Blog

  • Interviewe with JUSTINE from BLUE MIDNIGHT

     LA based, blue midnight is a power house of searing melody and metal riffs, tempered by an overall spacial sensuality that puts your restless soul into a deep dream like state. In fact they have dubbed their brand of metal, dream metal, and there is no doubt this band is a force to be reckoned with.




    1. Take us through the writing process
    Justine: The writing process is very emotional for me. I usually always start with lyrics because I always want to make sure that I’m telling a story and my own personal truth. I like to really think about the words and the journey of the song. I love to think about highs and lows.It always starts with a pen and paper. I don’t even type. I really think handwritten lyrics are more powerful and more raw.
    2. What has been the most satisfying moment as a band?
    Justine: I remember when we were getting ready to play our first gig ever and we had trouble getting things down in rehearsal. We kept messing up a chorus or two. It took us hours to hammer out the transitions and really figure things out. However, once we did and once we got the momentum going, it really felt rewarding. We also have these moments at rehearsals where we feel like we n
    eed to run things over again, but we’re so hungry. We always make a compromises like run this one more time and then we can eat.
    3. You have described your music as “Dream Metal” What does This mean?
    Justine: Dream Metal is a genre that I created because I wanted a new way to classify my music. The idea behind Dream Metal is that it is very light and ethereal with synthesizers, strings, pure vocals and electronic drums, but then it is fused with elements of heavy metal like 7 string guitar, hard hitting drums, and bass. The idea is for people to rock out while feeling like they are in a dream like state at the same time.
    4. “Addicted and Love Fades” are two of our favorites, tell us more about their creation
    Justine: Thank you so much! I am really glad you like those songs! Addicted was such a huge song for us to write because we did not write in 4. We actually wrote that song in 6. The song was meant to sound bigger and epic than a lot of the other songs. I also really like how I placed that song behind Acid Rain on the album because I think it just adds more energy. Love Fades is a very different type of song for me. I wrote Love Fades when I was in a darker place. I really think its one of the heaviest songs on the albums. When I was doing lyrics for Love Fades, it just poured out of me naturally. The interesting thing about Love Fades is that we wrote it in a key that I normally do not write in. We wrote in F#m.
    5. Strangest thing that ever happened to you at a gig
    Justine: I almost fell off the stage twice at the Whisky A Go Go in the same night. The first time, I tripped over the drums. The second time, I was getting off stage and I almost fell down the stairs. Luckily there were people around me who saw it coming and helped me out!
    6. Something in your music collection listeners would never suspect
    Justine: I really love the 500 Days of Summer Soundtrack. I love Zooey Deschanel and her music. Its awesome. I know I’m like a metal musician and everything, but that soundtrack was so well curated.
    7. How is the current L.A. music scene and how do they treat your band
    Justine: The LA music scene is kind of interesting. LA is very spread out city. I find that bands have generally been picking neighborhoods that they usually perform in. For example, my band plays a lot in the Hollywood area. However, I know bands that specialize and play in Venice or they play in West Los Angeles. I think everyone’s just looking for that place where they have their draw. The good news is that people still do like rock and there is a rock scene. It can a little harder to access, but it is still very much alive.
    8 one band you would love to tour with
    Justine: Maynard, please call me. Blue Midnight would love to go on tour with Tool or A Perfect Circle. I’m a huge fan.
    9 future plans for the band
    Justine: Oh yeah! We’re already starting to write new material. You can expect more live shows from us in the Los Angeles and Orange County area. Eventually we want to start going on tour more! We are in development for a potential music video! Just keep following us everyone! We have lots of plans!
    10. advice to aspiring bands or musicians
    Justine: Don’t be afraid to book shows or send emails or make phone calls. Don’t be afraid to work hard and push for your music. At the end of the day, you are your biggest advocate. Nothings going to happen overnight.
    11. anything you wish to convey to the fans
    Justine: I just want to convey my gratitude for everyone who’s been listening, coming to see us live, for all the radio stations that have been playing our music, and everyone who’s joined the Blue Midnight family. It’s really humbling and this music means everything to me. It’s literally my whole life. Thank you so much! 

  • Interviewe with JUSTINE from BLUE MIDNIGHT

     LA based, blue midnight is a power house of searing melody and metal riffs, tempered by an overall spacial sensuality that puts your restless soul into a deep dream like state. In fact they have dubbed their brand of metal, dream metal, and there is no doubt this band is a force to be reckoned with.




    1. Take us through the writing process
    Justine: The writing process is very emotional for me. I usually always start with lyrics because I always want to make sure that I’m telling a story and my own personal truth. I like to really think about the words and the journey of the song. I love to think about highs and lows.It always starts with a pen and paper. I don’t even type. I really think handwritten lyrics are more powerful and more raw.
    2. What has been the most satisfying moment as a band?
    Justine: I remember when we were getting ready to play our first gig ever and we had trouble getting things down in rehearsal. We kept messing up a chorus or two. It took us hours to hammer out the transitions and really figure things out. However, once we did and once we got the momentum going, it really felt rewarding. We also have these moments at rehearsals where we feel like we n
    eed to run things over again, but we’re so hungry. We always make a compromises like run this one more time and then we can eat.
    3. You have described your music as “Dream Metal” What does This mean?
    Justine: Dream Metal is a genre that I created because I wanted a new way to classify my music. The idea behind Dream Metal is that it is very light and ethereal with synthesizers, strings, pure vocals and electronic drums, but then it is fused with elements of heavy metal like 7 string guitar, hard hitting drums, and bass. The idea is for people to rock out while feeling like they are in a dream like state at the same time.
    4. “Addicted and Love Fades” are two of our favorites, tell us more about their creation
    Justine: Thank you so much! I am really glad you like those songs! Addicted was such a huge song for us to write because we did not write in 4. We actually wrote that song in 6. The song was meant to sound bigger and epic than a lot of the other songs. I also really like how I placed that song behind Acid Rain on the album because I think it just adds more energy. Love Fades is a very different type of song for me. I wrote Love Fades when I was in a darker place. I really think its one of the heaviest songs on the albums. When I was doing lyrics for Love Fades, it just poured out of me naturally. The interesting thing about Love Fades is that we wrote it in a key that I normally do not write in. We wrote in F#m.
    5. Strangest thing that ever happened to you at a gig
    Justine: I almost fell off the stage twice at the Whisky A Go Go in the same night. The first time, I tripped over the drums. The second time, I was getting off stage and I almost fell down the stairs. Luckily there were people around me who saw it coming and helped me out!
    6. Something in your music collection listeners would never suspect
    Justine: I really love the 500 Days of Summer Soundtrack. I love Zooey Deschanel and her music. Its awesome. I know I’m like a metal musician and everything, but that soundtrack was so well curated.
    7. How is the current L.A. music scene and how do they treat your band
    Justine: The LA music scene is kind of interesting. LA is very spread out city. I find that bands have generally been picking neighborhoods that they usually perform in. For example, my band plays a lot in the Hollywood area. However, I know bands that specialize and play in Venice or they play in West Los Angeles. I think everyone’s just looking for that place where they have their draw. The good news is that people still do like rock and there is a rock scene. It can a little harder to access, but it is still very much alive.
    8 one band you would love to tour with
    Justine: Maynard, please call me. Blue Midnight would love to go on tour with Tool or A Perfect Circle. I’m a huge fan.
    9 future plans for the band
    Justine: Oh yeah! We’re already starting to write new material. You can expect more live shows from us in the Los Angeles and Orange County area. Eventually we want to start going on tour more! We are in development for a potential music video! Just keep following us everyone! We have lots of plans!
    10. advice to aspiring bands or musicians
    Justine: Don’t be afraid to book shows or send emails or make phone calls. Don’t be afraid to work hard and push for your music. At the end of the day, you are your biggest advocate. Nothings going to happen overnight.
    11. anything you wish to convey to the fans
    Justine: I just want to convey my gratitude for everyone who’s been listening, coming to see us live, for all the radio stations that have been playing our music, and everyone who’s joined the Blue Midnight family. It’s really humbling and this music means everything to me. It’s literally my whole life. Thank you so much! 

