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  • Live Review: Black Label Society, Zakk Sabbath, and Dark Chapel Bring Triple the Power to Nashville’s Ryman Auditorium

     

    Zakk Wylde’s Musical Brotherhood Takes Over Nashville’s Ryman Auditorium

     

    LIVE NATION PRESENTS:

    BLACK LABEL SOCIETY/ZAKK SABBATH/DARK CHAPEL AT THE RYMAN AUDITORIUM IN NASHVILLE, TN ON 5/14/26

     

     

    For one night at Nashville’s Ryman Auditorium, Zakk Wylde transformed a tour package into something that felt more like a musical family reunion. Every member of Black Label Society pulled double duty throughout the evening, moving between sets with barely a pause as Dark Chapel, Zakk Sabbath, and Black Label Society shared personnel and purpose across a marathon night of music.

     

    Dark Chapel opened the evening and quickly established guitarist and vocalist Dario Lorina as far more than a supporting player in Wylde’s orbit. Leading the band through material drawn largely from their debut album, Spirit in the Glass, Lorina displayed confidence and command while balancing both guitar and vocal duties. Backed by guitarist Dylan Dice, bassist Mike Leon, and drummer J. Walker, the band delivered a set that showcased its own identity rather than relying on the reputation of its connections.

     

     

    Instead of turning the performance into a showcase for technical excess, Dark Chapel emphasized atmosphere and songwriting. Lorina could have easily filled the set with extended guitar displays, but the band opted for a more measured approach, allowing the songs to breathe while creating a steady sense of tension and momentum. It was a smart decision that highlighted the strength of the material. By the end of the set, the audience had been given a clear introduction to a band that stands comfortably on its own merits. Lorina would later return to the stage as part of Black Label Society, making his first appearance only the beginning of a long evening.

     

     

    After a brief intermission, Zakk Sabbath took over. The lineup featured Wylde on guitar and vocals alongside bassist John “JD” DeServio and drummer Jeff Fabb, all familiar faces from Black Label Society. The structure of the evening felt less like a traditional three-band package and more like a revolving cast of musicians, each member stepping into different roles before eventually reuniting for the night’s headlining performance.

     

     

    Wylde’s connection to Black Sabbath’s music stretches back decades through his work alongside Ozzy Osbourne, and that history was evident throughout the set. Rather than attempting to reinvent the material, Zakk Sabbath focused on delivering it with conviction and respect. Songs such as “Snowblind,” “N.I.B.,” and “War Pigs” landed with tremendous weight, capturing the power that made the originals enduring classics. This was not a nostalgia act going through the motions; it was a tribute performed by musicians who genuinely understand the spirit of the material.

     

     

    By the time Zakk Sabbath exited the stage, both opening acts had already delivered performances that could have justified the ticket price on their own. Yet the evening still had one more chapter to unfold. Soon Wylde, DeServio, Fabb, and Lorina would share the stage together as Black Label Society.

     

     

    Black Label Society’s arrival was met with the loudest reaction of the night. Opening with “Funeral Bell,” the band immediately settled into the crushing groove and swagger that have defined its sound for more than two decades. The volume was massive, testing the limits of the Ryman’s historic walls, but the venue absorbed every note as the band powered through a set built on heaviness and precision.

     

    The performance continued with favorites including “Name In Blood,” “The Blessed Hellride,” and a powerful rendition of “No More Tears.” Two moments stood out above the rest. The first came when Wylde moved from guitar to piano for a heartfelt tribute to Pantera’s Abbott brothers, Dimebag Darrell and Vinnie Paul. The respect in the room was unmistakable as fans reflected on the legacy of two musicians whose influence still resonates throughout heavy music.

     

     

    The second arrived during “Ozzy’s Song” from Black Label Society’s latest album, Engines of Demolition. As images of Ozzy Osbourne appeared across the backdrop, the energy in the room shifted. The audience grew noticeably quieter, allowing the song’s emotion to take center stage. For a musician who has spent much of his career alongside Osbourne, it felt like a deeply personal tribute from Wylde to the man he often refers to simply as “The Boss.”

     

     

    What ultimately made the Ryman performance memorable was the shared commitment displayed by every musician involved. Each member embraced multiple roles throughout the evening without sacrificing energy or focus. The seamless transitions between bands highlighted the chemistry among the performers, while Dark Chapel proved more than capable of holding its own alongside seasoned veterans. By the end of the night, the audience had witnessed far more than a standard concert package. It was a celebration of friendship, loyalty, and the music that continues to connect these musicians. For Nashville fans, it was a night well worth remembering.

