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  • The Hooplas vocalist & guitarist Adam Martin dies after cancer battle

    The band announced the news with a heartfelt tribute, remembering his courage, strength, and dedication to music

    Source

  • JAMES IVANYI To Drop New Album August 19, Plus Reveals Signature Guitar Competition

    Australian progressive guitar visionary, James Norbert Ivanyi, returns with his new album, The Phantasm Cozenage, on August 19. For more than a decade, Sydney guitarist and composer James Ivanyi has quietly built one of the most respected catalogues in Australia’s instrumental music scene. While much of the modern progressive world has chased technicality for technicality’s […]

  • Complete List Of Jethro Tull Band Members

    Jethro Tull Band Members

    Few rock bands have built a musical identity as distinctive as Jethro Tull, whose shifting lineup helped carry Ian Anderson’s flute-led blend of progressive rock, folk, blues, and classical influences across more than five decades. Formed in 1967 in Luton, Bedfordshire, England, Jethro Tull stands as a seminal progressive rock band known for its distinctive melding of rock, folk, and classical music elements. Led by the charismatic Ian Anderson, whose flute playing became a defining characteristic of the band, Jethro Tull released numerous albums that have achieved critical and commercial success worldwide. The band’s discography includes iconic albums such as

    The post Complete List Of Jethro Tull Band Members appeared first on ClassicRockHistory.com.

  • CRY WOLF To Drop Debut EP ALPHA This Friday

    Photo credit Justin Barnett– @animagejustintime Coming out swinging in 2025, CRY WOLF have wasted no time making their mark in the New Zealand Hard Rock/Alternative Metal scene. With members from Fire At Will, Swerve City, Coridian, and The Sun Gods, the band came together with a shared vision: to create something bold, fresh, and emotionally […]

  • ROSE TATTOO Announce Final Shows

    For more than 50 years, Rose Tattoo have been one of Australia’s most uncompromising and influential rock bands. From the pubs of Sydney to stages across Europe, the UK and two tours as Special Guests for ZZ Top and Aerosmith, just to name a few, Rose Tattoo‘s blistering fusion of blues, boogie and streetwise rock […]

  • Morbid Angel co-founder Mike Browning dies at 62

    RIP

    Source

  • “And the Darkness Bleeds” — London’s Mouth Ulcers Unveil Video for “Silent Pictures”

    I wanna be happy

    Even if I said I could

    But what if I’m lonely

    And the darkness bleed when I shook

    To celebrate the release of Mouth Ulcers’ debut EP, Silent Pictures, the band has released a video for the title track directed by frontman Zak Watson. Following the spectral layering of “Space,” the London quartet now pares its visual language down to a single blue chamber, where performance, memory, and private distress are pressed into the same cold frame.

    The title “silent pictures” calls back to cinema before synchronized speech: an art built from faces, gestures, shadows, and the sudden eloquence of a cut. Gothic rock has long carried that visual grammar into music. The warped interiors of The Cabinet of Dr. Caligari, the advancing silhouette of Nosferatu, and the deathly poise of early screen horror survive in the genre’s high-contrast lighting, looming shadows, romantic morbidity, and sense that the performer has been supernaturally summoned rather than merely photographed.

    Watson’s video understands that inheritance as atmosphere rather than costume. It begins in a wash of blue so dense that the band seem suspended inside a photographic negative. High contrast strips the room of softness: faces turn pale, instruments gleam, and every movement acquires the blunt clarity of evidence. The setup is simple, and Watson uses that simplicity as pressure, keeping the camera close enough to catch the musicians as they tighten around the song.

    Formed in London in 2025, Mouth Ulcers have moved quickly from studio experiment to sold-out rooms in Britain and the Netherlands. Across Silent Pictures, traces of Bauhaus, The Chameleons, The Damned, The Cult, and the early Horrors surface without hardening into a pastiche of these influences. Written between July 2025 and early 2026, its songs settle into distinct temperaments, united by the private ache beneath the band’s dramatic poise.

    The title track circles a wish for happiness that keeps collapsing into loneliness, pain, and the erosion of memory. Repetition gives time a physical presence, as though each return to the refrain has removed another object from the room. Watson sings with a restrained intensity, while Josephine Rose, Jamie-Lee Culver, and David Zbirka supply a disciplined force around him. The performance becomes an act of endurance, with four people holding their places while something inward begins to give way.

    “It’s music for the dark nature that’s lurking beneath the ‘perfect’ world,” says the band. “It marks just the start of how we’d like to start our journey as a band and we hope everyone enjoys listening.”

    The video gives gothic style the discipline of precision. Its blue palette carries emotional weight from the opening frame. It flattens distinctions between skin, fabric, wall, and metal, turning the band into figures caught inside the same cold exposure. Cuts arrive with measured sharpness. A guitar neck crosses the frame; a cymbal flashes; Rose’s presence gives the image another point of tension. The camera studies the slight strain of a mouth, the angle of a shoulder, and the instant before a drum strike lands.

    Watch the video for Silent Pictures below:

    The Silent Pictures EP presents Mouth Ulcers as a band alert to the theatrical inheritance of goth and equally attentive to bodily signs of distress. As the song closes, no cathartic gesture settles the unease; the image leaves the musicians inside their blue chamber, still playing against time. For a debut statement, the restraint is persuasive. Mouth Ulcers have found a visual language spacious enough for private dread, desire, and the slow disappearance at the song’s centre.

