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  • Cruel Force – Haneda Review

    Evolution. It’s one of those principles that seems to undergird just about every aspect of existence in this universe. As students of our most favorite of genres, we often speak about the “evolution of heavy metal” and how it has birthed a plethora of subgenres of varying degrees of viability. While some of these subgenres carry enough useful traits to become long-lasting pillars in the monument of heavy metal, others seem to serve the role of transitional forms or “missing links” between more well-known styles. Case in point: speed metal. Often seen as a momentary stop on metal’s journey from traditional to thrash, relatively few bands have built a career on speed alone. Acts who start with speed metal (many early thrash bands and power metal bands, especially) often incorporate other elements or transition to something else entirely. While this may be the general trend in metal’s history, Germany’s Cruel Force says, “Fuck that.”

    Formed back in the late aughts as a blackened thrash/speed metal band, Cruel Force regrouped after a long hiatus, reinventing themselves as a pure and simple speed metal band with 2023’s Dawn of the Axe, an album that impressed me enough to earn a spot on my list of honorable mentions for that year. Well, if that was the dawn of the axe, 2026’s Haneda is the reign of the axe, an axe that has been meticulously honed and polished to the point of being as beautiful as it is lethal. I’d suggest doing a proper warmup before pressing play on the embedded “Whips-A-Swinging,” because severe neck damage is all but inevitable.

    In fact, Haneda should have come with a warning from the surgeon general stating something like, “May cause permanent stank face. May cause carpal tunnel syndrome secondary to excessive involuntary air guitar. May cause the user to run through walls, laugh maniacally at inappropriate times, or punch strangers in the face. Do not use while operating motor vehicles, as dangerous and irreversible acceleration has occurred. User may also feel the urge to destroy said vehicle with their bare hands, Street Fighter style.” And that’s just my experience with the record these maniacs have produced. Guitarist Slaughter absolutely lives up to his name, slaying all before him with unbelievable rhythm skills and classic metal leads, while Spider’s fingers crawl across his bass fretboard in an effort to keep up. Carnivore feasts, delivering a timeless, thrashy vocal performance that suits the music oh so well, but MVP honors go to drummer GG Alex, whose incessant fills have managed to become a hallmark of Cruel Force’s sound.

    The prospect of 42 minutes of speed metal probably doesn’t sound all that special or exciting, but in Cruel Force’s capable hands, Haneda has managed to transcend the genre’s ham-fisted, beer-guzzling stereotype to create something truly special. The compositions are incredible, ranging from 4-minute rippers like “Whips-A-Swinging,” “Savage Gods,” “Sword of Iron,” and “Black Talon,” stretching into more complex work like “Warlords” or the album’s instrumental centerpiece “Crystal Skull,” and finishing in grand fashion with the epic, 9-minute, Song o’ the Year-frontrunning title track. Every song features wild, yet somehow graceful transitions and killer grooves, and the production is simply beautiful, proving that an album can sound authentically old and brutal while simultaneously feeling cultured and refined. I’m honestly still in shock from how hard this album hit me; what on first listen felt like just a really good speed metal album has revealed itself to be utterly excellent.

    To finish my musings on evolution, Haneda sounds like a handful of speed metal bands become isolated on an island that drifted away from mainland Metal millions of years ago (let’s call this island ‘Metalgascar’) and whose progeny have spent the intervening time adapting and mutating without any other external musical influence. Where mainland Metal achieved heaviness through ever more extreme vocalization, down-tuning, and genre bastardization, Metalgascar developed its heaviness through ever-increasing speed and compositional quality. Far from being some hunched-over figure towards the beginning of heavy metal’s March of Progress, speed metal, in the form of Cruel Force, has achieved its final form, becoming Homo deus, the Übermensch, the Gigachad, or as the kids say these days, “he’s him” (or “she’s her,” or “they’re them,” if you prefer). This fantastic record will undoubtedly be on my year-end list (if not atop it), because I doubt that 2026 can produce something that’s more quintessentially metal.


