emotional Rollercoaster by Los Angeles-based trio Ridel High was one of them. If you happen to come across it at a yard sale, in a thrift store, or in the attic of your childhood home, it’s worth snagging. Even better, you can head on over to Bandcamp and purchase a brand-new Ridel High release comprised of B-sides and demos. Conveniently, it’s called B-Sides + Demos!The thing that struck me about B-Sides + Demos is that it’s all killer, no filler. This is not one of those cases where an old band is dusting off a bunch of tracks “just because.” These songs are hits. Listening to this EP, I can say with complete confidence that out of all those almost famous later ’90s alt-rock power pop bands, Ridel High was one of the very best. The band consisted of Kevin Ridel (vocals/bass), Steve LeRoy (guitar/backing vocals) and Steve Coulter (drums/backing vocals). Ridel High signed to Joey Cape’s My Records and released its debut long player Hi Scores in 1997. A&M Records later signed the band and re-issued Hi Scores under the title Emotional Rollercoaster (that should have been the first sign that A&M didn’t know what the hell it was doing — why change a perfect title?). Once A&M dropped the band, that was pretty much all she wrote. Ridel and LeRoy went on to form Peel, and later Ridel formed AM Radio. Coulter joined Tsar and now runs one of the best music sites on the internet.B-Sides + Demos consists of tracks recorded in 1995, 1997, and 1998. Opening tracks “Facelift” and “Mindblower” sound so much like the ’90s with their cranked-up distorted guitars and melody-forward approach. It becomes obvious that bands like this (that had mostly contemporary influences) were an important link between “classic” power pop and modern-day power pop. If we didn’t necessarily call this power pop in 1997, we certainly do now. “Motorboat” was one of the first songs the band wrote but one of the last it recorded. It’s quintessential ’90s SoCal geek rock, and it holds up fantastically well. There was a time when I would have wanted to fight anyone who put “Weezer” and “power pop” in the same sentence. Clearly things have changed. “Winona Ryder,” which the band demoed in 1995, was later used as the B-side to its first 7″, “A Mouthful Of You.” In contrast to the more power poppy material on the EP, this is vintage buzzing slacker rock and a forgotten classic of its time. Although with its re-release, maybe we won’t be able to call it “forgotten” anymore! If you forgot what it felt like to be twentysomething in the early-to-mid ’90s, this song will take you back! The lyrics are hilariously on-point in reflecting on a very specific cultural moment. Given what culture is today, I find myself missing those days.Whether you fondly recall, barely remember, or never heard of Ridel High, B-Sides + Demos is sure to be up your alley if you dig quality power pop that will give you all those ’90s feels without sounding like it should have been left in the past. The band was wise to focus on quality over quantity, and this is a blast from the past that ought to be fully welcomed. -
FIRE FROM THE GODS Announce August 2026 Debut Australian Tour

US heavy hitters FIRE FROM THE GODS have officially announced their long-awaited debut Australian tour, set to ignite stages this August 2026 in Brisbane, Melbourne, Perth & Sydney. Known for their explosive live energy and genre-defying sound, the band will bring their uncompromising intensity to four major cities across the country.
Blending Hard Rock, Metal, Hardcore and Hip Hop, FIRE FROM THE GODS channel personal struggle and social unrest into powerful anthems built to move both crowds and minds alike.
With a reputation for high-energy live performances and a message that cuts straight through the noise, the band has forged an undeniable connection with audiences worldwide — from packed headline shows to some of the world’s biggest festivals including Rock Am Ring, Hellfest, Graspop, Aftershock and Warped Tour.
Having shared stages with an incredible range of artists such as Korn, Megadeth, Metallica, Five Finger Death Punch, Three Days Grace, Cypress Hill, Ice Cube, FKA twigs and many more, FIRE FROM THE GODS continue to carve their own lane with no filters, no gimmicks — just fire.