    Listen to “Silent Pictures” below and order the EP here.

    Live Dates

    • 29 Jul – Paper Dress Vintage, London (UK) (sold out)
    • 14 Aug – District, Liverpool (UK)
    • 29 Aug – Hit The City, Eindhoven (NL)
    • 6 Oct – Sneaky Pete’s, Edinburgh (UK)
    • 7 Oct – Beyond The Music, Manchester (UK)
    • 17 Oct – Neighbourhood Festival, Manchester (UK)
    • 29 Oct – They’re Gonna Be Big Festival, Paris (FR)
    • 30 Oct – Grenswerk, Venlo (NL)
    • 31 Oct – London Calling Festival, Amsterdam (NL)
    • 6 Nov – Kentish Town Forum, London w/ The Mission (UK)
    • 7 Nov – The Warehouse, Leeds (UK)
    • 28 Nov – Post Punk Strikes Back Festival, Porto (PT)
    • 8–11 Jan – Rockaway Beach Festival, Bognor Regis (UK)

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    Mouth Ulcers – Silent Pictures EP artwork

    The post “And the Darkness Bleeds” — London’s Mouth Ulcers Unveil Video for “Silent Pictures” appeared first on Post-Punk.com.

  • Απεβίωσε ο ιδρυτικός κιθαρίστας των 9.7 RICHTER, Adrian “Sinner” Rus

    https://www.metalourgio.com/wp-content/uploads/2026/07/Adrian-Sinner-Rus-RIP-memorial-1982-2026-768×432.png

  • Complete List Of Elton John Band Members

    Elton John Band Members

    Elton John’s music has been shaped not only by his unmistakable piano and voice, but also by the exceptional musicians who have stood beside him in the studio and onstage. From longtime collaborators such as Nigel Olsson and Davey Johnstone to the many players who joined during different eras, this complete list traces the band members who helped build the sound behind one of rock music’s most enduring careers. Over the decades, Elton John’s backing band has undergone several changes, with a core group of musicians who have frequently collaborated with him on numerous tours and studio recordings. This ensemble

    The post Complete List Of Elton John Band Members appeared first on ClassicRockHistory.com.

  • “Take Off Your Mask” — Lovers Share Blue Hour Intimacy in Soft Veins’ “Learning to Talk”

    Blue hour, alone in your room
    Take off your mask, the light won’t find you
    Come morning, we will be here
    We will have nothing to say, we will have nothing to fear 

    California musician Justin Chamberlain, recording and performing as Soft Vein, has spent the past few years working within darkwave’s familiar gothic architecture: lowered lights, severe bass lines, vocals pressed close to the ear. On Learning to Talk, the third single from his forthcoming new album, that architecture opens outward: its shadowed interior remains intimate, but the walls recede, and the windows admit a softer light, revealing a more expansive new-wave sound shaped by tenderness, hesitation, and the peculiar courage of allowing oneself to be known.

    Co-produced with Nouvo Testamento’s Andrea Mantione, the track proceeds with measured assurance at the pace of two bodies discovering a common rhythm. A rounded bass figure steadies the song while electronics ripple across the mix, occasionally gathering into broad, luminous swells. Chamberlain sings in a breathy register that suits the lyrics’ concern with communication beyond speech. His phrasing has the careful looseness of someone choosing honesty before certainty, and the restraint gives each line an intimate pressure.

    The song’s premise is simple enough: lovers meet during the blue hour, lower their defenses, and learn to read gesture as language. Yet Chamberlain finds complexity in the exchange. Hands become a grammar; movement supplies punctuation; silence carries its own fluent charge. The romance grows through mutual attention, and the music follows suit, allowing desire to accumulate through repetition, texture, and small changes in intensity.

    This deepens a notable turn in Soft Vein’s development, extending the more pronounced new wave direction established by the previous two singles. Much of Chamberlain’s earlier work as Soft Vein drew its drama from darkwave severity, with atmosphere coiling tightly around the singer; Learning to Talk, by contrast, favours a more refined synthpop profile, admitting warmth while preserving the music’s emotional density. His voice sits near the centre, while the arrangement keeps shifting around him, as though the song were adjusting to each new degree of closeness.

    There is also a timely anxiety beneath its sensual ease. In the digital age, Intimacy often becomes entangled with self-consciousness, social performance, and the pressure to explain every feeling. Chamberlain imagines a different kind of connection, built through physical closeness, a temporary surrender of control, and the comfort of being understood without having to speak. In that light, the morning promised in the song’s refrain becomes evidence that the sensual encounter has endured the vulnerability of being fully seen.

    Listen to Learning To Talk below and order the single here.

    Mixed by Chamberlain and mastered by Jason Corbett at Jacknife Sound, Learning to Talk reaches a plush, dreamlike conclusion while retaining its poise. The final passages expand gently, giving the song the sense of a private revelation becoming spacious enough to inhabit. Soft Vein has made a romantic track with composure, sensuality, and precision, suggesting that his forthcoming album may find its richest material in the fragile distance between what lovers say and what their bodies already know. Its elegance comes through patience, while its romance rests in the risks each partner quietly accepts. The result feels generous, poised, and alive to each tremour of recognition.

    Catch Soft Vein live:

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    The post “Take Off Your Mask” — Lovers Share Blue Hour Intimacy in Soft Veins’ “Learning to Talk” appeared first on Post-Punk.com.