    Rating: 4.5/5.0
    DR: 9 | Format Reviewed: 320 kbps mp3
    Label: Shadow Kingdom Records
    Websites: cruelforce.bandcamp.com | facebook.com/cruelforce
    Releases Worldwide: March 27th, 2026

    The post Cruel Force – Haneda Review appeared first on Angry Metal Guy.

  • Lady Liberty is Kelsie Kimberlin’s Single Out Now!

    Good Day Noir Family,
    Kelsie Kimberlin introduces Lady Liberty with a distinct artistic vision.

    Lady Liberty is Kelsie Kimberlin’s Single Out Now

    The mood sets a haunting and dystopian tone that draws you into a world teetering on the edge of unrest. “Lady Liberty” is a powerful call to awareness, a sonic awakening that reflects a deeply fractured moment in American society.

    The track captures a collective unease, giving voice to those who feel their rights slipping away. Under the shadow of political and social tensions.

    Kimberlin’s delicate yet resolute vocals serve as the heart of the song. Weaving through the soundscape with an almost hypnotic calm that contrasts beautifully with the urgency of the message. Her voice acts like a modern-day oracle, guiding listeners through this introspective journey without ever resorting to shouting or overt dramatics.

    This subtlety enhances the track’s impact, prompting thoughtful reflection rather than just emotional reaction.

    The instrumentation is equally compelling, layered with refined arrangements that cleverly intertwine keyboard textures and string pizzicatos. These elements contribute to a complex auditory fabric that feels lush and unsettling. The sound mirrors the tension underlying the song’s themes. The artful layering of sounds acts as a call to vigilance, gently nudging the listener to stay alert and engaged with the unfolding reality.

    “Lady Liberty” stands out not only for its musical sophistication but also for its socially conscious narrative. It positions the Statue of Liberty—a traditional symbol of freedom—as a distant, almost unreachable ideal. The song questions how far the nation has drifted from its founding principles. This single is a testament to Kimberlin’s artistry and her commitment to using music as a means to provoke thought and inspire change.

    In a time when many feel their freedoms are under threat, “Lady Liberty” is a timely and necessary reminder of the power of awareness and the importance of standing tall in the face of adversity.

    Lady Liberty is Kelsie Kimberlin’s Single Out Now!


    Awakening


    Kelsie Kimberlin Kelsie Kimberlin is a Ukrainian-American singer-songwriter who began her musical journey in childhood, recording her first song at age eight. She has since written and recorded over 100 original tracks, collaborating with top producers linked to artists like Adele, Coldplay, and Taylor Swift.

    Her music has gained international exposure through radio and streaming platforms. Beyond music, she is actively involved in humanitarian work in Ukraine, where she has filmed videos in conflict-affected areas and documented real-life stories.

    Blending music with activism and global experiences, Kimberlin continues to develop a career that connects artistic expression with real-world impact.


    Find Kelsie Kimberlin Here:

    Spotify
    Instagram



    Discover New Bands Click Here


    The post Lady Liberty is Kelsie Kimberlin’s Single Out Now! appeared first on Edgar Allan Poets – Noir Rock Band.

  • Have You Seen The Rain? is Radio Psychosis’ Single Out Now

    Good Day Noir Family,
    Radio Psychosis return with “Have You Seen The Rain?”, and the mood settles in quickly with an atmospheric introduction that pulls you into its world.

    Have You Seen The Rain? is Radio Psychosis’ Single Out Now

    A steady groove emerges, and then the vocal arrives with a sincerity that cuts through the haze.

    The voice carries emotion without exaggeration. It feels grounded and direct. The guitars lock tightly with the rhythm section, creating a foundation that instantly reminded me of R.E.M., yet with a darker shade that hints at Nick Cave’s shadowed storytelling. The blend feels natural rather than nostalgic for its own sake.

