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  • ROTTING CHRIST Release "Like Father, Like Son" ⚔️



    Rotting Christ have stood the test of time. While their name has caused plenty of gatekeepers to clutch their pearls, Sakis Tolis and his brother Themis have ascended from Greece’s blackened catacombs to one of metal’s most formidable bands.

    In the echoes of heritage, ‘Like Father, Like Son’ emerges – a hymn that resonates with the timeless message of pride, honor, and the indomitable spirit of Rotting Christ. The first single off Pro Xristou presents a tale of the profound wisdom of a father’s legacy, a powerful testament to passion, love, and faith. Haunting whispers of a departed father linger, shaping the identity of the son who walks in his shadow.

    Incredibly catchy riffs, supplemented by Themis’ steadfast drumming style create an anthem that stands through the ages. It’s impossible not to chant along Sakis’ fierce ‘Like Father, Like Son’ line during the song’s emblematic chorus that remains embedded in your memory long after the final notes ring out.

    Pro Xristou comes out May 24 on Season of Mist.

    Pre-order: https://shop.season-of-mist.com/list/rotting-christ-pro-xristou

    Pre-save: https://orcd.co/proxtristoupresave

    “Dear brothers and sisters”, Sakis writes. “On behalf of Rotting Christ, I proudly present to you the first video from Pro Xristou. This song is inspired by the strong relationship between a father and son. Covered by a temple of soulful melodies, ‘Like Father, Like Son gives you a taste of the epic sound behind our new album. Thanks for your attention. We hope that you’ll enjoy this video, as there are many more to come!”







    Track-list
    1. Pro Xristou (Προ Χριστού) (1:29)
    2. The Apostate (5:01)
    3. Like Father, Like Son (4:35)
    4. The Sixth Day (3:56)
    5. La Lettera Del Diavolo (4:01)
    6. The Farewell (6:15)
    7. Pix Lax Dax (4:33)
    8. Pretty World, Pretty Dies (4:51)
    9. Yggdrasil (5:04)
    10. Saoirse (6:17)
    11. Primal Resurrection (Bonus Track) (5:32) – Only Deluxe Editions!
    12. All For One (Bonus Track) (3:37) – Only Deluxe Editions!
    Total runtime: 55:17

    Style: Melodic Black Metal





    Photo by © Chantik Photography





    In the dimly lit catacombs of extreme metal, one name stands as a monolith: ROTTING CHRIST. Sakis Tholis and his brother Themis started this band together back in 1987. In the three decades since, these Greek titans have left their blackened imprint all over the metal world. They’ve released 13 studio albums and played more than 1,300 concerts around the globe. Underneath all this hard work, Rotting Christ have but one vision – an urge to not only push the boundaries of extreme metal, but to keep reinventing themselves along the way.

    Rotting Christ’s evolution has unfolded across several distinct chapters. After starting out closer to the barely controlled chaos of grindcore, they went on to establish the iconic sound of Hellenic black metal. Their albums often embrace refined gothic soundscapes, only to plunge back into the depths of blasphemous fervour. Each chapter marked another, further exploration, and an unwavering commitment to push boundaries.

    But the real turning point came in 2007, when Rotting Christ signed a pact with Season of Mist. They unleashed a series of albums for the French label that defied any and all expectations. From the piercing Theogonia and the symphonic grandeur of Aelo to the ritualistic intensity of Κατά Τον Δαίμονα Εαυτού, the cinematic experiences created by Rotting Christ became a spectacle of bombastic atmospheres, mesmerizing choirs, and neo-classical arrangements. The unexpected is their modus operandi, with the use of various languages (Latin, Arabic, Greek, English) as well as the extensive use of famous poetry woven into their music, like Edgar Allan Poe’s ‘The Raven’ on The Heretics.

    In 2019, Rotting Christ’s epic journey continued with The Apocryphal Spell compilation, which offers fans an intimate glimpse into unreleased and rare material. This allowed them to gather strength, preparing for the release of their next, highly anticipated, 14th full-length studio album: Pro Xristou.