  • DMF’s Disordered Pile of Apriximately 50 Highly Addictive, Urgently Collectable Albums Released Anno Doomini 2018 #nocharts #doommetalfront




    MOURNFUL CONGREGATION
    “The Incubus Of Karma”
    Osmose Productions / 20 Buck Spin /
    Weird Truth Productions

    “Founded in 1993, MOURNFUL CONGREGATION have become one of the most influential funeral doom metal bands on the planet. Being Australia’s slowest export, they have constantly been evolving their impressive style of crawling heaviness starting with the debut ‘Tears From A Grieving Heart’ (1999), followed by crushing ‘The Monad Of Creation’ (2005), glacial ‘The June Frost’ (2009) and majestic ‘The Book Of Kings’ (2011). Another seven years later, MOURNFUL CONGREGATION are back with ‘The Incubus Of Karma’ marking their bleakest and most haunting opus so far. Delivers grandiosely played, two-voiced guitar melodies that take you on a mesmerizing trip through mental darkness and infinite suffering.” (SM)




    WITCHSKULL
    “Coven’s Will”
    Rise Above Records

    “Boasting eight, groove-driven slabs of infernal fury, ‘Coven’s Will’ pulls off the neat trick of sounding simultaneously timeless and timely, as the fundamental principles of our beloved genre are fed through the Australians’ pitch-black prism and spat out in a shower of wild, hallucinatory devil blues.”




    APOSTLE OF SOLITUDE
    “From Gold To Ash”
    Cruz Del Sur Music

    “At the very latest since their stunning predecessor ‘Of Woe And Wounds’ (2014) and a jaw dropping show at the Hammer Of Doom festival, Indiana’s APOSTLE OF SOLITUDE belong to the top bands of the traditional doom metal genre. Their actual album is called ‘From Gold To Ash’ serving dramatically rolling hymns of gloom and sorrow adorned with Chuck Brown’s captivating vocals and razor sharp guitar leads. Favorite tracks: ‘Keeping The Lighthouse’ and ‘My Heart Is Leaving Here’!” (SM)




    UN
    “Sentiment”
    Translation Loss Records

    “Seattle-based UN revealed ‘Sentiment’, which is a mesmerizing piece of crawling funeral doom metal full of haunting melodies and leaden agony in the vein of genre grandmasters Ahab!” (SM)




    HOODED MENACE
    “Ossuarium Silhouettes Unhallowed”
    Season Of Mist

    “On their fifth album, ‘Ossuarium Silhouettes Unhallowed’, HOODED MENACE from Finland perfectly interweave slowly crushing, hymnal doom with 90s style technical death metal. Partially feels like My Dying Bride recruited Death-mastermind Chuck Schuldiner (R.I.P.) to make the guitars cry and shred!” (SM)




    COLTSBLOOD
    “Ascending Into Shimmering Darkness”
    Candlelight / Spinefarm Records

    “Second full-length album, ‘Ascending Into Shimmering Darkness’, by Liverpool’s COLTSBLOOD provides bleakest, painfully crawling funeral/death doom metal of the highest quality level, which is interspersed with sludge and grind driven rage. A sonically devastating piece of grief and despair!” (SM)




    THE SKULL
    “The Endless Road Turns Dark”
    Tee Pee Records

    “Recruiting two ex-Trouble members including Ron Holzner (bass) and Eric Wagner (vocals) as well as Witch Mountain guitarist Rob Wrong and ex-Cathedral drummer Brian Dixon, THE SKULL play most traditional doom metal. Started in 2012 to perform early Trouble material live, THE SKULL already released their second album called ‘The Endless Road Turns Dark’ providing brand new material that pays homage to the good old ‘Psalm 9’ and ‘The Skull’ times. Serves eight absolutely authentic, ultra-heavy tracks of thick and catchy doom metal. There has never been more Trouble with THE SKULL as on the new full-length!” (SM)




    BENEATH OBLIVION
    “The Wayward And The Lost”
    Weird Truth Productions

    “‘The Wayward and the Lost’ is the third album by Ohio’s BENEATH OBLIVION, who grandiosely combine utterly crawling, sorrowful funeral and death doom metal with sludge style nihilism in both the immanent melodiosity of the full album and the abysmally gurgling and desperately crying twin vocals. Breathtakingly beautiful and pulping!” (SM)




    DAWN OF WINTER
    “Pray For Doom”
    I Hate Records

    “Being one of Germany’s most senior doom metal bands DAWN OF WINTER released ‘Pray For Doom’, their third full-length album in almost 30 years of existence. Adds another chapter of traditionally paving heaviness filled to the brim with epic storytelling and desperately crawling, ever haunting melodies for sorely afflicted genre purists. Masterpiece!” (SM)




    WITCHSORROW
    “Hexenhammer”
    Candlelight / Spinefarm Records

    “If 2018 needs a soundtrack to its madness, WITCHSORROW have provided it. Heavier, darker, doomier, and more metal than ever before, one of doom’s leading lights have made the perfect album for our times.”




    WINDHAND
    “Eternal Return”
    Relapse Records

    “WINDHAND have crafted a record brilliant in scope, powerful in execution, and perfect for an era of increasingly blurry yet still heavy stylistical borders. Serves unbelievably catchy, grunge-infused psychedelia and rolling high end doom metal!”




    DOOMED
    “6 Anti-Odes To Life”
    Solitude Productions

    “On ‘6 Anti-Odes To Life’, DOOMED take you on a multi-faceted trip through the horrors of life combining old school doom and death metal with vast, progressively evolving soundscapes full of tons heavy guitar riffs and beautifully chanting leads. It’s both a melancholic symphony and a sonic statement to defend life against the real existing adversities.” (SM)




    SLEEP
    “The Sciences”
    Third Man Records

    “Fifteen years after their last official full-length album, SLEEP is back with six brand new tracks on ‘The Sciences’. Revives classical themes of monolithically rolling ‘Dopesmoker’ and crushing ‘Holy Mountain’ albums with Matt Pike (High On Fire) riffing at maximum distortion level and Al Cisneros monotonously bubbling Om style vocals. Less dirt but still SLEEP!” (SM)




    AMAROK
    “Devoured”
    Translation Loss Records

    “On ‘Devoured’, AMAROK combine melodiously haunting funeral doom metal with painfully distorted, gnawing drone sounds. Feels like disturbing Khanate interpret Pallbearer-style hymns of grief and despair!” (SM)




    URSA
    “Abyss Between The Stars”
    Blood Music

    “Californian doom metal virtuosi URSA released debut full-length, ‘Abyss Between the Stars’, via Blood music. Recommended for fans of Monolord’s fuzz-driven groove and Pallbearer-style gracefulness!” (SM)




    FORMING THE VOID
    “Rift”
    Kozmik Artifactz

    “On ‘Rift’, Louisiana-based band FORMING THE VOID continue their unique trip of ethereal joy and musical exploration through heavy rock history. An amazingly atmospheric, always spaced-out, vocally catching, pointedly ethnic and crushingly heavy album that is delivering a crispy modern sound – perfectly blends blues, psychedelic, heavy rock, stoner and doom metal!” (SM)




    HUATA
    “Lux Initiatrix Terrae”
    Seeing Red Records / Sludgelord Records /
    MusicFearSatan