    What truly defines the track is its dynamic control. The chorus pushes forward with urgency and melodic lift. Then, just as the energy peaks, the verse strips things back, leaving space to breathe. This tension between expansion and restraint gives the song depth. Subtle synth textures slide in behind the arrangement. These details shape a nocturnal atmosphere, like city lights reflecting on wet asphalt after rainfall.

    The production never overwhelms the core idea. Every instrument serves the emotional arc. The band avoids excess, and that discipline strengthens the impact. While the groove remains steady, small shifts in tone and layering keep the listener engaged.

    The imagery evoked by the track feels almost cinematic. It resembles an Edward Hopper painting translated into sound, capturing a fleeting urban moment and freezing it in time. Yet the band does not lean on drama. They allow mood and melody to carry the narrative.

    The song strikes a balance between nostalgia and forward motion, creating a sense of looking back without standing still. The lyrics, written in collaboration with Carl Chadwick, further elevate the track, adding depth and clarity to its emotional core. There’s a reflective tone throughout. The sincerity in the vocal delivery grounds the entire piece, giving it a genuine impact.

    “Have You Seen The Rain?” stands as a refined alternative rock single that understands atmosphere and restraint. Radio Psychosis demonstrate strong songwriting instincts and a clear artistic direction. This track lingers quietly, and then returns to your mind when you least expect it.

    Have You Seen The Rain? is Radio Psychosis’ Single Out Now!


    Nocturnal!

    Have You Seen The Rain? is Radio Psychosis’ Single Out Now

    Radio Psychosis is a North West England–based band born during the COVID-19 pandemic, channeling the spirit of 80s Manchester into a sharp, modern indie sound. Blending post-punk intensity with contemporary indie rock, their music reflects the mood of overcast streets and working-class life, shaped by raw emotion and restless energy.

    Drawing influence from bands like Joy Division, Echo & The Bunnymen, New Order, The Cure, Arctic Monkeys, and The Strokes, Radio Psychosis crafts songs driven by urgent rhythms, atmospheric melodies, and introspective lyrics. Their work explores themes of modern society, technology, and the psychological tension of everyday life, offering a sound that feels both nostalgic and current.

     


    Find Radio Psychosis Here:

    Spotify
    Instagram

    The post Have You Seen The Rain? is Radio Psychosis’ Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

  • Spell Unveil “Take My Life”

    – March 27th, 2026 –

    Metal, Melody and Mortality on This Incisive Cut from Forthcoming Album “Wretched Heart”

    New single out March 27th, 2026 | Album released May 1st, 2026

    Photo by: Caitlin Delaplace

    More than half a century into its life, what exactly is heavy metal? Is it a kind of belief system? Is it something to be observed as a relic, or an exhibit in a museum? Or is it, to paraphrase Christopher Lee’s Due de Richeleau in The Devil Rides OutA living force, which can strike at any moment of the night“? For Vancouver’s SPELL, that question has never been more vital.

    The latest single, “Take My Life“, offers one of the most revealing entry points into their new chapter. Released on March 27th, 2026, the track stands as perhaps the starkest embodiment of the album’s central tension – where classic heavy metal confidence collides with profound existential weight. Driven by a swaggering, mid-paced pulse and steeped in the spirit of vintage ’80s metal, the song delivers a chorus built for raised fists and midnight exorcisms alike. Yet beneath its strut lies something far more disquieting. As vocalist and bassist Cam Mesmer explains, “‘Take My Life’ is about an intimate encounter with death, and the power dynamics at play. Where I’ve had to make a decisive move, and been fearful, but others have given me confidence.”

    This is a track that captures SPELL at their most direct, dynamic and disarmingly honest. As both a standalone statement and a key moment within Wretched Heart, it signals a band not only at the height of their powers but actively redefining what those powers can be. Stream a music video for “Take My Life“, directed by James Barry and Sean Edwards for Ramble Films, at this location.