The brand-new single ‘Human’ has just been released! Written by FIRE FROM THE GODS alongside Clint Lowery (Sevendust) and produced, mixed and mastered by Richard Wicander, the track will be released via Pluto Flux and published by BMG. ‘Human’ marks a defining new chapter for the band — raw, urgent and uncompromising.

VIP & GA Tickets Onsale Now From: https://yourmatebookings.com/tours/firefromthegodsaus2026/
VIP Ticket – Watch the bands live performance, Includes a Meeting with the band, a photo, a signed poster, a VIP Lanyard, have up to 3 items signed & early access to merchandise
General Admission Ticket – Watch the bands live performance
August 2026, Australian audiences will finally experience FIRE FROM THE GODS live and unfiltered — a collision of sound, message and movement that refuses to be ignored.
No filters. No Gimmicks. Just fire.
The post FIRE FROM THE GODS Announce August 2026 Debut Australian Tour appeared first on The Rockpit.
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ASEPTIC UNVEILS COVER ART AND DROPS OFFICIAL VISUALIZER FOR “LUSTFUL BUTCHER” – @thebeast
FOR IMMEDIATE RELEASE
ASEPTIC UNVEILS COVER ART AND DROPS OFFICIAL VISUALIZER FOR “LUSTFUL BUTCHER”
San Jose, CA – Death Metal duo Aseptic are back with a fresh dose of chaos. Ahead of their upcoming full-length Deranged Disturbance , the band has revealed the album artwork and unleashed the official visualizer for the feral track “Lustful Butcher.”
Since 2014, Philip Cortez (guitar, vocals) and Luis Guardado (drums) have delivered raw, primitive Death Metal with a brutally intense edge. With the new visuals, Aseptic takes fans deeper into their twisted sonic world—where chainsaw riffs, pummeling drums, and guttural vocals collide in pure ferocity.
“We wanted the visuals to hit as hard as the music. ‘Lustful Butcher’ captures everything Aseptic is about—unfiltered intensity and total chaos,” says Philip Cortez.
Check out the official visualizer here:
See the album artwork and stay tuned for preorder info at: https://cdnrecords.com/label-artists/aseptic/
Band Members:
Philip Cortez – Guitar, Vocals
Luis Guardado – Drums
Connect with the band:
https://cdnrecords.com/label-artists/aseptic/
https://www.facebook.com/asepticbandsj
https://www.instagram.com/asepticsj/
https://asepticmetal.bandcamp.com/
https://open.spotify.com/artist/18xk0qQckxvDmEa6TdAOZ0
https://music.youtube.com/channel/UCEdEGl71ZOqLkMGuTb1Pzfw
Contact: asepticbandsj@gmail.com -
She’s In Charge: The Hollywood Icon and Self-Taught Inventor Who Pioneered Wireless Communication
When was the last time you used Wi-Fi? Chances are, you’re using it right now. When people think about who made wireless communication possible, they usually point to telecom companies, military programs, or engineers whose names dominate technical histories. Names like John O’Sullivan and the CSIRO team, or institutions like the IEEE, come up first. Few realize that decades earlier, one woman quietly built one of the core principles behind secure wireless communication. That woman is Hedy Lamarr.
In the 1930s, Hedy Lamarr rose to become one of Hollywood’s brightest stars. Studios called her “the most beautiful woman in the world” and framed her as glamour made flesh. She appeared in major productions, her image controlled and circulated, while the public saw only the surface. She stood at the center of the world of cinema, yet there was always more happening behind the lens.
Away from the cameras, Lamarr taught herself engineering and physics. She read technical manuals, studied mechanical systems, and experimented late into the night. The work unfolded over years, deliberate and careful, running alongside a demanding film career that offered fame but no authority. She pursued this knowledge quietly, in shadow, as if the world could not bear the combination of her image and her intellect.
