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Organisers of the Birdsville Big Red Bash have announced today that they have made the difficult but necessary decision to cancel the 2026 edition of the iconic Outback music festival. The experienced and dedicated festival team had been working tirelessly on relocation options since learning the festival could not proceed at the Big Red site […]

Is everything OK? Everything’s fine. Uh-oh. Your interpretive skills are just about to be put to the test. That kind of verbal misdirection became an anchor point for Nashville’s Sam Lewis’ 7th studio album, Everything’s Fine. It can be equally true and false at the same time, like when you’re having a bad day but […]

Tonight
Windows down
We try to find a way
Got to hide away

Jae Matthews (Boy Harsher) gets hold of Buzz Kull’s Man on the Beat like somebody slipping out a switchblade hidden in a garterbelt; cool hands, bad intent, and perfect timing. A cult track to begin with, the song already carries its own hard stare, but Matthews reimagines it as a dark, hypnotic late-night anthem, and suddenly that stare turns cinematic. Her unmistakable voice hangs over a cold synth pulse with the kind of poise that suggests she has seen the room, sized up every soul in it, and chosen exactly how much danger to bring.

Matthews inhabits the material: there is glamour and a sly kind of severity in her delivery, a little poison slipped into the lipstick. She sings with the cool confidence of somebody who understands that desire and dread often share the same address. The track moves with nightclub discipline, each beat stepping forward like a polished boot on a sticky floor, while the electronics smear and gleam around her in long, lean lines. It feels sleek, severe, and gloriously indecent.

The song lives in its sense of after-hours inevitability, the feeling that the city has finally emptied enough for its worst ideas to begin to look elegant. Matthews turns restraint into tension, letting every phrase land clean and dangerous.

The B-side sweetens the trouble. Spike Hellis takes the tune and stretches it into a longer, harder, synth-charged club cut, something built less for staring across the room than for surrendering to the floor. Between the two versions, Man on the Beat gets to exist as both cool seduction and dance-floor compulsion.

Listen to Jae Matthews’ cover of “Man On The Beat” below:

Jae Matthews’ cover of Man On The Beat is out digitally everywhere now, with the vinyl due April 17 for the Buzz Kull Deep Hate / Void Vision show in Los Angeles, where Jae will be DJing at Pacific Electric.

Listen to Man On The Beat and the Spike Hellis remix below and order the 12-inch single via Heartworm Press here:

Listen to the original Buzz Kull version here:

Follow Boy Harsher:

• Official Website
• Bandcamp
• Instagram
• Facebook
• YouTube

Follow Buzz Kull:

• Facebook
• Instagram
• Spotify

The post Boy Harsher’s Jae Matthews Shares Cover of Buzz Kull’s “Man On The Beat” — 12 Inch Single With Spike Hellis Remix Out in April appeared first on Post-Punk.com.

Melbourne progressive-death outfit Growth have released the long-awaited second chapter of their planned trilogy, Under The Under via Wild Thing Records. Emerging with their first new music in over half a decade via the blistering, Remember Me As Fire and Forward, Further, Spirit Killer the band followed it up last week with release of the […]

Flea releases the album he has aspired to make for more than 35 years, Honora, today on Nonesuch Records. After a nearly five-decade (and counting) career as one of his generation’s defining rock bassists, he has returned to his first musical loves, jazz and trumpet. The New York Times says the album’s ten songs “embody […]

Eight years after the release of their critically acclaimed album Eonian, Norwegian symphonic black metal titans Dimmu Borgir returns with a towering new opus: "Grand Serpent Rising." Set for release on May 22 via Nuclear Blast Records, the album delivers thirteen punishing yet remarkably diverse tracks that reaffirm the band’s status as one of the… Read More/Discuss on Metal Underground.com

Dark Mofo returns to Lutruwita/Tasmania from 11–22 June 2026. Organisers invite audiences to embrace the cold for a packed program of art, performance, live music, movies and more. The midwinter festival will introduce art into sites around Nipaluna/Hobart including Spirit of Tasmania V, a 48,000-tonne ship moored in Dark Park. Highlights include Candela Capitán’s cam-girl […]

Sydney based experimental rock act, Stormflower present, Human, the 5th and final single from their recently released EP Equanimity. Quickly building a strong reputation for their genre-defying sound that fuses powerful riffs with emotive depth. Stormflower’s music delivers a dynamic blend of intensity and vulnerability, designed to stir the soul and provoke the senses. With […]

There is a particular kind of warm loneliness that only a city in late winter can produce: not the theatrical kind, nor the sort that begs for witness, but the quieter condition of moving through vast public spaces while feeling privately sealed inside yourself, while the numbness in your fingers warms around a coffee during that icy commute. The City Gates understand that sensation well. On Capitol Hill, the Montreal outfit turns it into something graceful and grand, letting driving post-punk rhythms, gauzy shoegaze textures, and distant vocals gather into a song that feels like a long exhale against a freezing pane of glass.

