KNIFE BRIDE have announced details of a new EP and shared a raw, raucous track that will appear on it.
That track is called ‘crucify’ and finds the band in deeply reflective but ravenous form. A caustic blend of metalcore fury and modern British rock openness and honesty, it’s a song that wraps itself around your throat and squeezes. Brimming with self-examination and savage refrains, it’s a manifesto of who the band are right now, both in sound and scope.
Vocalist Molly Clack had this to say about it, explaining, ‘“‘crucify’ is a conversation with myself – a ruthless interrogation of a past version of me. A public trial of someone who made mistakes that I’ve struggled to forgive. The song attempts to expose how easy it is to obsess over appearances – to decorate the house and call it a home, while the foundations quietly crumble beneath us. At its core, it’s a reflection on self-destructive behaviour and the ways we sabotage parts of our lives. The line, “life gave me lemons, I made poison,” aims to capture the idea that sometimes we don’t just mishandle what we’re given – we actively ruin it. There’s also a nod to Paramore in the lyric, “I’m in the business of destroying everything,” referencing Misery Business – a song the band stepped back from performing because of its more problematic lines. That reference is intentional. It’s a reminder that we can be flawed and messy and that reckoning with that truth is part of being human rather than self-censoring.”
It is set to appear on the band’s new EP ‘sorry about the plague’, which will be released on April 24.
The artwork looks like this:
Whilst the tracklisting is more like this:
1. alone at the altar 2. crucify 3. lilies 4. porcelain 5. poisoned by god
The EP coincides with the band heading out on the road alongside Calva Louise. Those dates look like this:
APRIL
19 – LEEDS Hyde Park Book Club 20 – NORWICH The Waterfront Studio 22 – MILTON KEYNES Craufurd Arms 23 – LONDON The Underworld 26 – BRISTOL Rough Trade 28 – SOUTHAMPTON The Joiners 30 – NEWCASTLE Anarchy Brew co
MAY
01 – GLASGOW The Garage (Attic Bar) 03 – MANCHESTER Yes (Pink Room)
Bedouine’s last album Waysides arrived in 2021, and since then the singer-songwriter born Azniv Korkejian has teamed up with stars like Norah Jones and Hozier, contributed to a Margo Guryan tribute album, and lent a song to a compilation benefitting wildfire relief in her current home base of Los Angeles. Even with all that going on,…
Good Day Noir Family,
Zegovia open “Above the Roof & In the Tree” with a guitar riff that hooks you from the start.
Above the Roof & In the Tree is Zegovia’s Single Out Now
This is not just a strong entrance; it establishes a surge of focused and solid energy.
The intro carries clear Foo Fighters vibes, channeling that same driving force while maintaining its own identity.
When the vocal enters, the track reveals a different dimension. The melody shifts into something more expressive, adding emotional depth to the initial impact. The band demonstrate a strong sense of control, balancing intensity with melodic clarity. This contrast defines the core of the song, where power and feeling coexist without friction.
What truly elevates the track is its structural awareness. Zegovia incorporate stops and rhythmic changes. The song avoids predictability, keeping the listener engaged through constant movement. The chord progressions evolve naturally, while the dynamics shift in ways that support the narrative of the track.
There is an interesting layer in the band’s identity. While the energy aligns with a modern rock approach, there is also a subtle influence reminiscent of the Dave Matthews Band. This combination creates a hybrid sound that resists easy classification. The band maintain coherence, ensuring that each element contributes to a unified direction.
The progression toward the final section builds with precision. Around the two-minute and fifty-second mark, the track accelerates into a Ride of the Valkyries-style outro that feels expansive and charged.
Even in the most energetic passages, there is a clear emphasis on phrasing and structure. This attention to detail allows the song to resonate beyond its immediate impact.
Beyond that, Zegovia show a confident approach to songwriting. They blend rock energy with emotional expression in a way that feels distinctive. The result is a track that stands out for its balance and ambition.