    Pro Xristou (‘Before Christ’ in Greek), serves as a fervent tribute to the last Pagan kings who resisted the onslaught of Christianity, guarding their ancient values and knowledge. In this thematic odyssey, intricately woven through tracks such as ‘The Apostate’ and ‘Ygdrassil’, Rotting Christ delves into the legacies of historical figures such as Flavius Claudius Julianus and Nordic mythological kings, embodying the might of Pagan wisdom in the face of Christian adversity. The album encapsulates the essence of Rotting Christ’s signature style – melodic, yet harsh at times – reinventing themselves yet again, while remaining rooted in their 35-year legacy.

    Line-up
    Sakis Tolis – Guitar, Vocals
    Themis Tolis – Drums
    Kostas “Spades” Heliotis – Bass
    Kostis Fouk – Guitar

    Guest Musicians
    Amdroniki Skoula – Vocals (on ‘La Letra Del Diavolo’)
    Nikos Kerkiras – Keyboard
    Christina Alexiou – Choir
    Maria Tsironi – Choir
    Alexandros Loyziotis – Choir
    Vasilis Karatzas – Choir

    Andrew Liles – Narration (on ‘The Apostate’, ‘Pretty World, Pretty Dies’)
    Kim Diaz Holm – Narration (on ‘Ygdrassil’)

    Recording Studio
    Deva Sounds Studios (Athens, Greece)

    Producer
    Sakis Tolis Sound Engineer
    Fotis Bernando
    Aggelos Karatzas

    Mixing
    Jens Borgen at Fascination Street Studios (Örebro, Sweden)

    Mastering
    Tony Lidgren at Fascination Street Studios (Örebro, Sweden)

    Artwork Artists
    Thomas Cole – Artwork
    Adrien Bousson – Digital Processing

    Biography
    Sébastien J. Gamez

    Links:
    Official Website: https://www.rotting-christ.com/en
    Facebook: https://www.facebook.com/rottingchristofficial/
    Instagram: http://www.instagram.com/rottingchristofficial/
    Twitter (X): https://twitter.com/athanatoieste
    YouTube: https://www.youtube.com/user/RottingChristOfficia
    Bandcamp: https://rottingchristofficial.bandcamp.com/
    Apple Music: http://itunes.apple.com/us/artist/rotting-christ/id28441629
    Spotify: https://open.spotify.com/artist/7FhkwcO8Jd7BRWdllBpXBJ



  • Isa Nielsen’s ‘Leech’ Returns: A New International Chapter with DyMM P&M Records



    Isa Nielsen is re-releasing her song “Leech” this time under the management of DyMM P&M Records – Portugal. The release became available on March 1st on all digital platforms and Bandcamp, marking a new phase in the singer’s career with an international focus.

    To accompany the release, the record label is providing a Lyric video of the song on its YouTube channel, inspired by cutouts, glitch, and 80s art. You can watch the video via the link below: [insert link here].
    Isa Nielsen – Leech | DyMM Group

    Não deixe de seguir a artista e mostrar o seu apoio:

    https://www.instagram.com/isa_nielsen/

    https://www.youtube.com/channel/UCjl99XZN5zVSz7RrF4vgNCg




  • Isa Nielsen’s ‘Leech’ Returns: A New International Chapter with DyMM P&M Records



    Isa Nielsen is re-releasing her song “Leech” this time under the management of DyMM P&M Records – Portugal. The release became available on March 1st on all digital platforms and Bandcamp, marking a new phase in the singer’s career with an international focus.

    To accompany the release, the record label is providing a Lyric video of the song on its YouTube channel, inspired by cutouts, glitch, and 80s art. You can watch the video via the link below: [insert link here].
    Isa Nielsen – Leech | DyMM Group

    Não deixe de seguir a artista e mostrar o seu apoio:

    https://www.instagram.com/isa_nielsen/

    https://www.youtube.com/channel/UCjl99XZN5zVSz7RrF4vgNCg




  • North Star (Pendragon, 2023)

    Pendragon’s EPs are always worth a keen listening and this “North Star” is no exception. I’ll focus my attention on the title track, a suite divided into three movements (I. A Boy And His Dog, II. As Dead As A Dodo and III. Phoenician Skies), whose atmospheric, pastoral and folk-oriented sounds are a coherent follow-up to the band’s 2021 full length album “Love Over Fear”. Past the late 2000s and  early 2010s rougher era, Pendragon are back to their signature gorgeous melodic prog. 