The single arrives as the latest glimpse into the band’s forthcoming third LP, due May 15 via Icy Cold Records and Velouria Recordz. The record promises a deeper push into cold, expansive terrain, and Capitol Hill makes good on that premise straight away. A propulsive bassline keeps the track moving with real purpose while icy synth drones hang overhead and the vocals drift in from somewhere just out of reach. When the harmonies gather, the effect lands with unusual force: tender, remote, and unmistakably human. Produced & Mixed by The City Gates at Velouria Studio, Montreal, the release was mastered by Francesco Giuliano at Innerwood Music Mansion in Succivo, Italy.

The video, produced and edited by TWEAX & The City Gates, gives the song a fitting visual counterpart. Shot on Montreal’s cold streets, in the Metro, and throughout the city’s concrete arteries, it turns the urban landscape into a study in stark geometry, motion, and estrangement.

Rendered in severe black-and-white, the clip moves through snow-choked sidewalks, brutalist overhangs, circular wall forms, station corridors, escalators, revolving doors, and the blur of a Metro train streaking past in bands of light and shadow. Men in dark coats drift through these spaces like half-remembered thoughts. Faces appear in overexposed close-up, then dissolve again into glass reflections, scratched surfaces, and passing bodies. Elsewhere, the band gathers in interior spaces that offer brief shelter without ever fully dispelling the chill outside, culminating in scenes shot at restarant, where the city’s social warmth feels momentary, almost provisional. Even the most ordinary elements, a tunnel of ceiling lights, the ribbed metal teeth of an escalator, a revolving door catching figures in fragments, take on a strange emotional pressure. The result feels less like a literal narrative than a sequence of urban impressions: transit as ritual, architecture as mood, companionship as something glimpsed between departures.

What makes the video work so well is its trust in atmosphere, repetition, and place. Montreal becomes both setting and state of mind: a city of thresholds, underpasses, stairways, passing trains, café windows, and brief encounters, where movement never quite guarantees arrival. That suits Capitol Hill perfectly. The song carries a steady forward motion, yet everything around it seems caught between memory and disappearance.

Watch the video for “Capitol Hill” below:

The City Gates’ latest single, Capitol Hill, is out now via Icy Cold Records and Velouria Recordz. Order Here

The City Gates, based in Montreal, have built an international following on the strength of their dark, melodic, emotionally charged sound, first through Age of Resilience and then Forever Orbiter. Their work has landed on year-end charts across the globe and brought them coverage from outlets including Post-Punk.com, Sonic Seducer, Orkus, and Sanctuary.cz. Over the years, they have toured Europe, the UK, the US, and Canada, appearing at festivals such as Dark Spring Berlin, Return to the Batcave, Kalamashoegazer, Dark Spring Boston, and Focus Wales, while sharing stages with acts including The Chameleons, A Place to Bury Strangers, The March Violets, Trisomie 21, Ductape, Traitrs, Selofan, Vision Video, Forever Grey, Nothing, Solar Fake, Actors, The Foreign Resort, and Hapax.

To support the release, the band will head out on a Canadian East Coast mini-tour in April alongside Golden Apes, followed by a European run beginning May 29 in Berlin and continuing through early June.

 

THE CITY GATES THE GREAT DEVOURER TOUR:

CANADIAN EAST COAST MINI TOUR 2026

• April 09 Montreal, CA – Cabaret Foufs /w Golden Apes + Scene Noir
• April 10 Québec, CA – Centre Hub Creatif /w Golden Apes + Palissade
• April 11 Toronto, CA – BMST 254 /w Girlfriends and Boyfriends + Golden Apes

EUROPEAN TOUR 2026

• May 29 Berlin, DE – Wild at Heart /w Cataphiles
• May 30 Holzminden, DE – Horstberg 76 /w Golden Apes
• June 02 Paris, FR – QG103
• June 03 Gent, BE – The Crossover /w Fragment
• June 04 TBC
• June 05 Wuppertal, DE – Loch /w Us and I
• June 06 Modave, BE – Deux-Ours

Follow The City Gates:

• Bandcamp
• Spotify
• Instagram
• Facebook

The post The City Gates Trace a Wintry Commute Through Brutalist Montreal in Video for Icy Post-Punk Single “Capitol Hill” appeared first on Post-Punk.com.

Scotland’s premier purveyors of “party slam,” Party Cannon, have officially unleashed their latest EP, Subjected To A Partying, today via Unique Leader Records (stream / order it now). If you’ve been following the Dunfermline loons for a while, you’ll know they don’t exactly do things by halves – unless we’re talking about their collective IQ … Continue reading Party Cannon drop new EP, ‘Subjected To A Partying’, and “Parisian Bedbug” video – tour imminent