A powerful and well-crafted release, “Above the Roof & In the Tree” confirms Zegovia as a band capable of shaping a sound that feels uniquely their own.
Above the Roof & In the Tree is Zegovia’s Single Out Now!
Expansive!
Above the Roof & In the Tree is Zegovia’s Single Out Now
Zegovia is an alt-rock band from Houston, TX, blending punk edge with power-pop hooks and unfiltered honesty. Led by vocalist and songwriter Seth Mireles, alongside Matt Mireles (drums), Alex Larson (bass/vocals), and Quincy Cotton (guitar/vocals), the band delivers emotionally charged songs that feel both raw and infectious. Their debut album Observe (Feb 12, 2025) explores the darker side of the human experience while staying undeniably catchy and real.
Last week, New Orleans thrash metal outfit Exhorder announced that their drummer Sasha Horn stepped away from the band. For fans, it was an unexpected turn but according to frontman Kyle Thomas, the departure wasn’t exactly out of left field.
During an interview with Metal Horror Madman, Thomas said Horn’s exit was the result of him needing to refocus on his personal life. And while it wasn’t an ideal situation, Thomas only said positive things about Horn, stating that he fully supported the decision.
“It’s been coming for some time, but it finally came to a head, I think after this last tour. I feel like Sasha’s kind of just been in a state of flux for maybe even a couple years now, trying to figure out who he is and what he’s doing. I don’t wanna get too, too into the personal side of it for him, because that’s his story to tell, not mine.
“But what an amazing drummer he is. I swear, the only person maybe that I’ve seen hit [the drums] harder than him was [late Corrosion of Conformity drummer] Reed Mullin, and Reed Mullin was a lot bigger than Sasha. So it’s amazing, his ability and talent. But I just feel like the guy isn’t himself and doesn’t… I think he’s come to the point where he’s ready to find himself and focus on his family. He’s got a daughter, he’s got parents that are not getting any younger.
“So I think he’s just been doing this for so long, I think he just feels like maybe there’s something else. I think he wants to maybe even go to school. Here’s a guy who’s turning 50 this year, and I guess just saying, ‘Maybe I just need a relaunch of myself, just a kind of reset.’
“I’m 100% in support of that aspect of Sasha making his decision.”
Thomas reiterated multiple times that the split was an amicable one, stating that the band’s “had bad partings” in the past and that “this is not one of them.”
In the wake of Horn’s decision to step down, Exhorder has recruited God Forbid drummer Corey Pierce to fill the void. Thomas said the band carefully considered who would stand in during their upcoming tour, taking time to look over numerous candidates before landing on Pierce.
“We talked with a handful of people and watched videos of them, and everybody that we talked with and evaluated would’ve done an amazing job, I think.
“But – I don’t know – I think the thing that really sealed it for me with Corey, aside from the fact that he’s got a pedigree; he’s the only drummer that God Forbid ever had. I asked him, I said, ‘Are you the only drummer that God Forbid’s ever had?’ He said, ‘Trust me, I’ve tried to hand that job off, and no one wants it and no one would let me.’
“But he comes from the same background as our original drummer, Chris Nail. They’re both marching-band guys, drum corps, accomplished jazz-style players that read sheet music. Corey told me he was teaching drum corps at 14 years old. So, the fact that he is 100% from the same background that our original guy was – ’cause Sasha was not; that was not the type of drummer Sasha was. Sasha was more of a basher, punk-style drummer.
“[He was] very skilled, could do the things that were required in this band, but he did not play in the kind of traditional style that our original drummer played. So, it was an adaptation, but it worked. And it just adds a different flavor, I think. But I feel like with Corey, it’s going to be probably a little bit more true to what the original drum parts were, perhaps. I don’t know. We have rehearsals starting next week, so we shall see. It’s kind of a mystery to everybody right now.”
With Pierce now in the fold, Exhorder is ready to go on tour next week for the eastern portion of The Tour of Unsound Minds. The whole thing starts on April 2 in Morgantown, West Virginia and comes to a close on April 19 in Cadillac, Michigan. You can find the full list of dates below and get your tickets today.
