Album Review: Crème Flesh – For Your Ass Only
Reviewed by Eric Clifford
Sultry dusk swoops in to cradle the daylight, soft embrace split by a V of swans tracking their course overhead. She stands at the balcony, framed by green seas of oak and ash in silent vigil for miles around. A tail of cigarette smoke slips it’s languid coils skyward, lavish and unperturbed by the sturm und drang of impassioned human revelry two sliding glass doors away in the casino behind her. Profit and loss, jubilation and devastation, high highs, low lows. He watches her, a curvaceous eclipse of the dimming forestry splayed like a map before her. His pocket rings with her coin.
“All luck, you know” she says. Eastern European, by accent. “A pair of 3s. Who would’ve bet a kings ransom on that?”. Her “R”s roll like fine tobacco, and she turns to face him. Her eyes slant into dark slits, brows crunched into stark crags above them. Mouth pursed in a taut rouge wound, jaw set like plaster. Shadows lengthen, yet world seems darker still about her. He feels desire tighten within him; as though within the fury lay a lure, prey for the chasing, a sheer wall to scale with seduction. He takes an unhurried step forward, pale martini at a luxuriant oily swirl in it’s glass, cocks an insouciant eyebrow:
“As the lonely soldier would know, you don’t need a queen if you’ve a fine hand”.
“…what?” she responds. Rage fades, confusion reigns. He presses the advantage:
“Confucius says, the man who puts cream in a tart is not necessarily a baker”.
Bewilderment descends with the flutter of bank notes surrendered to the luck of an imbecile. She stares at him, contempt melting away in the furnace of his idiocy, and stammers only one of a million questions flooding her consciousness:
“I…you…who?”
“Shlong. James Shlong”.
Slam can be tricky thing to nail, but if you do it right the result is some of the most crushing music available. Bands like Agonal Breathing, Gargling or Diphenylchloroarsine feel like being caught in a collapsing cave system, or some other catastrophically violent end involving being smashed like toothpaste beneath a forklift. So the dream whenever I pick up anything slammy is always that I’ll be in for a similarly unremitting assault. Stepping up to the plate is Canada’s own irreverent sons Creme Flesh with a steaming bowlful of wholly tasteless palm-muted porn parodies. Irredeemable filth? From the band that made the “Casablumpkin” album? Surely you jest! (for those unaware, a blumpkin is the receiving of a blowjob while having a poo. Which seems unsanitary, but if you’re in the toilet anyway I suppose it’s a two-birds-one-stone sort of situation). Endearingly adolescent wordplay like “Lake Flaccid” is par for the course with this genre, but ultimately, what I’m hoping for is the sense of being rammed headfirst through a brick wall. How are we on that front?