    “Filled with monolithically drifting sludge riffs, haunting melodies and almost pop-like vocals that are drenched in cosmic sound lava, ‘Lux Initiatrix Terrae’ by French HUATA is one of the stand out doom records of 2018. Combines Conan’s slowly droning heaviness with the catchiness of Mars Red Sky style fuzzy stoner, partially feels like Ghost getting high on crawling Sunn o)) distortion – jaw dropping!” (SM)




    PILLARS
    “Onward To Nothingness”
    Seeing Red Records

    “French PILLARS serve spellbinding, stoically rolling, fuzzily buzzing occult doom metal on their new album – ‘Onward to Nothingness'” (SM)




    DEADBIRD
    “III: The Forest Within The Tree”
    20 Buck Spin

    “A decade after “Twilight Ritual”, DEADBIRD from Fayetteville/Arkansas released their brand new album – ‘III: The Forest Within the Tree’ – on 20 Buck Spin Records rolling out crushing sludge/doom metal with Neurosis like magnitude!” (SM)




    YOB
    “Our Raw Heart”
    Relapse Records

    “‘Our Raw Heart’ is digging deep turning hidden emotions inside out – it’s the most possessive album YOB have ever been recording!” (SM)




    DOPETHRONE
    “Transcanadian Anger”
    Totem Cat Records

    “DOPETHRONE’s new album, ‘Transcanadian Anger’, pushes their pervasive, filthy brand of sludge metal to its most extreme and intoxicating levels.”




    EAGLE TWIN
    “The Thundering Heard”
    Southern Lord Recordings

    “Six years after ‘The Feather Tipped The Serpent’s Scale’, Salt Lake City’s extreme music duo EAGLE TWIN is back with the third full-length album. ‘The Thundering Heard’ continues their unique and relentless style combining groovy sludge and monolithic doom riffage with stomach kneading drones and ear bleeding distortion. Serves four outstanding tracks that leave you sonically crushed and trampled by thousands of hoofs!” (SM)




    EVANGELIST
    “Deus Vult”
    Nine Records

    “‘Deus Vult’ marks the third album of Cracow (Poland) based band EVANGELIST, who evolved their already grandiose epic doom metal sound to perfection serving razor sharp heavy guitars, ultra-catchy melodies and top high register vocals reminiscent of genre pioneers Solitude Aeturnus, Candlemass and the likes.” (SM)




    DOMKRAFT
    “Flood”
    Blues Funeral Recordings

    “Sweden‘s DOMKRAFT released ‘Flood’, their brand new 2nd album, on Blues Funeral Recordings serving another chapter of rhythmically haunting, tons heavy, blues-infested doom metal.” (SM)




    HAUNTED
    “Dayburner”
    Twin Earth Records

    “HAUNTED is the Sicilian answer to grand female fronted bands like Windhand or Alunah. Find top quality, stoically rolling doom metal on ‘Dayburner’, which is filled to the brim with catchy guitar riffs and Cristina Chimirri’s exceptionally soulful vocals!” (SM)




    DEATHBELL
    “With The Beyond”
    Seeing Red Records / Kozmik Artifactz

    “This female fronted four piece from Toulouse, France, celebrates fuzzed-out, cozily rolling ear worm doom with haunting vocals and hypnotic rhythms in the vein of Acid King and Alunah. Highly addictive Sabbath worship!” (SM)




    BODY VOID
    “I Live Inside A Burning House”
    Seeing Red Records

    “San Francisco’s BODY VOID submit almost an hour of painful sludge and wretched doom on ‘I Live Inside A Burning House’, expanding on their sound but still holding true to the aural assault of the predecessor. Spreads from harsh crusty sludge to torturous drone.”




    CHRCH
    “Light Will Consume Us All”
    Neurot Recordings

    “Standing at a crossroads of light and dark, CHRCH create epic, lengthy songs, with a massive low end, and a supernatural vocal presence, in a perfect blend of height and depth. (…) The band’s second full length, ‘Light Will Consume Us All’, carries with it the same quality of songwriting that caught the attention on their debut.”




    ANGUISH
    “Magna Est Vis Siugnah”
    High Roller Records

    “ANGUISH are back with the third full-length, ‘Magna Est Vis Suignah’, which is showing the Swedes reformed as a four-piece and having found back to their stylistic roots to create a masterpiece of death/doom metal. Comes with overwhelmingly heavy, mournful guitar riffs and weeping solos that tell about death and the life after.” (SM)




    SINISTRO
    “Sangue Cássia”
    Season Of Mist

    “Portugal’s SINISTRO released ‘Sangue Cássia’ continuing the sonic path paved with outstanding predecessor ‘Semente’ to evolve an even darker and heavier album that is bursting with dense atmosphere and compositional complexity. Combines enthralling doom with jazz-tinged, dreamy ambience. The extraordinary, haunting vocal style of Patrícia Andrade and vast passages reminiscent of a full string orchestra are making the album a gloomy, operatic sound experience.” (SM)




    CRUTHU
    “The Angel Of Eternity”
    The Church Within Records

    “Michigan-based CRUTHU play traditional doom metal on ‘The Angel of Eternity’, which is filled to the brim with Seventies prog and proto metal passages to give you the full dose of slowly paving lo-fi heaviness reminiscent of Sir Lord Baltimore, early Pagan Altar or Trouble and the like. Comes with stunningly catchy NWOBH style vocals by Ryan Evans!” (SM)




    HOLY GROVE
    “II”
    Ripple Music

    “On their second album HOLY GROVE push heavy rock into exciting new realms as the band continues to blur the lines between epic metal, haunting doom and cosmic stoner rock.”




    MESSA
    “Feast For Water”
    Aural Music

    “MESSA play evoking doom metal with a dark jazz twist. Deliciously haunting female vocals, rhodes piano and 70s fuzz guitars combine to conjure a sound that is all of their own. Blending influences like Windhand, Jex Thoth and Bohren Und Der Club Of Gore, the Italian band has evolved from the droning occult doom sound of their first album ‘Belfry’ to a refreshing, even darker and more atmospheric approach.”




    EYE OF SOLITUDE
    “Slaves To Solitude”
    self-release

    “Fifth full-length album, ‘Slaves To Solitude’, by London’s EYE OF SOLITUDE serves crawling funeral doom metal soaked with utter grief and despair, full of heartbreaking melodies, monolithically drifting riffage and jaw dropping growls. Feels like being trapped in your own mental abyss in search for the way out of illimitable darkness and sorrow.”(SM)




    MANSION
    “First Death Of The Lutheran”
    I Hate Records

    “Finnish (oc)cult doom band MANSION released ‘First Death Of The Lutheran’ on I Hate Records. The album is an obsessing sonic trip blending ear worm doom riffs with horrifying dark ambient sounds.” (SM)




    ALKYMIST
    s/t
    Indisciplinarian

    “ALKYMIST unveiled a stunning debut album via Indisciplinarian serving corrosive doom metal interwoven with progressive guitarscapes.” (SM)




    WHEN THE DEADBOLT BREAKS
    “Angels Are Weeping … God Has Abandoned”
    Sliptrick Records

    “On their 6th album WHEN THE DEADBOLT BREAKS from the backwoods of eastern Connecticut proclaim ‘Angels Are Weeping … God Has Abandoned’ and build a wall of doom-laden riffs that transport the listener to another space.”




    MIST
    “Free Me Of The Sun”
    Soulseller Records

    “Slovenian priestesses of doom released ten brand new songs on their first full-length album titled ‘Free Me Of The Sun’. Staying true to their traditional doom roots the band builds upon strong riffs with bright female vocals and epic guitar solos.”