Exhorder tour dates
4/2 Morgantown, WV 123 Pleasant Street 4/3 Rochester, NY Montage Music Hall 4/4 Albany, NY Empire 4/5 Portland, ME Genos Rock Club 4/6 Providence, RI Alchemy 4/7 Manchester, NH Jewell 4/8 Hamden, CT Space Ballroom 4/9 Amityville, NY AMH 4/10 Harrisburg, PA Capital City Music Hall 4/11 Manalapan, NJ Locals 4/12 Chesapeake, VA Riffhouse 4/13 Atlanta, GA 529 4/14 Raleigh, NC Chapel Of Bones 4/15 Piedmont, SC Tribbles 4/16 Chattanooga, TN BoneBar 4/17 Dunbar, WV Live At The Shop 4/18 Chicago, IL Reggie’s 4/19 Cadillac, MI The Venue
Good Day Noir Family,
A distorted guitar figure drives Oscar forward with a restless, magnetic pull.
Oscar is The Owl Sounds’ Single Out Now
The Owl Sounds builds the track on a reverberated and mysterious tone that recalls a Tarantino film filtered through the stripped-down energy of the White Stripes.
The riff grips attention and holds it with subtle variations that keep the tension alive.
The vocal arrives with a processed texture that feels present yet slightly detached. It sits close in the mix while hovering in a parallel space, creating a dual sensation that defines the track’s identity. The delivery remains controlled and confident, adding weight without overcrowding the arrangement.
A rattlesnake-like groove begins to slither underneath, driven by a distorted bass that moves with purpose. The rhythm section tightens slowly, building pressure with precision. Around the one-minute mark, the track breaks open into a surge of energy that feels explosive.
The song shifts into an alternative punk rock dimension with a cybernetic and nocturnal edge. The atmosphere suggests a Berlin club filled with movement, where lights flicker and bodies blur together. The guitar solo stays simple in structure, yet it generates a stroboscopic effect that pulls the listener deeper into the rhythm.
The composition shows clear experience and control. Each sonic choice serves a purpose, from the slightly dystopian tone to the assertive vocal phrasing. The arrangement maintains balance while pushing intensity forward.
The closing section introduces a familiar echo of Soundgarden in the guitar work. The vocal accelerates, delivering lines with urgency and sharp articulation. This final stretch injects momentum and leaves a strong imprint.
Oscar merges grit, atmosphere, and motion into a track that feels physical, immersive, and alive.
Oscar is The Owl Sounds’ Single Out Now!
Electric!
Oscar is The Owl Sounds’ Single Out Now
The Owl Sounds is the solo project of multi-instrumentalist and songwriter Phil Wyer, a UK-born artist now based in Wexford, Ireland. Known as the guitarist and bass player for Irish punk producer Meryl Streek, Wyer blends raw instrumental textures with spoken-word elements to create a distinctive sonic identity.
With a background that spans London, Los Angeles, and Ireland, Phil has worked as a session player and songwriter for various artists, while also securing placements across major US TV networks, advertising campaigns, and high-profile events including NBC’s Winter Olympics coverage and a Super Bowl commercial.
Having previously signed with Secret Road Music Services and Red Parade Records, Wyer continues to develop his artistic vision through The Owl Sounds, merging introspective themes with a stripped-back, expressive approach to modern alternative music.
earMUSIC [Release date 27th March 2026] Myrath have been on my musical radar for a few years now since I reviewed their ‘Live In Carthage’ album back in 2019 and was blown away with their melodic metal full of eastern … Continue reading →
(Andy Synn has a long history with Lantlôs, and that continues with his review of their new album, out 03 April) As we have seen so far this week, there are Black Metal bands, and there are Post-Black Metal bands… and then there are bands like Lantlôs who used to belong to the second category […]
The anonymous, playfully pranksterish UK dance duo Two Shell released their surprise album IICONS last year. Earlier this year, they followed that release with a two-song single, “The Nightmare” b/w “Hollow,” and they played a residency at the London club Phonox that included a performance with Jack Harlow. Now, they’ve got another two-song single. The…
Who Are Silver Bullet Smile And Why Are They Starting To Get Attention?