    Take My Life is released March 27th, 2026. WATCH THE MUSIC VIDEO HERE!

    Vancouver based hypnotic heavy metal outfit Spell, will release its new LP, ‘Wretched Heart‘, on May 1 via Bad Omen Records. A shadow-drenched journey through desperation, passion and defiance, ‘Wretched Heart‘ sees Spell transform heavy metal into something urgent and human – gothic, cinematic and hypnotic. Not only Spell‘s strongest record to date but also a thunderous celebration of eccentricity which stalks its nocturnal realm with both savage finesse and beguiling charm. ‘Wretched Heart‘ is the follow-up to Spell‘s 2022 LP, ‘Tragic Magic‘, an album hailed as a celebration of “the mystique and darkness within hard rock and heavy metal“.

    Pre-order/stream Wretched Heart HERE.

    Available on CD, Single LP (spined LP with insert) in Solid Purple, Transparent Red & Blue Marbled, and Red & Black Smoke, and digitally.

    Wretched Heart‘, in all its gory glory, embodies a very vital paradox – a record made by true believers who yearn for catharsis beyond. The oxymoron of anthems forged from steel, yet with a very human heart. Even the most cynical bystander will likely struggle not to be bewitched.

    Track listing:
    01.) Dark Inertia
    02.) Lilac (stream VIDEO)
    03.) Take My Life (stream VIDEO)
    04.) Unquiet Graces
    05.) Oubliette
    06.) Iron Teeth
    07.) Exquisite Corpse
    08.) Savage Scourge
    09.) In Duress
    10.) Wretched Heart

    Spell is Cam Mesmer (vocals, bass, rhythm guitar, synthesizers), Al Lester, (vocals, lead guitar, rhythm guitar, drums), Jeff Black (lead guitar, backing vocals), and Gabriel Tenebrae, (lead guitar, synthesizers). Follow Spell on Facebook and Instagram.

    Tipping their caps to a range of classic hard rock influences like Pink Floyd, Black Sabbath, Blue Oyster Cult, Rush and even old-school Mercyful Fate, Spell captures a dreary, overcast and lo-fi vibe” – Exclaim!

    If this band was a van, they would be the raddest, most pimped out airbrushed 70′s van with plush interior and a BOOMING system. SPELL is a perfect name for them, because their songs are jamming heavy metal magic.” – Cvlt Nation

    If you like your throwback metal loaded with 70s occult magic, this may cast a spell over you.” – Angry Metal Guy

    Buy iTunes Artist Page Artist News

  • Five For Friday: March 27, 2026

    Greetings, Decibel readers!

    It’s a great week for fans of death and thrash metal, especially if you’re looking for bands who carry on the spirit of the 1980s while still screaming with their own voice.

    Enjoy!

    Aggressive Perfector – Come Creeping Fiends

    Well, it’s hard to go wrong with a name like that. This is the British outfit’s second album on Dying Victims Productions, a match custom-made in hell. A thrilling blend of Mercyful Fate, Venom, Exciter, and other flavors of 1980s extremity. There’s a subtle hint of early-80s street punk in there as well, if you listen close enough.

    Stream: Apple Music

    Bekor Qilish – Consecrated Abysses Of Dread

    Mind-blasting avant-garde mastery. When it comes to experimental and off-kilter death metal, Andrea Bruzzone is the man to trust. Think of Esoctrilihum but with the sonic insanity curve bent more toward Cynic, Nocturnus and latter-era Death.

    Foetorem – Incongruous Forms Of Evergrowing Rot

    Meanwhile, if you just want some unrelenting, cavernous darkness — the debut album from Denmark’s Foetorem embodies all manner of devouring death. Themes of festering decay clash with thought-provoking, introspective music sections that contrast the standard blasts of fury. Gore that makes you think.