    …And what a beautiful cover art by Liz Saddington!

    I like that, and I like this suite, where dreamy themes, instrumental sketches ans a perfect blend of electric and acoustic instruments (including a guest violin provided byJohanna Stroud) build up 18 minutes of bucolic and varied music. Nick Barrett is obviously in the foreground not only with the beautiful electric guitar final solo, but also with a wide choice of acoustic guitars and his well known, distinctive voice. The whole track is permeated by the almost spiritual colour palette of the Cornish country, something… out of this world!

  • North Star (Pendragon, 2023)

    Pendragon’s EPs are always worth a keen listening and this “North Star” is no exception. I’ll focus my attention on the title track, a suite divided into three movements (I. A Boy And His Dog, II. As Dead As A Dodo and III. Phoenician Skies), whose atmospheric, pastoral and folk-oriented sounds are a coherent follow-up to the band’s 2021 full length album “Love Over Fear”. Past the late 2000s and  early 2010s rougher era, Pendragon are back to their signature gorgeous melodic prog. 

    …And what a beautiful cover art by Liz Saddington!

    I like that, and I like this suite, where dreamy themes, instrumental sketches ans a perfect blend of electric and acoustic instruments (including a guest violin provided byJohanna Stroud) build up 18 minutes of bucolic and varied music. Nick Barrett is obviously in the foreground not only with the beautiful electric guitar final solo, but also with a wide choice of acoustic guitars and his well known, distinctive voice. The whole track is permeated by the almost spiritual colour palette of the Cornish country, something… out of this world!

  • Sonic Powerhouse: Loss Delivers ‘Leaving’ Produced by Tue Madsen





    Crafted with precision and passion, the song promises to captivate listeners with its powerful vocal structure and sticky guitar sound reminiscent of classic stoner rock vibes.
    One of the key elements contributing to the sonic excellence of “Leaving” is the involvement of renowned producer Tue Madsen. With an impressive track record in the music industry, Madsen’s touch brings an undeniable level of polish and professionalism to the mix.
    The song itself is a testament to Loss’s artistic prowess, boasting a strong and expressive composition that leaves a lasting impression on anyone who listens.
    In a statement regarding the release, the members of Loss expressed their excitement and gratitude for the opportunity to share their music with the world. They are eager to connect with listeners on a deeper level through the messages conveyed in “Leaving.”
    As the single makes its way into the hearts and playlists of music enthusiasts worldwide, it’s clear that Loss is poised for even greater success in the days to come. Stay tuned for more updates and releases from this talented group as they continue to make their mark on the music scene.

    Stay connected with Loss by following the links below and delve deeper into the world of this powerful musical force.

    https://sptfy.com/lossband

    https://loss-band.bandcamp.com

    https://www.youtube.com/@LossBand

    https://www.tiktok.com/@lossrockband

     

    Follow DyMM P&M to meet more bands:

    https://www.instagram.com/dymm.records

    https://www.tiktok.com/@dymm_records

    https://www.dymm-group.com




  • Sonic Powerhouse: Loss Delivers ‘Leaving’ Produced by Tue Madsen





    Crafted with precision and passion, the song promises to captivate listeners with its powerful vocal structure and sticky guitar sound reminiscent of classic stoner rock vibes.
    One of the key elements contributing to the sonic excellence of “Leaving” is the involvement of renowned producer Tue Madsen. With an impressive track record in the music industry, Madsen’s touch brings an undeniable level of polish and professionalism to the mix.
    The song itself is a testament to Loss’s artistic prowess, boasting a strong and expressive composition that leaves a lasting impression on anyone who listens.
    In a statement regarding the release, the members of Loss expressed their excitement and gratitude for the opportunity to share their music with the world. They are eager to connect with listeners on a deeper level through the messages conveyed in “Leaving.”
    As the single makes its way into the hearts and playlists of music enthusiasts worldwide, it’s clear that Loss is poised for even greater success in the days to come. Stay tuned for more updates and releases from this talented group as they continue to make their mark on the music scene.