During World War II, Lamarr co-developed a system to prevent radio-controlled torpedoes from being jammed. Frequency hopping, as it would later be called, relied on rapidly switching transmission frequencies in a synchronized pattern, making signals difficult to intercept. She built this system with composer George Antheil, borrowing ideas from synchronization and timing rather than any conventional engineering path. It was elegant, precise, and entirely her own.
The invention was patented in 1942 and offered to the U.S. Navy. They did not use it, and Lamarr received no recognition or financial benefit. Her public life continued to define her, while her work quietly waited for time to catch up.
Decades later, frequency-hopping spread became central to Wi-Fi, Bluetooth, and GPS. The principles she helped invent now hum invisibly through the devices we take for granted. Her contribution is everywhere, even when her name is not.
Lamarr’s work grew outside laboratories and universities, alongside a career that framed her as a spectacle rather than an authority. She navigated two worlds that barely intersected, leaving ideas behind that would endure far beyond the boundaries set for her.
Hedy Lamarr was both a Hollywood icon and a self-taught inventor. At a time when her public role was rigidly defined, she quietly reshaped the systems around her. She showed that intellect does not ask for permission, and impact does not wait for recognition.
The post She’s In Charge: The Hollywood Icon and Self-Taught Inventor Who Pioneered Wireless Communication first appeared on FemMetal – Goddesses of Metal.
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BRYAN MARTIN Announces April 2026 Australian Tour

Bryan Martin returns to Australia for his first-ever headline tour and he’s coming in hot. After turning heads at CMC Rocks in 2024 and joining Chris Young for a run of powerhouse shows, Martin is stepping into the spotlight on his own terms. This April, he’ll bring his unmistakable, grit‑soaked anthems to Brisbane, Sydney and Melbourne and will also appear at Meatstock (Toowoomba and Gippsland).
A Cherokee Indigenous American artist rewriting the rules of modern country, Martin has surged to global recognition with more than 1.4 billion Spotify streams and career-defining moments like ‘We Ride,’ the Platinum-certified hit that climbed to No. 3 on Billboard’s Country Airplay chart and dominated country radio.
Martin’s music hits with the weight of lived experience. He blends outlaw edge with the soul of classic storytelling, carving songs from the hard roads he’s walked. His raw honesty, poetic grit and emotional punch have earned him a devoted audience and a nomination for MusicRow’s 2024 Breakthrough Artist-Writer of the Year.
He’s shared stages with heavyweights like Jason Aldean and even lit up stadiums alongside Morgan Wallen on the blockbuster One Night At A Time Tour. In 2025, he made his long-awaited debut at Stagecoach, further cementing his rise as one of country music’s most compelling new voices.
With his latest album Years In The Making and the brand-new single ‘Tug O’ War,’ Bryan Martin is operating the height of his powers and Australia is about to witness it first hand.
Bryan Martin commented: “When I came to Australia for the first time a couple years ago for CMC Rocks, I was blown away by the fans and the 45,000 in attendance singing my songs back to me. Ever since then I’ve been looking forward to getting back. I’m excited to return for my first ever headline shows in Australia and see all the fans again.”

Pre-sale: Thursday 19th February at 12:00pm local
General Public On Sale: Friday 20th February at 12:00pm local
Sign Up For Pre-sale: https://www.destroyalllines.com/tours/bryan-martinThe post BRYAN MARTIN Announces April 2026 Australian Tour appeared first on The Rockpit.
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EXTINCTION A.D. Signs With M-Theory Audio | New Single “Dead Men Running” Debuts Online


Independent label powerhouse M-Theory Audio is thrilled to announce the signing of Long Island metal force EXTINCTION A.D. To kick off this new chapter, the band will release their fierce new single “Dead Men Running” on all streaming/download platforms setting the stage for an explosive year ahead.
Or watch the lyric video HERE: https://youtu.be/qfkWVuRte2c?si=cNz_HsnZaxZJNdHx
“The band is excited to be working with M-Theory Audio because we have a very specific outline for the entirety of 2026 and how we want to attack the entire year. Finding the right group to be in the foxhole with us for this marathon was extremely important,” reveals singer/guitarist Rick Jimenez.
