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Southern California rockers Robert Jon & The Wreck have released their new single “Run Back To Me,” now available on all major streaming platforms. The track arrives as the band continues touring in support of their latest album, Heartbreaks & Last Goodbyes.

“Run Back To Me” originated with songwriter Desirae Megan, who was inspired after seeing a photo of frontman Robert Jon Burrison with his family. Reflecting on the challenges of staying connected while on the road, she began developing the song’s melody and concept. Megan later worked with keyboardist Jake Abernathie to complete the track while traveling to a show.

The song focuses on the emotional realities of touring, balancing distance with the pull of home. It highlights the band’s continued emphasis on blending personal storytelling with their signature Southern rock sound.

“Run Back To Me” follows a series of recent releases from the band after Heartbreaks & Last Goodbyes, which was produced by Dave Cobb and released via Joe Bonamassa’s Journeyman Records. The album marked a continued evolution in the band’s sound, combining high-energy rock with more reflective material.

Formed in 2011, Robert Jon & The Wreck features Robert Jon Burrison (vocals, guitar), Henry James (lead guitar, vocals), Andrew Espantman (drums, vocals), Warren Murrel (bass), and Jake Abernathie (keys). The group has built a strong following through consistent touring and a blend of Southern rock influences with a West Coast approach.

The band will continue its tour throughout 2026 with dates across the United States and Europe.

SPRING U.S. TOUR DATES
April 10, 2026 – New Orleans, LA – Hogs For A Cause
April 11, 2026 – Miramar Beach, FL – Sound Wave Beach Weekend (Sold Out)

SPRING EUROPE TOUR DATES
April 14 – Herne Bay, UK – The King’s Hall
April 15 – Newcastle, UK – Wylam Brewery
April 16 – Manchester, UK – Academy 2
April 17 – Glasgow, UK – Glasgow Garage
April 18 – London, UK – O2 Shepherds Bush Empire
April 19 – Southampton UK – The Brook
April 22 – Paris, FR – Alhambra
April 23 – Bilbao, ES – Kafe Antzokia
April 24 – Madrid, ES – Sala But
April 25 – Jerez de la Frontera, ES – La Bodega Skate Center
April 26 – Málaga, ES – La Trinchera
April 28 – Valencia, ES – Sala Moon
April 29 – Barcelona,ES – Razzmatazz 2
April 30 – Riotord, FR – Climax Club Legend
May 1 – Bensheim, DE – Musiktheater Rex
May 2 – Winterbach, DE – Lehenbachhale
May 3 – Regensburg (Burglengenfield), DE – VAZ Pfarrheim
May 5 – Berlin, DE – Columbia Theater
May 6 – Bonn, DE – Harmonie
May 7 – Amsterdam, NL – Melkweg
May 8 – Arnhem, NL – Luxor Live
May 9 – Brussels BE – Ancienne Belgique

SUMMER U.S. TOUR DATES
May 16 – Maryville, TN – The Shed supporting Blackberry Smoke (Sold Out)
May 28 – Belly Up – Solana Beach, CA
July 9 – Aura – Portland, ME
July 10 – Blue Ocean Music Hall – Salisbury, MA
July 12 – Pine Junction – Sherman, NY
July 13 – Jergel’s Rhythm Grille – Warrendale, PA
July 14 – Live at Hub City Vinyl – Hagerstown, MD
July 15 – Ardmore Music Hall – Ardmore, PA
July 16 – The Hamilton Live – Washington, D.C.
July 17 – The Tin Pan – Richmond, VA
July 18 – The Stage @ Jones von Drehle – Thurmond, NC
August 29–September 1 – Long Beach, CA – Cali–County Cruise 2026

