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Even though Kisser spoke with ex-drummer Iggor over the phone, an onstage reunion doesn’t seem to be on the cards

Animals As Leaders are heading back to Europe this summer, lining up shows that will see the instrumental titans dominate the festival circuit.

The post ANIMALS AS LEADERS Announces European Festival & Club Dates appeared first on Metal Injection.

The post <em>Fishscale</em> Turns 20 appeared first on Stereogum.

Canned Heat – “On the Road Again” (1968)

There’s a hypnotic quality to this track that keeps it from aging. The droning groove and repetitive structure pull the listener into a trance-like state, something that modern blues and indie artists still try to replicate. Alan Wilson’s high-pitched vocal delivery gives the song a unique identity that stands apart from typical blues rock performances. The minimalist arrangement allows each element to breathe, which helps preserve its freshness decades later. It feels less like a product of its time and more like a timeless mood piece. There’s a reason this song has been covered by artists like Jeff Healey and Philip Sayce.

Jonny Lang – “Still Rainin’” (1998)

Jonny Lang brought a youthful energy to blues rock in the late 90s, and “Still Rainin’” remains a standout. His vocal performance carries a depth that feels beyond his years, while the guitar work stays tasteful and controlled. The production leans modern but avoids the pitfalls of late-90s overproduction. The song’s emotional core is what gives it lasting power. It still resonates because it feels genuine rather than manufactured 28 years after its initial release.

Joe Bonamassa – “The Ballad of John Henry” (2009)

“The Ballad of John Henry” stands as one of Joe Bonamassa’s defining tracks and a turning point in his career. Built around a dark, driving riff, the song carries a weight and intensity that immediately grabs attention. Bonamassa’s guitar tone is thick and commanding, cutting through the mix with a modern edge while still rooted in blues tradition. The track’s arrangement blends heavy blues rock with a cinematic feel, giving it a larger-than-life presence that continues to resonate. Even years later, it still sounds powerful, proving why it remains one of his most recognizable and enduring songs.

Buddy Guy – “Feels Like Rain” (1993)

Buddy Guy delivers a deeply emotional performance that still connects decades later. The song leans into a slower, more reflective groove, allowing each note to carry weight. His guitar work is subtle but effective, complementing the vocal rather than competing with it. The production has a warmth that holds up well in today’s listening environment. It’s a track that proves blues rock doesn’t need to be flashy to remain powerful.

Robert Cray – “Smoking Gun” (1986)

“Smoking Gun” blends blues with a clean, modern production that has aged incredibly well. Robert Cray’s guitar tone is crisp and controlled, allowing the groove to shine. He is the definition of smooth. The song’s structure feels tight and purposeful, avoiding any unnecessary excess. Its polished sound actually works in its favor decades later. It still fits comfortably alongside contemporary blues releases. Cray’s understated phrasing proves that feel doesn’t require flash, and that restraint gives the track lasting appeal. The rhythm section stays locked in throughout, creating a smooth, driving pocket that keeps the song moving without ever feeling forced.

Rory Gallagher – “Bad Penny” (1979)

“Bad Penny” captures Rory Gallagher at his most accessible without sacrificing the grit that defined his sound. The opening riff locks in immediately, carrying a groove that still feels fresh and engaging decades later. Gallagher’s guitar tone is raw and punchy, cutting through with a natural bite that avoids any sense of overproduction. His vocal delivery adds a laid-back confidence, giving the song a personality that sticks with you. The track’s straightforward structure is part of its strength, allowing the feel and groove to take center stage.

Free – “Fire and Water” (1970)

“Fire and Water” proves just how powerful restraint can be in blues rock. Paul Kossoff’s guitar work is minimal but incredibly expressive, letting each note carry weight rather than relying on flash. The groove sits deep in the pocket, giving the song a steady, almost hypnotic feel that still resonates today. Paul Rodgers delivers a vocal that is both soulful and commanding, adding to the track’s timeless appeal. The stripped-down production is a big reason it hasn’t aged, allowing the feel and chemistry of the band to shine through.

Eric Clapton – “Old Love” (1989)

From the Journeyman album, “Old Love” showcases Eric Clapton at his most emotionally expressive, building from a restrained slow burn into a powerful blues rock performance. Penned by Clapton and Robert Cray, the song’s gradual progression allows the tension to develop naturally, making the payoff feel earned rather than forced. Clapton’s guitar work is subtle early on, then opens up with a soaring solo that still stands among his most memorable. The tone is warm and clean, letting every note speak clearly without unnecessary embellishment. There’s a timeless quality in both the arrangement and performance that keeps it from feeling tied to any specific era. Even in 2026, it still resonates as a deeply human and authentic blues rock moment.