“Dead Men Running is all about diving headfirst into what you know is right for you despite all opposition from the outside world as well as internal conflict. The journey towards self-actualization is insanely difficult but there is no greater goal to seek.”
Fans should expect a blistering sonic attack and a message of resilience at the core of the track’s explosive energy.

Since forming in 2013 in Medford, Long Island from the ashes of This Is Hell, EXTINCTION A.D. has forged a reputation for relentless crossover thrash infused with hardcore urgency and socially charged themes. Over the past decade the band has grown from raw underground roots to sharing stages with respected acts and carving out a distinct voice in the modern metal landscape.
Critics and metal media have taken note of the band’s evolving ferocity and musical identity. Their 2018 single “Age of Revenge” was celebrated by MetalSucks as a “tornado track” with a chorus “menacing, anthemic, and catchier than a bear trap,” suggesting that “thrash’s future looks bright” with a band like EXTINCTION A.D. at the helm.
Earlier releases, on labels like Good Fight and Unique Leader, further showcased the band’s capability to merge fierce riff work with emotional and thematic depth. Their output has drawn comparisons to powerful East Coast thrash and hardcore hybrids, with critics praising their raw energy and ability to keep the classic thrash ethos alive while pushing it forward.
Thrashing just as hard as their predecessors, the band also break their surroundings down and deliver some heavy as hell riotous mosh; hitting that all-important sweet spot mixture of ‘80s thrash, ‘90s extreme metal and New York hardcore, all encompassed into one. Never afraid to speak their minds amidst a divisive world, EXTINCTION A.D. brings a decisive power to match their frenetic energy. The endgame is not just rebellion but revolution.
UPCOMING LIVE:
4/12 – OCNY Vets Center – New Windsor, NY
6/20 – Empire Underground – Albany, NY
6/27 – NJ Metalfest – Debonair Music Hall – Teaneck, NJEXTINCTION A.D. are:
Rick Jimenez – vocals and guitar
Ian Cimaglia – lead guitar and vocals
Tom Wood – bass
Mike Sciulara – drumsFor more information:
www.facebook.com/ExtinctionADwww.instagram.com/ExtinctionAD


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Reflection of Flesh Unleash Blistering New Single “Souls Reign Fire” – @thebeast
FOR IMMEDIATE RELEASE
Reflection of Flesh Unleash Blistering New Single “Souls Reign Fire”
Presave and stream: https://orcd.co/souls-reign-fire
Milwaukee, WI – Milwaukee’s own melodic metal powerhouse Reflection of Flesh return with their latest single, “Souls Reign Fire,” now streaming on all major platforms via Golden Robot Records .
Formed in 2017 in Milwaukee’s Harbor District, Reflection of Flesh—Chris Oelke (Drums), Garrett Smith (Guitars), and Philip Proite (Bass/Vocals)—have built a reputation for heavy, dark, and infectious grooves. With a discography including two full-length albums, two EPs, a live album, and multiple singles, they have carved a niche for fans of Carcass, At the Gates, and In Flames . Their sound blends crushing riffs, intense rhythms, and searing vocals into a melodic yet relentless assault.
“Souls Reign Fire” is a ferocious statement of intent, capturing Reflection of Flesh at their most uncompromising. The track channels themes of inner conflict, resilience, and transformation, delivering a sound that balances raw aggression with tight precision. It’s a testament to the band’s signature blend of brutal heaviness and melodic mastery.
Reflection of Flesh has toured extensively across more than 26 states, sharing stages with Battlecross, The Convalescence, The Breathing Process, WoR, Blood of Angels, and Bound by Years . They are set to hit the Southwest and Western U.S. this April 2026. The band is represented by Paul Andrejack of Extreme Management Group and proudly endorses Scorpion Percussion, Centent Cymbals USA, No Nuts Percussion, Dirtbag Clothing, InTune Guitar Picks, and Emperor Cabinets .
