“Look what happened. Nobody came to rescue us.”
The post Anthrax’s Charlie Benante Agrees With Billy Corgan That Rock Music Was Intentionally Silenced In The Late 90s: “There Was A Coup” appeared first on Theprp.com.
“Look what happened. Nobody came to rescue us.”
The post Anthrax’s Charlie Benante Agrees With Billy Corgan That Rock Music Was Intentionally Silenced In The Late 90s: “There Was A Coup” appeared first on Theprp.com.
Frankie Fest is back for 2026, and if you’ve spent any time in this city’s clubs and secret canal barge parties, you already know what that means: a packed floor, a few blown speakers, somebody hanging perilously upside down, and a crowd that came to feel a little less alone. Frankie Fest takes over Brooklyn’s House of Yes on Sunday, May 3rd, running from 8:00 PM to 1:00 AM, pulling in NYC’s queer and allied underground.
The festival honors Frankie Maddox Rex, and there’s no polite way to say it: Frankie’s absence still stings. As co-founder and co-vocalist of The FMs, they were one of those figures who made things happen; the kind of person who could illuminate a room just by stepping into it. Since their passing in 2022, this gathering has taken on a strange dual charge: part remembrance, part release…with a lineup that barrels through alt-rock, punk, and performance art. Over the past few years, Frankie Fest has become a place where trans, non-binary, and queer artists claim their rightful space, where the line between stage and floor dissolves into joyful mayhem.
Headlining the 2026 festival is the legendary San Antonio indie-punk trio Girl In A Coma, marking a massive Brooklyn return following their recent reunion. Joining them at the top of the bill is genre-defying alt-pop dynamo Boy Jr., alongside explosive sets from local heavyweights UgLi, Cat Crash, Theophobia, and Villins.
Festival co-founders Miss Cherry Delight and The FMs will also take the stage, honoring the festival’s namesake.
To match the world-class spectacle of House of Yes, the musical lineup will be interwoven with continuous, boundary-pushing theatrical acts. The festival features a curated cast of spectacular burlesque, drag, and variety performers. Anchoring the night and transitioning the live rock showcase into a late-night dance party is DJ Goth Dad, the acclaimed DJ project of Dusty Gannon, frontman for the post-punk powerhouse Vision Video.
Get your tickets here!


The post Frankie Fest Returns: Brooklyn’s Queer Underground Gathers to Celebrate Frankie Rex appeared first on Post-Punk.com.
Summer Magazine is Citizen Smith’s Single Out Now
Timeless!
The post Summer Magazine is Citizen Smith’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.
Popular djent (or maybe not djent) band Periphery is back and they’re going to be releasing a new album pretty soon. But sooner than that, we’ll be getting a new track from ’em titled “Mr. God” this Thursday.
All of that information, as well as the album title A Pale White Dot was announced earlier today over on the band’s official Instagram page. When it’s released on May 15 via 3 Dot Recordings, it will be the band’s first new studio effort since 2023’s Periphery V: Djent is Not a Genre.
You can pre-save the single today on the digital music platform of your choice, but you’ll have to wait until the full album is announced to take advantage of any preorders that come up. All you gotta do is wait until Thursday for more details.
The post Periphery Announce ‘A Pale White Dot’, Will Release New Single “Mr. God” Thursday appeared first on MetalSucks.
Montreal’s Douce Angoisse comes on like a bad idea dressed in couture: sleek, severe, and fully aware of the damage it might do. This independent French darkwave/coldwave project deals in raw, minimal pressure, where punk impulse meets cold electronic restraint across English, Spanish, and French. The result feels built for those late hours when desire, disgust, and dead-eyed detachment start wearing the same face.
The EP opens with Intro Xanax and Coffee, an instrumental that sets the table with real menace. It doesn’t waste time dressing the room. The track feels like fluorescent light on dirty tile, a synthetic crawl that prepares you for the damage to come, and it does so with enough tension to make even silence seem suspicious. From there, Can’t Get Away locks into the central trap of the whole record: the mind as a holding cell, the self as the one jailer who never clocks out. The beat keeps moving with bleak purpose while the atmosphere closes in, and that friction gives the song its sour charge.
Egoista carries a more poisonous kind of glamour. There’s vanity in it, with cracked lipstick and a cruel little grin, the kind that turns self-fixation into performance and performance into a slow emotional mugging. Repetition often works in the same mindset as obsession, and here that instinct lands hard. Dance to Death follows with a lurid, flesh-and-machine menace, pushing the EP deeper into its nocturnal descent. It’s the closest this release comes to pure seduction, though even then the seduction feels contaminated, like a kiss delivered with ulterior motives and perfect timing.
Xanax and Coffee takes the title’s miserable chemistry and runs with it beautifully. It sounds strung out, spiritually singed, and half in love with its own collapse, channeling the queasy push-pull between stimulation and sedation, between wanting oblivion and wanting one more hour before it arrives. Little Fucker, meanwhile, spits with a sharper tongue. It’s confrontational, bitter, and weirdly funny in the most poisoned sense, the kind of track that seems to enjoy drawing blood just to watch the expression on your face afterward.
Throughout the record, you can hear traces of classic artists like Front Line Assembly and Clock DVA, as well as contemporaries such as Lana Del Rabies, Rare DM, and Boy Harsher in the machinery, mood, and sense of erotic decay. It feels personal in the ugliest, strongest sense: raw, repetitive, and alive with psychic abrasion. These are dystopian dance tracks for people who know the party and the breakdown sometimes happen in the same room, under the same red bulb, with the same body keeping time through both.
Listen to Xanax and Coffee below and order the EP here.
Follow Douce Angoisse:

The post Montreal’s Douce Leans into Desire and Dead-Eyed Detachment With “Xanax and Coffee” EP appeared first on Post-Punk.com.
Though she did give a short performance at the 2024 Paris Olympics and appeared in a Sunday Night Football promo a few months later, Céline Dion hasn’t gone on tour in six years. In late 2022, just as post-pandemic live music was returning to some semblance of normalcy, the Québécois icon postponed and subsequently cancelled her world tour dates after being diagnosed with Stiff Person Syndrome, a rare and typically debilitating neurological condition. Today, which also happens to be her 58th birthday, Dion has announced an exciting health update and her big return to the stage.
The post Céline Dion Announces First Shows In Six Years appeared first on Stereogum.