     

     

     

     

    The post Live Review: Black Label Society, Zakk Sabbath, and Dark Chapel Bring Triple the Power to Nashville’s Ryman Auditorium appeared first on Mayhem Music Magazine.

  • Hear Sons of Kiss Stanley Simmons’ Trippy New Single ‘Cellophane’

    The duo continue to pursue a different musical style than their famous fathers. Continue reading…
  • Mastodon Play “Your Ghost Again” Live For The First Time, Dedicating It Brent Hinds

    Last year, longtime Mastodon member Brent Hinds died in a sudden and tragic motorcycle accident, just a few months after he split with the band in acrimonious fashion. On Tuesday, Mastodon shared “Your Ghost Again,” a colossal new song about the losses of both Hinds and drummer Brann Dailor’s mother. On Wednesday, they played it live for the first time.

    The post Mastodon Play “Your Ghost Again” Live For The First Time, Dedicating It Brent Hinds appeared first on Stereogum.

  • Heavenwood – New Track Streaming

    One week prior the release of their The Tarot Of The Bohemians – Part II album, Portuguese gothic/dark metal visionaries Heavenwood offer inlistening the third advance single “Death”.
    Read more…
  • Freddie Gibbs Releases You Only Die 1nce Deluxe Edition With New Songs

    You only die 1nce, but you might release the same album 2wice. On Halloween 2024, the absurdly consistent Indiana rap monster Freddie Gibbs dropped his surprise album You Only Die 1nce. Since then, he’s re-teamed with the Alchemist for Alfredo 2, entertainingly feuded with JPEGMAFIA, and taught some karate lessons. Now, out of nowhere, Gibbs is back with a deluxe version of You Only Die 1nce that basically includes a whole other album.

    The post Freddie Gibbs Releases <em>You Only Die 1nce</em> Deluxe Edition With New Songs appeared first on Stereogum.

  • Marvel Reveals McFarlane Toys “Marvel Rivals” Variant Covers for July

    The Press Release: McFarlane Toys has brought the world of Marvel Rivals to life with exceptionally detailed statues inspired by the game’s now-iconic character designs. As the next wave of … Continue reading Marvel Reveals McFarlane Toys “Marvel Rivals” Variant Covers for July
  • DS Photos and show notes: The Adicts, Monster Squad, Dog Party live at The Fillmore, San Francisco (05/23/26)

    UK punks, The Adicts, stopped at the legendary venue, The Fillmore, and were joined by Bay Area punks, Monster Squad, and Dog Party.

    The Adicts are known for their sensational live show and they didn’t disappoint.

    The crowd was filled with punks in classic studded vests to droog styles. Mimicking The Adicts, even some little ones adorned bowler caps and face paint. It was also a multigenerational affair, both on and off stage, all coming together for a night of music.

    Sister duo, Dog Party setoff the show to a great start. The Giles sisters have been taking stages by storm since they were very young, and their pure rocker spirit has continued to develop over the years.

    Monster Squad have been a relentless force in the punk scene that have shaped so many of us, and tonight was no exception. They were the stepping stone to a night mixed with nostalgia and old sounds that still sound fresh.

    Richy Russell filled in for rhythm guitarist Chris Chapel. Richy and drummer Matt Kadi have been long-time collaborators, also playing together in Build Us Airplanes. As much as Chris was missed, Richy gave a solid performance.

    Monster Squad continued to build the energy before The Adicts took to the stage, and the circle pit began to rally.

    The overall night was bound by community and felt like a small show, scaled up.

    Check out more photos from the show on Instagram below.

  • APOSTLE Release New Album A Splinter in the Infinite Noumenon

    Metal trio APOSTLE have released their dynamic and emotionally charged new full-length album, A Splinter in the Infinite Noumenon, out today via Terminus Hate City. Alongside the album’s arrival, the band have also unveiled a new music video for the opening track, “Exiting The God Hologram“. “Exiting The God Hologram” introduces A Splinter in the Infinite Noumenon with […]

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  • The Dream of Emo Is Alive in Like Roses

    Emo is alive and well in the Bay Area band Like Roses, whose song “Wrist” captures the nostalgic sound of early-2000s melodic pop-punk through the lens of queer yearning. Our critic Jon Caramanica unpacks the ways the track caught his attention.