    DRUG CULT
    s/t
    Ritual Productions

    “DRUG CULT’s self-titled debut serves female fronted, hypnotically rolling occult doom metal unmistakably nourishing itself from the billowing womb of the stoned master wizard!” (SM)




    SILVER GRIME
    “Healed By The Dark”
    Inverse Records

    “Swedish Epic Doom metal band Silver Grime released their debut album ‘Healed By The Dark’ on Inverse Records serving six hymns of traditionally played, slow paving heaviness and gloom – for fans of Candlemass, The Skull and the likes!” (SM)




    TONS
    “Filthy Flowers Of Doom”
    Heavy Psych Sounds

    “Forty minutes divided into five tracks of in your face sludge/doom metal – slabby and Luciferian riffs, tight drumming and a demonic voice. Low-league occultism and weed devotion are the basis of this muddy album that will drag you into a sulphurous and sabbathian void.”




    DAUTHA
    “Brethren Of The Black Soil”
    Ván Records

    “DAUTHA from Sweden recruits of actual Wardenclyffe members including Ola Blomkvist, who already was responsible for all lyrical agony and the guitars in deceased doom metal grandmasters Grifegård. After the respected ‘Den Förste’ demo (2016), DAUTHA have their debut full-length, Brethren of the Black Soil, out packing Europe’s Medieval history in six psalms full of haunting doom riffs, stirring melodies and epic choral singing.” (SM)




    BLACK LABEL SOCIETY
    “Grimmest Hits”
    Spinefarm Records

    “BLACK LABEL SOCIETY have their ‘Grimmest Hits’ out marking the tenth studio album of this southern metal act around Ozzy-guitarist Zakk Wylde. It is not as grim as the title suggests but fishing in the doomiest waters of the band’s album history. Serves typical Zakk-style guitars shooting one ultra-catchy riff and lead after another. It’s the immanent blues that makes me swing to the slow groove of ‘Grimmest Hits’. Recalls BLS’ grand debut full-length, ‘Sonic Brew’, released in 1999.” (SM)




    SABEL
    “Re-Generation”
    Oak Island Records

    “Imagine Sleep’s ‘Jerusalem’ stirred well with Electric Wizard’s ‘Dopethrone’ and Atomic Rooster style blues and hard rock – or Monolord dancing with Kadavar – to get an idea about SABEL’s amazing debut album called ‘Re-Generation’. Serves raw, Sabbathian doom and driving, hips shaking proto-stoner with maximum fuzz on the howling guitars as well as reverberating, weed tanned vocals. Swedish quality!” (SM)




    LEECHFEAST
    “Neon Crosses”
    Dry Cough Records / Rope Or Guillotine

    “Slovenia’s LEECHFEAST pull Grief-style sludge through hot, cancerous tarmac on ‘Neon Crosses’, which is their most misanthropic and sonically devastating release so far – painfully slow and ultra-heavy at the same time!” (SM)




    BURN RITUAL
    “Blood Of The Raven”
    Cursed Monk Records

    “San Antonio based BURN RITUAL celebrate heavy rolling old school doom metal on their debut full-length, ‘Blood of the Raven'” (SM)




    SOLDAT HANS
    “Es taut”
    Wolves And Vibrancy Records

    “SOLDAT HANS (German for: Soldier called Hans) from Switzerland combine utterly dark, amazingly catchy Bohren & Der Club Of Gore style jazz – including trombones, melotron and violins – with pointed postrock guitars, bluesy slides and towering sludge riffage that goes along the stoically crawling tempo just like the hauntingly beautiful and desperately screamed vocals. ‘Es taut’ (It melts) is a didactic play in the matter of Jazz Doom Metal!” (SM)




    CULLED
    “Thin The Herd, Fail To Learn”
    Hibernation Release

    “Canadian CULLED released their blistering debut titled ‘Thin The Herd, Fail To Learn’. Serves 5 ripping and politically charged anthems, 25 minutes of chaotic, progressive, and sludge encrusted grindcore mayhem. Like Napalm Death meets Crowbar – highly destructive!” (SM)




    MIRROR OF DECEPTION
    “The Estuary”
    Self-release

    “Eight years after predecessor ‘A Smouldering Fire’, MIRROR OF DECEPTION are having their brand new studio album out. ‘The Estuary’ continues the band’s own vision of doom metal leaving genre rules, traditions and recitations, sometimes going unorthodox ways as they have been doing for 28 years of existence.”




    GODSLEEP
    “Coming Of Age”
    Self-release

    “Athens based stoner band GODSLEEP released second album, ‘Coming Of Age’, which is a well crafted, blues infested fuzz monster for quality addicts and riff surfers. Reminiscent of Kyuss and Monster Magnet – well stirred and shot straight from the hip into the audiophile neocortex!” (SM)


  • DMF’s Disordered Pile of Apriximately 50 Highly Addictive, Urgently Collectable Albums Released Anno Doomini 2018 #nocharts #doommetalfront




    MOURNFUL CONGREGATION
    “The Incubus Of Karma”
    Osmose Productions / 20 Buck Spin /
    Weird Truth Productions

    “Founded in 1993, MOURNFUL CONGREGATION have become one of the most influential funeral doom metal bands on the planet. Being Australia’s slowest export, they have constantly been evolving their impressive style of crawling heaviness starting with the debut ‘Tears From A Grieving Heart’ (1999), followed by crushing ‘The Monad Of Creation’ (2005), glacial ‘The June Frost’ (2009) and majestic ‘The Book Of Kings’ (2011). Another seven years later, MOURNFUL CONGREGATION are back with ‘The Incubus Of Karma’ marking their bleakest and most haunting opus so far. Delivers grandiosely played, two-voiced guitar melodies that take you on a mesmerizing trip through mental darkness and infinite suffering.” (SM)




    WITCHSKULL
    “Coven’s Will”
    Rise Above Records

    “Boasting eight, groove-driven slabs of infernal fury, ‘Coven’s Will’ pulls off the neat trick of sounding simultaneously timeless and timely, as the fundamental principles of our beloved genre are fed through the Australians’ pitch-black prism and spat out in a shower of wild, hallucinatory devil blues.”




    APOSTLE OF SOLITUDE
    “From Gold To Ash”
    Cruz Del Sur Music

    “At the very latest since their stunning predecessor ‘Of Woe And Wounds’ (2014) and a jaw dropping show at the Hammer Of Doom festival, Indiana’s APOSTLE OF SOLITUDE belong to the top bands of the traditional doom metal genre. Their actual album is called ‘From Gold To Ash’ serving dramatically rolling hymns of gloom and sorrow adorned with Chuck Brown’s captivating vocals and razor sharp guitar leads. Favorite tracks: ‘Keeping The Lighthouse’ and ‘My Heart Is Leaving Here’!” (SM)




    UN
    “Sentiment”
    Translation Loss Records

    “Seattle-based UN revealed ‘Sentiment’, which is a mesmerizing piece of crawling funeral doom metal full of haunting melodies and leaden agony in the vein of genre grandmasters Ahab!” (SM)




    HOODED MENACE
    “Ossuarium Silhouettes Unhallowed”
    Season Of Mist

    “On their fifth album, ‘Ossuarium Silhouettes Unhallowed’, HOODED MENACE from Finland perfectly interweave slowly crushing, hymnal doom with 90s style technical death metal. Partially feels like My Dying Bride recruited Death-mastermind Chuck Schuldiner (R.I.P.) to make the guitars cry and shred!” (SM)




    COLTSBLOOD
    “Ascending Into Shimmering Darkness”
    Candlelight / Spinefarm Records

    “Second full-length album, ‘Ascending Into Shimmering Darkness’, by Liverpool’s COLTSBLOOD provides bleakest, painfully crawling funeral/death doom metal of the highest quality level, which is interspersed with sludge and grind driven rage. A sonically devastating piece of grief and despair!” (SM)