    Stream: Apple Music

    Hellripper – Coronach

    Hellripper is more than just another blackened-speed metal band. Over the course of the last decade, James McBain has established his unholy music machine as one of the most compelling and exciting names in modern metal. On Coronach, James ups the ante ever further with more interesting riff-work, more challenging compositions, and more reasons to hail eternal darkness!

    Stream: Apple Music

    Intoxicated – The Dome

    Floridian thrashy death metal courtesy of the always reliably Redefining Darkness Records. This is the band’s third album, and a followup to 2022’s Watch You Burn.

    Stream: Apple Music

    The post Five For Friday: March 27, 2026 appeared first on Decibel Magazine.

  • August Burns Red Announce New Album ‘Season of Surrender’, “The Nameless’ Streaming Now

    augustburnsred_26

    Metalcore outfit August Burns Red announced the impending release of their newly announced album Season Of Surrender, coming out on June 5. It’s the band’s first full-length release since returning to Fearless Records last month.

    Boasting 11 brand new tracks, the album also includes the previously released song “Behemoth”. Today’s announcement brought a second track to light — “The Nameless”. That particular track you can check out below.

    Bassist Dustin Davidson spoke about the new track, calling it a “hard-hitting, heavy bruiser that doesn’t let up for one moment.”

    “[‘The Nameless’] combines classic ABR elements with dark moody technical rhythms, and fast paced vocals to keep the intensity up for the full three minutes of the track. To me it showcases our roots of where we’ve come from, and the future path of where we’re heading.”

    While Davidson addressed the song’s vibes, vocalist Jake Luhrs explained the lyrical content found within the track and what it means.

    “Lyrically, ‘The Nameless’ is a song about not wasting your life away for the sake of acceptance and comfortability. Sometimes it takes detaching from what you’ve been told, or from the beliefs you are no longer aligned with, in order to face your own weaknesses. In doing so you can break free to live a life you are proud of.”

    Season Of Surrender will be released on June 5 via Fearless Records, but you can preorder your copy today.

    Later this year, August Burns Red will head out on tour with The Amity Affliction, Boundaries, and Heavensgate. You can check out the full list of tour dates below and get your tickets today.

    SEASON OF SURRENDER TRACK LISTING:

    “Legions” [Feat. Mike Hranica]
    “The Nameless”
    “Behemoth”
    “Den of Thieves”
    “Sonic Salvation” [Feat. Jamie Hails]
    “Cerebral Malfunction” [Feat. Make Them Suffer]
    “Tear of the Clouds”
    “Whispers Like Splinters”
    “S.O.S.”
    “New Horizons”
    “Forged by Failure”

    August Burns Red Announce New Album ‘Season of Surrender’, “The Nameless’ Streaming Now

    AUGUST BURNS RED + THE AMITY AFFLICTION ON TOUR:
    WITH BOUNDARIES + HEAVENSGATE:

    4/10 — Worcester, MA — The Palladium*
    4/11 — New Haven, CT — College Street Music Hall*
    4/12 — Pittsburgh, PA — Stage AE
    4/14 — Charlotte, NC — The Fillmore
    4/15 — Atlanta, GA — Tabernacle
    4/16 — Orlando, FL — House of Blues
    4/18 — New Orleans, LA — The Fillmore
    4/19 — Dallas, TX — The Bomb Factory
    4/21 — Houston, TX — House of Blues
    4/22 — San Antonio, TX — Vibes Event Center (Outdoors)
    4/24 — Phoenix, AZ — The Marquee
    4/25 — San Diego, CA — Soma
    4/26 — Anaheim, CA — House of Blues
    4/28 — Sacramento, CA — Channel 24
    4/29 — Garden City, ID — Revolution Concert House
    5/1 — Salt Lake City, UT — The Union Event Center
    5/2 — Denver, CO — The Fillmore
    5/3 — Omaha, NE — The Astro Theater
    5/5 — Minneapolis, MN — The Fillmore
    5/6 — Milwaukee, WI — The Rave
    5/8 — Chicago, IL — Riviera Theatre
    5/9 — Royal Oak, MI — Royal Oak Music Theatre
    5/10 — Toronto, ON — History
    5/12 — Montreal, QC — Mtelus
    5/13 — Brooklyn, NY — Brooklyn Paramount
    5/15 — Baltimore, MD — Nevermore Hall
    5/16 — Columbus, OH — Sonic Temple**
    5/17 — Philadelphia, PA — The Fillmore
    *With Dreamwake, no Heavensgate
    **Festival Date (ABR + TAA Only)