FALL U.K. & EUROPE TOUR DATES
October 2 – Cambridge, UK – Cambridge Junction
October 3 – Nottingham, UK – Rock City
October 4 – Liverpool, UK – O2 Academy Liverpool
October 6 – Bristol, UK – Trinity Centre
October 7 – Leeds, UK – Project House
October 8 – Oxford, UK – O2 Academy Oxford
October 9 – Weert, NL – De Bosuil
October 10 – Utrecht, NL – Tivoli Vredenburg
October 11 – Dortmund, DE – Musiktheater Piano
October 12 – Nuremberg, DE – Hirsch
October 14 – Hannover, DE – Blues Garage
October 15 – Aschaffenburg, DE – Colos-Saal
October 16 – Lossnitz, DE – Zur Linde
October 17 – Seewen, CH – Gaswerk Eventbar
October 18 – Seon, CH – Konservi Seon
October 19 – Rubigen, CH – Muhle Hunziken
October 21 – Clermont-Ferrand, FR – La Cooperative De Mai
October 22 – La Roche-Sur-Yon FR – Quai M
October 23 – Penmarch, FR – Salle Cap Caval
October 24 – Cleon, FR – La Traverse
October 25 – Lille, FR – Le Splendid

The post Robert Jon and the Wreck unveils “Run Back To Me” appeared first on Blues Rock Review.

The group first gauged their fans reaction to an alternate mix on Reddit.

The post Boundaries Release Alternate Mix Of “Skies Cast Amber Black” After Listening To Fan Feedback appeared first on Theprp.com.

Violentene’s new EP, Victims Of Light, has the pale glamour of a city seen through a rain-streaked cab window at 2 a.m., all angles, reflections, and private wreckage dressed up for public display. The Ottawa synthpop duo knows how to hold a mood in place: across these five tracks, the duo sounds newly focused. The genre tags still hover nearby: synthpop, darkwave, retrowave, dreampop, synthwave, yet the record feels less concerned with scene allegiance than with emotional temperature.

Roland M. arranges the synth lines and drum programming with a sleek severity, as Mvrijo steps through the center of it all with a voice that carries cool distance and bruised longing in the same breath, giving these songs a soft, dangerous glow.

Savage City sets the tone with a sharp sense of modern alienation, full of pressure, suspicion, and the craving for something real in a world that keeps offering chrome substitutes. The hook has a sly persistence, and the production gives the track a taut frame that keeps its emotion from spilling over into melodrama. Other Side of Eternity goes deeper. The synths rise in long, gleaming waves, and Roland’s Moogs and Korgs lend the track a stately ache, as if some old cathedral had been rebuilt in glass and wired for electricity. Mvrijo’s performance carries the song with grave composure, turning its imagery of pain, peace, and passage into something felt rather than merely stated.

The title track is the EP’s finest argument for Violentene’s growth. Victims Of Light holds density and delicacy in an almost unnerving balance, letting the arrangement stretch and tighten with superb discipline. There’s a calm surface, although beneath that poise, you can feel all kinds of psychic wear and tear grinding away. Lyrically, the song is preoccupied with endurance, with sanity slipping by degrees, with survival becoming habit.

The two unreleased songs, Overcome and Beginnings, complete the EP by deepening the mood and broadening the emotional scope, showing that this release was sequenced with real thought rather than assembled for convenience or chronology.

“Creating these songs feels like a slow drift between beauty, tension, and emotional freefall,” says Mvrijo.

Roland adds, “We’re always stoked to get our music out to the world – in our heads the songs already exist in a space where beauty and collapse touch, but felt so inspiring to create!”

That tension between beauty and collapse is exactly where Victims Of Light lives, and Violentene handle it with rare poise. This EP feels cold to the touch, but there’s a live wire tingling under the skin.

Listen to Victims of Light below and order the EP here.

Roland Marckwort launched Violentene in 2017 as a way to reconnect with the ambient and dream pop ideas he first explored in the late 1990s with Venus Swirls. That project later evolved into the electro outfit Liquified, which released two acclaimed CDs, earned significant chart success, and secured a deal with World Domination Records.

After a brief stint as a DJ, Roland went on to join the indie/new wave four-piece Politique, who released two albums, played many sold-out shows, and completed a Canadian mini-tour between 2008 and 2012. In 2017, he also collaborated with New York singer Dani Mari (Primitive Heart), producing and releasing the EPs Denial and Phantom Youth, both of which found a strong following within underground shoegaze and dream pop circles.

Mvrijo has been singing since her teens and has fronted several popular Canadian indie rock and pop acts. She and Roland connected in Ottawa in late 2019, united by a shared desire to finally bring the project to the stage and work together locally. They quickly began work on the Otherworld EP, and her arrival in Violentene proved to be the missing piece, helping bring the duo’s vision fully into focus.