    THE SKULL
    “The Endless Road Turns Dark”
    Tee Pee Records

    “Recruiting two ex-Trouble members including Ron Holzner (bass) and Eric Wagner (vocals) as well as Witch Mountain guitarist Rob Wrong and ex-Cathedral drummer Brian Dixon, THE SKULL play most traditional doom metal. Started in 2012 to perform early Trouble material live, THE SKULL already released their second album called ‘The Endless Road Turns Dark’ providing brand new material that pays homage to the good old ‘Psalm 9’ and ‘The Skull’ times. Serves eight absolutely authentic, ultra-heavy tracks of thick and catchy doom metal. There has never been more Trouble with THE SKULL as on the new full-length!” (SM)




    BENEATH OBLIVION
    “The Wayward And The Lost”
    Weird Truth Productions

    “‘The Wayward and the Lost’ is the third album by Ohio’s BENEATH OBLIVION, who grandiosely combine utterly crawling, sorrowful funeral and death doom metal with sludge style nihilism in both the immanent melodiosity of the full album and the abysmally gurgling and desperately crying twin vocals. Breathtakingly beautiful and pulping!” (SM)




    DAWN OF WINTER
    “Pray For Doom”
    I Hate Records

    “Being one of Germany’s most senior doom metal bands DAWN OF WINTER released ‘Pray For Doom’, their third full-length album in almost 30 years of existence. Adds another chapter of traditionally paving heaviness filled to the brim with epic storytelling and desperately crawling, ever haunting melodies for sorely afflicted genre purists. Masterpiece!” (SM)




    WITCHSORROW
    “Hexenhammer”
    Candlelight / Spinefarm Records

    “If 2018 needs a soundtrack to its madness, WITCHSORROW have provided it. Heavier, darker, doomier, and more metal than ever before, one of doom’s leading lights have made the perfect album for our times.”




    WINDHAND
    “Eternal Return”
    Relapse Records

    “WINDHAND have crafted a record brilliant in scope, powerful in execution, and perfect for an era of increasingly blurry yet still heavy stylistical borders. Serves unbelievably catchy, grunge-infused psychedelia and rolling high end doom metal!”




    DOOMED
    “6 Anti-Odes To Life”
    Solitude Productions

    “On ‘6 Anti-Odes To Life’, DOOMED take you on a multi-faceted trip through the horrors of life combining old school doom and death metal with vast, progressively evolving soundscapes full of tons heavy guitar riffs and beautifully chanting leads. It’s both a melancholic symphony and a sonic statement to defend life against the real existing adversities.” (SM)




    SLEEP
    “The Sciences”
    Third Man Records

    “Fifteen years after their last official full-length album, SLEEP is back with six brand new tracks on ‘The Sciences’. Revives classical themes of monolithically rolling ‘Dopesmoker’ and crushing ‘Holy Mountain’ albums with Matt Pike (High On Fire) riffing at maximum distortion level and Al Cisneros monotonously bubbling Om style vocals. Less dirt but still SLEEP!” (SM)




    AMAROK
    “Devoured”
    Translation Loss Records

    “On ‘Devoured’, AMAROK combine melodiously haunting funeral doom metal with painfully distorted, gnawing drone sounds. Feels like disturbing Khanate interpret Pallbearer-style hymns of grief and despair!” (SM)




    URSA
    “Abyss Between The Stars”
    Blood Music

    “Californian doom metal virtuosi URSA released debut full-length, ‘Abyss Between the Stars’, via Blood music. Recommended for fans of Monolord’s fuzz-driven groove and Pallbearer-style gracefulness!” (SM)




    FORMING THE VOID
    “Rift”
    Kozmik Artifactz

    “On ‘Rift’, Louisiana-based band FORMING THE VOID continue their unique trip of ethereal joy and musical exploration through heavy rock history. An amazingly atmospheric, always spaced-out, vocally catching, pointedly ethnic and crushingly heavy album that is delivering a crispy modern sound – perfectly blends blues, psychedelic, heavy rock, stoner and doom metal!” (SM)




    HUATA
    “Lux Initiatrix Terrae”
    Seeing Red Records / Sludgelord Records /
    MusicFearSatan

    “Filled with monolithically drifting sludge riffs, haunting melodies and almost pop-like vocals that are drenched in cosmic sound lava, ‘Lux Initiatrix Terrae’ by French HUATA is one of the stand out doom records of 2018. Combines Conan’s slowly droning heaviness with the catchiness of Mars Red Sky style fuzzy stoner, partially feels like Ghost getting high on crawling Sunn o)) distortion – jaw dropping!” (SM)




    PILLARS
    “Onward To Nothingness”
    Seeing Red Records

    “French PILLARS serve spellbinding, stoically rolling, fuzzily buzzing occult doom metal on their new album – ‘Onward to Nothingness'” (SM)




    DEADBIRD
    “III: The Forest Within The Tree”
    20 Buck Spin

    “A decade after “Twilight Ritual”, DEADBIRD from Fayetteville/Arkansas released their brand new album – ‘III: The Forest Within the Tree’ – on 20 Buck Spin Records rolling out crushing sludge/doom metal with Neurosis like magnitude!” (SM)




    YOB
    “Our Raw Heart”
    Relapse Records

    “‘Our Raw Heart’ is digging deep turning hidden emotions inside out – it’s the most possessive album YOB have ever been recording!” (SM)




    DOPETHRONE
    “Transcanadian Anger”
    Totem Cat Records

    “DOPETHRONE’s new album, ‘Transcanadian Anger’, pushes their pervasive, filthy brand of sludge metal to its most extreme and intoxicating levels.”




    EAGLE TWIN
    “The Thundering Heard”
    Southern Lord Recordings

    “Six years after ‘The Feather Tipped The Serpent’s Scale’, Salt Lake City’s extreme music duo EAGLE TWIN is back with the third full-length album. ‘The Thundering Heard’ continues their unique and relentless style combining groovy sludge and monolithic doom riffage with stomach kneading drones and ear bleeding distortion. Serves four outstanding tracks that leave you sonically crushed and trampled by thousands of hoofs!” (SM)




    EVANGELIST
    “Deus Vult”
    Nine Records

    “‘Deus Vult’ marks the third album of Cracow (Poland) based band EVANGELIST, who evolved their already grandiose epic doom metal sound to perfection serving razor sharp heavy guitars, ultra-catchy melodies and top high register vocals reminiscent of genre pioneers Solitude Aeturnus, Candlemass and the likes.” (SM)




    DOMKRAFT
    “Flood”
    Blues Funeral Recordings

    “Sweden‘s DOMKRAFT released ‘Flood’, their brand new 2nd album, on Blues Funeral Recordings serving another chapter of rhythmically haunting, tons heavy, blues-infested doom metal.” (SM)




    HAUNTED
    “Dayburner”
    Twin Earth Records

    “HAUNTED is the Sicilian answer to grand female fronted bands like Windhand or Alunah. Find top quality, stoically rolling doom metal on ‘Dayburner’, which is filled to the brim with catchy guitar riffs and Cristina Chimirri’s exceptionally soulful vocals!” (SM)




    DEATHBELL
    “With The Beyond”
    Seeing Red Records / Kozmik Artifactz

    “This female fronted four piece from Toulouse, France, celebrates fuzzed-out, cozily rolling ear worm doom with haunting vocals and hypnotic rhythms in the vein of Acid King and Alunah. Highly addictive Sabbath worship!” (SM)




    BODY VOID
    “I Live Inside A Burning House”
    Seeing Red Records

    “San Francisco’s BODY VOID submit almost an hour of painful sludge and wretched doom on ‘I Live Inside A Burning House’, expanding on their sound but still holding true to the aural assault of the predecessor. Spreads from harsh crusty sludge to torturous drone.”