    Stay connected with Loss by following the links below and delve deeper into the world of this powerful musical force.

    https://sptfy.com/lossband

    https://loss-band.bandcamp.com

    https://www.youtube.com/@LossBand

    https://www.tiktok.com/@lossrockband

     

    Follow DyMM P&M to meet more bands:

    https://www.instagram.com/dymm.records

    https://www.tiktok.com/@dymm_records

    https://www.dymm-group.com




  • Coming Soon for Record Store Day – Live at Konserthuset, Stockholm September 20, 1968

    Mark your calendars. This Record Store Day, The Doors legendary Stockholm concert is getting its first official release.

    Newly mixed by Bruce Botnick from the original MultiTracks, this iconic show will be available as a 3-LP set, pressed on limited-edition Translucent Light Blue vinyl and will also be available as a limited-edition 2-CD set.

    Available at your local record store on April 20th. Find your local record store HERE.

    “The Doors’ two sets of music that night are considered among the tour’s best. The band is tight, and Jim Morrison’s vocals are smooth as silk.” -David Dutkowski, The Doors Archivist

    Turn down the lights, grab your favorite beverage, and get ready to experience The Doors at the absolute pinnacle of their career. Ladies and Gentlemen, live from Stockholm, Sweden… The Doors!

     

     

    Early Show
    1. Introduction
    2. Five To One
    3. Love Street
    4. Love Me Two Times
    5. When The Music’s Over
    6. A Little Game
    7. The Hill Dwellers
    8. Light My Fire
    9. The Unknown Soldier

    Late Show
    1. Five To One
    2. Mack The Knife
    3. Alabama Song (Whisky Bar)
    4. Back Door Man
    5. You’re Lost Little Girl
    6. Love Me Two Times
    7. When The Music’s Over
    8. Wild Child
    9. Money (That’s What I Want)
    10. Wake Up!
    11. Light My Fire
    12. The End

  • Lord Of The Lost (Helsinki, 2023 December)

    Photos: Péter Tepliczky / MyTouché Blog

  • WASP MOTHER Release Video For "Gravemouth"





    WASP MOTHER Release Video For “Gravemouth”


    WASP MOTHER have released a music video for “Gravemouth”, taken from the new EP Digital Pollution which is available to stream now. Bringing a chaotic onslaught of blastbeats and sheer untamed power, WASP MOTHER combine grind, death and hardcore packaged together in a heavy sound that is designed for moshing. 

    Watch the video here: https://youtu.be/b-vMxc4nRjE?si=Zb_ZU38o2D3DOevR
    Kevin Sigourney on the Digital Pollution EP:

    “Digital Pollution is a tongue-in-cheek jab at the modern idea of artists as content creators with each successive work being left behind as new content fills the void of malaise. With the digitization of art, the constant flow of social media feeds and the twenty-four-second-news-cycle our appetites and attention span for media has become insatiable in a way where the meaning of the art we’re viewing is being lost in a sea of likes, comments, the all-knowing algorithm. Spiraling through depressive doom-scrolling while trying to climb the fettered ladder between streaming movies, tv shows, audio books and videogames Digital Pollution found itself contrived amongst classic literature, real world pain, and the horrors of history. This is our way of saying, ‘Shut the fuck up and listen, this is bigger than us, this is bigger than you.’ Stop and smell the fucking garbage.”

    About WASP MOTHER:
    Formed in 2021, WASP MOTHER is a 4-piece grindcore/powerviolence band based out of Weymouth, Massachusetts. After the release of their Self-Loathing EP, WASP MOTHER joined forces with the infamous Jenny Mac, creating an air of ferocity that tears through you as it crushes your bones. With influences ranging from CONVERGE and TRAP THEM to SEE YOU NEXT TUESDAY and PIG DESTROYER, their genre-bending sonic assault mixes searing blast beats and crushing breakdowns with a classic grindcore volatility. 

    WASP MOTHER is:
    Jenny – Vox
    Kevin – Guitar/Vox
    George – Drums
    Pete – Bass

    Links:
    Facebook: https://www.facebook.com/waspmothergrind
    Instagram: https://instagram.com/waspmothergrind
    Bandcamp: https://waspmother.bandcamp.com/

    Credits: 
    Video shot at Saint Vitus Brooklyn by Jordan Rowe and Thom Berg.
    Track Listing: 
    1. Gravemouth 
    2. Burnout 
    3. Boring  
    4. Hubris
    5. Akathisia
    6. Pale