They’re an independent Florida metal band steadily building momentum through consistent releases, live shows, and a clear commitment to doing it without shortcuts.
TL;DR
Silver Bullet Smile are an emerging heavy metal band out of Florida with multiple singles already circulating, a growing live presence, and a DIY work ethic that’s starting to push them into wider visibility. They’re not chasing trends—they’re building piece by piece.
A Band That’s Actually Putting In The Work
You can usually tell pretty quickly when a band is serious.
Not from one song. Not from a logo. From output.
Silver Bullet Smile have been quietly stacking releases—Reckoning, Prey, Man In The Moon, Dogma, The Devil You Know, and more recently Ride Or Die—and they’ve done it without the safety net most developing bands rely on.
That consistency matters more than hype ever does.
They’re not waiting around for a “break.” They’re creating their own runway.
The Sound Sits In A Familiar Lane—But That’s Not The Point
There’s a clear DNA here.
You hear traces of bands like Five Finger Death Punch, Disturbed, Breaking Benjamin—modern heavy rock and metal with structure, hooks, and groove driving everything forward.
But this isn’t about reinventing the genre.
It’s about executing within it—and doing it enough times that something starts to click.
That’s where bands at this stage either stall… or start separating.
The Streaming Footprint Is Starting To Take Shape
One of the more interesting early signals: their breakout track Man In The Moon reportedly climbed to #2 across multiple countries on unsigned charts.
That doesn’t happen by accident.
It points to something connecting—even if it’s still early.
And when that kind of traction shows up before a full album cycle, it usually means the foundation is there. It just needs refinement and scale.
This Isn’t A Studio-Only Project
A lot of developing bands can write. Fewer can translate that live.
Silver Bullet Smile, who recently signed with Rock Avenue Records USA, have already pushed past the “bedroom band” phase, logging extensive live reps and building experience in real rooms in front of real crowds.
That’s the part most people skip over—but it’s the part that determines whether a band actually sticks.
What Came Across In Conversation
Having sat down with drummer Niko Sevens and vocalist Thursday Bodhi, what stood out wasn’t hype or overconfidence.
It was intent.
They understand where they are. They’re not pretending to be further ahead than they are, and they’re not talking like a band waiting to be discovered.
They’re talking like a band that expects to earn it.
That distinction matters in a massive way within the modern metal landscape.
Where This Can Go From Here
Right now, Silver Bullet Smile are in that stage where everything is still forming.
The songs are there. The work ethic is there. The direction is clear.
What comes next is the part that decides everything—sharpening the identity, tightening the songwriting, and turning consistency into something undeniable.
That’s the jump.
And not every band makes it.
But the ones who do usually look exactly like this before it happens.
FAQ
Where is Silver Bullet Smile from?
They’re based out of Florida, with roots in the Tampa Bay area.
What kind of music do they play?
A mix of modern metal and hard rock with groove-driven structure and melodic elements.
What are their most notable songs?
Tracks like Man In The Moon, Reckoning, Dogma, and The Devil You Know are among their key early releases.
Have they released an album yet?
They’ve primarily focused on singles so far, with ongoing work toward a larger release.
Where can fans hear more from them?
Their music is available across major streaming platforms including Spotify and Apple Music.
Silver Bullet Smile Bio
Silver Bullet Smile are a Florida-based heavy metal band blending modern hard rock accessibility with groove-heavy metal foundations. Emerging from the Tampa Bay area, the band has steadily built a catalog of singles while developing a live presence and refining their sound.
Influenced by bands like Disturbed and Five Finger Death Punch, they operate independently with a clear focus on growth, consistency, and long-term development. With multiple releases already circulating and more material in progress, they represent a band still in motion rather than a finished product—and that’s exactly where the story gets interesting.