    CHRCH
    “Light Will Consume Us All”
    Neurot Recordings

    “Standing at a crossroads of light and dark, CHRCH create epic, lengthy songs, with a massive low end, and a supernatural vocal presence, in a perfect blend of height and depth. (…) The band’s second full length, ‘Light Will Consume Us All’, carries with it the same quality of songwriting that caught the attention on their debut.”




    ANGUISH
    “Magna Est Vis Siugnah”
    High Roller Records

    “ANGUISH are back with the third full-length, ‘Magna Est Vis Suignah’, which is showing the Swedes reformed as a four-piece and having found back to their stylistic roots to create a masterpiece of death/doom metal. Comes with overwhelmingly heavy, mournful guitar riffs and weeping solos that tell about death and the life after.” (SM)




    SINISTRO
    “Sangue Cássia”
    Season Of Mist

    “Portugal’s SINISTRO released ‘Sangue Cássia’ continuing the sonic path paved with outstanding predecessor ‘Semente’ to evolve an even darker and heavier album that is bursting with dense atmosphere and compositional complexity. Combines enthralling doom with jazz-tinged, dreamy ambience. The extraordinary, haunting vocal style of Patrícia Andrade and vast passages reminiscent of a full string orchestra are making the album a gloomy, operatic sound experience.” (SM)




    CRUTHU
    “The Angel Of Eternity”
    The Church Within Records

    “Michigan-based CRUTHU play traditional doom metal on ‘The Angel of Eternity’, which is filled to the brim with Seventies prog and proto metal passages to give you the full dose of slowly paving lo-fi heaviness reminiscent of Sir Lord Baltimore, early Pagan Altar or Trouble and the like. Comes with stunningly catchy NWOBH style vocals by Ryan Evans!” (SM)




    HOLY GROVE
    “II”
    Ripple Music

    “On their second album HOLY GROVE push heavy rock into exciting new realms as the band continues to blur the lines between epic metal, haunting doom and cosmic stoner rock.”




    MESSA
    “Feast For Water”
    Aural Music

    “MESSA play evoking doom metal with a dark jazz twist. Deliciously haunting female vocals, rhodes piano and 70s fuzz guitars combine to conjure a sound that is all of their own. Blending influences like Windhand, Jex Thoth and Bohren Und Der Club Of Gore, the Italian band has evolved from the droning occult doom sound of their first album ‘Belfry’ to a refreshing, even darker and more atmospheric approach.”




    EYE OF SOLITUDE
    “Slaves To Solitude”
    self-release

    “Fifth full-length album, ‘Slaves To Solitude’, by London’s EYE OF SOLITUDE serves crawling funeral doom metal soaked with utter grief and despair, full of heartbreaking melodies, monolithically drifting riffage and jaw dropping growls. Feels like being trapped in your own mental abyss in search for the way out of illimitable darkness and sorrow.”(SM)




    MANSION
    “First Death Of The Lutheran”
    I Hate Records

    “Finnish (oc)cult doom band MANSION released ‘First Death Of The Lutheran’ on I Hate Records. The album is an obsessing sonic trip blending ear worm doom riffs with horrifying dark ambient sounds.” (SM)




    ALKYMIST
    s/t
    Indisciplinarian

    “ALKYMIST unveiled a stunning debut album via Indisciplinarian serving corrosive doom metal interwoven with progressive guitarscapes.” (SM)




    WHEN THE DEADBOLT BREAKS
    “Angels Are Weeping … God Has Abandoned”
    Sliptrick Records

    “On their 6th album WHEN THE DEADBOLT BREAKS from the backwoods of eastern Connecticut proclaim ‘Angels Are Weeping … God Has Abandoned’ and build a wall of doom-laden riffs that transport the listener to another space.”




    MIST
    “Free Me Of The Sun”
    Soulseller Records

    “Slovenian priestesses of doom released ten brand new songs on their first full-length album titled ‘Free Me Of The Sun’. Staying true to their traditional doom roots the band builds upon strong riffs with bright female vocals and epic guitar solos.”




    DRUG CULT
    s/t
    Ritual Productions

    “DRUG CULT’s self-titled debut serves female fronted, hypnotically rolling occult doom metal unmistakably nourishing itself from the billowing womb of the stoned master wizard!” (SM)




    SILVER GRIME
    “Healed By The Dark”
    Inverse Records

    “Swedish Epic Doom metal band Silver Grime released their debut album ‘Healed By The Dark’ on Inverse Records serving six hymns of traditionally played, slow paving heaviness and gloom – for fans of Candlemass, The Skull and the likes!” (SM)




    TONS
    “Filthy Flowers Of Doom”
    Heavy Psych Sounds

    “Forty minutes divided into five tracks of in your face sludge/doom metal – slabby and Luciferian riffs, tight drumming and a demonic voice. Low-league occultism and weed devotion are the basis of this muddy album that will drag you into a sulphurous and sabbathian void.”




    DAUTHA
    “Brethren Of The Black Soil”
    Ván Records

    “DAUTHA from Sweden recruits of actual Wardenclyffe members including Ola Blomkvist, who already was responsible for all lyrical agony and the guitars in deceased doom metal grandmasters Grifegård. After the respected ‘Den Förste’ demo (2016), DAUTHA have their debut full-length, Brethren of the Black Soil, out packing Europe’s Medieval history in six psalms full of haunting doom riffs, stirring melodies and epic choral singing.” (SM)




    BLACK LABEL SOCIETY
    “Grimmest Hits”
    Spinefarm Records

    “BLACK LABEL SOCIETY have their ‘Grimmest Hits’ out marking the tenth studio album of this southern metal act around Ozzy-guitarist Zakk Wylde. It is not as grim as the title suggests but fishing in the doomiest waters of the band’s album history. Serves typical Zakk-style guitars shooting one ultra-catchy riff and lead after another. It’s the immanent blues that makes me swing to the slow groove of ‘Grimmest Hits’. Recalls BLS’ grand debut full-length, ‘Sonic Brew’, released in 1999.” (SM)




    SABEL
    “Re-Generation”
    Oak Island Records

    “Imagine Sleep’s ‘Jerusalem’ stirred well with Electric Wizard’s ‘Dopethrone’ and Atomic Rooster style blues and hard rock – or Monolord dancing with Kadavar – to get an idea about SABEL’s amazing debut album called ‘Re-Generation’. Serves raw, Sabbathian doom and driving, hips shaking proto-stoner with maximum fuzz on the howling guitars as well as reverberating, weed tanned vocals. Swedish quality!” (SM)




    LEECHFEAST
    “Neon Crosses”
    Dry Cough Records / Rope Or Guillotine

    “Slovenia’s LEECHFEAST pull Grief-style sludge through hot, cancerous tarmac on ‘Neon Crosses’, which is their most misanthropic and sonically devastating release so far – painfully slow and ultra-heavy at the same time!” (SM)




    BURN RITUAL
    “Blood Of The Raven”
    Cursed Monk Records

    “San Antonio based BURN RITUAL celebrate heavy rolling old school doom metal on their debut full-length, ‘Blood of the Raven'” (SM)




    SOLDAT HANS
    “Es taut”
    Wolves And Vibrancy Records

    “SOLDAT HANS (German for: Soldier called Hans) from Switzerland combine utterly dark, amazingly catchy Bohren & Der Club Of Gore style jazz – including trombones, melotron and violins – with pointed postrock guitars, bluesy slides and towering sludge riffage that goes along the stoically crawling tempo just like the hauntingly beautiful and desperately screamed vocals. ‘Es taut’ (It melts) is a didactic play in the matter of Jazz Doom Metal!” (SM)




    CULLED
    “Thin The Herd, Fail To Learn”
    Hibernation Release

    “Canadian CULLED released their blistering debut titled ‘Thin The Herd, Fail To Learn’. Serves 5 ripping and politically charged anthems, 25 minutes of chaotic, progressive, and sludge encrusted grindcore mayhem. Like Napalm Death meets Crowbar – highly destructive!” (SM)




    MIRROR OF DECEPTION
    “The Estuary”
    Self-release

    “Eight years after predecessor ‘A Smouldering Fire’, MIRROR OF DECEPTION are having their brand new studio album out. ‘The Estuary’ continues the band’s own vision of doom metal leaving genre rules, traditions and recitations, sometimes going unorthodox ways as they have been doing for 28 years of existence.”