    August Burns Red Announce New Album ‘Season of Surrender’, “The Nameless’ Streaming Now

    The post August Burns Red Announce New Album ‘Season of Surrender’, “The Nameless’ Streaming Now appeared first on MetalSucks.

  • Giotopia Releases New Single ‘Cursed Blessing’ Feat. Ronnie Romero

    Fantasy metal project Giotopia released the stunning new single ‘Cursed Blessing‘. The song features Ronnie Romero (Rainbow, The Ferrymen, Michael Schenker Group). For this brand new song version, a lyric video was also created. The song is the first sign of a new album that’s in the making. When the new album shall be released and […]

    The post Giotopia Releases New Single ‘Cursed Blessing’ Feat. Ronnie Romero appeared first on ROCKPOSER DOT COM!.

  • Ashley Monroe Releases Surprise New Concept Album Dear Nashville

    Veteran singer-songwriter Ashley Monroe has had a long, checkered run in the Nashville country music business. She’s had a lot of success, partly as one third of Miranda Lambert’s great side project Pistol Annies, but she’s also bounced around from label to label, making her own deep and heartfelt music while singing backup on records…

    The post Ashley Monroe Releases Surprise New Concept Album <em>Dear Nashville</em> appeared first on Stereogum.

  • The Dear Hunter – Sunya (Album Review)

    by Dave Campbell

    The world of progressive rock is riddled with concept albums, from the classic influential albums to ones made from relatively unknown artists, but few have approached the concept album in the way The Dear Hunter has over its 20-year career. The “Act series” which began with 2006’s Act I: The Lake South, the River North, and culminated in the masterpiece albums Act IV: Rebirth in Reprise and Act V: Hymns with the Devil in Confessional, the band, led by Casey Crescenzo, told a wild story over 5 albums using any genre at their disposal incorporating pop, Jazz, Vaudeville, Disco, Metal and more. How can you top that?

    In 2021, Casey started to develop the story of The Indigo Child, a character in a dystopian future. This began with The Indigo Child EP in 2021, followed by the brilliant album Antimai in 2022, a concept album centered on building the Indigo Child universe, with each song telling the story of a dystopian city-state divided into eight concentric rings. Each ring was a song exploring the extreme wealth disparity, authoritarian rule, and environmental collapse. Musically, the album was another diverse outing with the band exploring new territory once more. Now comes the sequel, Sunya. This album finds a character from Antimai leaving the city and heading into the wastelands and telling of their journey. Continuing the sonic universe they first unveiled on Antimai, Sunya finds the band leaning into synth textures and tightly wound grooves, drawing as heavily from jazz and funk as from progressive rock.

    A fitting opening, “The Wasteland” is where the story begins. The song has some fanfare in tow, starting with almost a big band sound. Although much of the song has a positive tone, there are also some shadows here and there. “Welcome to the Wasteland,” he says, with a big smile and a convincing voice. What is there? Nothing. It reminds me of a service counter in the 1950’s…people are nice and accommodating, but there is nothing that they can offer you. The juxtaposition between the warm music and the message is quite striking. The signature vocal harmonies are ever-present as are all the musical layers. You can tell there will be a lot to uncover here with further listens.