Follow Violentene:

• Spotify
• Bandcamp
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• YouTube
• Facebook

The post Ottawa Darkwave Duo Violentene Unveil “Victims Of Light” EP — Includes Two New Songs “Overcome” and “Beginnings” appeared first on Post-Punk.com.

Last time we checked in with Puerto Rican rapper Young Miko, she was interpolating Lil Wayne and Lil Jon on her single “WASSUP.” That was almost a year ago, and since then Miko has continued her ascent, including an appearance in Bad Bunny’s Super Bowl halftime show. Today she’s shifted into hyperpop mode on “Duro,”…

The post Skrillex – “Duro” (Feat. Young Miko) appeared first on Stereogum.

A bonus 1991 live performance is included.

The post Paradise Lost’s “Gothic” Set For Newly Remastered 35th Anniversary Reissue appeared first on Theprp.com.

Last month, Arch Enemy announced to the world that their new vocalist was now ex-Once Human frontwoman Lauren Hart. She was coming in to fill the void left by Alyssa White-Gluz’s departure last November and right away they released a new track with Hart’s vocals, “To The Last Breath”.

Of course people online were a mixed bag of reactions to Hart’s inclusion, but a lot of what people were going to judge her on was always going to be her live performances with the group. Now, with the band touring through China, we finally have some live footage of her fronting the band at Dongsan Live in Beijing.

According to setlist.fm, the Arch Enemy setlist for the show was:

1. Yesterday Is Dead and Gone (First time since 2016)
2. The World Is Yours
3. Ravenous
4. War Eternal
5. My Apocalypse
6. To the Last Breath (Live debut)
7. Blood Dynasty
8. Bury Me an Angel (First time since 2015)
9. Silverwing (First time since 2015)
10. The Eagle Flies Alone
11. No Gods, No Masters
12. I Am Legend / Out for Blood
13. Dead Bury Their Dead
14. Blood on Your Hands
15. Enemy Within
16. Liars & Thieves
17. Snow Bound
18. Nemesis
19. Fields of Desolation

The fan filmed footage shared below gives the world its first real glimpse at how Hart will handle the role that featured other incredibly talented female vocalists like White-Gluz and Angela Gossow, who called her “Angela incarnate.”

So check out the clip and let us know in the comments what you think about Hart’s inclusion in Arch Enemy. I’m sure I didn’t have to tell you to do that since MetalSucks readers are… opinionated, to say the least.

The post Watch: Arch Enemy Played Their First Show with New Vocalist Lauren Hart appeared first on MetalSucks.

The band have also been forced to drop from this year’s ‘ProgPower USA’ festival.

The post Nevermore Reveal Work Permit Delays Are Hampering Their U.S. Touring Plans appeared first on Theprp.com.

The mind is not a ghost riding inside the body, but a movement of the whole being, like a wave that cannot be separated from the sea. To be fully alive is to stop treating thought and flesh as adversaries and to feel them as one unfolding process. In that recognition, the body ceases to be merely a personal vessel; it becomes part of the great human current, joined to every hand, every breath, every sorrow, every joy. What we call self is not sealed off, but woven continuously into the living fabric of humankind.

Madeline Goldstein’s lovely new track One Star One Body arrives with the cool blaze of a private revelation beamed through a busted public world. As the final single before her new album Speaking To The Body drops on April 10th, it carries a sense of gathering consequence, as though Goldstein has been building a small altar out of dread, desire, discipline, and steel-lit beauty, then finally decided to set the whole thing ablaze. The song reaches toward the spiritual without going soft in the knees about it. It is tense, elegant, and full of pressure.

Those precise melodic turns and clear, glassy textures bring to mind Berlin, Eurythmics, and Til Tuesday, though Goldstein handles those touchstones like tools rather than trophies. The effect is theatrical, sleek, and a little severe, with a living-room intimacy pulled through chrome and voltage. There is anxiety in it, modern and intimate, bound up in the blur between the digital self and the physical one, in the daily business of watching the world deform people while trying to keep your own face from cracking in the mirror.