    GODSLEEP
    “Coming Of Age”
    Self-release

    “Athens based stoner band GODSLEEP released second album, ‘Coming Of Age’, which is a well crafted, blues infested fuzz monster for quality addicts and riff surfers. Reminiscent of Kyuss and Monster Magnet – well stirred and shot straight from the hip into the audiophile neocortex!” (SM)


  • 100 WATT VIPERS, HOLY WATER ALBUM REVIEW



    100 WATT VIPERS
    HOLY WATER

    This band is a duo, formed in 2013 and has unleashed a string of self produced recordings on the world. Their latest release, HOLY WATER, is the perfect crossroads of hard rock blues and southern whiskey soaked blues. Shades of Skynyrd, AC/DC, and Ted Nugent abound on every song.


    This pure American blues rock.Check out “Aces High”, “You Aint Gonna Take Me Down”, and the title track, ” Holy Water”.
    Any fan of heavy guitar driven music should check this band out.

    8/10 Wolf Howls
    Cry Of The Wolf Magazine




  • 100 WATT VIPERS, HOLY WATER ALBUM REVIEW



    100 WATT VIPERS
    HOLY WATER

    This band is a duo, formed in 2013 and has unleashed a string of self produced recordings on the world. Their latest release, HOLY WATER, is the perfect crossroads of hard rock blues and southern whiskey soaked blues. Shades of Skynyrd, AC/DC, and Ted Nugent abound on every song.


    This pure American blues rock.Check out “Aces High”, “You Aint Gonna Take Me Down”, and the title track, ” Holy Water”.
    Any fan of heavy guitar driven music should check this band out.

    8/10 Wolf Howls
    Cry Of The Wolf Magazine




  • Cry Of the Wolf Magazine Interview With ONE IN THE CHAMBER


    Toronto’s ONE IN THE CHAMBER is a perfect composition of rock swagger and full on hard rock groove. These guys know when to pull the trigger and when to walk away. Their sound is their own and they are taking no prisoners. “I’ve Got Bills To Pay” is an incredible searing salute to the future of modern rock and roll. Check this band out. This band gets 9/10 wolf Howls

    ONE IN THE CHAMBER

     
    1. Take us through your mindset when composing your songs. Does everyone contribute?
    Gerrod: All four of us are songwriters and contribute to everything we do. Normally it starts with one of us bringing in an idea, a riff or something, and then it evolves in the practice room. We’ll jam on it until it becomes something that we never thought it would after the initial idea.
    Christian: We all come from different musical backgrounds, so we sometimes clash in our songwriting, but in the end, I think that’s what makes our songs sound unique.
    2. Being compared to Led Zeppelin and Motley Crue as well as others..does it add pressure to your writing or is it more of an inspiration?
    Gerrod: This is the coolest thing for me. I don’t think it adds pressure to us, we’re certainly inspired by these and many other artists, but we are always trying to keep things exciting. We aren’t here to rehash the past, we just wanted to make a record that we would want to listen to.

    3. are you active with social media and do you see it as a positive or negative force in music today
    Gerrod: It’s what they’d call a double-edged sword. It’s never been easier to get your music heard, but now, everyone and their mum has a band.
    4. What inspired you initially to become a musician
    Gerrod: I’ve been listening to rock bands like The Chili Peppers, Aerosmith, Zeppelin, and The Stones all my life, but it was watching Chad Smith at a drum clinic which made me want to take drumming seriously. That and the girls.
    Christian: I remember watching Metallica’s “Live Shit: Binge & Purge”, when I was a kid, and being absolutely blown away by the show. I wanted to be just like them, so I quickly picked up guitar and drums after that, and then eventually, bass. The girls came after.
    5. what has been the most rewarding aspect of making music for you
    Gerrod: Playing live always brings an unparalleled feeling – some shows more than others, but it’s always there. It’s also just incredible to have our music out there; it’s real and it’s out there for someone to hear it.
    Christian: There’s no better feeling than having a crowd reciprocate the same energy you’re giving out, on stage. When they’re feeling it, then the show is that much better. Putting out “I’ve Got Something To Say…” has also been tremendously rewarding for us. To see all of our hard work and planning come together is a great feeling.
    6. What has been the hardest part of being a modern musician
    Gerrod: Getting attention and maintaining momentum while remaining entirely independent. It’s a steep curve, but I think we’ve caught on.

    7. Something in your music collection we would not expect
    Gerrod: Hip-Hop. Wu Tang Clan has been on steady repeat all year. Just today alone, I went from Sound garden to Prince and then to Ice Cube. It’s always an interesting mix.
    8. Strangest thing you have ever experienced at a gig
    Christian: At one of our last gigs, a really drunk guy started doing push ups on the front of the stage. He did it a bunch of times that night.
    Gerrod: That was wild! Dude was a tank
    9. Where do you see the future of music and performance heading?For more info, here is our website: https://www.oitcband.com/
    Gerrod: I don’t think anything can replace the real thing when it comes to performance. We leave our house to hear music live because we crave the human interaction, the danger, we want to see the safety net removed. As for music, I think we are entering a rock & roll sort of revival and while Greta Van Fleet may be the hot new thing, there is plenty of amazing independent bands making waves every day.
    10. Are holograms OK with you?
    Gerrod: I think that’s about as lame as it gets; I think live shows are supposed to thrill the audience. There should be a sense of danger or unpredictability to it. Holograms are far to calculated. I’ll take the records every time.
    Christian: I think they’re creepy as hell.
    11. Anything you wish to convey to your fans
    Gerrod: We are always so grateful for each and every one of them. Thank you for making our 2018 so fantastic and here’s to an even bigger and better 2019.
    For more info, here is our website: https://www.oitcband.com/
     
  • Cry Of the Wolf Magazine Interview With ONE IN THE CHAMBER


    Toronto’s ONE IN THE CHAMBER is a perfect composition of rock swagger and full on hard rock groove. These guys know when to pull the trigger and when to walk away. Their sound is their own and they are taking no prisoners. “I’ve Got Bills To Pay” is an incredible searing salute to the future of modern rock and roll. Check this band out. This band gets 9/10 wolf Howls

    ONE IN THE CHAMBER

     
    1. Take us through your mindset when composing your songs. Does everyone contribute?
    Gerrod: All four of us are songwriters and contribute to everything we do. Normally it starts with one of us bringing in an idea, a riff or something, and then it evolves in the practice room. We’ll jam on it until it becomes something that we never thought it would after the initial idea.
    Christian: We all come from different musical backgrounds, so we sometimes clash in our songwriting, but in the end, I think that’s what makes our songs sound unique.
    2. Being compared to Led Zeppelin and Motley Crue as well as others..does it add pressure to your writing or is it more of an inspiration?
    Gerrod: This is the coolest thing for me. I don’t think it adds pressure to us, we’re certainly inspired by these and many other artists, but we are always trying to keep things exciting. We aren’t here to rehash the past, we just wanted to make a record that we would want to listen to.