Stream “Souls Reign Fire” now on all major platforms and experience the unrelenting power of Reflection of Flesh.
Label: Golden Robot Records
Check out the video:
Production Credits: Tracking/Editing – Paul Kneevers of Kneeverland Productions, Mixing/Mastering – Joseph Cincotta of Full Force Studios, All Music – Reflection of Flesh
Management: Paul Andrejack of Extreme Management Group
Connect with the band:
https://linktr.ee/reflectionofflesh.official
Contract: reflectionofflesh.official@gmail.com -
August Burns Red Tease Upcoming “Behemoth” Music Video Premiere
They wrapped up recording their new album last fall.
The post August Burns Red Tease Upcoming “Behemoth” Music Video Premiere appeared first on Theprp.com.
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MOODRING Share Visualizer For New Single ‘Anywhere But Here’ From New Album ‘death fetish’ Out March 27

Moodring symbolizes transformation.
The musical entity’s name hints at volatility — color, emotion, and temperature in flux. Nowhere is that more evident than in death fetish, a defining album for a haunting and defiant new chapter. For founder and frontman Hunter Young, this is more than a record.
It’s survival, reflection, and metamorphosis. It is art made from the raw materials of pain, purpose, and persistence. The album, steeped in nu metal, alt, and industrial influences, arrives on March 27 via SharpTone Records. Pre-order it here
With its moody, quiet-loud dynamics, rich layers, and palpable sonic tension, the song is another thrill ride in which listeners can ride sidecar. It’s the perfect execution of industrial ambience and metallic edge.
“Anywhere But Here is about the breakdown of a relationship where a shared creative world became a source of manipulation and envy,” shares Young. “The chorus lyric is coming from a place of irony, but also represents a longing for freedom and steadiness.”
The Moodring origin story puts the timber and tone of the music in clear view.
Young conceived Moodring alone, in his bedroom, an exercise in catharsis through art. The resulting debut EP, 2021’s Showmetherealyou, resonated with a surprising number of diverse listeners. That connection inspired Moodring to evolve into a creative outlet that transcended its simple origins. Both sensual and suffocating, the Stargazer album followed in 2022. In a glowing review, Kerrang! praised the full-length as “hefty from the get-go” and likened it to “a cool wave of water lapping over you.” The album’s “vivacious” vocal work and vibe made new Moodring fans around the world.
The following year’s EP, Your Light Fades Away, expanded the palette further, fusing ferocity, shimmering melody, and nü-metal groove into something equally cinematic and claustrophobic. The “black-velvet nu-metal melodies and bleak-booming breakdowns” (Revolver) of 2025’s half-life were, sadly, inspired by a life-changing medical diagnosis that left Young unable to tour with Moodring or his accomplished deathcore outfit, SharpTone Records labelmates PSYCHO-FRAME.
Unable to tour and unwilling to compromise, Young focused on writing and recording new music. death fetish is the sound of transcendence—an artist refusing to disappear, even as the light fades.
For all its darkness, death fetish is not a surrender. It’s a reclamation. It’s Young taking back control of his narrative — body failing, mind racing, still creating, still here. “I just wanted to make a dark, honest record,” he says. “And if people don’t like it, I don’t really care. I had to do it for myself.”
Moodring, once a more traditional “band,” now exists as something far more elusive and infinite: A vessel for transformation, a mirror for mortality, and a living testament to pain and creation.
ANYWHERE BUT HERE – OUT NOW
https://moodring.bfan.link/anywhere-but-here
DEATH FETISH – OUT MARCH 27
https://bfan.link/death-fetishThe post MOODRING Share Visualizer For New Single ‘Anywhere But Here’ From New Album ‘death fetish’ Out March 27 appeared first on The Rockpit.