    “Marauders” is the album’s rocker, a track that has more spunk and more energy, and the melody is easy to follow. It’s fast-moving, funky, and fun, and some might even call it aggressive at times. The tone of his voice moves to firmer as it passes, as if he is trying to shout at you something important. Much of the signature sound of the band comes from the vocal harmonies, and they are strong in this song. There are also some playful moments, once again contrasting with the title of the song. Meanwhile, “The Bazaareteria” takes a different style again, this time with some funk and R&B, which is musically opposite of the lyrics, which depict a place where everything feels transactional, temporary, and ultimately hollow.

    The album takes a shift with a 3-part suite titled “The Glass Desert”. “Part 1-Giants” is the centerpiece of the album. It again has a light, jazzy groove to it with an uplifting vibe. The second half of the song enters into 60s big band territory with horns and harmony vocals. “Part 2-Cliffs and Stormlands” sounds the most like something you might hear on the Act albums. It starts off simply with some atmospheric sounds and Casey’s voice before entering into a dancey groove like something you might find on a Bruno Mars album. “Deep is the abyss that is beneath me” he muses, and “I’m in a freefall, long enough to wonder if I reach the ground at all.” There are also more positive messages, like “if you believe in something, it better be yourself, power can rise in panic, as long as you can rise to where you fell.”

    “Part 3-The Plains,” concludes the suite in glorious fashion. It has a feel of an ELO song with a wall of acoustic guitars and gorgeous melodies. The ending part of the song, where he sings “Shadows in moonlight, And whispers on the wing” is one of the best moments on the album and a truly emotional piece of music.

    The title track closes out the album and is another highlight. It opens with a steady electronic pulse, and it’s like the flowers that were dormant in winter have finally begun to spring. The vocals are tender, and the message positive, and trumpet and saxophone notes accompany the sound. Like the last embers of a dying fire, it fades to completion with a cool complexity. This is also where our character gets to their final destination, only to find ruins.” This destination’s right, Your tunnel’s given way to light, But still, you’re devastated by, The sights of all you had imagined.”

    The paradox on the album is dealing with the difficult and/or negative subject matter of some of the lyrics while enjoying the nice top-down ride on a sunny day that can best sum up the music. After listening to the album a few times, the picture becomes clear. The title, which translates to “nothing,” is all the doubts, fears, and insecurities we all have to face each and every day. Some people even get forever lost in them. The message of the album is that you may not find answers out there for your troubles, but there is meaning in the process of the search.

    Sunya is a wondrous achievement by a band that refuses to be defined by one style or album, but rather explores any arena in order to tell a story in the most creative way possible. Where will the story go from here? We don’t know, but after this album, the anticipation will only grow. Like their last release, Sunya will no doubt end up as one of the year’s best albums.

    Purchase Link: https://vyd.co/Sunya

    SUNYA tracklisting:
    The Wasteland – 7:16
    Marauders – 3:26
    The Bazaareteria 5:01
    The Glass Desert I – Giants 5:18
    The Glass Desert II – Cliffs and Stormlands 7:27
    The Glass Desert III – The Plains 5:42
    Sunya – 8:03

    Casey Crescenzo – Vocals, Guitars, Organ, Bass
    Nick Crescenzo – Drums, Percussion, Backing Vocals
    Maxwell Tousseau – Guitars, Keyboards, Percussion, Backing Vocals
    Robert Parr – Guitars, Keyboards, Backing Vocals
    Nick Sollecito – Bass
    Aiden Earley – Keyboards

    The post The Dear Hunter – Sunya (Album Review) appeared first on The Prog Report.

  • AN NCS VIDEO PREMIERE: SAILLE — “CYCLE OF CYNICISM”

    (written by Islander) Today we have a reminder for you — and, as you’ll see and hear, it’s not a subtle nudge or a polite whisper. The reminder is that the epic black metal band Saille (originally formed in Belgium but now a fully Netherlands-based group) released their sixth album Forebode last month through Non […]

    The post AN NCS VIDEO PREMIERE: SAILLE — “CYCLE OF CYNICISM” appeared first on NO CLEAN SINGING.