    3. are you active with social media and do you see it as a positive or negative force in music today
    Gerrod: It’s what they’d call a double-edged sword. It’s never been easier to get your music heard, but now, everyone and their mum has a band.
    4. What inspired you initially to become a musician
    Gerrod: I’ve been listening to rock bands like The Chili Peppers, Aerosmith, Zeppelin, and The Stones all my life, but it was watching Chad Smith at a drum clinic which made me want to take drumming seriously. That and the girls.
    Christian: I remember watching Metallica’s “Live Shit: Binge & Purge”, when I was a kid, and being absolutely blown away by the show. I wanted to be just like them, so I quickly picked up guitar and drums after that, and then eventually, bass. The girls came after.
    5. what has been the most rewarding aspect of making music for you
    Gerrod: Playing live always brings an unparalleled feeling – some shows more than others, but it’s always there. It’s also just incredible to have our music out there; it’s real and it’s out there for someone to hear it.
    Christian: There’s no better feeling than having a crowd reciprocate the same energy you’re giving out, on stage. When they’re feeling it, then the show is that much better. Putting out “I’ve Got Something To Say…” has also been tremendously rewarding for us. To see all of our hard work and planning come together is a great feeling.
    6. What has been the hardest part of being a modern musician
    Gerrod: Getting attention and maintaining momentum while remaining entirely independent. It’s a steep curve, but I think we’ve caught on.

    7. Something in your music collection we would not expect
    Gerrod: Hip-Hop. Wu Tang Clan has been on steady repeat all year. Just today alone, I went from Sound garden to Prince and then to Ice Cube. It’s always an interesting mix.
    8. Strangest thing you have ever experienced at a gig
    Christian: At one of our last gigs, a really drunk guy started doing push ups on the front of the stage. He did it a bunch of times that night.
    Gerrod: That was wild! Dude was a tank
    9. Where do you see the future of music and performance heading?For more info, here is our website: https://www.oitcband.com/
    Gerrod: I don’t think anything can replace the real thing when it comes to performance. We leave our house to hear music live because we crave the human interaction, the danger, we want to see the safety net removed. As for music, I think we are entering a rock & roll sort of revival and while Greta Van Fleet may be the hot new thing, there is plenty of amazing independent bands making waves every day.
    10. Are holograms OK with you?
    Gerrod: I think that’s about as lame as it gets; I think live shows are supposed to thrill the audience. There should be a sense of danger or unpredictability to it. Holograms are far to calculated. I’ll take the records every time.
    Christian: I think they’re creepy as hell.
    11. Anything you wish to convey to your fans
    Gerrod: We are always so grateful for each and every one of them. Thank you for making our 2018 so fantastic and here’s to an even bigger and better 2019.
    For more info, here is our website: https://www.oitcband.com/
     
  • 3 Points Of Madness Interview


    3 Points Of Madness Interview 

    One of the best up and coming metal bands to come out of Rhode Island in a long time. These guys are a force to be reckoned with. They have a sound that is uniquely their own and they are a killer band live. One of the few local metal acts that still hold true to the flag of heavy metal.  Looking forward to great things from this band.Check out the band when they open for “Fatal Portrait(king diamond tribute) this Friday 12/21/18@ the bar in New Bedford Ma.



    First and fore most who came up with the name:  

    Ron: That would be our singer George.

    How would you describe your music? 

    Ron:  Our music is a mix of classic Metal from the 80’s such as Iron Maiden & early Metallica combined with some progressive rock such as Rush, Tool & Dream Theater all fused with some modern flare forming an original sound that is truly our own.

    Take us through the writing process. Does everyone contribute? 

    Ron: Ideas either come in the form of riffs or full songs from either myself or George. We then work on them as a full band and lay out the arrangements.  Lyrics are either worked on separately after the music/melodies have been composed or while the initial song was written.

    Something in your personal music collections that fans might not expect?  

    Ron:       80’s Top 40 music & some Country and Western
    George: Van der Graaf Generator
    Sean:    Evanescence (don’t judge me J )

    What has been the most challenging aspect of being a musician? 

    Ron: The biggest challenge as a musician/artist in general is being able to go with the ebbs and flows, the good and the bad, and being able to take the punches and still be able to get up, fight and continue to persevere. Not many musicians can do that.  It takes hard work, a never say die attitude and never settling for less than the best and never taking no for an answer.


    George: For me it is working full time construction and having the energy to give and do what the music deserves. I try to practice daily but sometimes my energy is spent and it kills creativity. On the other hand, when I do work on music, I bring that same work ethic as do Sean and Ron. It’s a lot of work recording-practicing-playing shows and promoting. It is worth it 1000 x over if I can make a living doing what I love one day. No matter what though there is nothing like sharing a part of you in front of people and creating that experience I fell in love with when I see my favorite band play. It’s on a level of a Religious experience for me.


    Is the New England original music scene positive for your music? 

    George:  Absolutely! We are so lucky to have so many places to play. New England has a lot of clubs just a few hours away from one and other. Also, there are so many great musicians to network with and that’s what it’s all about, to get gigs together and help one another out.

    We have been able to work with some venues that primarily book cover/tribute acts. Some of them have been willing to book original acts as openers for cover and or tribute bands. We praise these venues that have been willing to help us, along with the acts that have been willing to take us under their wing to allow us the opportunity to get in front of more people to show them what we can do. It’s a hybrid music scene!


    By mixing in our songs with some crowd please rs/covers that people are familiar with has allowed us the advantage to bring our music in front of more people and to pick up new fans. This has open dozens of new doors for us.
     

    What makes a perfect song for you? What are the elements for your ears? 

    Ron: A great memorable melody, infectious grooves and high energy riffs, being able to write a piece of music that keeps us interested and challenged as musicians but doesn’t go too far to end up going over the heads of the average listener as well as having subject matter they can identify and relate to.

    Favorite local club to perform in? 

    Any venue that is willing to have and allow us the opportunity to get in front of a live audience.

    Name one band that you would love to tour with? 

    George: If we were offered a national tour it could be a band that made music by farting underwater and we would Love em…LOL, but seriously, I would love to open for Metallica. I know its cliché but they were my first concert and are my heroes. It was the And Justice tour. I don’t care what they did after that or how much of a dick Lars is. LOL

    On a local level, FirstBourne out of Boston would be awesome!

    Sean: The Winery Dogs.  I’ve always been a huge fan of Mike Portnoy, and since The Winery Dogs are also a 3 piece act I think that’s a bill that would make sense.

    Ron: For me on a national level, Iron Maiden, as Steve Harris is my main inspiration for becoming a bass player, locally, Death Rattle.

    Strangest thing that ever happened at a gig 

    Ron/George: We had played a show at a club after they just had a Fetish Night, (whips, chains, and most likely sex), and the venue reeked of semen.  It was so bad that Sean had to take his drum cases outside the next day to air them out as the stench had fully permeated them.

    Is social media a positive or negative impact on your music? 

    Ron: It’s a double edged sword.  Overall, Social Media gives any musician free exposure to the world, versus the days when bands had to do tape trading and such to get their music out there, so the net and the web has certainly made it easier to spread one’s music and name.  On the down side, some listeners rather just stream a song or full album instead of downloading and buying it or watch live videos on you tube instead of coming out and seeing a band.

    Any subject matter you will not write about? 

    Ron: We’re not a band that has a particular stance or belief on certain matters.  We write from what we see, observe or experience.  Inspiration for lyrics can come from anywhere, an event, a story, a movie, or just personal experiences.  There are some fantasy related things that we write about, but we try to stay away from the cheesy and cliché.

    Anything you would like to say to your fans? 


    We would like to thank them all as if it wasn’t for them we wouldn’t be able to do what we do. They make it all worth the while.  They can continue to expect to get the best from us and for us to keep them moving. 
    www.threepointsofmadnessmusic.com/