That emotional and political current runs straight through her lyrics. “This song is a protest song in a sense, trying to protest against the feelings of being paralyzed in the face of the inhumanities we visualize everyday,” says Goldstein. “It’s about fighting to become human again before we’ve lost our world. Our one star is our planet, our sun, our universe. And we have one body, our own with which we choose either to unite with the human body or to isolate.” That statement lifts the track beyond style and places it squarely in the realm of spiritual emergency.

The video, directed by Molly Dario and shot by Antonio Zapiain Luna, places Goldstein in a realm that feels suspended between ritual, simulation, and pop martyrdom. She appears transformed, heightened, almost transmitted from somewhere just beyond ordinary flesh, with a visual presence that calls to mind Enya meets early-90s Madonna by way of some celestial public-access fever dream. Every frame has a clean, stylized force to it. Goldstein moves through these synthetic environments like someone searching for communion in a world built from projection, code, memory, and want.

“I wanted to make a video where the universe it lived in was synthetic and created from nothingness,” says Goldstein. “It seemed the most fitting to represent the worlds we create for ourselves now online, both a source of creative freedom and of imprisonment and torture. Molly Dario is an amazing VFX artist who creates limitless retro-futuristic landscapes. This was our creative homecoming, as we both worked together in the infancy of our projects, and now have grown our distinct creative voices.”

One Star One Body feels like a transmission from somebody trying to pull spirit back through the machine before the machine swallows the signal whole.

Watch below:

Listen to One Star One Body below and pre-order Madeline Goldstein’s forthcoming new album, Speaking to the Body, here.

Follow Madeline Goldstein:

• Website
• Instagram
• Bandcamp
• YouTube
• Spotify
• Apple Music

The post Madeline Goldstein Radiates Defiant Unity in Video for Luminous Synthpop Single “One Star One Body” appeared first on Post-Punk.com.

Hardcore torchbearers PRO-PAIN share “March Of The Giants”, the second single off their long-awaited album Stone Cold Anger, out May 15, 2026 via Napalm Records. With their first album in 11 years, the New York legends—rising alongside Madball, Agnostic Front, and Sick Of It All—prove that they stayed on top of their heavy game throughout the years. “March Of The […]

Source

As founding member and principal songwriter of The Pineapple Thief, Bruce Soord has spent the last decade steadily refining a voice that balances emotional directness with musical restraint. Set for release on May 15th, Ghosts In The Park, his latest solo album, is his most personal and unguarded work to date: a record shaped by loss, memory, and the quiet spaces that reveal themselves when life continues to move while everything else appears to stop. Bruce has shared the first single from the album, titled ‘Pillars’ alongside a new video produced by George Laycock.

Excessive, damaging introspection, I guess is the theme of the song. I remember the day in my life when I was liberated from my god-fearing introspection. Only then could I see the damage it had done to me and was still doing to the people around me. The song is about that: the damage I have witnessed. It’s framed around religion and penance, but it’s not anti-religion, it’s about balance. Oh and the line about pillars. It’s a bit of a playful reference to Saint Simeon Stylites, a Christian ascetic from around 400 AD. Legend has it he perched on top of a pillar for 37 years, taking himself away from the world in order to dedicate his life entirely to prayer, fasting, and repentance. I thought it was quite apt.

I’ve been working with George Laycock from Blacktide Productions for years now, it’s incredible what he can do with his imagination and camera. – Bruce Soord

Written over a two-year period while Soord was touring extensively with The Pineapple Thief, the album emerged in hotel rooms, unfamiliar cities, and moments of enforced solitude. Against this backdrop, Soord was navigating the drawn-out decline and eventual death of his father, alongside the continued progression of his mother’s Alzheimer’s. These experiences form the emotional spine of Ghosts In The Park – grief in motion, memory surfacing unpredictably, and the quiet determination to keep moving forward.

Bruce Soord – Ghosts In The Park
https://brucesoord.lnk.to/Ghosts_In_The_Park
Concepcion [01:25]
Pillars [03:10]
Meet Me On The Downs [03:05]
Kept Me Thinking [06:34]
Day Of Wrath [04:21]
Our Predicament [03:43]
Stared Down [04:33]
You Made A Promise [02:56]
Ghosts In The Park [12:52]

The post Bruce Soord announces new solo album ‘Ghosts in the Park’ and new single “Pillars” appeared first on The Prog Report.