Kenny Wayne Shepherd Band – “Blue on Black” (1997)

“Blue on Black” remains one of the most recognizable blues rock songs of the modern era, built on a haunting groove that still feels as powerful today. The track’s slow, deliberate pacing gives it a sense of weight, allowing every note to land with impact. Kenny Wayne Shepherd’s guitar work is restrained but effective, serving the song rather than overpowering it. The vocal delivery adds to the atmosphere, giving the track a moody, almost hypnotic quality. Its simplicity is what gives it lasting appeal, proving that feel can carry a song further than complexity. It still sounds timeless and deeply resonant.

John Mayer – “Belief” (2006)

Featured on Continuum, “Belief” blends blues rock with a modern, groove-driven approach that still feels current nearly two decades later. The track is built around a tight, understated rhythm that gives Mayer plenty of space to layer in expressive guitar work. His phrasing is tasteful and controlled, focusing on feel rather than flash, which gives the song lasting appeal. The production strikes a perfect balance between polish and warmth, avoiding the dated sound that affected many mid-2000s releases. Mayer’s vocal delivery adds a reflective tone that complements the track’s message without overpowering it. “Belief” still sounds smooth, relevant, and effortlessly cool.

The post 10 Blues Rock Songs That Still Sound Fresh in 2026 appeared first on Blues Rock Review.

Danish death metal unit Foetorem are back with a renewed sense of needing to make you as miserable as possible.

The post Danish Death Metal Band FOETORUM Streams Brutal Debut Album, Incongruous Forms Of Evergrowing Rot appeared first on Metal Injection.

Hatebreed are pleased to announce that they will headline this year’s ‘Summer Slaughter Tour’. The 16-date North American trek is booked in July and features support from Devourment, Incantation (select dates), Snuffed On Sight, Balmora, and Face Yourself .
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Now any home can be a motor city madhouse. Continue reading…

If you’re like me, and you love some slide guitar, commsummate musician and sideman Rick Vito has an offering for you. Vito, who was a member of Fleetwood Mac from 1987 until 1991, and who toured or sat in on recordings with the likes of Bonnie Raitt, John Mayall, John Fogerty, Bob Seger (Vito played […]

British duo Kulk is excited to announce the signing of a new deal with Church Road Records and concurrently released a brand new single, “Ache”. Check it out.
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Less than a year after announcing they were stepping back, Angra are done resting. The Brazilian progressive power metal institution has confirmed the end of their hiatus and unveiled The Holy Land Tour — a second-half 2026 run built around the 30th anniversary of Holy Land, their landmark 1996 sophomore album.

When the band went quiet in August 2025 following the conclusion of their Temple of Shadows 20th anniversary tour, guitarist and de facto bandleader Rafael Bittencourt had put the expected timeline at two to three years. It lasted less than one. The band framed the break as a “sabbatical period” rather than an indefinite pause from the start, and apparently, the reset didn’t take long.

Their return statement sets the tone for what this tour is meant to be: “Some stories do not end. They simply wait for the right moment to continue being told. After a period of silence, reflection, reunions, reorganization, and reconnection with our own roots, Angra announces the end of its hiatus and its return to the stage in the second half of the year to celebrate a fundamental chapter in our history: the album Holy Land.”

“When Holy Land was born, in 1996, the idea was bold: to tell the story of the birth of Brazil through music. To blend heavy metal, orchestration, and Brazilian rhythms to speak about the meeting of cultures, identity, and discovery — not only of a territory, but of who we are. Nearly three decades later, we realize that this story is still alive. In the songs. On the stages. And above all, in the people who have walked with us throughout all these years.”

“Revisiting Holy Land now is not simply about performing a classic album. It is about returning to Angra’s roots. It is about reconnecting with the creative force that brought us here. And it is about celebrating with the fans who turned this music into part of their own lives. The end of the hiatus also marks a new beginning. We return with the same adventurous spirit that has guided us since the beginning: to explore, create, and connect worlds through music. This tour will be more than a celebration. It will be a journey. A celebration of our origins. And a reunion with everyone who helped build this story.

“The journey continues. See you on the road.”

The first confirmed dates are in Brazil: Bangers Open Air on 04/26, a side show at Espaço Unimed on 04/29 celebrating the 25th anniversary of Rebirth, and a further date on 05/22. The Bangers Open Air show brings Bittencourt and Andreoli back together with Rebirth-era vocalist Edu Falaschi, guitarist Kiko Loureiro, and drummer Aquiles Priester — a reunion that alone will send a significant portion of the fanbase into orbit. A September date in France is also confirmed, with wider tour announcements expected to follow.

The broader Holy Land tour dates are still to be announced in full.

The post ANGRA Are Back, Announcing “Holy Land 30th Anniversary” Tour: “The End of the Hiatus Also Marks A New Beginning” appeared first on Sonic Perspectives.